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's not a fresh idea at the core of this tale
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competent
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more unmentionable subjects
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of the filmmakers who have directed him , especially the coen brothers and steven soderbergh
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a movie filled with unlikable , spiteful idiots
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christ
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need comforting fantasies about mental illness
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who handily makes the move from pleasing
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be a movie that ends up slapping its target audience in the face by shooting itself in the foot
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as director of the escort service was inspired
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to cheesier to cheesiest
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, cliched and clunky
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likely to have decades of life as a classic movie franchise
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a fluid and mesmerizing sequence of images
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political and psychological thriller
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ransacks
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are entertaining and audacious moments
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takes hold and grips
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birthday girl 's calculated events
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a beguiling freshness
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a miraculous movie , i 'm going home is so slight ,
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see an artist , still committed to growth in his ninth decade , change while remaining true to his principles
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capra and cooper are rolling over in their graves
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noyce brings out the allegory with remarkable skill
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actually clicks .
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consider it ` perfection . '
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beautiful images and solemn words
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highly recommended as an engrossing story about a horrifying historical event and the elements which contributed to it .
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lisa rinzler 's cinematography may be lovely ,
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big screen magic
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marvelously twisted shapes history
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hard pressed to succumb to the call of the wild
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are both listless
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of inept filmmaking
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the most watchable film of the year
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, almost every relationship and personality in the film yields surprises .
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over this `` un-bear-able '' project
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cultural and personal self-discovery
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right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies
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lacks the spirit of the previous two
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complex than its sunny disposition
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perfect balance
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is just the sort for those moviegoers who complain that ` they do n't make movies like they used to anymore .
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bizarre , implausible
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of authentically impulsive humor
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searching for a quarter in a giant pile of elephant feces ...
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becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if
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is that it 's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb
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`` bad '' is the operative word for `` bad company , '' and i do n't mean that in a good way .
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give shapiro , goldman , and bolado credit for good intentions , but there 's nothing here that they could n't have done in half an hour .
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to get at the root psychology of this film would require many sessions on the couch of dr. freud .
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audacity to view one of shakespeare 's better known tragedies as a dark comedy
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, dancing , singing , and unforgettable characters
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spent watching this waste of time
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cleansing
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monstrous
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kirsten dunst 's remarkable performance
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blade 2 is definitely a cut above the rest .
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that do n't care about being stupid
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save everyone the misery
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equally derisive
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kept much of the plot but jettisoned the stuff that would make this a moving experience for people who have n't read the book
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where the characters ' moves are often more predictable than their consequences
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with love for the movies of the 1960s
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has an ` a ' list cast and some strong supporting players
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a gem of a movie
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the characters , cast in impossibly contrived situations
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absurd plot twists , idiotic court maneuvers and stupid characters
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enjoyable above average summer diversion
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, insight and humor
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humorous and
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one of the most plain , unimaginative romantic comedies i 've ever seen .
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this is more fascinating -- being real -- than anything seen on jerry springer .
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bona fide
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demme gets a lot of flavor and spice into his charade remake , but he ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh .
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like the best 60 minutes
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indigestion sets
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be invented to describe exactly how bad it is
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film buzz and whir
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the acting , for the most part , is terrific , although the actors must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans .
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formulaic
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go down as one of the all-time great apocalypse movies
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courtesy of john pogue , the yale grad who previously gave us `` the skulls ''
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attentive
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consistently amusing but not as outrageous or funny
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received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film
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smartly
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that you hope britney wo n't do it one more time , as far as
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's a feel-good movie about which you can actually feel good .
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as rude and profane as ever , always hilarious and , most of the time ,
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a droll , bitchy frolic which pokes fun at the price of popularity and small-town pretension in the lone star state
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how this gets us in trouble
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an appealing couple --
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villeneuve creates in maelstrom a world where the bizarre is credible and the real turns magical .
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most deceptively amusing comedies of the year
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its objective portrait
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mostly magnificent directorial career
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to one anecdote for comparison : the cartoon in japan that gave people seizures
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her passionate , tumultuous affair
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this is an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the american underground .
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