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wonderful , imaginative script
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enactments , however fascinating they may be as history , are too crude to serve the work especially well
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a witty expose
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even accepting this in the right frame of mind can only provide it with so much leniency .
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nicole kidman evolved from star to superstar some time over the past year , which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while .
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lead actress gaï , she of the impossibly long limbs and sweetly conspiratorial smile , is a towering siren .
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episodic choppiness
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that it quickly enters the pantheon of wreckage that includes battlefield earth and showgirls
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its inescapable absurdities
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remind one of a really solid woody allen film ,
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deserves the dignity of an action hero motivated by something more than franchise possibilities
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how bad this movie was
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with weak dialogue and biopic
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one problem with the movie , directed by joel schumacher
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, you 're on the edge of your seat
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sarah 's dedication to finding her husband seems more psychotic than romantic , and nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness
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he has severe body odor
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's undone by a sloppy script
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the last kiss will probably never achieve the popularity of my big fat greek wedding
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same old story
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well-rounded
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might as well have come from a xerox machine rather than ( writer-director ) franc .
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showing us well-thought stunts or a car chase
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treasure
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static set ups ,
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expect no major discoveries , nor any stylish sizzle ,
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, doing its namesake proud
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yes , ` it 's like having an old friend for dinner ' .
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it is worth searching out .
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is dark , brooding and slow , and takes its central idea way too seriously .
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its great credit
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photographed with color and depth , and rather a good time .
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is frequently amusing
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relatively flavorless
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to the illogic of its characters
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had their hearts in the right place
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that allows him to churn out one mediocre movie after another
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make the attraction a movie
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the film ultimately offers nothing more than people in an urban jungle needing other people to survive ...
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really solid performances
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compelling pre-wwii drama
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as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre , and
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realism , crisp storytelling and radiant compassion
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makes me wonder if lawrence hates criticism so much that he refuses to evaluate his own work
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a copy of a copy of a copy
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friday the 13th
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that has nothing
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does pack some serious suspense
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a sweet , laugh-a-minute crowd pleaser
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is never quite able
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lamer instincts
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is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism .
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the film rehashes several old themes and is capped with pointless extremes -- it 's insanely violent and very graphic
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she never lets her character become a caricature -- not even with that radioactive hair
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brilliantly written and well-acted
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's not much more watchable than a mexican soap opera
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last 15 years
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for a summer of good stuff
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's incredible the number of stories the holocaust has generated
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( hayek )
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niccol the filmmaker merges his collaborators ' symbolic images with his words , insinuating , for example , that in hollywood , only god speaks to the press
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out-of-kilter
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is plainly dull and visually ugly when it is n't incomprehensible
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holm does his sly , intricate magic
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to infamy
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it 's about issues most adults have to face in marriage and
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highly recommended viewing for its courage , ideas , technical proficiency and great acting .
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the extravagant confidence
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dialogue and inventive moments
1
arliss howard 's ambitious , moving , and adventurous directorial debut , big bad love
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these two literary figures , and even the times
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short on larger moralistic consequences
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can depress you about life itself .
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sappy script
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indeed almost never , is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema .
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was n't feeling any of it
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adams , with four scriptwriters , takes care with the characters , who are so believable that you feel what they feel .
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as the man who bilked unsuspecting moviegoers
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mr. polanski is in his element here
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paper-thin and decidedly unoriginal
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ace japanimator hayao miyazaki 's spirited away
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the script has less spice than a rat burger
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an airless , prepackaged julia roberts wannabe that stinks so badly of hard-sell image-mongering you 'll wonder if lopez 's publicist should share screenwriting credit .
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dreadful romance .
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is paper-thin and decidedly unoriginal
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-- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity
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, it does n't disappoint .
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is what we call the ` wow ' factor
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those prone to indignation need not apply ; those susceptible to blue hilarity , step right up .
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confront it
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totally overwrought , deeply biased , and wholly designed to make you feel guilty about ignoring what the filmmakers clearly believe are the greatest musicians of all time .
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a humorless journey into a philosophical void .
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much like its easily dismissive take on the upscale lifestyle , there is n't much there here .
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about 3/4th the fun of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity
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could just feel the screenwriter at every moment ` tap , tap , tap , tap , tapping away ' on this screenplay
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flick that scalds like acid
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its flame-like , roiling black-and-white inspires trembling and gratitude .
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makes sorry use of aaliyah in her one and only starring role
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it works
1
good performances and
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