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the intensity
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every cliché
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went back to newcastle , the first half of gangster no. 1 drips with style and , at times , blood
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falls apart
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timeless and unique perspective
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becomes too heavy for the plot .
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wo n't feel cheated by the high infidelity of unfaithful
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that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself
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felt and vividly detailed story about newcomers in a strange new world .
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at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and
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into the passive-aggressive psychology of co-dependence and the struggle for self-esteem
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mr. polanski is in his element here : alone , abandoned , but still consoled by his art , which is more than he has ever revealed before about the source of his spiritual survival
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the bodily function jokes are about what you 'd expect , but there are rich veins of funny stuff in this movie .
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really good premise
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delightful
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supremely good natured
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is prime escapist fare
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's funny , touching , dramatically forceful , and beautifully shot
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something clever
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different , unusual , even nutty
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very attractive about this movie
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dicey screen material
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leave the theater
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the marvelous first 101 minutes
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easily and , in the end , not well enough
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a movie in which two not very absorbing characters are engaged in a romance you ca n't wait to see end .
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paper-thin characterizations
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the misery
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bogs down in genre cliches here
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manipulative and as bland as wonder bread dipped in milk
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you should never , ever , leave a large dog alone with a toddler
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every now and again , a movie comes along to remind us of how very bad a motion picture can truly be .
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rises above easy , cynical potshots at morally bankrupt characters
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, starring ben affleck , seem downright hitchcockian
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desperation
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go to the u.n. and ask permission for a preemptive strike
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irksome , tiresome nature
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a great shame that such a talented director as chen kaige has chosen to make his english-language debut with a film
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affectation
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to believe in it the most
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something really good
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happens when something goes bump in the night and nobody cares ?
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're looking for an intelligent movie in which you can release your pent up anger
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lost .
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the heedless impetuousness of youth is on full , irritating display in ( this ) meandering and pointless french coming-of-age import from writer-director anne-sophie birot .
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searching for a quarter in a giant pile of elephant feces ... positively dreadful
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the young actors , not very experienced ,
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strangely tempting bouquet
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spiced with the intrigue of academic skullduggery and politics .
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the gorgeously elaborate continuation
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a class by itself
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be growing
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map thematically and stylistically , and
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with considerable wit
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wishy-washy
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almost all of its accumulated enjoyment with a crucial third act miscalculation
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my advice is to skip the film and pick up the soundtrack .
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as boring
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if it 's unnerving suspense you 're after -- you 'll find it with ring , an indisputably spooky film ; with a screenplay to die for
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too shallow for an older one .
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a damn fine and a truly distinctive and a deeply pertinent film .
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good film
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a fifty car pileup
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languorous slo-mo sequences
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dreaded
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go hand in hand
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like its bizarre heroine , it irrigates our souls .
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's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us .
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that 's a bad sign when they 're supposed to be having a collective heart attack
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inspired '' was a lot funnier
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straightforward , emotionally honest
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nicolas cage is n't the first actor to lead a group of talented friends astray , and
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clumsiness
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shows moments of promise but ultimately succumbs to cliches and pat storytelling .
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some episodes work , some do n't .
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jumbled
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the stars may be college kids , but the subject matter is as adult as you can get : the temptations of the flesh are unleashed by a slightly crazed , overtly determined young woman and a one-night swim turns into an ocean of trouble
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is ultimately thoughtful without having much dramatic impact
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get this thing over with
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it does somehow manage to get you under its spell .
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a culture of people who sadly are at hostile odds with one another through recklessness and retaliation
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is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture
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a thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people
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was just a matter of ` eh . '
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ick
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the film is old-fashioned , occasionally charming and as subtle as boldface .
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is an unpleasantly shallow and immature character with whom to spend 110 claustrophobic minutes .
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heavyweights joel silver and robert zemeckis
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tainted
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bad writing
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bad name
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the strange horror
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this three-hour endurance test
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degenerates into hogwash .
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the bard as black comedy -- willie would have loved it
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the biggest problem i have
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of dramatic fireworks
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is notable for its sheer audacity and openness
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you feel guilty about ignoring what the filmmakers clearly believe
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the funniest film
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