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one look at a girl in tight pants and big tits and you turn stupid
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should strike a nerve in many .
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that finally returns de palma to his pulpy thrillers of the early '80s
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of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties
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but ... in trying to capture the novel 's deeper intimate resonances , the film has -- ironically - distanced us from the characters .
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imagine ( if possible ) a pasolini film without passion or politics , or an almodovar movie without beauty or humor ,
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like a medium-grade network sitcom -- mostly inoffensive , fitfully amusing , but ultimately so weightless that a decent draft in the auditorium might blow it off the screen .
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the shocking conclusion
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definitely funny stuff , but it 's more of the ` laughing at ' variety than the ` laughing with
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long for the end credits
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joyous communal festival
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heartwarming
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feels draggy
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leads up to a strangely sinister happy ending
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clever adaptation
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well-thought stunts or a car chase
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's , it 's simply unbearable
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spite of it
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given audiences
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engages us in constant fits of laughter ,
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as aimless as an old pickup skidding completely out of control on a long patch of black ice , the movie makes two hours feel like four .
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hugh grant , who has a good line in charm ,
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's difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting .
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a new , or inventive , journey
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fresh , unforced naturalism to their characters
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vowing , `
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college keg party
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slopped `
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genuinely funny jokes
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were paying dues for good books unread
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is well done
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transvestite comedy
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is ultimately rather silly and overwrought ,
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it should be done cinematically
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of its gaudy hawaiian shirt
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absorbing movie that 's as hard to classify as it is hard to resist
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is so fascinating
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it 's not a motion picture ;
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enter
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enjoy on a certain level
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ramsay is clearly extraordinarily talented , and
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not counting a few gross-out comedies i 've been trying to forget , this is the first film in a long time that made me want to bolt the theater in the first 10 minutes .
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this was lazy but enjoyable
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all comedy
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brims with passion
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get lost in the murk of its own making
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that make it well worth watching
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a nice change
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some good , organic character work ,
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his personal obstacles
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elegantly produced and expressively performed
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the horrible pains
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to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history
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uplifting , funny and wise .
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sorvino makes the princess seem smug and cartoonish , and the film only really comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours .
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do n't understand what on earth is going on
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the film has some of the best special effects ever
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every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary
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yawner
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a pretty woman
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skip
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the production has been made with an enormous amount of affection , so we believe these characters love each other
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i hope the movie is widely seen and debated with appropriate ferocity and thoughtfulness .
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emotional comfort
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population
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is far from disappointing , offering an original
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will assuredly
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soulless and
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bean drops the ball too many times ...
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an mtv , sugar hysteria
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the most wondrous of all hollywood fantasies
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do n't say you were n't warned .
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such a sophisticated and unsentimental treatment on the big screen
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better actor
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as you watch the movie , you 're too interested to care .
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fans of plympton 's shorts may marginally enjoy the film
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we do n't get williams ' usual tear and a smile , just sneers and bile ,
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pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators
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call it magic
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full , chilling advantage
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keep you engaged
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a mesmerizing cinematic poem
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handily
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working from a surprisingly sensitive script co-written
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its relaxed , natural-seeming actors
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substitute plot for personality
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you should see this movie
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birthday girl lucks out with chaplin and kidman , who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns .
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comes together as a coherent whole
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winds up moving in many directions as it searches ( vainly , i think ) for something fresh to say
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a brutal and funny
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it 's defiantly and delightfully against the grain .
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on a 10-year delay
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does n't bode well for the rest of it
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to convince almost everyone that it was put on the screen , just for them
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in his latest effort , storytelling , solondz has finally made a movie that is n't just offensive -- it also happens to be good .
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mental illness
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wickedly funny
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so bland and
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phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose , and
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