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added disdain
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a lot more
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however , having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary .
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lazy filmmaking , with the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling .
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fade amid the deliberate , tiresome ugliness
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all the dramatic weight of a raindrop
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ryan gosling ... is at 22 a powerful young actor .
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it 's mildly interesting to ponder the peculiar american style of justice that plays out here , but it 's so muddled and derivative that few will bother thinking it all through .
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forget about it by monday , though
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relegated to the background -- a welcome step
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its perfunctory conclusion
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the animation and game phenomenon that peaked about three years ago is actually dying a slow death , if the poor quality of pokemon 4 ever is any indication .
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true-to-life characters
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a quietly introspective portrait
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who paid to see it
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our best achievements and other times
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milder is n't better
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unspeakable
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his effortless performance
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unexplainable
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what madonna does here ca n't properly be called acting -- more accurately , it 's moving and it 's talking and it 's occasionally gesturing , sometimes all at once .
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it 's just grating
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funnier than being about something
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at its best moments
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grace and panache
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rubbo 's dumbed-down tactics
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stale ,
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talented thesps
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disney scrape
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before going on to other films that actually tell a story worth caring about
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fairly lame
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is never clear
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predictable plotting
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this cinema verite speculation on the assassination of john f. kennedy may have been inspired by blair witch ,
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lends itself beautifully to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers
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much of a plunge
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have been called ` under siege 3
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scenes and vistas and pretty moments
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this movie got me grinning .
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it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it
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it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened
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tasteful
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so many red herrings ,
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too amateurish and
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walked out muttering words like `` horrible '' and `` terrible ,
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is a triumph of imagination
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offend
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a culture-clash comedy that , in addition to being very funny
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whose portrait of a therapy-dependent flakeball
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are more deeply thought through than in most ` right-thinking ' films
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slow and
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4ever has the same sledgehammer appeal as pokemon videos , but it breathes more on the big screen and induces headaches more slowly .
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do n't think that a.c. will help this movie one bit
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do anything as stomach-turning as the way adam sandler 's new movie rapes
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just do n't really care too much about this love story .
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best little
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clever enough
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it 's equally hard to imagine anybody being able to tear their eyes away from the screen once it 's started
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then it 's the perfect cure for insomnia .
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shyamalan should stop trying to please his mom .
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surprisingly buoyant
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we 're seeing something purer than the real thing
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this sneaky feel to it -- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product
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's nowhere near as good as the original
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clever dialogue and likeable characters
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, it 's an adventure story and history lesson all in one .
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becomes just another voyeuristic spectacle , to be consumed and forgotten .
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( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics )
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other than fling gags at it
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you 're more likely to enjoy on a computer
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offers flickering reminders of the ties that bind us
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as in aimless , arduous , and arbitrary
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as beautifully shaped and
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swill
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bile , and irony
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appetizer that leaves you wanting more .
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its hero
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the bodily function jokes are about what you 'd expect , but there are rich veins of funny stuff in this movie
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survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine
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worst -- and only --
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remains the real masterpiece
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an awkwardly garish showcase that diverges from anything
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a sense-of-humour failure
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it 's mildly interesting to ponder the peculiar american style of justice that plays out here , but
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on the party favors to sober us up with the transparent attempts at moralizing
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has hugely imaginative and successful casting to its great credit , as well as one terrific score and attitude to spare .
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exit sign
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it is too bad that this likable movie is n't more accomplished .
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eats , meddles , argues , laughs , kibbitzes and fights
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as the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries
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how tedious
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creative urge
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rabbit-proof fence is a quest story as grand as the lord of the rings
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hitting your head on the theater seat
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backwater
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to drown a viewer in boredom than to send any shivers down his spine
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the group 's playful spark
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an uneasy marriage
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to feed to the younger generations
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i 've never seen or heard anything quite like this film , and
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