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incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one
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slightly less successful than the first
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's kind of sad
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was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
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touching
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no charm , no laughs , no fun , no reason to watch .
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too much exploitation
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this is one of those war movies that focuses on human interaction rather than battle and action sequences ... and it 's all the stronger because of it
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it is n't merely offensive
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stalking
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, incomprehensible , vicious and absurd
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artwork
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committed dumbness
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moron
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grownups
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could force you to scratch a hole in your head
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it quickly enters the pantheon of wreckage that includes battlefield earth and showgirls
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deserves , at the very least ,
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the failure of the third revenge of the nerds sequel
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real dawns , comic relief
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while he talks
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nelson 's intentions are good , but the end result does no justice to the story itself .
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's much to recommend the film .
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the cat 's meow
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the sum of all fears pretends to be a serious exploration of nuclear terrorism , but
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the core in a film you will never forget -- that you should never forget
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inadequate
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( clooney 's ) debut can be accused of being a bit undisciplined , but it has a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh
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terrible as the synergistic impulse that created it
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does n't have anything really interesting to say
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i like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material , but
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the film makes up for it with a pleasing verisimilitude .
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effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles
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lower-wit
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part of the film 's cheeky charm
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eventually winning squareness that would make it the darling of many a kids-and-family-oriented cable channel
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demme finally succeeds in diminishing his stature from oscar-winning master to lowly studio hack .
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weighted down with slow , uninvolving storytelling and flat acting .
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canadian filmmaker gary burns ' inventive and mordantly humorous
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been done before but never so vividly or with so much passion
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will only satisfy the most emotionally malleable of filmgoers .
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beginning with the pale script
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like brosnan 's performance
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the perkiness
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not everyone will welcome or accept the trials of henry kissinger as faithful portraiture , but few can argue that the debate it joins is a necessary and timely one .
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're looking for something new and hoping for something entertaining
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scandal
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has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation .
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starts off so bad that you feel like running out screaming
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a hugely rewarding experience
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this fascinating look
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, crazy as hell marks an encouraging new direction for la salle .
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sodden
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is just such an achievement .
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dawns , real dawns , comic relief
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the treat
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if also somewhat hermetic .
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a ruffle in what is already an erratic career
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is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
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tries its best to hide the fact that seagal 's overweight and out of shape .
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smoothly sinister freddie
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passionate , if somewhat flawed , treatment
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derive from the screenplay , but rather the mediocre performances by most of the actors involved
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margarita feels like a hazy high that takes too long to shake .
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yet fails to overcome the film 's manipulative sentimentality and annoying stereotypes .
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're stuck with a script that prevents them from firing on all cylinders
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is , in fact , so interesting that no embellishment is
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consistently sensitive and often exciting treatment
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of being a really bad imitation of the really bad blair witch project
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is first-rate , especially sorvino .
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, sum up the strange horror of life in the new millennium
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monotone narration
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a little more humanity
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a ham-fisted sermon
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morality tale
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is conversational bordering on confessional
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miller digs into their very minds to find an unblinking , flawed humanity .
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you 'll be wistful for the testosterone-charged wizardry of jerry bruckheimer productions , especially because half past dead is like the rock on a wal-mart budget .
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go down as the worst -- and only -- killer website movie of this or any other year
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hitchens ' obsession with kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power
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for two movies
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unfocused , excruciatingly tedious
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the knee-jerk misogyny
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brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans
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interminable , shapeless documentary
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labute 's careful handling makes the material seem genuine rather than pandering .
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farm melodrama .
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, slow and dreary
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a properly spooky film about the power of spirits to influence us whether we believe in them or not
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three hours and with very little story or character development
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captures both the beauty of the land and the people .
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a retread of material already thoroughly plumbed by martin scorsese .
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the beauty
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a romantic comedy plotline
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these women 's
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actually exploiting it yourself
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are every bit as distinctive as his visuals .
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family
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though lan yu lacks a sense of dramatic urgency , the film makes up for it with a pleasing verisimilitude .
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old college try
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