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makes all the difference .
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is the gabbiest giant-screen movie
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highly watchable , giggly little story
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like my christmas movies with more elves and snow and less pimps and ho 's .
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the movie 's various victimized audience members after a while
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this is n't exactly profound cinema , but it 's good-natured and sometimes quite funny .
1
a well-put-together piece of urban satire .
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few good ideas
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the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms ... is a nonstop hoot .
1
the film has a laundry list of minor shortcomings , but the numerous scenes of gory mayhem are worth the price of admission ... if `` gory mayhem '' is your idea of a good time
1
jackass is a vulgar and cheap-looking version of candid camera staged for the marquis de sade set .
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passion
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director george hickenlooper has had some success with documentaries , but here his sense of story and his juvenile camera movements smack of a film school undergrad , and his maudlin ending might not have gotten him into film school in the first place .
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is a gem
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is a deeply unpleasant experience
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's a love story as sanguine as its title
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does a great combination act
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insane
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make this surprisingly decent flick
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why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good
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that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers
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the film fails to fulfill its own ambitious goals
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trash-cinema
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, the movie has a cinematic fluidity and sense of intelligence that makes it work more than it probably should .
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is an interesting movie !
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the story is predictable , the jokes are typical sandler fare , and the romance with ryder is puzzling
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a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination
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've got to love a disney pic with as little cleavage as this one has , and a heroine as feisty and principled as jane .
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as though you rode the zipper after eating a corn dog and an extra-large cotton candy
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incisive and
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its willingness to explore its principal characters with honesty , insight and humor
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director hoffman , with great help from kevin kline
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waged among victims and predators settle into an undistinguished rhythm of artificial suspense .
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any way of gripping what its point is ,
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nicole holofcenter , the insightful writer/director responsible for this illuminating comedy does n't wrap the proceedings up neatly but the ideas tie together beautifully
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fanciful
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admire this film for its harsh objectivity and refusal to seek our tears , our sympathies .
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recognizes the needs of moviegoers for real characters and compelling plots
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while peppering the pages with memorable zingers
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celebrates the group 's playful spark of nonconformity , glancing vividly back at what hibiscus grandly called his ` angels of light . '
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for fans of british cinema , if only because so many titans of the industry are along for the ride
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is haunting ... ( it 's ) what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction
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devos and cassel have tremendous chemistry --
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lacks the spirit of the previous two
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watchable up until the point where the situations and the dialogue spin hopelessly out of control -- that is to say
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its exquisite acting , inventive screenplay ,
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worthy
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could have written a more credible script , though with the same number of continuity errors .
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some outrageously creative action in the transporter
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is as deep as a petri dish and as well-characterized
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the film never gets over its own investment in conventional arrangements , in terms of love , age , gender , race , and class .
0
see a movie that takes such a speedy swan dive from `` promising '' to `` interesting ''
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you 're likely wondering why you 've been watching all this strutting and posturing .
0
is intriguing , provocative stuff
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is the kind of movie where the big scene is a man shot out of a cannon into a vat of ice cream
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striking , quietly vulnerable personality
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illustrates the ability of the human spirit to overcome adversity
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a besotted and obvious drama that tells us nothing new
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infuses the movie with much of its slender , glinting charm .
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created a substantive movie
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the film fearlessly gets under the skin of the people involved ... this makes it not only a detailed historical document , but an engaging and moving portrait of a subculture .
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is gripping , as are the scenes of jia with his family
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's a frightful vanity film that , no doubt , pays off what debt miramax felt they owed to benigni .
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sparked by two actresses in their 50s working at the peak of their powers .
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of the universal themes , earnest performances
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about something is an amicable endeavor .
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director juan jose campanella could have turned this into an argentine retread of `` iris '' or `` american beauty , '' but instead pulls a little from each film and creates something more beautiful than either of those films .
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, in itself , is extraordinary .
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confusing and horrifying
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arrives from the margin that gives viewers a chance to learn , to grow , to travel .
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great missed opportunity
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in which laughter and self-exploitation merge into jolly soft-porn 'em powerment
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one of the movies you 'd want to watch if you only had a week to live
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wholesome fantasy
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, it misses a major opportunity to be truly revelatory about his psyche .
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flat , misguided comedy
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when twentysomething hotsies make movies about their lives , hard-driving narcissism is a given , but
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two fatal ailments
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finely crafted , finely written
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, but miss wonton floats beyond reality with a certain degree of wit and dignity .
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a historically significant , and personal , episode
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spiffy bluescreen technique and
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's still quite worth seeing
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coming , as before , from the incongruous but chemically perfect teaming of crystal and de niro
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pretend it 's a werewolf itself by avoiding eye contact and walking slowly away
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the best silly horror movies
1
this loud and thoroughly obnoxious comedy
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is amazing ,
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to overcome gaps in character development and story logic
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a beautiful , aching sadness to it all
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to be intimate and socially encompassing
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made the full monty a smashing success ... but
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that 's as hard to classify as it is hard to resist
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at some point , all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill .
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the title , many can aspire but none can equal
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carries arnold ( and the viewers ) into the forbidden zone of sympathizing with terrorist motivations by presenting the `` other side of the story . ''
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find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most
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suffers from two fatal ailments -- a dearth of vitality and a story that 's shapeless and uninflected
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the town has kind of an authentic feel
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cutesy romantic tale
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