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nutty cliches and far too much dialogue
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a compelling pre-wwii drama with vivid characters and a warm , moving message
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work as well as a remarkably faithful one
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thematically
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proving once again ego does n't always go hand in hand with talent
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ca n't think of a thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies .
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greasy little vidgame pit
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rounded and revealing
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punctuated by sudden shocks
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exasperated by a noticeable lack of pace
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well-made
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lopez 's publicist should share screenwriting credit
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all comedy
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a movie that will leave you wondering about the characters ' lives after the clever credits roll
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the superficial tensions
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is painfully formulaic and stilted
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old-fashioned but thoroughly satisfying entertainment .
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artificiality
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awakens
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is way , way off
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's just too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain
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mistaken-identity
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picture that does not move .
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firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action
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reassuring manner
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even the hastily and amateurishly drawn animation can not engage .
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illuminating an era of theatrical comedy that , while past ,
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'm not exactly sure what this movie thinks it is about .
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kline 's superbly nuanced performance ,
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may not
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offers a guilt-free trip
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more fascinating look
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that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another
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hit you from the first scene
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impenetrable and insufferable ball
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nice rhythm
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crass , then gasp for gas ,
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the simpering soundtrack and editing
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great scares and
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a long shot
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there 's absolutely no reason why blue crush , a late-summer surfer girl entry , should be as entertaining as it is
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also looked like crap , so crap is what i was expecting .
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a party-hearty teen
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viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
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dreary
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this angst-ridden territory was covered earlier and much better in ordinary people .
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with humor , warmth , and intelligence , captures a life interestingly lived
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flailing
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camera movements
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's got to be a more graceful way of portraying the devastation of this disease .
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the logic of it all will be greek to anyone not predisposed to the movie 's rude and crude humor .
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without thrills and a mystery devoid
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a subtlety that is an object lesson in period filmmaking
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truths
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no amount of good acting is enough to save oleander 's uninspired story .
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we do n't get williams ' usual tear and a smile , just sneers and bile ,
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emphasizes the well-wrought story and
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is a disarmingly lived-in movie
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begins on a high note
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its ultimate demise
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never finds its tone and several scenes run too long .
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amy and matthew have a bit of a phony relationship ,
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each scene drags , underscoring the obvious ,
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was more diverting and thought-provoking than i 'd expected it to be .
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catches you
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courage and
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of persistence that is sure to win viewers ' hearts
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despite some strong performances , never rises above the level of a telanovela .
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enhancing the cultural and economic subtext , bringing richer meaning to the story 's morals
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the subject with fondness and respect
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told just proficiently enough to trounce its overly comfortable trappings .
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than the bruckheimeresque american action flicks it emulates
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've looked like as a low-budget series on a uhf channel
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exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters
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a moving experience for people who have n't read the book
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one is left with a sour taste in one 's mouth , and little else .
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one of the most depressing movie-going experiences i can think of is to sit through about 90 minutes of a so-called ` comedy ' and not laugh once .
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a surprisingly ` solid ' achievement by director malcolm d. lee and writer john ridley
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this tale has been told and retold
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a fragile framework upon which to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming
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an energetic , violent movie with a momentum that never lets up
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has several strong performances
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chance to prove his worth
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it 's a rollicking adventure for you and all your mateys , regardless of their ages .
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i 'm sorry to say that this should seal the deal - arnold is not , nor will he be , back
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` how can you charge money for this ? '
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eventually resents having to inhale this gutter romancer 's secondhand material
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mundane soap opera
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the dry humor that first made audiences on both sides of the atlantic love him
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make the film relevant today ,
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been sacrificed for the sake of spectacle
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is that it 's actually watchable .
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beautifully shot , delicately
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comes across as lame and sophomoric in this debut indie feature .
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making kahlo 's art a living , breathing part of the movie ,
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can write and deliver a one liner as well as anybody
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knows its classical music ,
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cannon 's confidence and laid-back good spirits
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faithful to melville 's plotline
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it is a kind , unapologetic , sweetheart of a movie , and
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