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from a surprisingly sensitive script co-written
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every cheap trick
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the low-key direction is pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love .
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you 'll end up moved .
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provides a satisfyingly unsettling ride
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with more character development this might have been an eerie thriller ; with better payoffs , it could have been a thinking man 's monster movie .
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see it .
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sham actor workshops
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growing , moldering pile
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with guardian hack nick davies
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great director
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the film comes off winningly , even though it 's never as solid as you want it to be
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unmistakable , easy joie
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resolutely unamusing ,
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represents adam sandler 's latest attempt to dumb down the universe .
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's a wonder that he could n't have brought something fresher to the proceedings simply by accident
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are the difference between this and countless other flicks about guys and dolls
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a beautifully observed character piece .
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on dumb gags , anatomical humor , or character cliches
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this aging series
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philippe , who makes oliver far more interesting than the character 's lines would suggest
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is the best little `` horror '' movie i 've seen in years
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that frenetic spectacle ( on the tv show )
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loud , chaotic and largely unfunny .
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cinema 's directorial giants
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amateurish , quasi-improvised acting exercise
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meets so many of the challenges it poses for itself that one can forgive the film its flaws
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strange and compelling
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to look american angst in the eye and end up laughing
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, one would hope for the best
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bottom-rung
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designed equilibrium becomes a concept doofus
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really bad
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keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity .
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will probably be one of those movies barely registering a blip on the radar screen of 2002 .
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very predictable
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desperate for work and food
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is entertaining .
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manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves
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unlikable , uninteresting , unfunny
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in his role of observer of the scene , lawrence sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature .
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worked so much better dealing in only one reality
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audacity and openness
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of epic adventure
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it 's that good .
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has some unnecessary parts and is kinda wrong in places
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from squirming in their seats
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metropolis is a feast for the eyes .
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strangely impersonal and abstract
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( l ) ame and unnecessary .
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smile-button
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the most moronic screenplays
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hardly an objective documentary , but it 's great cinematic polemic ... love moore or loathe him , you 've got to admire ... the intensity with which he 's willing to express his convictions .
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technical triumph
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of its marks
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i stay positive
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preserves tosca 's intoxicating ardor through his use of the camera .
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delight
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young everlyn sampi , as the courageous molly craig ,
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found it slow , predictable and not very amusing
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were written by somebody else
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, this is a seriously intended movie that is not easily forgotten .
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so much of the movie -- again , as in the animal -- is a slapdash mess
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returning to one anecdote for comparison : the cartoon in japan that gave people seizures
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it 's one long bore .
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hard to imagine another director ever making his wife look so bad in a major movie
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entertainingly reenacting a historic scandal .
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a testament to the divine calling of education and a demonstration of the painstaking
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boils down to a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years .
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sheer goofiness and cameos
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kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers
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-- as long as you 're wearing the somewhat cumbersome 3d goggles
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nair 's cast is so large it 's altman-esque , but she deftly spins the multiple stories in a vibrant and intoxicating fashion .
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piece , a model of menacing atmosphere .
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the fun wears thin -- then out -- when there 's nothing else happening
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managed to find something new to add to the canon of chan
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seeing something purer than the real thing
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just have problems , which are neither original nor are presented in convincing way .
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with bracing intelligence and a vision both painterly and literary
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from its ripe recipe , inspiring ingredients , certified
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come full circle to end on a positive ( if tragic ) note
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offbeat humor , amusing characters , and
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from the classics
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yet lacking about everything
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has layered , well-developed characters and some surprises .
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a hit -
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the movie is concocted and carried out by folks worthy of scorn
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an exquisite motion picture in its own right
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a choke leash
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lustrous polished visuals
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the triumph of his band
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very amusing
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awe-inspiring , at times sublime , visuals
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one oscar nomination
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has fallen
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michael zaidan , was supposed to have like written the screenplay or something
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you would n't want to live waydowntown , but it is a hilarious place to visit
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is a powerful , naturally dramatic piece of low-budget filmmaking .
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best possible
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is a gory slash-fest
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