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worthwhile themes
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's not too much of anything .
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feel pissed off
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the audience gets pure escapism
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freeman and judd make it work
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forced to reflect that its visual imagination is breathtaking
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realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire
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that rare family movie
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combined with so much first-rate talent
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less a movie than
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detailed story about newcomers in a strange new world
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make several runs to the concession stand and/or restroom
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be captivated , as i was , by its moods , and by its subtly transformed star , and still wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear
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of hard-bitten , cynical journalists
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the experience of actually watching the movie is less compelling than the circumstances of its making .
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as ` wayne
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dying a slow death
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a loquacious and dreary piece
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best work
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is extraordinarily good .
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there 's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale .
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ability to shock and amaze
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been so aggressively anti-erotic
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and lurches between not-very-funny comedy , unconvincing dramatics
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'll only put you to sleep .
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just the right tone
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unfilmable '' novels
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vividly and
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hits the target audience ( young bow wow fans )
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is just lazy
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fondness and respect
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to cut a swathe through mainstream hollywood
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the project should have been made for the tube .
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runs around and acts like a doofus
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in the end , there is n't much to it .
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, welcome to collinwood never catches fire .
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this is the first film in a long time that made me want to bolt the theater in the first 10 minutes .
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succeeds mainly on the shoulders of its actors .
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full , irritating display
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's incredible the number of stories
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dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue .
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winning and wildly fascinating
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the filmmakers ' eye for detail and the high standards of performance
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the ensemble cast
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sillier , cuter , and
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a creepy , intermittently powerful study of a self-destructive man ... about as unsettling to watch as an exploratory medical procedure or an autopsy .
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a chilly , remote , emotionally distant piece ... so dull
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wondrous
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like the logical , unforced continuation of the careers of a pair of spy kids
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nice album
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an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition
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have to see it .
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, thoroughly winning flight of revisionist fancy .
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can be made on the cheap
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makes minority report necessary viewing for sci-fi fans , as the film has some of the best special effects ever
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's most substantial feature for some time
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notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal
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the one-liners are snappy , the situations volatile and
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welles groupie/scholar peter bogdanovich took a long time to do it , but he 's finally provided his own broadside at publishing giant william randolph hearst
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the courage to go over the top and movies that do n't care about being stupid
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it 's like dying and going to celluloid heaven
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, is repellantly out of control .
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a winning and wildly fascinating work .
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best about
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offers a desperately ingratiating performance
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a variety of quirky characters and an engaging story
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's good , hard-edged stuff , violent and a bit exploitative but also nicely done , morally alert and street-smart .
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say that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world
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what might have emerged as hilarious lunacy in the hands of woody allen or mel brooks ( at least during their '70s heyday ) comes across as lame and sophomoric in this debut indie feature .
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features a standout performance
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misery
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should catch this imax offering .
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see scratch for a lesson in scratching , but , most of all , see it for the passion .
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there 's a lot to recommend read my lips .
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good-natured ensemble comedy
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many of the things that made the first one charming
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his movie veers like a drunken driver through heavy traffic
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the connected stories of breitbart and hanussen are actually fascinating ,
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to remind one of a really solid woody allen film , with its excellent use of new york locales and sharp writing
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was as superficial
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two-way
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with a single
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visually masterful
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a summer
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this is beautiful filmmaking from one of french cinema 's master craftsmen .
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with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour
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more frustrating
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tensions
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a distinct rarity , and an event
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great way
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by anne-sophie birot
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a truly wonderful tale combined with stunning animation .
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, manipulative
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be an effectively chilling guilty pleasure
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is a much better mother-daughter tale
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a dull girl , that 's all
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in which the script and characters hold sway
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to sporting one of the worst titles in recent cinematic history
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that gives pic its title an afterthought
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best way
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