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, blade ii mutates into a gross-out monster movie with effects that are more silly than scary .
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a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing
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dramedy '
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competent direction
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keep you interested without coming close to bowling you over
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isolation
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as the synergistic impulse that created it
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a terrific screenplay
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overwhelmingly positive portrayal
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an ebullient affection for industrial-model meat freezers
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it 's secondary to american psycho but still has claws enough to get inside you and stay there for a couple of hours .
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( herzog 's ) personal policy
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tendentious
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... a complete shambles of a movie so sloppy , so uneven , so damn unpleasant that i ca n't believe any viewer , young or old , would have a good time here .
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know the band or the album 's songs by heart
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big , fat , dumb
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is brilliant , really .
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the humor and humanity of monsoon wedding are in perfect balance .
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meshes in this elegant entertainment
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a main character who sometimes defies sympathy
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heart and unsettling subject matter
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's certainly an invaluable record of that special fishy community .
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crisp psychological drama
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the film , flaws and
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fails to portray its literarily talented and notorious subject as anything much more than a dirty old man
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is the most visually unappealing
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nicole holofcenter , the insightful writer/director responsible for this illuminating comedy does n't wrap the proceedings up neatly
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creates in maelstrom a world where the bizarre is credible and the real turns magical
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seems timely and important .
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heaped upon a project of such vast proportions need to reap more rewards than spiffy bluescreen technique and stylish weaponry .
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needs more filmmakers with passionate enthusiasms like martin scorsese
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sit in neutral , hoping for a stiff wind to blow it
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broad streaks of common sense
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the main story ... is compelling enough , but it 's difficult to shrug off the annoyance of that chatty fish .
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that the franchise 's best years are long past
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he watches them as they float within the seas of their personalities .
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morphs into a mundane '70s disaster flick .
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the frustration ,
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offer some modest amusements when one has nothing else to watch
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shallow and immature character with whom to spend 110 claustrophobic minutes
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almost in a class with that of wilde
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from a stunningly unoriginal premise
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build some robots , haul 'em to the theater with you for the late show , and put on your own mystery science theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year
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goes on and on to the point of nausea .
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are all things we 've seen before
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meandering , low on energy , and
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be mesmerised
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has all the values of a straight-to-video movie
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smartly written
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creates a portrait of two strong men in conflict ,
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is serene , the humor wry and sprightly
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most ingenious film
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instead of panoramic sweep , kapur gives us episodic choppiness , undermining the story 's emotional thrust .
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animation work
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is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice .
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with added depth and resonance
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is quite a vision .
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a determined woman 's courage to find her husband in a war zone
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of sulky teen drama and overcoming-obstacles sports-movie triumph
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who is in complete denial about his obsessive behavior
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truly wonderful
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ritchie 's film is easier to swallow than wertmuller 's polemical allegory , but it 's self-defeatingly decorous .
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the jokes are sophomoric , stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious .
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the real issues tucked between the silly and crude storyline
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in three words : thumbs friggin ' down
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itself could be played out in any working class community in the nation .
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of laughs in this simple , sweet and romantic comedy
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real magic ,
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the campy results make mel brooks ' borscht belt schtick look sophisticated .
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labute continues to improve .
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sell many records
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a decent ` intro ' documentary
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meyjes ' provocative film
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well paced and satisfying
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is so bad that i even caught the gum stuck under my seat trying to sneak out of the theater
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told with the intricate preciseness of the best short story writing .
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cruel story
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endure instead of enjoy
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grand as the lord of the rings
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a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism
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an excruciating demonstration of the unsalvageability of a movie saddled with an amateurish screenplay .
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nostalgic , twisty yarn
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pretty valuable
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as gory as the scenes of torture and self-mutilation may be , they are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting .
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is first-rate , especially sorvino
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makes it a comic book with soul
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finest films
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exceedingly
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cling to the edge of your seat , tense with suspense
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has never been filmed more irresistibly than in ` baran
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visceral , nasty journey
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local flavor
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works better in the conception than it does in the execution
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almost wildly alive
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a superior crime movie
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, i did n't care .
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listless sci-fi
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are of the highest and the performances
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its characterization of hitler and
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hip , contemporary , in-jokey one
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