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when you find yourself rooting for the monsters in a horror movie , you know the picture is in trouble .
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captures the innocence and budding demons within a wallflower
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to trivialize the material
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seems so real
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works so well for the first 89 minutes , but
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donovan ... squanders his main asset , jackie chan ,
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cheap-looking version of candid camera
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in rapt attention
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the movie itself is far from disappointing , offering an original take on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis .
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like being trapped at a bad rock concert
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infuriating
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silences
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you feel good , you feel sad ,
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the talk alone is enough to keep us
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wendigo wants to be a monster movie for the art-house crowd , but it falls into the trap of pretention almost every time .
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creates a drama with such a well-defined sense of place and age -- as in , 15 years old --
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is as often imaginative as it is gory
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immature and
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oddly sweet
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this is one of those war movies that focuses on human interaction rather than battle and action sequences ...
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suffers from all the excesses of the genre
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's not a spark of new inspiration in it , just more of the same , done with noticeably less energy and imagination .
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graphic sex may be what 's attracting audiences to unfaithful ,
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fresh and
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is a movie you can trust .
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is serene , the humor wry and sprightly .
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emotional and moral
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's a lot of tooth in roger dodger
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adoring , wide-smiling reception
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the road to perdition
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if you 're looking for an intelligent movie in which you can release your pent up anger , enough is just the ticket you need .
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reopens an interesting controversy and
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a chilly , remote , emotionally distant piece ... so dull
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carries much of the film with a creepy and dead-on performance
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spends a bit too much time on its fairly ludicrous plot
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they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes
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real magic , perhaps
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to be both hugely entertaining and uplifting .
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first made audiences on both sides of the atlantic love him
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, the update is dreary and sluggish .
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clearly hopes to camouflage how bad his movie is .
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after 30 minutes into a slap-happy series
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a character faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance .
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in reality it 's one tough rock .
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the most magical and most fun family fare
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found myself growing more and more frustrated and detached as vincent became more and more abhorrent .
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that van wilder does little that is actually funny with the material
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an enjoyable 100 minutes
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irrational , long-suffering but cruel
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presents a frightening and compelling ` what if ? '
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that the rich promise of the script will be realized on the screen
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canny crowd pleaser
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it is worth searching out .
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aimless , arduous , and arbitrary
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passion and energy
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i spy is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort .
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been much better
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has little insight into the historical period and its artists ,
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the best of them
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exposé , the film ( at 80 minutes ) is actually quite entertaining .
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's quite an achievement
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pretend like your sat scores are below 120 and you might not notice the flaws
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and unabashed sweetness
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law to be discerned here that producers would be well to heed
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in mystery and a ravishing , baroque beauty
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reach satisfying conclusions
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is a few bits funnier than malle 's dud , if only because the cast is so engagingly messing around like slob city reductions of damon runyon crooks
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relegated to a dark video store corner
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with only the odd enjoyably chewy lump
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the power of this movie is undeniable .
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taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating
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the uncompromising knowledge
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will attach a human face to all those little steaming cartons .
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is a movie that starts out like heathers , then becomes bring it on , then becomes unwatchable .
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a summer-camp talent show : hastily written
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with increasingly amused irony , the relationship between reluctant captors and befuddled captives .
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affecting , amusing , sad and reflective
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a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis
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huge heart
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resist his pleas
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making the ambiguous ending seem goofy rather than provocative
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a smile , just sneers and bile
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not only better than its predecessor
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is n't very bright
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smeary
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hampered -- no , paralyzed -- by a self-indulgent script
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undeniably intriguing
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emotional misery
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lacks the skill or presence
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even more ludicrous
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alienation
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the most part a useless movie , even with a great director at the helm
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did n't connect with me would require another viewing
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like puppies with broken legs
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significantly better than its 2002 children 's - movie competition .
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its accumulated enjoyment
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is instead about as fresh as last week 's issue of variety .
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, you ca n't miss it .
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assign one bright shining star to roberto benigni 's pinocchio --
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things insipid
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