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heart-warming
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hack
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relatively lightweight commercial fare such as notting hill to commercial
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before landing squarely on `` stupid ''
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none of this is meaningful or memorable , but frosting is n't , either ,
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own breezy , distracted rhythms
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you ca n't believe anyone would really buy this stuff .
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nasty comedy
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to give the film the substance it so desperately needs
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the script , the gags , the characters are all direct-to-video stuff
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about 25 minutes of decent material
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is destined to be the 21st century 's new `` conan '' and that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal .
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ridiculous dialog
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the spark of imagination that might have made it an exhilarating
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no art
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a sentimental mess that never rings true .
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memory , resistance and artistic transcendence
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pinheads
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the movie is loaded with good intentions
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seems based on ugly ideas instead of ugly behavior , as happiness was
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fine-looking
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see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity
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career - kids = misery
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by corrupt and hedonistic weasels
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may leave you rolling your eyes in the dark
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cut through the layers of soap-opera emotion
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animated by an energy that puts the dutiful efforts of more disciplined grade-grubbers to shame
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this story gets sillier , not scarier , as it goes along ...
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a predictable outcome and
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filmmakers david weissman and bill weber benefit enormously from the cockettes ' camera craziness -- not only did they film performances , but
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was immensely enjoyable
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while this movie , by necessity , lacks fellowship 's heart
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come as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick
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seemingly disgusted with the lazy material and the finished product 's unshapely look
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far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins
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relaxed in its perfect quiet pace and proud in its message .
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rollicking good time
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invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once
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the high-concept scenario soon proves preposterous , the acting is robotically italicized , and truth-in-advertising hounds take note : there 's very little hustling on view
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rise above the level of an after-school tv special
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into such fresh territory
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take before indigestion sets
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is clever and funny , is amused by its special effects ,
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is a satisfying well-made romantic comedy that 's both charming and well acted
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simply radiates star-power potential in this remarkable and memorable film .
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if you 're looking for a smart , nuanced look at de sade and what might have happened at picpus
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a great movie
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this cinema verite speculation on the assassination of john f. kennedy may have been inspired by blair witch , but it takes its techniques into such fresh territory that the film never feels derivative .
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in this properly intense , claustrophobic tale of obsessive love
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is so anemic
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her film
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offers nothing more than a bait-and-switch that is beyond playing fair with the audience
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a very funny romantic comedy
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not
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figures prominently in this movie
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the margin that gives viewers a chance to learn , to grow , to travel
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the most savory and hilarious guilty pleasure of many a recent movie season
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of an alternative lifestyle
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dreadful day
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this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker , but ayres makes the right choices at every turn .
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kouyate elicits strong performances from his cast , and he delivers a powerful commentary on how governments lie , no matter who runs them .
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is found in its ability to spoof both black and white stereotypes equally .
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this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes , here we have a bad , bad , bad movie
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is ultimately quite unengaging
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sit through about 90 minutes of a so-called ` comedy ' and not laugh
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penetrating , potent exploration
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their incessant whining
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an odd , haphazard , and inconsequential romantic comedy .
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about the benjamins that 's hard to resist
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its source 's complexity
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amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and
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to be favorably compared to das boot
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like the world of his film , hartley created a monster but did n't know how to handle it .
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moderately successful
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a portrait of hell so shattering it 's impossible to shake .
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nicolas cage is n't the first actor to lead a group of talented friends astray ,
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to drag along the dead ( water ) weight of the other
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is a canny crowd pleaser , and the last kiss ... provides more than enough sentimental catharsis for a satisfying evening at the multiplex
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that fails to make adequate
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notorious rise
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pedestrian , flat drama
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action scenes
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have made it an exhilarating
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when it is n't incomprehensible
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once overly old-fashioned in its sudsy plotting
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a frightening and compelling ` what if
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running on empty , repeating what he 's already done way too often
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the best films
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guy gets girl
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dull as its characters , about whose fate it is hard to care
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you can smell the grease on the plot
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to the annoying score
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pack raw dough in my ears
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gain the unconditional love she seeks
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in the process created a masterful work of art of their own
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good actors
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engaging , surprisingly
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stand tall with pryor , carlin and murphy
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entirely irony-free
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builds its multi-character story with a flourish
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