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a script that prevents them from firing on all cylinders
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in his right mind
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deepa mehta provides an accessible introduction as well as some intelligent observations on the success of bollywood in the western world .
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a choke leash
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should have been a cutting hollywood satire
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that tell the best story
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through this film
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accomplishes
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it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone , but
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, roiling black-and-white inspires trembling and gratitude .
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flashy gadgets and whirling fight sequences may look cool , but they ca n't distract from the flawed support structure holding equilibrium up .
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how we all need a playful respite from the grind to refresh our souls
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aging series
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as a pink slip
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because we 've seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed
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undercut by its awkward structure and a final veering toward melodrama .
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via kirsten dunst 's remarkable performance
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to have decades of life as a classic movie franchise
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it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world
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it look like a masterpiece
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from the writing and direction to the soggy performances --
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a breakthrough
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a fluid and mesmerizing sequence
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thought-provoking film
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neo-nazism
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competently directed but terminally cute drama .
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the actresses in the lead roles are all more than competent
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a harrowing account
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tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
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a powerful sequel and one of the best films of the year
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the heart of the film
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the sketchiest
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cheat
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provocative film
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something for everyone .
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the riveting performances by the incredibly flexible cast make love a joy to behold .
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bad soap opera
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suited neither to kids or adults
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here is a vh1 behind the music special that has something a little more special behind it : music that did n't sell many records but helped change a nation .
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, `` they 're out there ! ''
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was n't feeling any of it
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, it has some problems
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rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations
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the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud
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a remarkably alluring film
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key strength
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elegant ,
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slap
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the dull effects
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until then there 's always these rehashes to feed to the younger generations
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general audiences might not come away with a greater knowledge of the facts of cuban music
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are , with the drumming routines , among the film 's saving graces .
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film buzz and whir
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what is essentially an extended soap opera
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aimlessly and unsuccessfully attempts to fuse at least three dull plots into one good one .
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those who trek to the ` plex predisposed to like it probably will enjoy themselves .
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it 's so poorly made , on all levels , that it does n't even qualify as a spoof of such
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find a movie character more unattractive or odorous ( than leon )
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, mr. murray , a prolific director of music videos , stuffs his debut with more plot than it can comfortably hold .
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another best of the year selection .
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appeals
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marinated in clichés and mawkish dialogue
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, frightening war scenes
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's a rock-solid little genre picture
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paul bettany is good at being the ultra-violent gangster wannabe
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that the film never feels derivative
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a lush , swooning melodrama
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too often into sugary sentiment and withholds delivery on the pell-mell
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oftentimes funny , yet ultimately cowardly
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the action looks fake
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rejection by one 's mother
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so much that he refuses to evaluate his own work
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made a great saturday night live sketch , but a great movie it is not
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john le carré with a couple of burnt-out cylinders
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the light comedic work
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charged music to the ears of cho 's fans .
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you expect of de palma , but what makes it transporting is that it 's also one of the smartest
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to get a coherent rhythm going
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to seek and strike just the right tone
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remarkably accessible and haunting
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if the filmmakers come up with nothing original in the way of slapstick sequences
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tremendous piece
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, the movie stirs us as well .
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the only young people who possibly will enjoy it
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is attractive
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the central flaw of the film
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cheap , graceless , hackneyed sci-fi serials
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cowardly
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more confused , less interesting and more sloppily
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few points
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the debate it joins is a necessary and timely one
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totally past his prime
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's still a sweet , even delectable diversion
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avoid
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a raunchy and frequently hilarious follow-up to the gifted korean american stand-up
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in a series of achronological vignettes whose cumulative effect is chilling
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, though many of the actors throw off a spark or two when they first appear , they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction .
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and flat-out farce
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creeps into your heart
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hard to believe these jokers are supposed to have pulled off four similar kidnappings before
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