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feels the dimming of a certain ambition
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schticky chris rock and stolid anthony hopkins , who seem barely in the same movie
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a recycled and dumbed-down version
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, this deeply moving french drama develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times .
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there is nothing funny in this every-joke-has - been-told-a - thousand-times - before movie .
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slow , predictable and not very amusing
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magnificent swooping aerial shots
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sensitive ensemble performances and good period reconstruction
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proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery
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the story feels like the logical , unforced continuation of the careers of a pair of spy kids
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lustrous
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to see two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best
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as good a job as anyone
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generally smart casting
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completely awful iranian drama ... as much fun as a grouchy ayatollah in a cold mosque
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this is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged makes no difference in the least .
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effecting
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is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture
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, emotionally devastating piece
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remembered as one of ( witherspoon 's ) better films
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it is generally amusing from time to time
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feels like the logical , unforced continuation of the careers of a pair of spy kids
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has no snap to it , no wiseacre crackle or hard-bitten cynicism .
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a mawkish self-parody that plays like some weird masterpiece theater sketch with neither a point of view nor a compelling reason for being
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for a silly hack-and-slash flick
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, you will enjoy seeing how both evolve
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offensive , puerile and unimaginatively foul-mouthed
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starts off as a potentially incredibly twisting mystery
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coordinated
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overripe episode
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, you wo n't feel like it 's wasted yours
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how many more times will indie filmmakers subject us to boring , self-important stories of how horrible we are to ourselves and each other ?
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the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries
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does all of this , and more , while remaining one of the most savagely hilarious social critics this side of jonathan swift
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gives it that extra little something that makes it worth checking out at theaters , especially if you 're in the mood for something more comfortable than challenging
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a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination
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lousy guy ritchie imitation
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more enjoyable
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comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness
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flashy gadgets and whirling fight sequences may look cool , but they ca n't distract from the flawed support structure holding equilibrium up
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described as sci-fi generic
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the work of the director , frank novak , that keeps the film grounded in an undeniable social realism
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speak for it while it forces you to ponder anew what a movie can be
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's refreshing to see a romance this smart
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light treat
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it is welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion
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purposefully shocking in its eroticized gore , if unintentionally dull in its lack of poetic frissons .
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forget about one oscar nomination for julianne moore this year - she should get all five
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i 'm not sure these words have ever been together in the same sentence : this erotic cannibal movie is boring
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comforting
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, it 's nowhere near as good as the original .
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carries us effortlessly from darkness to light
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what it lacks in outright newness
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watch them go about their daily activities for two whole hours
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perfectly
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warm in its loving yet unforgivingly inconsistent depiction of everyday people , relaxed in its perfect quiet pace and proud in its message .
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totally unexpected directions
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, intermittently powerful study
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what ( denis ) accomplishes in his chilling , unnerving film is a double portrait of two young women whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned .
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ravishing
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must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks
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this is a movie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn .
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of our most flamboyant female comics
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a minor film with major pleasures from portuguese master manoel de oliviera ...
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's a powerful though flawed movie , guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today
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sinks so low in a poorly played game of absurd plot twists , idiotic court maneuvers and stupid characters that even freeman ca n't save it .
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suffered through the horrible pains of a death by cancer
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it 's dull , spiritless , silly and monotonous : an ultra-loud blast of pointless mayhem , going nowhere fast .
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there is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism .
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raises some worthwhile themes while delivering a wholesome fantasy for kids
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toward maximum comfort and familiarity
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assume he had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low
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fringe feminist conspiracy theorist
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the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them
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has n't developed characters so much as caricatures , one-dimensional buffoons that get him a few laughs but nothing else
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bolstered by an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and a storyline
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's 86 minutes too long
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bad writing , bad direction and bad acting -- the trifecta of badness
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a cliché left
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is also imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama
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enhanced by a surplus of vintage archive footage
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sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit
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reaches
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omitted nor a cliché left unsaid
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screenwriter dan schneider and director shawn levy substitute volume and primary colors for humor and bite .
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$ 99 bargain-basement special
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good sweat
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proving once again ego does n't always go hand in hand with talent
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historically significant work
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it counts heart as important as humor
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as well-written as sexy beast
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passionate , irrational , long-suffering but cruel as a tarantula , helga figures prominently in this movie , and helps keep the proceedings as funny for grown-ups as for rugrats .
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muddy
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a fine production with splendid singing by angela gheorghiu , ruggero raimondi , and roberto alagna
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a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story
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the filmmakers could dredge up
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a sexy , surprising romance ... idemoto and kim make a gorgeous pair ... their scenes brim with sexual possibility and emotional danger
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marvelous verdu
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there has been a string of ensemble cast romances recently ... but peter mattei 's love in the time of money sets itself apart by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note
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leave it to the french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama
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