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narc is a no-bull throwback to 1970s action films .
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was n't at least watchable
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does n't reach them
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with the intricate preciseness of the best short story writing
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any insights that have n't been thoroughly debated in the media
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disapproval
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do anything
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more than merely a holocaust movie
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of the obvious cliches
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its premise is smart , but
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into a warmed over pastiche
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touching reflection
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a beautiful film , full of elaborate and twisted characters
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a pretty decent kid-pleasing , tolerable-to-adults lark of a movie .
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a bad improvisation exercise ,
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as ex-marine walter , who may or may not have shot kennedy , actor raymond j. barry is perfectly creepy and believable .
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burnt out on it 's a wonderful life marathons and bored
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the summer 's most pleasurable movies
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as gidget , only with muscles and a lot more smarts , but just as endearing and easy to watch
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hilarious
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comes off as a long
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a movie that ends up slapping its target audience in the face by shooting itself in the foot
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with a zippy jazzy score
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is one of the best actors there is
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life , hand gestures , and
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at least during their '70s heyday
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sitting through dahmer 's two hours amounts to little more than punishment .
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finds its moviegoing pleasures
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poor quality
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an undistinguished attempt to make a classic theater piece
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remains prominent , as do the girls ' amusing personalities .
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is no foundation for it
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depress you
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'll still have a good time . ''
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is it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it ?
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definitive , if disingenuous , feature
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naturalistic acting
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it 's a pretty listless collection of kid-movie clichés .
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a high-spirited buddy movie
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has far more energy
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a load of good
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of the man
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the aaa of action , xxx is a blast of adrenalin , rated eee for excitement .
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a beautiful paean to a time long past .
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to become a major-league leading lady , ( but )
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of pure misogynist evil
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wallowing in its characters ' frustrations
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i 've never seen ( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic ...
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so willing to champion the fallibility of the human heart
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visual delight
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a formula family tearjerker told with a heavy irish brogue ... accentuating , rather than muting , the plot 's saccharine thrust .
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is worth seeking .
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idemoto and kim make a gorgeous pair ... their scenes brim with sexual possibility and emotional danger
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up out of john c. walsh 's pipe dream
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a party worth attending
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, it 's often overwritten , with a surfeit of weighty revelations , flowery dialogue , and nostalgia for the past and roads not taken .
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fantastic visual trope
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be a breath of fresh air
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abysmally pathetic
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this film biggest problem
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the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people
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under his control
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the death
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falls to the floor with a sickening thud
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this 90-minute dud
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the action here is unusually tame , the characters are too simplistic to maintain interest , and the plot offers few surprises .
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watch , giggle and
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wears thin -- then out -- when there 's nothing else happening
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a great premise but only a great premise
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, it has some problems
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, this is sure to raise audience 's spirits and leave them singing long after the credits roll .
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one of the most genuinely sweet films to come along in quite some time .
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it one of the year 's most enjoyable releases
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incisive and
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determine how well the schmaltz is manufactured -- to assess the quality of the manipulative engineering
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the script , the gags , the characters are all direct-to-video stuff , and that 's where this film should have remained .
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you feel good , you feel sad
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suited to a quiet evening on pbs than a night out at an amc
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is a beautiful film to watch
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even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half
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too many barney videos
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the believer is nothing less than a provocative piece of work
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spectacle
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a stale , overused cocktail using the same olives since 1962 as garnish
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jolt you out of your seat a couple of times , give you a few laughs , and leave you feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end
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emotional conviction
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an uncomfortable movie
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... better described as a ghost story gone badly awry .
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a dreary tract of virtually plotless meanderings
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tootsie knockoff .
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an elegance and maturity
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the entire point of a shaggy dog story , of course , is that it goes nowhere , and this is classic nowheresville in every sense
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, lame screenplay
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poorly structured
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a sugar-coated rocky whose valuable messages are forgotten 10 minutes after the last trombone honks .
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mr. audiard 's direction is fluid and quick .
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works its way up
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is shockingly bad and absolutely unnecessary
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oftentimes funny ,
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black-and-white inspires
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