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instead gets ( sci-fi ) rehash
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more to be prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms .
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the director mostly plays it straight , turning leys ' fable into a listless climb down the social ladder .
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richer and more observant
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enormously good fun
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soulful
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utterly ridiculous shaggy dog story
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nuanced look
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devos
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it 's petty thievery like this that puts flimsy flicks like this behind bars
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emerging in world cinema
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has a wooden delivery and
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big excuse
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has never made a more sheerly beautiful film than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence
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, the screenplay by billy ray and terry george leaves something to be desired .
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who is drawn into the exotic world of belly dancing
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it one of the year 's most enjoyable releases
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fly at such a furiously funny pace
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short and sweet
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as earnest as a community-college advertisement
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energy , intelligence and verve
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sloppy slapstick
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guilty-pleasure , daytime-drama sort
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go back and choose to skip it
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it certainly wo n't win any awards in the plot department but it sets out with no pretensions and delivers big time .
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moving , and adventurous
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the explosion essentially ruined -- or , rather , overpowered -- the fiction of the movie for me
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a winning piece of work filled with love for the movies of the 1960s .
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waste of time , money and celluloid
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who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness
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a much funnier film
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unfortunately , the experience of actually watching the movie is less compelling than the circumstances of its making .
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could so easily have been fumbled by a lesser filmmaker
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beautiful work
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the good-time shenanigans
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the footage of the rappers at play and the prison interview with suge knight
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do n't know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money .
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on a wal-mart budget
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is in trouble
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with heart
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chomp on jumbo ants , pull an arrow out of his back , and
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a handful
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occasionally inspired dialogue bits
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worked five years ago
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throws away
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ends up offering nothing more than the latest schwarzenegger or stallone flick
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with a mixture of deadpan cool , wry humor and just the measure
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fell apart
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dialogue and likeable characters
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loathe
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schindler 's
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more successful at relating history than in creating an emotionally complex , dramatically satisfying heroine
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exit the theater
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a sweetness , clarity and emotional openness
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it establishes its ominous mood and tension swiftly , and if the suspense never rises to a higher level , it is nevertheless maintained throughout .
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non-firsthand experience
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entertainment opportunism at its most glaring
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's a cool event for the whole family .
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subtlety has never been his trademark
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devolves into the derivative
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cringing
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biographical fantasia
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with so many bad romances out there , this is the kind of movie that deserves a chance to shine .
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easily one of the best and most exciting movies
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he slaps together his own brand of liberalism
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big bloody stew
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'll be wistful for the testosterone-charged wizardry of jerry bruckheimer productions , especially because half past dead is like the rock on a wal-mart budget
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, they find new routes through a familiar neighborhood
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more unattractive or odorous
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wang at the forefront of china 's sixth generation of film makers
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a sloppy script
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been nice if the screenwriters had trusted audiences to understand a complex story , and left off the film 's predictable denouement
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for humor in so many teenage comedies
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good taste
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( washington 's ) strong hand , keen eye , sweet spirit and good taste
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brainless , but enjoyably over-the-top ,
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is little more than home alone raised to a new , self-deprecating level
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fascinating , compelling story
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of epic adventure
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the whole affair , true story or not , feels incredibly hokey ...
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musical numbers
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the best war movies
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for this sort of thing to work , we need agile performers , but the proficient , dull sorvino has no light touch , and rodan is out of his league
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you were n't invited to the party
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, these components combine into one terrific story with lots of laughs .
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it treats ana 's journey with honesty that is tragically rare in the depiction of young women in film .
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bogs down in rhetoric and cliché
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female empowerment
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is always a joy to watch , even when her material is not first-rate
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relatively flavorless
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labute masterfully
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as plain and pedestrian as catsup --
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out there somewhere who 's dying for this kind of entertainment
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one is left with a sour taste in one 's mouth , and little else .
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soul-stirring
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contenders
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fulfilling
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's better than the phantom menace
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reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth .
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enjoyed themselves
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