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ext. roadside dusk present day [frl]: i gotta go. [frl]: jogs across the road. [mrl] sees traffic coming. [mrl]: goddamnit [frl]!! pay attention!!! [frl]: ...hello?
ext. central park day [mrl]: you know, in this day and age it's not so outrageous a request. i mean, i don't know this kid. i don't know where he's been. [frl]: you're worried about where he's been? give me a break!
int. bathroom night [frl]: is drying her hands in the bar's bathroom, staring into the mirror. no smile now. we see into her mind for a second. [frl]: there you are. [frl]: we thought you wouldn't show. why you sitting here? [mrl]: i don't talk to a lot of people. would you...? [frl]: i didn't have a chance to thank yo...
int. house [mrl]: what's she talking about? [ex5]: this is where other people get to call in and dump on what you said.
ext. [frl] and [ex]'s house night [ex22]: "merry christmas!" "good luck at your dad's!" "see you at new year's!" [ex7]: approaches [mrl] in the doorway. [mrl]: have a good time at your mom's. [ex7]: thanks. and [mrl]... since you were born on christmas eve, i figure you don't get a lot of birthday presents. so, i thoug...
ext. farmer's market later [frl]: runs through the market looking for [mrl]. [frl]: [mrl]! [ex12]: turns around and sees [frl] running. all belly and boobs bouncing towards him. her gown starting falling off. [ex12]: whoa. i've had nightmares that started like this. [frl]: [mrl]! [mrl]: turns. [mrl]: [frl]? [frl]: [mrl...
int. hospital nurses' station night [ex10]: is helping mrs. hobbs dispense medication into paper cups when dr. hirsch approaches. he is still wearing his overcoat. [ex10]: is not sure how to answer. [frl]: has walked up and overheard the last. [frl]: it's all right, susan. yes, doctor, i have.
int. clinic waiting room day present day [frl]: wearing scrubs, picks up the ringing phone. [frl]: mediplex... you are going to need to come in... we're going to need to see him... i can't diagnose over the phone... about 20 30 minutes... okay? ...okay, bye... [frl]: hangs up. she holds a clipboard. [frl]: [ex17]? [frl...
int. bedroom night [frl]: what is this music?
int. locker room dusk [ex28]: hell yeah. [ex21]: looks at [frl], standing in her shorts and sports bra. [ex21]: oh damn, mon. [frl]: what? [ex21]: i think ol' girl took out your chichis with that charge. [frl]: kiss my ass. [ex27]: i don't want to go play overseas. [ex36]: i thought you were hyped about going to portug...
ext. snow covered forest day
and extras. cu on the cookie plate.
int. triple door continuous [mrl]: slowly walks up to the stage. he stands there silently, looking at the audience. then, finally... [mrl]: have you guys heard of this new drug cocktail called cheese? like that's the name of it, it's called cheese. i saw all these news reports, and they were like, there's a new drug, i...
ext. train station evening
int. outer office bldg. and loan day [ex7]: listening at the door. as [mrl] is about to enter his father's office, uncle billy grabs him by the arm. [mrl]: got to see [ex17], [ex7]. [ex7]: some other time, [mrl]. [mrl]: it's important. [ex7]: there's a squall in there that's shapin' up into a storm. [ex8]: [ex7]... tel...
int. [ex2] mintzs office continuous its [mrl]s old office but you wouldnt know it from the decor...lots of country pine, a fabric sofa, and a play pen where the bar used to be. [mrl] enters, immediately struck by the difference... [ex4] [ex2], this is [mrl] ...the one i was telling you about... mintz, a confident look ...
it is now winter. the track team jogs in formation, leaving tracks in the snow. those bastards never stop running.
int. hallway west wing day [ex3]: he's got the whole white house press corps asking each other how to spell "erudite." [ex3]: i know. gotta rewrite the state of the union. [ex3]: goes off in one direction. a.j. heads towards the oval office.
[frl]: watches [mrl] drive away, perturbed by the exchange. she forces a smile and goes to greet the visitors. [ex5] sets up [ex4]'s wheelchair and [ex4] climbs into it as [frl]: come to visit your truck? [ex5]: looks good. you got that dent out. [ex5]: shoots his father an irritated look, just as the police cruiser pu...
int. reverend's office [mrl]: doesn't sit. [mrl]: i'd like to take [frl] to dinner on new year's eve. [mrl]: i'm sorry i haven't always treated [frl] the way i should have. she deserves better. [mrl]: i care for her. [mrl]: i wouldn't do that [mrl]: ever again.
ext. day. the fields . [mrl]: she's completely different. [ex1]: how was she before? what's the story?... [mrl]: there isn't one. [ex1]: come on. [mrl]: was nothing. decade ago. just a teenage thing.
int. kenwood house. ground floor corridors day.7 48 * [ex6] steps from the ladies' parlour [frl] from the drawing room, winded with emotion. as they fall into each other's arms, weeping... [ex6] i am sorry, [frl]. so very sorry.
int. classroom day [frl]: sits in class. [ex2] passes a note back to her. [frl]: she wrote me a note in first period. [frl]: reads it. it says: hey girlie! you wanna hang out after school today? kisses! [ex2] [ex2]: looks back and [frl] gives her the thumbs up.
int. [ex14]'s cab day [ex14]: if either of you two see a stranger around here, it's me. [ex14]: reaches over and hands [mrl] a bottle of champagne done up in gift wrappings. [frl]: good old [ex15]. [ex14]: by the way, where are you two going on this here now honeymoon? [mrl]: where are we going? look at this. there's t...
int. day. hadditon the marquee. [ex6]: it all runs very smoothly. i start a book in the summer, publish it the following spring. bit of a factory, really.
int. living room night [ex11]: hi. [mrl]: hi [ex11].
int. dispatch night [ex36]: sits at the mike. an air controller is standing next to him, but only his midsection is in frame. [ex36]: all right. it's obvious you remember me. [ex36]: so what do you say you and i just forget about everything except what we have to do now? [ex36]: you and i are going to bring this plane ...
int. chicago dispatch night
[ex2]: and [mrl] walk into the attic. [mrl]: i looked in here, but this is all your sewing shit up here, for your sewing and everything. did you put it up here? [mrl]: steps to an open closet. [ex2]: what about in your father's study?
int. hallway continuous
int. o'shea apartment building lobby day [mrl]: lies sleeping on a sofa in the lobby. the [ex13] taps him awake. [mrl]: what time is it? [ex13]: eight o'clock. you got to go. [mrl]: did she show up? [ex13]: nope. [mrl]: do you mind if i check upstairs? [ex13]: i can't have you do that, nor can i have you hanging around...
int. [frl]'s room 84 where [frl] is frantically pulling the chord out of the back of her radio. [mrl] fades the phone out, the music up. [mrl] don't be too proud of your five seconds of fame. more people would hear us if we shouted out the window. [frl] my radio days are over, i'm now deaf. [mrl] didn't i tell you not ...
ext. dancing elk school track morning [frl]: waddles toward the field. the guys on the track team, ridiculously arrayed as usual, are doing hurdler stretches. they stare at her quizzically. [mrl] spots [frl] approaching and jogs up to the chainlink fence. [mrl]: did you put like a hundred things of tic tacs in my mailb...
intext. [mrl]'s car later [mrl]: drives in the middle of the night, empty streets. [ex5]: she's still in the er. could you just go and sit with her? i was there for as long as i could, but it's a crazy time for all of us...
ext. street afternoon [frl]: walks down a little street in a quiet neighborhood.
int. [mrl]'s living roomcorridor evening [mrl]: thanks for your help on the glasses thing. [ex1]: you're welcome. did you find them? [mrl]: sort of.
int. [mrl]'s bedroom dusk [mrl]: looks at the new bottle of prescription wellbutrin. he puts a pill in his mouth and washes it down with rc cola.
ext. sidewalk evening [frl]: walks down the street, alone. [frl]: looks over her shoulder, takes off running. [mrl] runs after her. they turn a corner. he is chasing her, a reverse of their previous runs together. he grabs her arm and she [mrl]: wait a second! [mrl]: i have one more letter for you to read, okay? [mrl]:...
recording of him reading howl fades up and over the next
int. [mrl]'s apartment. kreuz. day [ex29]: i have noone else to ask. if you don't take responsibility for her, then [frl] has no future at all. [mrl]: it's kind of you. thank you for letting me know. [mrl]: puts the phone down. he looks as if he has just been handed a sentence. he gets up and stares at the wall which i...
ext. airplane night
they exit the car and stand in the street, looking up, scanning the dark buildings but the sound is hard to track, a faint ballad on a skillful horn. [frl]: wow. [ex1]: got 'im? [frl]: look at that moon. [ex1]: full moon, man. hey! [ex5]: this guy's crazy! bat[ex14]: this asshole sideswiped me! [frl]: are you mcguire? ...
ext. notting hill garden night [frl]: what's in there? [mrl]: gardens. [ex28] these streets round here have these mysterious communal gardens in the middle of them. they're like little villages. [frl]: let's go in. [mrl]: ah no that's the point they're private villages only the people who live round the edges are allow...
ext. road
ext. street dusk [frl]: dungarees.
in the kitchen: we see 10yearold [mrl] watching his mother [ex5] and father kiss quickly, politely, and then his father leaves quickly. [ex2] remains in silhouette through the shot. different day, in [mrl]'s bedroom: [mrl] watches [ex2] and [ex5] kiss, and [ex2] leave more like a performance than anything real. differe...
ext. street day [ex2]: don't tou...
ext. ranch day [ex2]: waits in the truck as [mrl] leads [ex3] through the cows and cowshit, climbs up and hops over a wood fence. [ex3] follows suit not as gracefully and gets a splinter...
int. [mrl]'s living room evening [mrl]: in a towel rushes downstairs, having just had a shower. he shoots past [ex1]. [mrl]: bollocks. this happens every time i go to the cinema. average day, my glasses are everywhere everywhere i look, glasses. but the moment i need them they disappear. it's one of life's real cruelti...
int. showers day
intercut between [frl] and the computer screen
ext. pasture another day
int. station wagon. night [ex8]: pans a spotlight back and forth in the darkness while he steers the car. the lamp has a short in it [ex13]: how can we help her? she's got so many problems. it's getting worse. [ex13]: looks strangely to [ex8]. he asks: [ex13]: whose fault is it? [ex8]: i don't know, but just for the re...
int. cafeteria day [ex9]: you were right. she's still pissed. [ex10]: sweet love, renew thy force! [ex9]: man don't say shit like that to me. people can hear you. [ex8]: you humiliated the woman! sacrifice yourself on the altar of dignity and even the score. [ex10]: best case scenario, you're back on the payroll for aw...
int. carter kitchen dawn [mrl]: quietly shuts the back door. exhausted. starts making coffee. [ex4] appears. [ex4]: your father called. [ex4]: [frl]'s a patient at his hospital. he's having a colleague look at her chart this morning. [ex4]: i'm sorry. i didn't know. [mrl]: i didn't know either.
int. passenger cabin another area night [ex25]: i happened to be passing, and i thought you might like some corfee. [ex26]: that's very nice of you. thank you. [ex25]: thank you. cream? [ex25]: were you vacationing in los angeles? [ex25]: no. i'm from washington, d.c. i'm a lobbyist for the small businessmen's assocati...
ext. mrs. porter's house day [ex3] sits in a lawn chair in the back yard wearing a large straw hat and reading a book. [mrl] and [ex1] are repairing and painting the fence. [ex3] looks up from her book: [ex3]: that board doesn't look straight, [ex1]. come on, [mrl], you've been painting the same spot for the last five ...
int. club foyer night [ex9]: walks up to [ex22], who's frisking a badly mowhawked pierced eyebrow [ex5]. [ex22] pulls a switchblade out of the boy's inside pocket. [ex22]: next time, leave the bic at home, [ex23]. [ex23]: it's a bottle opener. [ex22]: pushes him inside the club, then sees [ex9]. [ex9]: always a pleasur...
int. [mrl]'s living room night [frl]: the thing that's so irritating is that now i'm so totally fierce when it comes to nudity clauses. [mrl]: you actually have clauses in your contact about nudity? [frl]: definitely. 'you may show the dent at the top of the artist's buttocks but neither cheek. in the event of a stunt ...
int. hospital corridor day [frl]: has the patient in twentyone gotten his tray yet? [ex14]: the american? yes, duck. [frl]: how did he look? [ex14]: what do you mean, `how did he look'? [frl]: you know, did he seem depressed? do you think he'll eat the food? [ex14]: i'm an orderly, not a bleeding psychiatrist! i push t...
int. day. winnards farm [frl]'s bedroom. [ex2]: you are so fit i wanna shag you. love from [ex14] pfwoor!!! [ex5] takes another swig with a wicked grin, she sits at [frl]'s pc. we hear [ex2] knock three times on the back door.
int. [mrl]'s bedroom continuous ...impeccably decorated and obsessively neat. close in on the bed where [mrl] , now 35, sans mustache and long hair, opens his eyes. a flash of bright morning light from the window. [mrl] shields his eyes, turning his head toward the bathroom where he sees... a woman's back...draped in a...
int. buchanan mansion [frl]'s bedroom continuous
ext. school parking lot same time
int. beauty parlor later [mrl]: sits with a towel over his head as [ex6] blowdries the back of his head. his back is to the mirror, his body faces [frl]. [ex10] does her own nails as mrs. pressman scratches off lottery tickets. the dog, sprout, sits in is basket. [frl]: in another one... [mrl]: peeks out from under his...
int. pub night
ext. [frl]'s house day [frl]: walks [ex1] to his cruiser. he wears a dark, ill fitting funeral suit. at the car, [frl] adjusts his tie [ex1]: thanks for understanding, bells. they wanted to keep the service small. [frl]: don't worry about me. are you gonna be okay? [ex1]: yeah... but sue, and those kids leah's only a y...
int. apartment building hallyway continuous [mrl]: so what did he say? [frl]: he's checking in again to see if you're ready to sign your divorce papers and he sounded very aggravated. do you want me to read them to you? [mrl]: seems lost in thought. we see the following images under the rest of the conversation: [mrl] ...
int. [ex1]'s apartment bedroom night [ex2]: where is my big hairy boy? [ex1]: is alarmed. he stops breathing as his gay houseguest approaches. [ex1]: breathes again. [ex2] enters the room. [ex2]: should i get it? [ex1]: nods. [ex2] walks into the next room... several beats as he finds the phone. we hear him pick it up ...
int. central park went apartment night
int. convenience store night on [mrl]...crouched down in an aisle of this local convenience store...checking out the bags of rock salt... he looks at the price tag on one of the bags... [mrl] four ninety nine?! its just salt for gods sake... on the entrance to the store...the door opens, a young girl, 17, enters, an av...
ext. texaco station that night [mrl]: pulls the plymouth up to the pumps. he's neatly dressed in a jacket and tie. [ex1] comes out of the office and leans in the car window. [mrl]: fill 'er up. [ex1]: nice tie. [mrl]: oh mind if i borrow it? [ex1]: puts the nozzle in the car as [mrl] climbs out. [ex1]: i thought you di...
ext. cronin's grill afternoon [mrl]: gimme a second here... [ex21]... arizona contract... new glass cabinet... [ex16]: you okay? [mrl]: i'm fine. what's up? [ex16]: i came here to let you go. [mrl]: pardon me? [ex16]: came here to fire you, [mrl]. [ex16]: it's real, [mrl]. you... you should say something. [mrl]: aw shi...
int. [mrl]'s apartment elevator late afternoon
int. bathroom 1994 [ex2]: since the disintegration of her parents' marriage, she'd only loved two things. the first was her long blonde hair. [ex2]: the second was how easily she could cut it off... and feel nothing.
int. hospital corridor day [frl]: rushing down hospital corridor.
int. chinese restaurant night [mrl]: check them out. [frl]: sees. she has no reaction. [mrl]: that is hot. [frl]: keeps eating. [mrl]: i am very turned on right now. [frl]: sometimes you can be so judgmental. [mrl]: huh? [frl]: i mean, who are you? they're happy. just mind your own business. [frl]: goes back to eating....
int. taxi day [ex3]: why so nervous? [mrl]: i've never done this before. [ex3]: how have you dumped girls in the past? [mrl]: screening calls. any suggestions? [ex3]: i knew this guy last summer in the hamptons. he and his girlfriend at the time were madly in love with each other. but she had this huge weight problem. ...
intercut: the phone rings, wakes up [mrl], he turns on the light, answers the phone. precancer [ex2] talks excitedly. [mrl]: hello? [ex2]: [mrl]? [mrl]: yeah. [ex2]: i'm not sorry i woke you! i went to akbar tonight. [mrl]: you did?
ext. the stadium parking lot day [frl]: greets [ex24] they head for her volvo.. [ex13]: starts across the lot on foot, dragging his luggage, when [ex5] pulls up in her car. [ex13]: have you accepted jesus christ as your personal savior? [ex5]: no. [ex13]: can i give you my testimony? [ex5]: you can do anything you want...
int. fossil fuel war room day [ex41]: [frl] , the political strategist who accompanied president [mrl] to last week's state dinner, reportedly spent the night at the white house as a guest of
ext. street night
ext. airplane
ext. ichican sushi restaurant day [frl]: you can't get sushi anywhere in japan after 2 o'clock. did you know that?
ext. runway night [ex11]: the forklift? it's over there by the baggage loader.
ext. late afternoon. ewedown bus shelter. [ex5]: they should let us in free. [ex18]: too right. they come here, drink our water, use our fields, they leave all their crap in our drains [frl]'s car sweeps past with the roof down. it is closely followed by a bright yellow porsche. [ex14] is driving and his boxer dog, bos...
ext. [mrl]'s truck traveling
ext. suburban house late afternoon
int. car. day. [mrl]: we got $98 and you're laughin'.
ext. window establishing morning
int. a taxicab [ex43]: what are you gonna do there, spit off the top? [ex5]: no. i'm gonna meet... my mother.
int. dr. hirsch's office night [frl]: sits and dr. hirsch leans against his desk. [frl]: looks confused. dr. hirsch realizes the cause of her concern. [frl]: at my flat. i'm off at midnight and....
ext. [mrl]'s castle front gates day [mrl]: i had the gates brought in from a castle in normandy. [mrl]: do you like it? [frl]: i love it...! but how do you live here all alone? [mrl]: i don't. i keep it always full of interesting, celebrated people... [mrl]: my house looks well doesn't it? see how the whole front catch...
int. the pool room night [mrl]: richard reynolds' district office. she's thinking of running his campaign. four in the corner. [mrl]: gets down over the ball [mrl]: hartford. the insurance capital of the world. have a good time, syd. [mrl]: smacks the ball, bull'seye. [mrl]: you handling me, a.j.? [mrl]: good. 14 in th...
int. dancing elk school cafeteria day [frl]: almost eight. you wouldn't believe how weird i look naked. [ex3]: i wish my funbags would get bigger. [frl]: trust me, you don't. i actually have to wear a bra now. and i have to rub this nasty cocoa butter stuff all over myself or my skin could get stretched too far and exp...
int. car night [mrl]: in his parked car next to a fence surrounding a drivein movie closed for the season. he weeps. the windows fog up until the outside is completely obscured.
int. hospital patient room another afternoon [frl]: [ex15]? [ex15]: hi. [ex15]: comes in. [mrl] offers her the book. she takes it and keeps going from where [mrl] left off. stumbling but reading. [frl] grins. [frl]: who's been working with you? [ex15]: looks shyly at [mrl]. [frl] shakes her head, amazed. [mrl] nods to ...
int. lobbyatlantic hotel day [mrl]: has checked into the atlantic hotel. the clerk, [ex18], hands him his key. [mrl] asks about room service and the restaurant. an older [ex3] asks him if he plays bridge as he goes up the stairs to his room.
int. equinox steam room day [frl]: tonight. [ex2]: and then we'll have to do a paternity test. is it the cheese farmer or the redpubed bandit? [frl]: i'm not going to have sex with him tonight. it's too soon. i'm not a slut. [frl]: very funny. [ex2]: i'm not joking. [frl]: i'm really not a slut.
int. cafe day [mrl]: ...so we didn't have those terrible, strained sentences, that seemed to characterized most of my relationships. and she liked me. she liked me. she liked me. [ex17]: gives [mrl] a quick kiss and keeps talking...
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