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it must be the end of the world : the best film so far this year is a franchise sequel starring wesley snipes
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one of the funniest motion
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others will find their humor-seeking dollars best spent elsewhere .
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the unmentionable
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finds a nice rhythm
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( toback 's ) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard ...
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both the scenic splendor of the mountains
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a forcefully quirky tone that quickly wears out its limited welcome
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racism and
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ludicrous
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to recycle images and characters that were already tired 10 years ago
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with enough negatives
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an american tragedy
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are reflected in almost every scene .
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the kind of insouciance embedded in the sexy demise of james dean
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than what 's been cobbled together onscreen
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the filmmakers know how to please the eye , but
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rollicking
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sinuously plotted
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, these components combine into one terrific story with lots of laughs .
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the beauty
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cheered
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observant of his characters
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such a clever adaptation
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, is n't nearly as funny as it thinks it is
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an infinitely wittier version of the home alone formula
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one in which fear and frustration are provoked to intolerable levels
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the eyes of some children who remain curious about each other against all odds
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gets around to its real emotional business ,
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you might to resist , if you 've got a place in your heart for smokey robinson
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falls back
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possibly will enjoy it
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elevates the material above pat inspirational status and
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to be had from films crammed with movie references
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as single-minded as john carpenter 's original
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acidic all-male
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makes up for in heart
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enough charming moments
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they are having so much fun
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borrows a bit from the classics `` wait until dark '' and `` extremities '' ... but in terms of its style , the movie is in a class by itself .
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his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it
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's a lousy one at that .
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warmth and gentle humor
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risky
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( soderbergh ) tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence , and he creates an overall sense of brusqueness .
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emerges as a surprisingly anemic disappointment .
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take on loss and loneliness
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very funny as you peek at it through the fingers in front of your eyes
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sustain the buoyant energy level of the film 's city beginnings
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transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor
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it 's crafty , energetic and smart -- the kid is sort of like a fourteen-year old ferris bueller
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powerful drama
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is a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema
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though the film is well-intentioned , one could rent the original and get the same love story and parable .
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is an extraordinary film , not least
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mildly amusing
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concept doofus
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a refreshingly realistic , affectation-free coming-of-age tale
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the qualities that made the first film so special
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it succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries
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invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets
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muddy psychological
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a very lively dream
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original in its base concept that you can not help but get caught up .
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, it tends to speculation , conspiracy theories or , at best , circumstantial evidence
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of the situation in a well-balanced fashion
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i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration
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tells this very compelling tale with little fuss or noise
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so many people put so much time and energy into this turkey
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, film has little insight into the historical period and its artists , particularly in how sand developed a notorious reputation .
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late-summer
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the dramatic scenes are frequently unintentionally funny , and
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a seriously intended movie that is not easily forgotten
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comes alive as its own fire-breathing entity in this picture
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although frailty fits into a classic genre , in its script and execution it is a remarkably original work .
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wondrously creative
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revelatory
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is unfocused
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damned
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moments of hilarity
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excellent work
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of the giant screen and its hyper-realistic images
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some very good acting , dialogue
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the , yes , snail-like pacing
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their lack
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( ahola ) has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation .
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in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place
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cruel story
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found the movie as divided against itself as the dysfunctional family it portrays
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consistently sensitive and
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slapping its target audience
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satisfyingly odd and intriguing a tale as it was a century and a half ago
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devotees
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immensely ambitious , different than anything that 's been done before
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itself is far from disappointing , offering an original
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make ` cherish ' a very good ( but not great ) movie .
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perfect use in the breathtakingly beautiful outer-space documentary space station 3d
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caruso sometimes descends into sub-tarantino cuteness ... but for the most part he makes sure the salton sea works the way a good noir should , keeping it tight and nasty .
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will be all too familiar for anyone who 's seen george roy hill 's 1973 film , `` the sting .
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begins with promise , but runs
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