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are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy
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so striking
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sweet , funny , charming , and completely delightful
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quirky rip-off prison
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horizons
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lumpy as two-day old porridge
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a listless sci-fi comedy in which eddie murphy deploys two guises and elaborate futuristic sets to no particularly memorable effect .
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very touching
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the magnificent swooping aerial shots are breathtaking ,
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the histrionic muse still eludes madonna and , playing a charmless witch , she is merely a charmless witch .
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are gorgeous and finely detailed
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rather unfocused
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it is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches ; it primarily relies on character to tell its story
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headed east , far east , in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie
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this might not seem like the proper cup of tea , however it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half
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human nature , in short , is n't nearly as funny as it thinks it is ; neither is it as smart .
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drawing wrenching performances
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an enthralling , entertaining feature
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is many things -- stoner midnight flick , sci-fi deconstruction , gay fantasia -- but above all it 's a love story as sanguine as its title .
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who embraces a strict moral code
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virtually no understanding
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good human
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is as thought-provoking as it
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a delightful stimulus
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a film -- full of life and small delights -- that has all the wiggling energy of young kitten
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's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance
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been astronomically bad
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is rigid and evasive in ways
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grounded in an undeniable social realism
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not that funny
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... in the pile of useless actioners from mtv schmucks who do n't know how to tell a story for more than four minutes .
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it is a strength of a documentary to disregard available bias , especially as temptingly easy as it would have been with this premise .
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is moody , oozing , chilling and heart-warming all at once ... a twisting , unpredictable , cat-and-mouse thriller
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it strikes hardest ... when it reminds you how pertinent its dynamics remain .
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want you to enjoy yourselves without feeling conned
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formulaic and stilted
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a moldy-oldie , not-nearly - as-nasty - as-it
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a sensitive , modest comic tragedy that works as both character study and symbolic examination of the huge economic changes sweeping modern china .
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bad singer-turned actors
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of fun
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extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles
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, it traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at .
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two young women whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned
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as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac
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fine production
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it 's not nearly as fresh or enjoyable as its predecessor , but there are enough high points to keep this from being a complete waste of time
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are many definitions of ` time waster '
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pompous and garbled
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stealing harvard is a horrible movie -- if only it were that grand a failure
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sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit , yet it 's geared toward an audience full of masters of both .
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little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon
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about as enjoyable , i would imagine , as searching for a quarter in a giant pile of elephant feces ... positively dreadful .
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well shot
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virtually collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension
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the problem with the film is whether these ambitions , laudable in themselves , justify a theatrical simulation of the death camp of auschwitz ii-birkenau .
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a grand tour through 300 hundred years of russian cultural identity and a stunning technical achievement
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any easier to sit through than this hastily dubbed disaster
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languorous slo-mo sequences
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are breathtaking
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did the screenwriters just do a cut-and-paste of every bad action-movie line in history ?
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come up with an adequate reason why we should pay money for what we can get on television for free
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falling
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, repetitively stretched out to feature length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue .
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virtuous
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ability to think
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touched
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a thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies
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shows how deeply felt emotions can draw people together across the walls that might otherwise separate them
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a coming-of-age film that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type
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the predominantly amateur cast is painful to watch , so stilted and unconvincing
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too clichéd and too often strains
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it 's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth .
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with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama
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ignore but a little too smugly superior
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tame
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a visually masterful work of quiet power
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driven by a fantastic dual performance from ian holm ... the film is funny , insightfully human and a delightful lark for history buffs
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too heady for children , and too preachy
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... too contrived to be as naturally charming as it needs to be .
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see this terrific film with your kids -- if you do n't have kids borrow some
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are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze .
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littered with zero-dimensional , unlikable characters and hackneyed , threadbare comic setups
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boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape
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so low in a poorly
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this wretchedly unfunny wannabe comedy is inane and awful - no doubt , it 's the worst movie i 've seen this summer
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humanistic
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reinvigorated
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alexandre dumas classic
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spielberg has managed to marry science fiction with film noir and action flicks with philosophical inquiry .
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wet burlap sack
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goodwill
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intelligent observations
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cracked lunacy
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awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue
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michael moore 's bowling for columbine rekindles the muckraking , soul-searching spirit of the ` are we a sick society ? '
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too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen
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feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful .
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a sluggish pace and lack of genuine narrative hem the movie in every bit as much as life hems in the spirits of these young women .
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so memorable
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zero-dimensional , unlikable characters and hackneyed , threadbare comic setups
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