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absorbing character study by andré turpin .
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saw the potential success inherent in the mixture of bullock bubble and hugh goo
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humorous
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coupling disgracefully written dialogue with flailing bodily movements
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's got the brawn , but not the brains
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the growing , moldering pile
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k 19 stays afloat as decent drama/action flick
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a 90-minute movie that feels five hours long
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's mildly sentimental
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suggest possibilities which imbue the theme with added depth and resonance
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to the growing , moldering pile of , well , extreme stunt
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the inspiration
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its story about a young chinese woman , ah na , who has come to new york city to replace past tragedy with the american dream is one that any art-house moviegoer is likely to find compelling .
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a surprising , subtle turn at the midway point
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in the film , which gives you an idea just how bad it was
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flawed and
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red dragon '' never cuts corners .
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enhances the quality of neil burger 's impressive fake documentary .
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viscerally exciting
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a lovely film ... elegant , witty and beneath a prim exterior unabashedly romantic ... hugely enjoyable in its own right though not really faithful to its source 's complexity .
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a florid biopic about mad queens , obsessive relationships , and rampant adultery so dull
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that is , more often then not , difficult and sad
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the new film is a lame kiddie flick
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behind the glitz , hollywood is sordid and disgusting .
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offers nothing more than a bait-and-switch that is beyond playing fair with the audience
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unfolds in a low-key , organic way that encourages you to accept it as life and go with its flow .
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wonderful acting clinic
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be really awful
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must-see
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while bollywood/hollywood will undoubtedly provide its keenest pleasures to those familiar with bombay musicals , it also has plenty for those ( like me ) who are n't .
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block
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than losers
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the kind of art shots that fill gallery shows
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what a great way to spend 4 units of your day .
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a depraved , incoherent , instantly disposable piece
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loads of irreparable damage
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's the kind of movie that , aside from robert altman , spike lee , the coen brothers and a few others , our moviemakers do n't make often enough
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tired , unimaginative and derivative
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satin rouge is not a new , or inventive , journey ,
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sentimental journey
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real contenders
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the film 's ending has a `` what was it all for
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freely
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horrible .
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wise-beyond-her-years teen
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thematic resonance
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the cinematography to the outstanding soundtrack and unconventional narrative
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certain sexiness
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be used as analgesic balm for overstimulated minds
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in execution
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might imagine that most every aggrieved father cliché has been unturned
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is definitely its screenplay , both for the rhapsodic dialogue that jumps off the page , and for the memorable character creations .
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sentimental chick-flicks
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quiet , introspective and entertaining
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pass for a thirteen-year-old 's book report
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the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise
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swings and jostles
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comes off as a kingdom more mild than wild .
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the mess
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has little to do with the story
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video , and
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a plethora of engaging diatribes on the meaning of ` home , ' delivered in grand passion by the members of the various households .
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i liked it because it was so endlessly , grotesquely , inventive .
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cruel but weirdly likable wasp matron
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familiar but utterly delightful .
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of cliches that the talented cast generally
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unflinching look
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at female friendship , spiked with raw urban humor
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when it is n't merely offensive
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retains ambiguities that make it well worth watching .
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that will amuse or entertain them
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who ca n't act
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fairly harmless but ultimately lifeless
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filled with humorous observations about the general absurdity of modern life
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i have given it a one-star rating
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an intimate feeling
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interesting topic
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the most practiced curmudgeon
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aimless story
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sandbox
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narcissism and self-congratulation
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it is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters , is about grief and yet permits laughter .
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of things that elevate `` glory '' above most of its ilk , most notably the mere presence of duvall
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screenplay to keep the film entertaining
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done , so primitive in technique
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visually and thematically
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dabbles all around , never gaining much momentum .
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frequently veers into corny sentimentality , probably
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, this too-long , spoofy update of shakespeare 's macbeth does n't sustain a high enough level of invention .
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fails to entertain
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a stark portrait of motherhood deferred and desire
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( ramsay ) visually transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor .
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evans ' career
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with splendid singing
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o fantasma is boldly , confidently orchestrated , aesthetically and sexually , and
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, it 's thanks to huston 's revelatory performance .
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is a hoot , and is just as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand
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with its parade of almost perpetually wasted characters
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is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged
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a vastly improved germanic version of my big fat greek wedding
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