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a deep vein of sadness
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can be expected from a college comedy that 's target audience has n't graduated from junior high school ?
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here his sense of story and his juvenile camera movements smack of a film school undergrad
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the evocative imagery
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violent , vulgar and forgettably entertaining
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, loud , bang-the-drum
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because it 's lousy
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not the great american comedy
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in mind an ( emotionally at least ) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested
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a fudged opportunity of gigantic proportions
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dark humor , gorgeous exterior photography ,
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an intelligent movie
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guy gets girl , guy loses girl , audience falls asleep .
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a superior crime movie
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its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham
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its visual panache
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is masterful
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far from heaven is a dazzling conceptual feat , but more than that , it 's a work of enthralling drama .
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ballsy
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a stock plot
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94-minute travesty
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more trifle than triumph
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fun
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so i do n't know what she 's doing in here
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crossroads is nothing more than an hour-and-a-half-long commercial for britney 's latest album
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the worst of their shallow styles
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based on a true and historically significant story
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simone is not a bad film .
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is heartfelt and hilarious in ways you ca n't fake .
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senseless
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stays close to the ground
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a barf bag
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may just end up trying to drown yourself in a lake afterwards .
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handles it in the most unexpected way
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an awkwardly contrived exercise in magic realism
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try to create characters out of the obvious cliches ,
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becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if
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you can not guess why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed .
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cool visual backmasking
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be low , very low , very very low , for the masquerade to work
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desperate for attention it nearly breaks its little neck trying to perform entertaining tricks
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i 'm actually having a hard time believing people were paid to make it
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knew about generating suspense
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the modern master of the chase sequence returns with a chase to end all chases
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upsetting and thought-provoking , the film has an odd purity that does n't bring you into the characters so much as it has you study them .
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it 's an ambitious film , and as with all ambitious films , it has some problems
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something about watching a squad of psychopathic underdogs whale the tar out of unsuspecting lawmen that reaches across time and distance
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disguise the fact that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it
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such superficial treatment
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, twisted , brilliant and macabre
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's unfortunate
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nothing happens , and
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simply stupid , irrelevant and
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being forceful , sad without being shrill
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lushness
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to a more mythic level
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is more likely to induce sleep than fright
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audacious ambitions
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that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace
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thoughtful examination
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still comes off as a touching , transcendent love story .
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a surprisingly juvenile lark ,
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clueless and
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happiness
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this equally derisive clunker
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a knowing
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most watchable film
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the result , however well-intentioned , is ironically just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood .
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heart
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goofy , nutty , consistently funny .
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numerous , world-renowned filmmakers
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more than a whiff
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will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution , but
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the respect they
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to be delightfully compatible here
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i 'm not a fan of the phrase ` life affirming ' because it usually means ` schmaltzy , '
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had from films crammed with movie references
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ame and unnecessary
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it 's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb
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satisfactory overview
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it would have worked so much better dealing in only one reality
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a biting satire
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unique and inherent
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the charismatic jackie chan
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to light
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soft-porn
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standing by yourself is haunting ... ( it 's ) what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction .
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oscar-caliber performances
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wears out
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high-octane
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a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
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a mall movie designed to kill time
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spontaneous intimacy
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clear-eyed chronicle
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strikes a potent chemistry with molina
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evanescent , seamless and sumptuous stream
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of the damned is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle .
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the only thing i laughed at were the people who paid to see it .
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far the worst movie of the year
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an intriguing look at the french film industry during the german occupation ;
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