text string | label int64 |
|---|---|
borrows from bad lieutenant and les vampires , | 0 |
the only thing to fear about `` fear dot com '' is hitting your head on the theater seat in front of you when you doze off thirty minutes into the film . | 0 |
spiffy bluescreen technique and | 1 |
're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix | 0 |
the film maintains a beguiling serenity and poise that make it accessible for a non-narrative feature . | 1 |
its usual worst | 0 |
immature and unappealing | 0 |
handled correctly , wilde 's play is a masterpiece of elegant wit and artifice . | 1 |
there is a real subject here | 1 |
bad bear suits | 0 |
the spectacle of small-town competition | 1 |
, but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons | 1 |
hit on a 15-year old when you 're over 100 | 0 |
an interesting and at times captivating take on loss and loneliness . | 1 |
a welcome , if downbeat , missive | 1 |
so aggressively cheery that pollyana would reach for a barf bag . | 0 |
is too busy | 0 |
warmed-over cold war paranoia | 0 |
obnoxious as tom green 's freddie got fingered | 0 |
nakata 's technique is to imply terror by suggestion , rather than the overuse of special effects . | 1 |
that accomplishes so much that one viewing ca n't possibly be enough | 1 |
are poorly delivered | 0 |
like a grinning jack o ' lantern , its apparent glee is derived from a lobotomy , having had all its vital essence scooped out and discarded . | 0 |
its sensitive handling | 1 |
skin of man gets a few cheap shocks from its kids-in-peril theatrics , but it also taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults . | 1 |
director doug liman and his colleagues have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood | 1 |
an unruly adolescent boy | 1 |
the best thing | 1 |
the real issues tucked between the silly and crude storyline | 0 |
well , it probably wo n't have you swinging from the trees hooting it 's praises , but it 's definitely worth taking a look . | 1 |
manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in | 1 |
an ugly , pointless , stupid movie | 0 |
cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and | 1 |
dumb | 0 |
messy and frustrating , | 0 |
old-fashioned hollywood magic | 1 |
muddy psychological | 0 |
, and gently tedious in its comedy | 1 |
fully formed | 1 |
can not recommend it , because it overstays its natural running time | 0 |
she loves them to pieces | 1 |
nothing better to do with 94 minutes | 0 |
is an actress works as well as it does because ( the leads ) are such a companionable couple | 1 |
greatest pictures | 1 |
the acres of haute couture ca n't quite conceal that there 's nothing resembling a spine here | 0 |
the titillating material | 1 |
some good , organic character work , lots of obvious political insights | 1 |
old age and grief | 0 |
is familiar but enjoyable | 1 |
along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes | 1 |
gorgeous epic | 1 |
topless and roll in the mud than a worthwhile glimpse of independent-community guiding lights . | 0 |
has no point and | 0 |
sensitive ensemble performances and | 1 |
the enjoyable undercover brother , a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy gone wild , | 1 |
takes great pleasure | 1 |
is enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film and stage adaptations of the work | 1 |
the movie around them is so often nearly nothing that their charm does n't do a load of good | 0 |
a surgeon mends | 1 |
some phenomenal performances | 1 |
although i did n't hate this one | 1 |
have brought back the value and respect for the term epic cinema | 1 |
survive a screening with little harm done | 0 |
achieving some honest insight into relationships | 1 |
'll find in this dreary mess | 0 |
is insipid | 0 |
, well-shaped dramas | 1 |
highly uneven and inconsistent ... | 0 |
romantic comedy and dogme 95 filmmaking may seem odd bedfellows , but they turn out to be delightfully compatible here | 1 |
that have preceded it | 1 |
brave and | 1 |
never succeed in really rattling the viewer | 0 |
jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad | 1 |
does n't deliver a great story , nor | 0 |
so aggressively cheery | 0 |
an addictive guilty pleasure but the material | 1 |
minor miracle | 1 |
is as adult as you can get | 1 |
as funny nor | 0 |
's mostly a pleasure to watch . | 1 |
loved the 1989 paradiso will prefer this new version | 1 |
unusual , food-for-thought cinema that 's as entertaining as it is instructive | 1 |
to laugh at how bad | 0 |
to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year | 0 |
fabulous | 1 |
believable | 1 |
and there 's an element of heartbreak to watching it now , with older and wiser eyes , because we know what will happen after greene 's story ends . | 1 |
why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera | 0 |
a prolific director of music videos | 1 |
an unflinching , complex portrait of a modern israel that is rarely seen on-screen | 1 |
're drawn in by the dark luster | 1 |
( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic | 0 |
, the attention process tends to do a little fleeing of its own . | 0 |
iosseliani | 1 |
clever enough to sustain a reasonable degree of suspense on its own | 1 |
not-very-funny | 0 |
nor a cliché left unsaid | 0 |
the cast is spot on | 1 |
of honest poetry | 1 |
beautifully filmed | 1 |
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