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a sweet and modest and
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what the english call ` too clever by half
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smoother
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somewhat less
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their feces
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funny and
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the down-to-earth bullock and the nonchalant grant
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in jerking off in all its byzantine incarnations to bother pleasuring its audience
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frustrations
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noble endeavor
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more good than great
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made at least one damn fine horror movie
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kiarostami has crafted a deceptively casual ode to children and managed to convey a tiny sense of hope .
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lack their idol 's energy and passion for detail .
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teen-sleaze
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, the most restless young audience deserves the dignity of an action hero motivated by something more than franchise possibilities .
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to be consumed and forgotten
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yet depressing film
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a film without surprise geared toward maximum comfort and familiarity .
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well paced and satisfying little drama
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a reminder of how they used to make movies , but also how they sometimes still can be made .
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like showgirls and glitter , the most entertaining moments here are unintentional .
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an accessible introduction
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's made at least one damn fine horror movie
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should be interesting
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love a disney pic with as little cleavage as this one has , and a heroine as feisty and principled as jane
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it 's not a motion picture ;
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no reason to watch
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sometimes inadequate performances
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do n't need to try very hard
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premise , mopes through a dreary tract of virtually plotless meanderings and
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plain , unimaginative
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murphy 's expert comic timing
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that recalls the classics of early italian neorealism
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of romance , dancing , singing , and unforgettable characters
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rescue me from a summer of teen-driven , toilet-humor codswallop
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's all stitched together with energy , intelligence and verve , enhanced by a surplus of vintage archive footage .
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if encouraging return
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directorial tour de force
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is disposable
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shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale
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too stagey , talky -- and long -- for its own good .
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the right bands for the playlist and the costuming of the stars
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slow-moving
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casts its spooky net
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believe that resident evil is not it .
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lazy tearjerker that gives movies about ordinary folk a bad name
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the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
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at his 12th oscar nomination
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i 'm not , and then i realized that i just did n't care
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where santa gives gifts to grownups
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at the mercy of its inventiveness
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the quirky
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an inconsequential
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it does mark ms. bullock 's best work in some time
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a child 's interest and an adult 's patience
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of sly humor
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b-movie
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to spare wildlife
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merely very bad
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reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth .
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's a certain robustness to this engaging mix of love and bloodletting .
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the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage
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excruciatingly unfunny and pitifully unromantic .
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chalk it up as the worst kind of hubristic folly .
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blank yearning
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covers this territory with wit and originality ,
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friday after next is the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans .
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hopelessly juvenile
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into a gross-out monster movie with effects that are more silly than scary
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with familiar situations and repetitive scenes
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encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity
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worthwhile for reminding us that this sort of thing does , in fact , still happen in america
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there 's nothing else happening
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turns a blind eye
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is definitely horse feathers
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shaking your head
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a tone poem of transgression .
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of the more serious-minded concerns of other year-end movies
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a generic international version of a typical american horror film .
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hopeless
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oddly sweet comedy
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enough sweet and traditional romantic comedy to counter the crudity
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more down-home flavor
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a film so unabashedly hopeful that it actually makes the heart soar
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the story is lacking any real emotional impact , and the plot is both contrived and cliched .
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gutsy and perfectly
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positively shakesperean
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making the right choice in the face of tempting alternatives
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i 'm giving it a strong thumbs up
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it turns out to be affected and boring
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loves its characters and communicates something rather beautiful about human nature
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been 13 months and 295 preview screenings since i last walked out on a movie
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it avoids the obvious with humor and lightness
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a great shame that such a talented director as chen kaige
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diminishing his stature from oscar-winning master
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may be relieved that his latest feature , r xmas , marks a modest if encouraging return to form .
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damned wonderful
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blind to the silliness
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will still come away with a sense of his reserved but existential poignancy
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