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whatever the movie 's sentimental , hypocritical lessons about sexism , its true colors come out in various wet t-shirt and shower scenes .
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by a sloppy script
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while remaining true to his principles
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either 11 times too many or else
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's nice to see piscopo again after all these years
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something creepy and vague
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incapable of controlling his crew
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turn out to be a bit of a cheat in the end
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cold-hearted curmudgeon
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to compensate for the paper-thin characterizations and facile situations
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ineptly directed action sequences and some of the worst dialogue in recent memory .
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is serene , the humor wry and sprightly
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throws quirky characters , odd situations , and off-kilter dialogue
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, by the end , no one in the audience or the film seems to really care
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, it irrigates our souls .
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is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story .
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hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone
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done-to-death
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a fifty car pileup of cliches
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, davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air
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i loved this film .
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full of charm
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possess the lack-of-attention span that we did at seventeen
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return to neverland manages to straddle the line between another classic for the company and just another run-of-the-mill disney sequel intended for the home video market
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too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff
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sit through , enjoy on a certain level and then
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i had more fun watching spy than i had with most of the big summer movies .
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so clumsily sentimental
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fosters moments of spontaneous intimacy
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make ` cherish ' a very good ( but not great ) movie .
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admire the film 's stately nature and
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humor , warmth ,
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usual tear
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take movies by storm
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unlikable characters and
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schaefer 's ... determination to inject farcical raunch
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catastrophic collision
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the greatest date movies
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would be like to be smack in the middle of a war zone armed with nothing but a camera
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some of the computer animation is handsome , and various amusing sidekicks add much-needed levity to the otherwise bleak tale ,
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troubling
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so intimate and sensual and funny and psychologically self-revealing
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living under a rock
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, duvall ( also a producer ) peels layers from this character that may well not have existed on paper .
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does little here but point at things that explode into flame
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the plot is paper-thin and the characters are n't interesting enough to watch them go about their daily activities for two whole hours
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reflected in almost every scene
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deflated ending aside , there 's much to recommend the film .
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the performances of pacino , williams , and swank keep the viewer wide-awake all the way through .
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earnest performances
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bad it does n't improve upon the experience of staring at a blank screen
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about the santa clause 2 , purportedly a children 's movie ,
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do you make a movie with depth about a man who lacked any
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harmless fun .
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the atmosphere of the crime expertly
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an enjoyable film
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funnier version of the old police academy flicks .
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the problem with antwone fisher is that it has a screenplay written by antwone fisher based on the book by antwone fisher .
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the film that surprises or delights
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reassembled from the cutting-room floor of any given daytime soap
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a superficial way
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they threw loads of money at an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans .
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the script 's flaws
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because the intelligence level of the characters must be low , very low , very very low , for the masquerade to work
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is dark , brooding and slow , and takes its central idea way too seriously .
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the film boasts at least a few good ideas and features some decent performances ,
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is clearly not zhang 's forte
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would have likely wound up a tnt original
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succeed in alienating most viewers
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with the unexplained baboon cameo
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trying to set the women 's liberation movement back 20 years
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entertaining two hours
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erotically
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decent popcorn adventure
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all mood and no movie .
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oftentimes funny ,
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have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else
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is an exercise in chilling style , and twohy films the sub , inside and out , with an eye on preserving a sense of mystery
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strong and convincing
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made every effort to disguise it as an unimaginative screenwriter 's invention
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indie of the year ,
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find room for one more member of his little band , a professional screenwriter
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dry wit and compassion
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namely , an archetypal desire to enjoy good trash every now and then .
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surprisingly , considering that baird is a former film editor , the movie is rather choppy .
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the rich promise of the script will be realized on the screen
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unable
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nelson 's intentions are good , but the end result does no justice to the story itself .
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about a pair of squabbling working-class spouses
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to see this terrific film with your kids -- if you do n't have kids borrow some
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its position
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unexpected moments of authentically impulsive humor
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left to work with , sort of like michael jackson 's nose
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's nothing more satisfying during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action
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if routine action and jokes like this are your cup of tea , then pay your $ 8 and get ready for the big shear .
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it earns extra points by acting as if it were n't
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a listless climb down the social ladder
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a modestly surprising movie
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of boring talking heads , etc .
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is still a cinematic touchstone .
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