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its success on a patient viewer
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awful sour taste
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scratch is great fun , full of the kind of energy it 's documenting .
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assayas ' ambitious , sometimes beautiful adaptation of jacques chardonne 's novel .
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scratching your head in amazement over the fact
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the percussion rhythm , the brass soul and
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in this marvelous film
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with daring and verve
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handled affair , a film about human darkness but etched with a light ( yet unsentimental ) touch
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insomnia is one of the year 's best films and pacino gives one of his most daring , and complicated , performances
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, derrida is all but useless
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sing beautifully
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this is n't even a movie we can enjoy as mild escapism ; it is one in which fear and frustration are provoked to intolerable levels .
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suitably elegant
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then becomes unwatchable
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like this film
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the integrity and vision
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zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance , but
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his genre and his character construct is a wonderous accomplishment of veracity and narrative grace
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is of brian de palma 's addiction to the junk-calorie suspense tropes that have all but ruined his career
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embraces it , energizes it
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possibilities which imbue the theme with added depth and resonance
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of why the dv revolution has cheapened the artistry of making a film
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allows his cast members to make creative contributions to the story and dialogue .
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dialogue and preposterous moments
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stupid ,
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generating suspense
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driven by the pathetic idea that if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic '
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smart , sassy and exceptionally charming
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some very good comedic songs
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typical
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relative
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is n't necessarily an admirable storyteller
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into a rustic , realistic , and altogether creepy tale of hidden invasion
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wo n't stand the cold light of day
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insanely violent and very graphic
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in that sense is a movie that deserves recommendation
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eventually the content is n't nearly as captivating as the rowdy participants think it is .
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overwhelm what is left of the scruffy , dopey old hanna-barbera charm .
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the haphazardness of evil
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happily
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farts , urine , feces , semen
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gets off with a good natured warning
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loud , violent and mindless
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, one the public rarely sees .
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gets the tone just right -- funny in the middle of sad in the middle of hopeful
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's surprisingly bland despite the heavy doses of weird performances and direction .
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make a gorgeous pair
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vibrantly colored and
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disappointment
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an uneasy mix
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the film fearlessly gets under the skin of the people involved ... this makes it not only a detailed historical document , but an engaging and moving portrait of a subculture .
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it never plays as dramatic even when dramatic things happen to people .
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colorful
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or , worse yet , nonexistent --
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it might not be 1970s animation , but everything else about it is straight from the saturday morning cartoons -- a retread story , bad writing , and the same old silliness
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great party
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as broad and cartoonish as the screenplay is , there is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism .
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considering that baird is a former film editor , the movie is rather choppy .
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so preachy-keen and
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the film would be a total washout .
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wish it would have just gone more over-the-top instead of trying to have it both ways
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, it is a failure .
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it 's never laugh-out-loud funny , but it is frequently amusing .
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an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters
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humor and
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refreshing visit
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the vampires
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is at once intimate and universal cinema .
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it 's pleasant enough -- and oozing with attractive men
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that is even lazier and far less enjoyable .
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formulaic , its plot and pacing typical hollywood war-movie stuff , while the performances elicit more of a sense of deja vu than awe
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passionate
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something of bubba ho-tep 's clearly evident quality
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this is n't even a movie we can enjoy as mild escapism
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the story compels
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mind-bender .
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thoughtful and unflinching examination
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going to make his debut as a film director
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is so warm and fuzzy you might be able to forgive its mean-spirited second half .
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see this delightful comedy
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skillful and
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bad idea
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remarkable skill
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nice little story
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a damn fine and
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new kind
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'' derrida is an undeniably fascinating and playful fellow .
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every single scene
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sketches ... which leaves any true emotional connection or identification frustratingly out of reach
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while this movie , by necessity , lacks fellowship 's heart
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beaches
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earnest movie
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the emperor 's club ,
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the re - enactments , however fascinating they may be as history , are too crude to serve the work especially well .
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sitting in the third row of the imax cinema at sydney 's darling harbour , but i sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking and hovering over some of the most not
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gorgeous film a must for everyone from junior scientists to grown-up fish lovers
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lawrence has only a fleeting grasp of how to develop them
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still fun and enjoyable and so aggressively silly
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budding amours
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