text string | label int64 |
|---|---|
damn fine | 1 |
attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way | 0 |
the gay '70s | 1 |
is almost entirely witless and inane , | 0 |
padding | 1 |
easily and , in the end , not well enough | 0 |
need to adhere more closely to the laws of laughter | 0 |
spare wildlife | 1 |
are to ourselves and each other | 1 |
of the grieving process | 0 |
amnesiac | 0 |
exposes the limitations of his skill and the basic flaws in his vision . | 0 |
is grossly contradictory | 0 |
animated filmmaking since old walt | 1 |
godard 's ode to tackling life 's wonderment is a rambling and incoherent manifesto about the vagueness of topical excess ... in praise of love remains a ponderous and pretentious endeavor that 's unfocused and tediously exasperating . | 0 |
too indulgent | 0 |
, sum up the strange horror of life in the new millennium | 1 |
brilliant touches | 1 |
true impact | 1 |
leaves a lot to be desired . | 0 |
you come from a family that eats , meddles , argues , laughs , kibbitzes and fights together | 0 |
catches the chaotic horror | 1 |
, lan yu never catches dramatic fire . | 0 |
victim to sloppy plotting , an insultingly unbelievable final act and | 0 |
chance to revitalize what is and always has been remarkable about clung-to traditions | 1 |
will all but take you to outer space | 1 |
howard and his co-stars all give committed performances , but they 're often undone by howard 's self-conscious attempts to find a ` literary ' filmmaking style to match his subject | 0 |
recalls the classics of early italian neorealism | 1 |
be probing why a guy with his talent ended up in a movie this bad | 0 |
often surprising twists and an intermingling of naiveté and sophistication | 1 |
clichés and sneering humor | 0 |
'' is a fun and funky look into an artificial creation in a world that thrives on artificiality . | 1 |
it certainly wo n't win any awards in the plot department but | 0 |
crudely literal | 0 |
's kinda dumb | 0 |
the writing is insipid | 0 |
the way the roundelay of partners functions , and the interplay within partnerships and among partnerships and the general air of gator-bashing are consistently delightful . | 1 |
does n't have much panache , but with material this rich it does n't need it | 1 |
that falls far short of the peculiarly moral amorality of ( woo 's ) best work | 0 |
edgy camera work | 1 |
a work of extraordinary journalism , but | 1 |
its intelligence and intensity | 1 |
grueling | 0 |
was immensely enjoyable thanks to great performances by both steve buscemi and rosario dawson | 1 |
hugely entertaining from start to finish , featuring a fall from grace that still leaves shockwaves | 1 |
a scummy ripoff | 0 |
is visually ravishing , penetrating , impenetrable | 1 |
fear and frustration are provoked to intolerable levels | 0 |
the highly predictable narrative | 0 |
with vivid characters and a warm , moving message | 1 |
independent film | 1 |
also nicely done | 1 |
most third-rate horror sequels | 0 |
though overall an overwhelmingly positive portrayal | 1 |
a welcome lack | 1 |
you could just rent those movies instead , let alone seek out a respectable new one | 0 |
invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games | 1 |
manual | 0 |
problem is , we have no idea what in creation is going on . | 0 |
the courage of its convictions | 1 |
resembles an outline for a '70s exploitation picture | 0 |
is entry number twenty the worst of the brosnan bunch | 0 |
it 's all the stronger because of it | 1 |
succeeds as a well-made evocation of a subculture . | 1 |
an enjoyable comedy of lingual and cultural differences ... the château | 1 |
could easily mistake it for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time . | 0 |
is ) the comedy equivalent of saddam hussein , and | 0 |
give performances of exceptional honesty | 1 |
delivers a magnetic performance | 1 |
fumbles the vital action sequences | 0 |
unfolds with such a wallop of you-are-there immediacy that when the bullets start to fly , your first instinct is to duck | 0 |
pretty watchable | 1 |
crude humor and vulgar innuendo | 0 |
it also happens to be good | 1 |
bill morrison 's decasia | 1 |
austin powers in goldmember is a cinematic car wreck , a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride . | 0 |
like high crimes flog the dead horse of surprise as if it were an obligation | 0 |
, albeit a visually compelling one , | 1 |
too long , and larded with exposition | 0 |
non-techies can enjoy | 1 |
to see three splendid actors | 1 |
encourages you to accept it as life and go with its flow | 1 |
fiercely clever and subtle film | 1 |
exudes the urbane sweetness | 1 |
catch the pitch of his poetics , savor the pleasure of his sounds and images | 1 |
hate myself most mornings | 0 |
i liked the movie , but | 1 |
bland despite the heavy doses of weird performances and direction | 0 |
mildly interesting | 1 |
the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother | 1 |
delivers the goods | 1 |
the script was reportedly rewritten a dozen times | 0 |
for some major alterations | 1 |
its fun | 1 |
might not seem like the proper cup of tea | 0 |
cinematic razzle-dazzle | 1 |
a film with almost as many | 1 |
elling and kjell bjarne become symbolic characters whose actions are supposed to relate something about the naïf 's encounter with the world . | 0 |
that rare documentary that incorporates so much of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film . | 1 |
spot-on | 1 |
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