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has-been
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the fun wears thin -- then out -- when there 's nothing else happening
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thoughtfully written
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terrific effort
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a heartbreakingly thoughtful minor classic , the work of a genuine and singular artist .
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a mushy , existential exploration of why men leave their families
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one of the best , most
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are zoning ordinances to protect your community from the dullest science fiction
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with an appropriate minimum of means
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yields surprises
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is so bad ,
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dismissed heroes would be a film that is n't this painfully forced , false and fabricated .
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i liked the original short story but this movie , even at an hour and twenty-some minutes
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this engaging mix of love and bloodletting
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unsuccessfully
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the stuff to stand tall with pryor , carlin and murphy
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of disney 's great past
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weighs down the tale with bogus profundities
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is that caruso takes an atypically hypnotic approach to a world that 's often handled in fast-edit , hopped-up fashion
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kind of terrific
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yet depressing
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i 'm sure mainstream audiences will be baffled ,
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tough pill to swallow
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does a solid job
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they kept much of the plot but jettisoned the stuff that would make this a moving experience for people who have n't read the book .
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darkly funny and frequently insightful
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distinct rarity
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with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni
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might actually want to watch
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's wrong with this increasingly pervasive aspect of gay culture
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a quasi-documentary by french filmmaker karim dridi that celebrates the hardy spirit of cuban music
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it 's an entertaining movie , and the effects , boosted to the size of a downtown hotel , will all but take you to outer space
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rich and full life
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scuttled by a plot that 's just too boring and obvious
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some kid who ca n't act , only echoes of jordan , and
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a work that lacks both a purpose and a strong pulse .
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cheesy commercialism
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a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place ,
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sees it as a chance to revitalize what is and always has been remarkable about clung-to traditions .
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scream
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this flat run
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's also too stupid
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overall feelings , broader ideas ,
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that it churns up not one but two flagrantly fake thunderstorms to underscore the action
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in their cheap , b movie way , they succeed
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it the most
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is a such a brainless flibbertigibbet
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working from a surprisingly sensitive script co-written by gianni romoli ...
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turns the goose-pimple genre on its empty head and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count .
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, resonant gem
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hands out awards -- with phony humility barely camouflaging grotesque narcissism
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betters it
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dedication
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has no snap
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terrorist attacks
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titular
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has been written so well , that even a simple `` goddammit !
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a concept doofus
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uneasy bonds
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, crazy as hell marks an encouraging new direction for la salle .
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there 's the plot , and a maddeningly insistent and repetitive piano score that made me want to scream .
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the plot offers few surprises
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timeless and
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he is always sympathetic .
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drowsy drama
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by surrounding us with hyper-artificiality
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just sits there like a side dish no one ordered .
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even more indistinct
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jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology
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to stodgy , soap opera-ish dialogue
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subversive
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the goods and audiences will have a fun , no-frills ride
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the film ( at 80 minutes ) is actually quite entertaining .
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awkwardly paced soap opera-ish story
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to lowly studio hack
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down memory lane
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is still quite good-natured and not a bad way to spend an hour or two .
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in a fairly irresistible package full of privileged moments and memorable performances
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a little too much resonance with real world events
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rich visual clarity and deeply
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own fear and paranoia
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stereotypes that gives the ( teen comedy )
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jolt you out
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kwan is a master of shadow , quietude , and room noise , and lan yu is a disarmingly lived-in movie .
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makes the grade as tawdry trash
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sooooo tired
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genuine dramatic impact
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central flaw
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( and beautifully edited )
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has all the complexity and realistic human behavior of an episode of general hospital .
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refreshingly
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phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose , and it 's there on the screen in their version of the quiet american
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a smart , arch and rather cold-blooded comedy .
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sharp writing
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so heartwarmingly motivate
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'll love it and
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( gulpilil ) is a commanding screen presence , and his character 's abundant humanism makes him the film 's moral compass
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admire
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a stately sense
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, i 'd rather watch them on the animal planet .
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