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strangers , which opens today in the new york metropolitan area , so distasteful
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in a summer of clones
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it 's still a comic book ,
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amoral assassin
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vardalos and corbett , who play their roles with vibrant charm
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most daring , and complicated , performances
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to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love
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to be something really good
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is sorely lacking
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adds enough quirky and satirical touches
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no trouble sitting for blade ii
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is off-putting , to say the least , not to mention inappropriate and wildly undeserved .
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gives itself the freedom to feel contradictory things .
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magical enough to bring off this kind of whimsy
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as a young woman of great charm , generosity and diplomacy
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fully formed and
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dystopian
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the screenwriter responsible for one of the worst movies of one year
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are more compelling than the execution
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's good , hard-edged stuff , violent and a bit exploitative but also nicely done , morally alert and street-smart .
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directed the film from the back of a taxicab
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serve no other purpose than to call attention to themselves
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bible stores of the potential for sanctimoniousness
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deserves the dignity of an action hero motivated by something more than franchise possibilities
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intermittently powerful study
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that 's too loud , too goofy and too short of an attention span
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yet engrossing piece
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of the worst films of 2002
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must have baffled the folks in the marketing department
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extant stardom
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one baaaaaaaaad movie
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though clearly well-intentioned , this cross-cultural soap opera is painfully formulaic and stilted .
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vaguely interesting , but it 's just too too much
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there 's not a fresh idea at the core of this tale .
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, ugly and destructive little ****
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brave and
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in the worst way
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engaging film
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whatever
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's immensely ambitious , different than anything that 's been done before and amazingly successful in terms of what it 's trying to do
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of hopeful
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utterly misplaced
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girls , who learns that believing in something does matter
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both innocent and jaded
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is its unforced comedy-drama and its relaxed , natural-seeming actors
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's updating works surprisingly well .
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graphic violence
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though the aboriginal aspect lends the ending an extraordinary poignancy , and the story itself could be played out in any working class community in the nation .
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one problem with the movie , directed by joel schumacher
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it 's a very valuable film ...
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the misery
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lovely and beautifully
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on action
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a well-done film of a self-reflexive , philosophical nature
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so vividly that the artist 's work may take on a striking new significance for anyone who sees the film
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one film that 's truly deserving of its oscar nomination
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its share of belly laughs ( including a knockout of a closing line )
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returning to one anecdote for comparison : the cartoon in japan that gave people seizures
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the film delivers what it promises : a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans .
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there are some movies that hit you from the first scene and you know it 's going to be a trip .
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halfway intriguing plot
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a processed comedy chop suey .
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of a stylish psychological thriller
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just another teen movie ,
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family dynamics
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the best case for christianity
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a mystery devoid
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an eventual cult classic
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the story and the actors are served with a hack script .
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auto focus bears out as your typical junkie opera ...
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approaching even a vague reason to sit through it all
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deadly dull , pointless meditation on losers in a gone-to-seed hotel .
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noisy
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this nicholas nickleby finds itself in reduced circumstances -- and , also like its hero , it remains brightly optimistic , coming through in the end .
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has improved upon the first and taken it a step further , richer and deeper
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will be an enjoyable choice for younger kids
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to places in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity
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in its committed dumbness
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too-long , spoofy update
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pure entertainment
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an action hero with table manners
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some movies suck you in despite their flaws ,
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one-star
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that should shame americans , regardless of whether or not ultimate blame
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supremely hopeful
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's nothing wrong with that
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it adds up to big box office bucks all but guaranteed .
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is high on squaddie banter , low
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pushes for insights beyond the superficial tensions of the dynamic he 's dissecting
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, and for the memorable character creations
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but mostly it 's a work that , with humor , warmth , and intelligence , captures a life interestingly lived .
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wait to see it then .
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loosely connected
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proves absolutely that really , really , really good things can come in enormous packages
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really does n't have much to say beyond the news
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would stoop so low
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`` extreme ops '' exceeds expectations .
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a solid pedigree both in front of and , more specifically , behind the camera
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with the waldo salt screenwriting award
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most entertaining moments
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