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misconceived final 5
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might imagine that most every aggrieved father cliché has been unturned .
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a witty , whimsical feature debut .
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mean-spirited and
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that the e-graveyard holds as many good ideas as bad is the cold comfort that chin 's film serves up with style and empathy .
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not-at-all-good
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lowly studio hack
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if the film has a problem
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recognizable and true
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i also wanted a little alien as a friend !
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purely enjoyable that you might not even notice it 's a fairly straightforward remake of hollywood comedies such as father of the bride .
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driven by the pathetic idea that if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic '
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the , yes , snail-like pacing and lack of thematic resonance make the film more silly than scary , like some sort of martha stewart decorating program run amok .
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resembles the el cheapo margaritas served within .
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put pillowcases over their heads for 87 minutes
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usually genuinely worthwhile
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expected flair
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going to be something really good
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friday after next is a lot more bluster than bite .
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beyond its formula
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've never seen ( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic ...
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unrecoverable
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an epic four-hour indian musical about a cricket game
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nothing but boilerplate clichés from start
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) profound ethical and philosophical questions in the form of dazzling pop entertainment
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'' offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies .
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we get a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- and meat loaf explodes .
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derived from a lobotomy ,
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stupidity , incoherence and sub-sophomoric sexual banter
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as brave and challenging as you could possibly expect these days from american cinema
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for every taste
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impressive stagings
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responsible for this illuminating comedy
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become smug or sanctimonious
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triumphantly returns to narrative filmmaking with a visually masterful work of quiet power .
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murphy and wilson actually make a pretty good team
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he refuses to give us real situations and characters
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the lack of naturalness makes everything seem self-consciously poetic and forced ... it 's a pity that ( nelson 's ) achievement does n't match his ambition .
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the year 's greatest adventure , and jackson 's limited but enthusiastic adaptation
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is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables .
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the film does n't sustain its initial promise with a jarring , new-agey tone creeping into the second half
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, violent and mindless
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represents glossy hollywood at its laziest .
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it takes a really long , slow and dreary time to dope out what tuck everlasting is about .
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inside an enigma
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us all
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adventure and song
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with color and depth , and rather a good time
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makes me wonder if lawrence hates criticism so much that he refuses to evaluate his own work
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offers much to absorb and even more to think about after the final frame .
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so many people put so much time and energy into this turkey
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sense-of-humour
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the most original in years
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no lika
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( it 's ) what punk rock music used to be , and
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fourth feature
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that shockingly manages to be even worse than its title
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one hour photo may seem disappointing in its generalities ,
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a fifty car pileup of cliches .
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grab your kids and run and then probably call the police
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fighting hard for something that really matters
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's worth taking the kids to .
1
contrived , unmotivated
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the thing about guys like evans is this : you 're never quite sure where self-promotion ends and the truth begins .
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lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run
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preposterous , prurient
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matches the page-turning frenzy that clancy creates .
1
a ` girls gone wild ' video for the boho art-house crowd , the burning sensation
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able to look ahead and resist living in a past
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objectivity and refusal
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exceeds expectations
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is clear : not easily and , in the end , not well enough .
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a chilly , brooding but quietly
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so sloppy , so uneven , so
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so boring
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who ca n't act
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is a movie that tells stories that work -- is charming , is moving
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to be a parody of gross-out flicks , college flicks , or even flicks in general
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a poem of art , music and metaphor
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slash-fest
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food-for-thought cinema
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a genre gem
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, like mike shoots and scores , doing its namesake proud
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through vulgarities in a sequel you can refuse
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it borders on facile
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a whole lot
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it 's sweet and fluffy at the time , but it may leave you feeling a little sticky and unsatisfied .
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fairytale
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lively songs
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payami tries to raise some serious issues about iran 's electoral process , but the result is a film that 's about as subtle as a party political broadcast
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ugly and mindless
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off the page , and for the memorable character creations
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but this new jangle of noise , mayhem and stupidity must be a serious contender for the title .
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's appealingly manic and energetic .
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eerie thriller
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's still not a good movie
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suggests a director fighting against the urge to sensationalize his material .
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's a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety .
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none of this is very original , and it is n't particularly funny
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beyond the end zone
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