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int. [ex2]'s house [mrl]'s room night [mrl]: pop? |
int. loring house entrystairs day [frl]: heads into the foyer and up the stairs. we see a posed photo of [ex13] and [ex12] in the stairwell. their house is beautiful, but frigid. [frl] rubs her arms, shivering. |
int. taxicab process close shot |
ext. the ranch another day |
ext. day. in the copse. later. [frl]: sits beside a dewpond, gingerly washing the blood off her face. [mrl]: [frl]... [mrl] is watching. she turns away from him. he approaches. [frl]: i'm sorry. she starts crying bitter tears. [mrl]: i'd better get up to stonefield. come with me. we'll get this sorted. [frl]: shakes he... |
int. train day |
int. airplanefirst class night [ex10]: monkeyface... monkeyface, listen... i'm not going to say it here.... no... [mrl]: continues to work, as his laptop now beeps. battery's low. [ex10]: ... oh listen, i got you the perfect white shirt, at this out of the way place... no... quit trying to make me say it! [mrl]: shuts ... |
int. townhouse living room day |
ext. street day |
int. [mrl]'s car night [mrl]: drives past vague local landmark. |
ext. parking lot after school [mrl]: follows [frl] out of the building. catches up. [mrl]: [frl] [frl]: you lack honor. you lack compassion. you lack honesty. you lack humanity. [mrl]: okay. maybe some of that is true [frl]: you don't know the first thing about being someone's friend [mrl]: i don't want to be just your... |
[ex7]: what the hell is that? [ex6] is starting to visibly sweat. [ex6] i'm sorry. there seems to be something. [ex6] shoots [ex15] a look to cover for him. [ex15] tries to cover with a joke. [ex15] looks like my new coanchor may need a glass of water. she laughs, [ex6] laughs in a ridiculous high pitched girly l au gh... |
int. dining room dark and soundless. balloons, streamers and the other debris of revelry cover the tables and floor like snow. [ex4] is sitting at the window, drinking as he stares at the ocean. as [mrl] crosses the room, he looks up. [mrl]: what're you doing down here? [ex4]: celebrating. join me? [mrl]: the party's o... |
int. cockpit night [ex36]: watch your nose! it's too low! [mrl]: is struggling with wheel. the wheel begins to fight back, pushing [mrl]. [ex36]: you're coming in too hot! |
int. [ex2]'s apartment day [ex2]: pats his leg trying unsuccessfully to get verdell to approach him. instead the dog goes to the door and scratches at it. [ex19] starts to pick the dog up. [ex2]: no. please, don't force him. [ex19]: you little stinker. he's given you everything. |
ext. forks, washington late afternoon |
int. lobby of the empire state building night [frl]: sprints in and over to information booth. [frl]: no. please. i really need to get up there. [frl]: takes a deep breath. she's hit the end of the road. she turns to go but then turns back. [frl]: you know that movie? |
int. [ex2]'s apartment day [ex2]: hello?... yes... sure... finally, huh? why, "finally"? because i called you so many times. maybe [ex2]: "will you please loan me money? i will pay you back. i will give you whatever percentage of my income i don't absolutely need until i do. it will take a while. but i don't know what ... |
int. hospital moments later [mrl]: walks by curtained beds hearing screams, wailing, moaning. he finally sees [frl] in a bed, hooked up to wires and monitors. she looks scared, a bit sedated. [mrl]: hey. [frl]: what are you doing here? [mrl]: [ex5] called me and wanted me to make sure you were okay. so how are you doin... |
int. loring house [ex13]'s special room day [ex13]: is seated at the computer, surfing a horror movie website. he has the blank expression of a bored obsessive. the doorbell rings. |
ext. new york street dusk |
int. medical helicopter night [ex36]: looks out the window as the helicopter swoops down toward the lights of lower manhattan. |
int. [ex2]'s apartment studio day the greenhouse studio is a busy sanctuary, as [ex2] puts the finishing touches on his painting of [ex17]. a beat and then a strange figure crosses between the camera and the scene gone before we can examine him further. [ex2]: you can put on anything you want now. i might be sort of do... |
ext. day. minutes later. winnards farm. [ex5]: is outside the back door. she lifts a flowerpot and takes the key from underneath. [ex5]: she keeps this here for [mrl]. [ex2]: what if she's got an alarm? [ex5]: soon find out. [ex5] opens the door. they go in. the alarm is hanging off the wall, the wires pulled out. [ex5... |
int. penthouse day [ex38]: is that everything, sir? [mrl]: that's everything. [ex24]: the lady, she go? [mrl]: yes. she go. |
int. [mrl]'s hotel room day [mrl]: looks at himself in the bathroom mirror, he feels his stubble and sees that it's turning grey. [mrl]: hello? [ex20]: mr. harris, we have fax for you! [mrl]: ok. [ex20]: do you want i send it to your room? [mrl]: great. [ex20]: thank you, mr. harris. |
[frl]: let the record show that i, [frl] , being of sound mind, ample breast size and the occasional corny knock knock joke, do enter this video blog into evidence in the case against me. because i'm being judged by a jury of my peers, i will attempt to insert `like' and `totally' into my confession as much as possible... |
int. [mrl]'s kitchencorridor day [frl]: and remember [ex1] owes you an expensive dinner. or holiday depending if he's got the brains to get the going rate on betrayal. [mrl]: that's not true. and wait a minute... this is crazy behavior. can't we just laugh about this? seriously in the huge sweep of things, this stuff d... |
int. brasserie. berlin. night [ex15]: is already at the table in a chic modern brasserie. she is a sympathetic young woman of around [mrl] approaches. when she sees him, she gets up. [ex15]: i was early. [mrl]: leans in and kisses her on the cheek. [mrl]: [ex15]. [mrl]: welcome back. |
int. hall continuous [ex5]: weeping as [mrl] goes back to his bedroom. |
int. cvs present 44 [ex10] so where are the socks? |
int. [frl]'s bathroom. night [ex14]: i do know what you're feeling, [frl]bean. i've had moments myself where i say: what am i doing here? who made this decision? how could i allow myself to do something so stupid and why is it still happening? we women are more emotional. you have to remember [frl]: turns to [ex14] and... |
int. tower night [ex36]: all right, now just listen carefully. you should be able to see the runway at three hundred feet. [ex36]: aim to touchdown a third of the way along. there's a slight crosswind from the right, so be ready for it. [ex36]: if you land too fast, use your emergency brakes. the red handle is right in... |
ext. kennedy airport a few minutes later |
ext. dense forest day [ex12]: to: [ex12]: to: |
ext. olympic peninsula road day |
ext. church yard. evening |
int. brooklyn secondfloor hallway later [frl]: walks down the hall, opening doors and glancing inside. she opens a bathroom and three cats dash out. [frl]: shit. [frl]: you lost your horns. [frl]: uhhuh. [mrl]: we were checking out the roof. [ex9]'s got quite a setup. [frl]: thank you. [frl]: you guessed it. [mrl]: smi... |
int. [ex5]'s housefoyer night [mrl]: sr. ...and i'll take that fucking camera and i'm gonna break it over your fuckin' head, then i'm gonna come back and interview you about what it's like to get that fuckin' camera broken over your head! you wa, what are you laughing about? [mrl]: sr. okay. [mrl]: sr. walks back to hi... |
int. kinko's copies night [mrl]: in tshirt stands proudly watching copies pumped out. wired college students, band guys, other copy people of the night nearby. [mrl]: nods. it's 3 am, and this guy sounds and looks like a prophet. in fact, everyone in kinko's at 3 am does. [mrl]: thanks. |
int. [ex16]'s office day [ex16]: talks faster. [ex16]: more money, more endorsements |
ext. solatano house night |
int. passenger cabin night [frl]: is seated next to [mrl]. [frl]: i remember everything. all i have are memories. [frl]: mostly i remember...the nights when we were together. i remember how you used to hold me...and how i used to sit on your face and wriggle...and then afterwards how we'd watch until the sun came up. w... |
int. apartment later [mrl]: has more than fifty selfhelp books on a shelf by his bed. he reads from one called "six steps to getting over him." [mrl]: "so he broke your heart. you've been sad and depressed for weeks. perhaps you've turned to drinking or even drugs. and nothing's helped. now what? should you binge on ro... |
[mrl]: pours his cereal into a bowl. pauses. [mrl]: you want to share this? [frl]: why did you order raisin bran? [mrl]: why did you order tea? [mrl]: i ordered raisin bran because i didn't want there to be any mistaking this for a date. [mrl]: it's not a date. so how's your thing going your dancing thing? [frl]: it's ... |
ext. city street night [mrl]: walks through the streets, confused, upset, muttering, angry at himself. |
[mrl]: sr. that's right, you are why today happened. [frl]: i'm the reason why today happened? [mrl]: sr. i think so. [frl]: let's talk about that. [mrl]: sr. be my guest. [frl]: the first night that [mrl] and i met at my sister's, the eagles beat the forty niners handily, forty to twentysix. the second time we got tog... |
int. heathrow o.n.s. booth day |
int. home entry hall and staircase night [ex9]: comes in the front door and goes up the stairs. [ex11]: [ex9]? where have you been? susie cut her finger on the piano pedal. they're as sharp as razor blades... [ex11]: steps into the entry hall. [ex11]: [ex9]? did you hear me? susan cut her finger on the piano pedal. [ex... |
int. [mrl]'s bedroom night [mrl]: is sound asleep. his device chimes loudly, waking him up. halfasleep he puts his earpiece in. [mrl]: [frl]? [frl]: i'm sorry to wake you. [mrl]: it's okay. [frl]: i just wanted to hear your voice and tell you how much i love you. [mrl]: okay... goodnight. |
[ex30]: on basketball court [ex27]: turns into a closer shot. he's a living magazine cover. |
a series of shots daynight |
int. usa today observation room day [mrl]: what are you trying to say to me, fish? [ex4]: vindication. how would you like to get some? a chance to prove that, though your facts weren't entirely straight, your theory was correct. [mrl]: the real story on miss carpenter. [ex4]: all the gory details. [mrl]: the anatomy of... |
ie. [mrl]'s car long island countryside day [mrl]: ah... well... ah... look here, old sport... what's your opinion of me, anyhow? [ex1]: my... opinion? [mrl]: yanks the wheel; [ex1] hangs on for dear life! [mrl]: i don't want you to get the wrong impression from all those bizarre accusations you must be hearing. a pack... |
as [ex1] picks up the phone... he clears his throat loudly. following is intercut between [ex6] and [ex1] the first such cut showing [ex6] blasted by the throat clearing. [ex1]: hello. [ex6]: yeah... well... [ex1]: how you doing? [ex6]: i can trust my brain. [ex1]: that seems like a good choice. [ex6]: i don't know whe... |
int. hospital room day [mrl]: opens his eyes quickly, the silence and whiteness contrast sharply with the preceding fantasy. standing beside the bed are dr. hirsch and mr. collins. mr. collins wears a bow tie and is holding a briefcase. [mrl]: where am i? [mrl]: london? where's [ex2]? i had a strange dream. [mrl]: the ... |
int. campus gym morning [ex18]: is all over [frl], slipping in cheap shots, but [frl] starts to come on. she does a quick crossover and loses [ex18]. she dishes off to [ex29], who scores. [ex17]: [ex18]! you feel like playing any "d"? [ex18]: scowls as she runs down court. she gets a pass in the corner, tires to make a... |
int. chicago dispatch night [ex36]: lights cigarette. [ex36]: all right, [mrl], now you listen to me and you listen close. flying is no different than riding a bicycle...it just happens to be a lot harder to put baseball cards in the spokes. now, if you just follow my instructions... |
int. passenger cabin another area night [ex23]: remove the jacket and unfold it so that the red arrow points up. |
int. royce publishing reception morning [frl]: exits the elevator and receives an enthusiastic... [ex4]: good morning! [frl] quickly walks by and gives only the slightest nod. |
int. moss house. [ex25]: you look like trash, boy, marked up like that. cheap trash. [ex25]: i'm just glad your ma ain't alive to see that thing. |
ext. subway station platform [frl]: runs through the crowd in a panic dodging people. she finds who she is looking for, her boyfriend [ex2] . she runs into his arms like long lost lovers. [ex2]: tries to untangle her from the cords. [ex2]: watch out! [frl]: have they taken us for someone else? [ex2]: we're in a film. [... |
int. pickup day [frl]: tries to get [mrl]'s attention, but he's looking out the window. finally she pinches him and [mrl] jumps. he gives [frl] a "what did you do that for" look. [frl]: i'm a lucky woman. [frl] does her best to smile. |
int. plane day [ex28]: welcome to flight 1601 to seattle, this is your captain. we've reached our cruising altitude of 30,000 feet. flight time'll be three hours and thirty minutes. and [frl]? [mrl] has something he'd like to say to you. |
ext. dr. carter's home minute later |
int. kenwood house. ground floor corridorsstudio. day. 5 28 * feminine feet move along the corridor. reveal [frl] making her way to [ex3]'s study. her pov: through the doorway to the studio. an unfamiliar face mixing paints, engrossed. his weather worn hands are recognisable from the opening credits. his stare meets [f... |
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