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funny , sexy
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which gives you an idea just how bad it was
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is what it is -- a nice , harmless date film
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that will be seen to better advantage on cable , especially considering its barely
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underrehearsed
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's an ambitious film
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this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye
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... again shows uncanny skill in getting under the skin of her characters
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bottom-rung
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his inescapable past and uncertain future in a very shapable but largely unfulfilling present
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k-19 will not go down in the annals of cinema as one of the great submarine stories
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layered , well-developed characters and
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truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining
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an actress she is
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but the actors make this worth a peek .
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victorious
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reminiscent of alfred hitchcock 's thrillers , most of the scary parts in ` signs '
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fantasized
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on both suspense and payoff
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captivating
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precisely
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as part of mr. dong 's continuing exploration of homosexuality in america , family fundamentals is an earnest study in despair .
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is first-rate , especially sorvino .
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soderbergh skims the fat from the 1972 film .
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sharp movie
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full of holes that will be obvious even to those who are n't looking for them
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the lion king
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directed with purpose and finesse by england 's roger mitchell , who handily makes the move from pleasing
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heavy with flabby rolls of typical toback machinations
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more likely to induce sleep than fright
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after the clever credits roll
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runs a good race , one that will have you at the edge of your seat for long stretches . '
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george hickenlooper 's
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, in the history of the academy , people may be wondering what all that jazz was about `` chicago '' in 2002 .
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is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones
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there 's ... an underlying old world sexism to monday morning that undercuts its charm
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flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of effective sight gags .
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gives us a reason to care about them
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nothing but one relentlessly depressing situation after another for its entire running time ,
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less than the sum of its underventilated père-fils confrontations
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sarandon , who could n't be better as a cruel but weirdly likable wasp matron
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goes beyond his usual fluttering and stammering
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should pay reparations to viewers .
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's definite room for improvement
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see scratch for the music , see scratch for a lesson in scratching , but , most of all , see it for the passion .
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the first bond movie in ages that is n't fake fun
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uneven performances and a spotty script
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, frida gets the job done .
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the filmmakers wisely decided to let crocodile hunter steve irwin do what he does best , and fashion a story around him .
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there 's not a single jump-in-your-seat moment and believe it or not , jason actually takes a backseat in his own film to special effects .
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marivaux 's rhythms , and mira sorvino 's limitations as a classical actress
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good-bad that makes eight legged freaks a perfectly entertaining summer diversion
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sacrificing its high-minded appeal
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a film neither bitter nor sweet
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messenger
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its rawness and vitality give it considerable punch .
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quick-cut edits that often detract from the athleticism
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old-world charm
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tired , unnecessary retread
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sometimes improbable
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hardly an objective documentary , but it 's great cinematic polemic
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rouses us .
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that goes nowhere and goes there very , very slowly
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traditionally structured
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toothless dog
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an utterly incompetent conclusion
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allowed to use the word `` new '' in its title
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a sustained fest of self-congratulation between actor and director that leaves scant place for the viewer .
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, the more details slip out between his fingers .
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hollywood has crafted a solid formula for successful animated movies , and
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is smart and dark - hallelujah for small favors .
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the bread ,
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this picture is murder by numbers , and as easy to be bored by as your abc 's , despite a few whopping shootouts .
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dynamism
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the phrase ` fatal script error
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has made a movie that will leave you wondering about the characters ' lives after the clever credits roll
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from a consummate actor incapable of being boring
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this may be burns 's strongest film since the brothers mcmullen .
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groundbreaking
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elegant
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flaws , but also
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then again , in a better movie , you might not have noticed .
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is simply a well-made and satisfying thriller
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have forgotten everything he ever knew about generating suspense
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every visual joke is milked , every set-up obvious and lengthy , every punchline predictable .
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there are n't many conclusive answers in the film , but there is an interesting story of pointed personalities , courage , tragedy and the little guys vs. the big guys
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offensive , puerile
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if you have n't seen the film lately , you may be surprised at the variety of tones in spielberg 's work .
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doze off thirty minutes into the film
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juwanna mann
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the actresses find their own rhythm and protect each other from the script 's bad ideas and awkwardness .
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cutting-edge
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ranges from bad to bodacious
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credulous , unassuming , subordinate
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worst sense
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wrapping the theater
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's hard to believe that something so short could be so flabby
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will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely does an established filmmaker so ardently waste viewers ' time with a gobbler like this
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new york 's finest and a nicely understated expression of the grief
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so true and heartbreaking
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