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(G)I-dle_22542401 | From the article on '(G)I-dle', restate the '2019: I Made, "Uh-Oh", Japanese debut and Queendom' content. | was reported that around 15,000 applied to attend, but due to the venue's capacity limit, some could not make it. On July 31, (G)I-dle debuted in the Japanese market with the release of their EP Latata. On August 19, (G)I-dle and makeup brand Kate collaborated to release a spin-off music video of "Latata (Japanese ver.... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542406 | Summarize the '2020: I Trust, I-Land: Who Am I online concert, "I'm The Trend", Dumdi Dumdi and Oh My God' part of '(G)I-dle'. | raise money for COVID-19 relief. They were the first female K-pop group to participate. On April 6, the group released their third EP titled I Trust with "Oh My God" as its lead single. The album consists of five songs including an English-language version of the title track. In conjunction with the release of I Trust,... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542394 | From the article on '(G)I-dle', restate the 'Name' content. | In an interview with The Star, the leader of the group, Soyeon, revealed that the name "Idle" (μμ΄λ€) came to her when she was composing the "Idle Song". She sent it to the company and the name was finalized after going through the company's competition. However, there were mixed reactions in South Korea and internationa... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542427 | What does the article about '(G)I-dle' say regarding 'Impact and influences'? | the most visceral tracks of 2019" and was topped the list out of 920 songs released in 2019. In January 2020, (G)I-dle was voted as one of the most anticipated singers/groups in 2020 based on surveys of several Korean music agencies, broadcasting and program officials, composers and popular music critics. In February, ... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542392 | Summarize the following section from the article on '(G)I-dle'. | (G)I-dle, stylized in all caps, is a South Korean girl group formed by Cube Entertainment in 2018. The group consists of five members: Miyeon, Minnie, Soyeon, Yuqi and Shuhua. Originally a six-piece, Soojin departed from the group on August 14, 2021. The group debuted on May 2, 2018, with the single "Latata" from their... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542400 | Describe the '2019: I Made, "Uh-Oh", Japanese debut and Queendom' section of the article about '(G)I-dle'. | (G)I-dle released their second EP, I Made, on February 26, 2019. The EP contains five songs, including the lead single "Senorita", written and composed by Soyeon and Big Sancho. On June 26, (G)I-dle released their second digital single, "Uh-Oh". The song ranked number 22 on NetEase Cloud Music China for the first half ... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542411 | Based on the article about '(G)I-dle', describe the '2020: I Trust, I-Land: Who Am I online concert, "I'm The Trend", Dumdi Dumdi and Oh My God' section. | previous record with "Oh My God". The group ended the promotions winning first place for two weeks in a row on Show Champion, M Countdown and Inkigayo, becoming the group's most-winning title track. On August 26, they made their first Japanese comeback with the release of their second extended play, Oh My God, along wi... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542396 | What does the article about '(G)I-dle' say regarding 'Pre-debut'? | appeared in a small part in Lim Seul-ong's "You" music video. Soojin was a former trainee under DN Entertainment in 2015. She trained as a member of the girl group Vividiva with the stage name N.NA, but left before the group's debut. Minnie was featured in Line Friends' album Dance Party, which was released in November... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542419 | Describe the 'Image' section of the article about '(G)I-dle'. | (G)I-dle has been praised for their musicality and ambiguity. According to industry specialists and marketing researches, the group was noted to embody the spirit a group like 2NE1 once had, but adapted to today's sensibilities. The group has often been recognized for being a "self-producing" idol girl group and breaki... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542432 | Explain what '(G)I-dle' covers in the 'Awards and nominations' section. | (G)I-dle received their first music show win on SBS MTV's The Show with "Latata" on May 22, 2018. They won their first new artist award, "Female Rookie Idol of the Year", on July 24, 2018, at the Brand of the Year Awards, and went on to receive a total of seven rookie awards at various awards ceremonies in their debut ... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542402 | Explain what '(G)I-dle' covers in the '2019: I Made, "Uh-Oh", Japanese debut and Queendom' section. | the second preliminary round, (G)I-dle reinterpreted 2NE1's "Fire", finishing in last place. In September, it was reported that Cube would partner with e2PR and Strategic Communications to establish a new promotion team for handling (G)I-dle's international public relations. That same month, the group held their first ... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542428 | Based on the article about '(G)I-dle', describe the 'Impact and influences' section. | billion) from a year earlier due to I Trust, which sold 151,108 copies, the success of I-Land: Who Am I, and Dumdi Dumdi racking up 98,587 album sales. The same month, they achieved 500 million streams cumulatively on Spotify. They are the first K-pop fourth-generation girl group and the fifth in the K-pop girl group's... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542426 | Based on the article about '(G)I-dle', describe the 'Impact and influences' section. | "monster rookie" of 2018. Billboard ranked them at the top of its list as the best new K-pop acts of 2018. It was reported that Cube's music sales in 2018 increased by 58% to β©8.8 billion due to the popularity of (G)I-dle's "Latata" and "Hann (δΈ)". In 2019, (G)I-dle gained more recognition in the general public after a... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)I-dle_22542415 | What does the article about '(G)I-dle' say regarding '2021: I Burn, focus on members' solo activities and Soojin's departure'? | to Yuqi, the group's Chinese member. On February 5, (G)I-dle released a remixed version of "Hwaa" by Dimitri Vegas & Like Mike. It would be the band's first collaboration with foreign artists. On March 4, it was announced that Soojin would temporarily halt all activities following alleged bullying accusations by former... | [
"(G)I-dle β Impact and influences\n\nIn May 2018, (G)I-dle had revealed they deem Hyuna, a senior then from the same agency, as their role model. Yuqi said, \"I grew up dreaming of becoming a singer after seeing Hyuna sunbae-nim. I want to become a sexy and cute singer like [her]. My mother played her music during ... |
(G)Old_&_New_22319222 | What information does the article about '(G)Old & New' provide on 'Recording and release'? | (G)Old & New was recorded at Ike & Tina Turner's studio, Bolic Sound, in June 1973. The album was made due to popular demand, via requests to United Artists for an Ikettes album. The album features new compositions and new versions of old songs. The first hit single by the Ikettes "I'm Blue (The Gong-Gong Song)," was r... | [
"(G)Old & New β Recording and release\n\n(G)Old & New was recorded at Ike & Tina Turner's studio, Bolic Sound, in June 1973. The album was made due to popular demand, via requests to United Artists for an Ikettes album. The album features new compositions and new versions of old songs. The first hit single by t... |
(G)Old_&_New_22319221 | Describe the content of the article about '(G)Old & New'. | (G)Old & New is a studio album by American girl group the Ikettes, released on United Artists in 1974. The Ikettes were backing vocalists for the Ike & Tina Turner Revue. (G)Old & New is their second and final studio album, containing new songs and different version of previously released tracks such as their hit "I'm ... | [
"(G)Old & New β Recording and release\n\n(G)Old & New was recorded at Ike & Tina Turner's studio, Bolic Sound, in June 1973. The album was made due to popular demand, via requests to United Artists for an Ikettes album. The album features new compositions and new versions of old songs. The first hit single by t... |
(G)Old_&_New_22319223 | Based on the article about '(G)Old & New', describe the 'Critical reception' section. | Reviewing the album, Cash Box noted that "each cut has the fresh, bouncy rhythm that become an Ikette trademark, especially 'Listen To The Music,' 'Camel Walk,' and 'Peaches and Cream.'" Billboard (January 26, 1974): "Returning to the recording spotlight after a trio of big 1962-65 hits, the Ikettes deliver a strong up... | [
"(G)Old & New β Recording and release\n\n(G)Old & New was recorded at Ike & Tina Turner's studio, Bolic Sound, in June 1973. The album was made due to popular demand, via requests to United Artists for an Ikettes album. The album features new compositions and new versions of old songs. The first hit single by t... |
(G,X)-manifold_13998137 | Describe the content of the article about '(G,X)-manifold'. | In geometry, if X is a manifold with an action of a topological group G by analytical diffeomorphisms, the notion of a (G, X)-structure on a topological space is a way to formalise it being locally isomorphic to X with its G-invariant structure; spaces with a (G, X)-structures are always manifolds and are called (G, X)... | [
"(G,X)-manifold β Monodromy\n\nGiven a developing map.",
"(G,X)-manifold\n\nIn geometry, if X is a manifold with an action of a topological group G by analytical diffeomorphisms, the notion of a (G, X)-structure on a topological space is a way to formalise it being locally isomorphic to X with its G-invariant str... |
(G,X)-manifold_13998146 | Explain what '(G,X)-manifold' covers in the 'Other cases' section. | In general compactness of the space does not imply completeness of a (G,X)-structure. For example, an affine structure on the torus is complete if and only if the monodromy map has its image inside the translations. But there are many affine tori which do not satisfy this condition, for example any quadrilateral with i... | [
"(G,X)-manifold β Monodromy\n\nGiven a developing map.",
"(G,X)-manifold\n\nIn geometry, if X is a manifold with an action of a topological group G by analytical diffeomorphisms, the notion of a (G, X)-structure on a topological space is a way to formalise it being locally isomorphic to X with its G-invariant str... |
(Get_Your_Kicks_on)_Route_66_23745463 | Summarize the 'Other recorded renditions' part of '(Get Your Kicks on) Route 66'. | Bing Crosby with the Andrews Sisters recorded a version, which reached number 14 on the Billboard chart in 1946. ; In 1964, the Rolling Stones included a version on their self-titled debut album. In a song review, critic Richie Unterberger called it "the most famous rock version of the song... one of the best songs on ... | [
"(Get Your Kicks on) Route 66 β Other recorded renditions\n\nBing Crosby with the Andrews Sisters recorded a version, which reached number 14 on the Billboard chart in 1946. ; In 1964, the Rolling Stones included a version on their self-titled debut album. In a song review, critic Richie Unterberger called it \"the... |
(Get_Your_Kicks_on)_Route_66_23745462 | Explain what '(Get Your Kicks on) Route 66' covers in the 'Nat King Cole original version' section. | Nat King Cole, with the King Cole Trio, first recorded the song in 1946 at Radio Recorders in Los Angeles. Capitol Records released it as a single, which reached number three on Billboard magazine's Race Records chart and number eleven on its broader singles chart. Cole later re-recorded the tune for the album After Mi... | [
"(Get Your Kicks on) Route 66 β Other recorded renditions\n\nBing Crosby with the Andrews Sisters recorded a version, which reached number 14 on the Billboard chart in 1946. ; In 1964, the Rolling Stones included a version on their self-titled debut album. In a song review, critic Richie Unterberger called it \"the... |
(Get_Your_Kicks_on)_Route_66_23745465 | What information does the article about '(Get Your Kicks on) Route 66' provide on 'Other recorded renditions'? | Bragg inviting listeners to "Go motoring, on the A-thirteen". According to Bragg, he wrote the lyrics while playing with his band Riff Raff in 1977: while the band played "Route 66" as part of their set, Bragg "objected to singing about these places that (he) didn't know... there's a tradition of driving down the A13 t... | [
"(Get Your Kicks on) Route 66 β Other recorded renditions\n\nBing Crosby with the Andrews Sisters recorded a version, which reached number 14 on the Billboard chart in 1946. ; In 1964, the Rolling Stones included a version on their self-titled debut album. In a song review, critic Richie Unterberger called it \"the... |
(Get_Your_Kicks_on)_Route_66_23745464 | Summarize the 'Other recorded renditions' part of '(Get Your Kicks on) Route 66'. | for his 1961 album New Juke Box Hits, although Unterberger also notes that a version by Perry Como was a source for the lyrics. ; In 1982, a version by the Manhattan Transfer reached number 78 on the Hot 100. It also earned the group a Grammy Award for Best Jazz Vocal Performance, Duo or Group and was included on the s... | [
"(Get Your Kicks on) Route 66 β Other recorded renditions\n\nBing Crosby with the Andrews Sisters recorded a version, which reached number 14 on the Billboard chart in 1946. ; In 1964, the Rolling Stones included a version on their self-titled debut album. In a song review, critic Richie Unterberger called it \"the... |
(Get_Your_Kicks_on)_Route_66_23745460 | Describe the 'Background' section of the article about '(Get Your Kicks on) Route 66'. | Bobby Troup got the idea for the song on a cross-country drive from Pennsylvania to California. Troup wanted to try his hand as a Hollywood songwriter, so he and his wife, Cynthia, packed up their 1941 Buick and headed west. The trip began on US 40 and continued along US 66 to the California coast. Troup initially cons... | [
"(Get Your Kicks on) Route 66 β Other recorded renditions\n\nBing Crosby with the Andrews Sisters recorded a version, which reached number 14 on the Billboard chart in 1946. ; In 1964, the Rolling Stones included a version on their self-titled debut album. In a song review, critic Richie Unterberger called it \"the... |
(Get_Your_Kicks_on)_Route_66_23745466 | Based on the article about '(Get Your Kicks on) Route 66', describe the 'Other recorded renditions' section. | was finally released commercially on the bonus disc of the 2003 compilation Must I Paint You a Picture? The Essential Billy Bragg. ; A version by Depeche Mode reached number 79 in Australia in May 1988. ; Michael Martin Murphey recorded the song for his 1989 album Land of Enchantment. Released as a single in 1990, it p... | [
"(Get Your Kicks on) Route 66 β Other recorded renditions\n\nBing Crosby with the Andrews Sisters recorded a version, which reached number 14 on the Billboard chart in 1946. ; In 1964, the Rolling Stones included a version on their self-titled debut album. In a song review, critic Richie Unterberger called it \"the... |
(Get_Your_Kicks_on)_Route_66_23745461 | From the article on '(Get Your Kicks on) Route 66', restate the 'Lyrics' content. | The lyrics read as a mini-travelogue about the major stops along the route, listing several cities and towns through which Route 66 passes: St. Louis, Missouri; Joplin, Missouri; Oklahoma City, Oklahoma; Amarillo, Texas; Gallup, New Mexico; Flagstaff, Arizona; Winona, Arizona; Kingman, Arizona; Barstow, California; and... | [
"(Get Your Kicks on) Route 66 β Other recorded renditions\n\nBing Crosby with the Andrews Sisters recorded a version, which reached number 14 on the Billboard chart in 1946. ; In 1964, the Rolling Stones included a version on their self-titled debut album. In a song review, critic Richie Unterberger called it \"the... |
(Get_Your_Kicks_on)_Route_66_23745459 | Describe the content of the article about '(Get Your Kicks on) Route 66'. | "(Get Your Kicks on) Route 66" is a popular rhythm and blues song, composed in 1946 by American songwriter Bobby Troup. The lyrics follow the path of U.S. Route 66 (US 66), which traversed the western two-thirds of the U.S. from Chicago, Illinois, to Los Angeles, California. The song became a standard, with several ren... | [
"(Get Your Kicks on) Route 66 β Other recorded renditions\n\nBing Crosby with the Andrews Sisters recorded a version, which reached number 14 on the Billboard chart in 1946. ; In 1964, the Rolling Stones included a version on their self-titled debut album. In a song review, critic Richie Unterberger called it \"the... |
(Ghost)_Riders_in_the_Sky:_A_Cowboy_Legend_21295525 | Reconstruct the content about 'Overview' from the article on '(Ghost) Riders in the Sky: A Cowboy Legend'. | The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever "trying to catch the Devil's herd across these endless skies". The... | [
"(Ghost) Riders in the Sky: A Cowboy Legend β Overview\n\nThe song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever \"tr... |
(Ghost)_Riders_in_the_Sky:_A_Cowboy_Legend_21295527 | Based on the article about '(Ghost) Riders in the Sky: A Cowboy Legend', describe the 'Notable and charting recordings' section. | The original version by Stan Jones was recorded in late 1948 or early 1949. A recording by Stan Jones and his Death Valley Rangers issued on Mercury 5320 in May 1949. Fellow songwriter Eden Ahbez sent the song to Burl Ives, who recorded his own version in early 1949. ; Burl Ives recorded the song on February 17, 1949, ... | [
"(Ghost) Riders in the Sky: A Cowboy Legend β Overview\n\nThe song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever \"tr... |
(Ghost)_Riders_in_the_Sky:_A_Cowboy_Legend_21295526 | Summarize the 'Overview' part of '(Ghost) Riders in the Sky: A Cowboy Legend'. | Cochise County, believed that when souls vacate their physical bodies, they reside as spirits in the sky, resembling ghost riders. He related this story to Wayne Hester, a boyhood friend (later owner of the Douglas Cable Company). As both boys were looking at the clouds, Stan shared what the old Native American had tol... | [
"(Ghost) Riders in the Sky: A Cowboy Legend β Overview\n\nThe song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever \"tr... |
(Ghost)_Riders_in_the_Sky:_A_Cowboy_Legend_21295530 | Summarize the 'Notable and charting recordings' part of '(Ghost) Riders in the Sky: A Cowboy Legend'. | the Billboard Hot 100 chart, reaching No. 87. ; The Johnny Cash version, recorded for the album Silver, was released by Columbia Records as catalog No. 3-10961 on April 1, 1979. It first appeared on Billboards Hot Country Singles & Tracks chart on April 15, 1979, lasting 16 weeks and peaking at No. 2 on July 27. ; An i... | [
"(Ghost) Riders in the Sky: A Cowboy Legend β Overview\n\nThe song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever \"tr... |
(Ghost)_Riders_in_the_Sky:_A_Cowboy_Legend_21295529 | Explain what '(Ghost) Riders in the Sky: A Cowboy Legend' covers in the 'Notable and charting recordings' section. | was recorded on April 18, 1949, and released by Capitol Records as catalog No. 57-608. It reached No. 2 on Billboards Most Played By Disc Jockeys listing without appearing in the retail Top 30. ; The Ramrods released an instrumental rock version in 1960 with eerie and evocative overdubbed shouts, whistles and cattle ca... | [
"(Ghost) Riders in the Sky: A Cowboy Legend β Overview\n\nThe song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever \"tr... |
(Ghost)_Riders_in_the_Sky:_A_Cowboy_Legend_21295528 | What does the article about '(Ghost) Riders in the Sky: A Cowboy Legend' say regarding 'Notable and charting recordings'? | March 14, 1949, and released by RCA Victor Records as catalog No. 20-3411 (in USA) and by EMI on the His Master's Voice label as catalog No. BD 1247, HN 3014, HQ 2071, IM 1425 and GY 878. The recording first appeared on the Billboard charts on April 15, 1949, lasting 22 weeks and reaching No. 1. Billboard ranked it as ... | [
"(Ghost) Riders in the Sky: A Cowboy Legend β Overview\n\nThe song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever \"tr... |
(Ghost)_Riders_in_the_Sky:_A_Cowboy_Legend_21295524 | Reconstruct the content from the article about '(Ghost) Riders in the Sky: A Cowboy Legend'. | "(Ghost) Riders in the Sky: A Cowboy Legend" is a cowboy-styled country/western song written in 1948 by American songwriter, film and television actor Stan Jones. A number of versions were crossover hits on the pop charts in 1949, the most successful being by Vaughn Monroe. The ASCAP database lists the song as "Riders ... | [
"(Ghost) Riders in the Sky: A Cowboy Legend β Overview\n\nThe song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever \"tr... |
(God_Must_Have_Spent)_A_Little_More_Time_on_You_30808897 | Describe the 'Alabama version' section of the article about '(God Must Have Spent) A Little More Time on You'. | In 1999, country music band Alabama recorded the song with a backing vocal from NSYNC, and released it as a single from their eighteenth studio album, Twentieth Century. This version peaked at number three on the Billboard Hot Country Songs chart and at number 29 on the Billboard Hot 100. The song is the only Hot Count... | [
"(God Must Have Spent) A Little More Time on You β Alabama version\n\nIn 1999, country music band Alabama recorded the song with a backing vocal from NSYNC, and released it as a single from their eighteenth studio album, Twentieth Century. This version peaked at number three on the Billboard Hot Country Songs chart... |
(God_Must_Have_Spent)_A_Little_More_Time_on_You_30808895 | Based on the article about '(God Must Have Spent) A Little More Time on You', describe the 'Track listings' section. | America (1999) ; Version 1 ; 1) "God Must Have Spent a Little More Time on You" (Remix) ; 2) "Sailing" (Live Version) ; 3) "God Must Have Spent a Little More Time on You" (Video) ; 4) "Interview" (Video) Version 2 ; 1) "(God Must Have Spent) A Little More Time on You" (Single Version) ; 2) "Sad Lookin' Moon" | [
"(God Must Have Spent) A Little More Time on You β Alabama version\n\nIn 1999, country music band Alabama recorded the song with a backing vocal from NSYNC, and released it as a single from their eighteenth studio album, Twentieth Century. This version peaked at number three on the Billboard Hot Country Songs chart... |
(God_Must_Have_Spent)_A_Little_More_Time_on_You_30808894 | Summarize the following section from the article on '(God Must Have Spent) A Little More Time on You'. | "(God Must Have Spent) A Little More Time on You" is a song by American boy band NSYNC. It was released as the third single from their self-titled debut album in the U.S. While some of the previous singles were released in Europe, this one was not, and subsequently only charted in Australia and the U.S., reaching numbe... | [
"(God Must Have Spent) A Little More Time on You β Alabama version\n\nIn 1999, country music band Alabama recorded the song with a backing vocal from NSYNC, and released it as a single from their eighteenth studio album, Twentieth Century. This version peaked at number three on the Billboard Hot Country Songs chart... |
(God_Must_Have_Spent)_A_Little_More_Time_on_You_30808896 | What does the article about '(God Must Have Spent) A Little More Time on You' say regarding 'Music video'? | The video was directed by Lionel C. Martin. The video shows the band performing around one single microphone, while showing footage of the mother and son, from birth to old age, including childhood memories, going to war, and coming home. All the footage of the mother and son was in black and white, whereas most of the... | [
"(God Must Have Spent) A Little More Time on You β Alabama version\n\nIn 1999, country music band Alabama recorded the song with a backing vocal from NSYNC, and released it as a single from their eighteenth studio album, Twentieth Century. This version peaked at number three on the Billboard Hot Country Songs chart... |
(Ha_Ha)_Slow_Down_12195733 | Based on the article about '(Ha Ha) Slow Down', describe the 'Music video' section. | The music video was produced by Parris and features a cameo by Diddy, Trina, Waah (Ruff Ryders Entertainment CEO) & Al Harrington (professional NBA player from the Denver Nuggets). | [
"(Ha Ha) Slow Down β Music video\n\nThe music video was produced by Parris and features a cameo by Diddy, Trina, Waah (Ruff Ryders Entertainment CEO) & Al Harrington (professional NBA player from the Denver Nuggets).",
"(Ha Ha) Slow Down β Remixes\n\nSeveral rappers have recorded freestyles over the song's instru... |
(Ha_Ha)_Slow_Down_12195732 | Summarize the 'Remixes' part of '(Ha Ha) Slow Down'. | Several rappers have recorded freestyles over the song's instrumental, including The Lox, Talib Kweli, Shyne, Jae Millz, Game, Rick Ross, Nipsey Hussle, Capone-N-Noreaga, Raekwon, Uncle Murda, Jim Jones, Rayne Storm and French Montana. More elements of "Back to Life (However Do You Want Me)" are sampled on Maino's vers... | [
"(Ha Ha) Slow Down β Music video\n\nThe music video was produced by Parris and features a cameo by Diddy, Trina, Waah (Ruff Ryders Entertainment CEO) & Al Harrington (professional NBA player from the Denver Nuggets).",
"(Ha Ha) Slow Down β Remixes\n\nSeveral rappers have recorded freestyles over the song's instru... |
(Ha_Ha)_Slow_Down_12195731 | What information does the article about '(Ha Ha) Slow Down' provide? | "(Ha Ha) Slow Down" is the first single from Fat Joe's tenth studio album The Darkside Vol. 1. The song features rapper Young Jeezy. It also contains a short sample of Soul II Soul's "Back to Life (However Do You Want Me)" (a capella version) throughout the entire beat. | [
"(Ha Ha) Slow Down β Music video\n\nThe music video was produced by Parris and features a cameo by Diddy, Trina, Waah (Ruff Ryders Entertainment CEO) & Al Harrington (professional NBA player from the Denver Nuggets).",
"(Ha Ha) Slow Down β Remixes\n\nSeveral rappers have recorded freestyles over the song's instru... |
(He'll_Never_Be_An)_Ol'_Man_River_30268703 | What information does the article about '(He'll Never Be An) Ol' Man River' provide? | not about actually doing these things himself; rather, his addiction is vicariously following celebrities and their excesses and premature deaths. Controversy surrounded the release of this track. Red Hot Chili Peppers' Australian-born bassist Michael "Flea" Balzary (a close friend of Phoenix) reportedly left "wanting ... | [
"(He'll Never Be An) Ol' Man River\n\nnot about actually doing these things himself; rather, his addiction is vicariously following celebrities and their excesses and premature deaths. Controversy surrounded the release of this track. Red Hot Chili Peppers' Australian-born bassist Michael \"Flea\" Balzary (a close ... |
(He'll_Never_Be_An)_Ol'_Man_River_30268704 | From the article on '(He'll Never Be An) Ol' Man River', restate the 'Track list' content. | 1) "(He'll Never Be An) Ol' Man River" - 2:25 ; 2) "Abscess Makes the Heart Grow Fonder" - 2:47 ; 3) "Dicktatorship" - 2:00 CD single (G003) | [
"(He'll Never Be An) Ol' Man River\n\nnot about actually doing these things himself; rather, his addiction is vicariously following celebrities and their excesses and premature deaths. Controversy surrounded the release of this track. Red Hot Chili Peppers' Australian-born bassist Michael \"Flea\" Balzary (a close ... |
(He'll_Never_Be_An)_Ol'_Man_River_30268705 | Based on the article about '(He'll Never Be An) Ol' Man River', describe the 'Personnel' section. | Damian Cowell - lead vocals (choruses) ; Peter Minack - lead vocals (verses) ; Jack Holt - bass ; James Paull - electric guitar ; Eugene Cester - keyboards | [
"(He'll Never Be An) Ol' Man River\n\nnot about actually doing these things himself; rather, his addiction is vicariously following celebrities and their excesses and premature deaths. Controversy surrounded the release of this track. Red Hot Chili Peppers' Australian-born bassist Michael \"Flea\" Balzary (a close ... |
(He'll_Never_Be_An)_Ol'_Man_River_30268702 | What information does the article about '(He'll Never Be An) Ol' Man River' provide? | "(He'll Never Be An) Ol' Man River" is a song by Australian alternative rock band TISM, released in June 1995 as the second single from their third studio album, Machiavelli and the Four Seasons. The song peaked at number 23 on the ARIA Charts, becoming the band's highest charting single and polled at number 9 in the T... | [
"(He'll Never Be An) Ol' Man River\n\nnot about actually doing these things himself; rather, his addiction is vicariously following celebrities and their excesses and premature deaths. Controversy surrounded the release of this track. Red Hot Chili Peppers' Australian-born bassist Michael \"Flea\" Balzary (a close ... |
(He's_a)_Shape_in_a_Drape_19532598 | What information does the article about '(He's a) Shape in a Drape' provide on 'Track listing'? | 7" and cassette single ; 1) "(He's a) Shape in a Drape" - 2:59 ; 2) "Speedway" - 2:40 7" single (US promo) ; 1) "(He's a) Shape in a Drape" - 2:59 ; 2) "(He's a) Shape in a Drape" - 2:59 CD single ; 1) "(He's a) Shape in a Drape" - 2:59 ; 2) "Soul Kiss" (Live) - 4:51 ; 3) "Monday Papers" (Live) - 4:58 CD single (US pro... | [
"(He's a) Shape in a Drape β Track listing\n\n7\" and cassette single ; 1) \"(He's a) Shape in a Drape\" - 2:59 ; 2) \"Speedway\" - 2:40 7\" single (US promo) ; 1) \"(He's a) Shape in a Drape\" - 2:59 ; 2) \"(He's a) Shape in a Drape\" - 2:59 CD single ; 1) \"(He's a) Shape in a Drape\" - 2:59 ; 2) \"Soul Kiss\" (L... |
(He's_a)_Shape_in_a_Drape_19532599 | What information does the article about '(He's a) Shape in a Drape' provide on 'Personnel'? | Joe Jackson - producer, arranger ; David Anderle - album coordinator ; Seigen Ono - recording and mixing on "Soul Kiss" and "Monday Papers" ; David Kershenbaum - mixing engineer on "Soul Kiss" and "Monday Papers" ; Kevin Smith - remix engineer on "Soul Kiss" and "Monday Papers" Production | [
"(He's a) Shape in a Drape β Track listing\n\n7\" and cassette single ; 1) \"(He's a) Shape in a Drape\" - 2:59 ; 2) \"Speedway\" - 2:40 7\" single (US promo) ; 1) \"(He's a) Shape in a Drape\" - 2:59 ; 2) \"(He's a) Shape in a Drape\" - 2:59 CD single ; 1) \"(He's a) Shape in a Drape\" - 2:59 ; 2) \"Soul Kiss\" (L... |
(He's_a)_Shape_in_a_Drape_19532596 | Describe the content of the article about '(He's a) Shape in a Drape'. | "(He's a) Shape in a Drape" is a song by British singer-songwriter and musician Joe Jackson, which was released in 1988 as a single from the soundtrack album of the American biographical comedy-drama film Tucker: The Man and His Dream. The song was written and produced by Jackson. | [
"(He's a) Shape in a Drape β Track listing\n\n7\" and cassette single ; 1) \"(He's a) Shape in a Drape\" - 2:59 ; 2) \"Speedway\" - 2:40 7\" single (US promo) ; 1) \"(He's a) Shape in a Drape\" - 2:59 ; 2) \"(He's a) Shape in a Drape\" - 2:59 CD single ; 1) \"(He's a) Shape in a Drape\" - 2:59 ; 2) \"Soul Kiss\" (L... |
(He's)_The_Great_Imposter_828989 | Based on the article about '(He's) The Great Imposter', describe the 'In popular culture' section. | The song was featured in the 1973 film American Graffiti. ; A version of the song was featured on Lightspeed Champion's 2010 vinyl double-single with "Marlene" as a B-side. The Lightspeed Champion version was featured on the Lifetime TV series You. | [
"(He's) The Great Imposter β In popular culture\n\nThe song was featured in the 1973 film American Graffiti. ; A version of the song was featured on Lightspeed Champion's 2010 vinyl double-single with \"Marlene\" as a B-side. The Lightspeed Champion version was featured on the Lifetime TV series You.",
"(He's) Th... |
(He's)_The_Great_Imposter_828986 | Summarize the following section from the article on '(He's) The Great Imposter'. | "(He's) The Great Imposter" is a 1961 song by The Fleetwoods. The song was written by Sharon Sheeley and Jackie DeShannon. It reached #30 on the Billboard Hot 100. One of the musicians on the song was session drummer Earl Palmer. | [
"(He's) The Great Imposter β In popular culture\n\nThe song was featured in the 1973 film American Graffiti. ; A version of the song was featured on Lightspeed Champion's 2010 vinyl double-single with \"Marlene\" as a B-side. The Lightspeed Champion version was featured on the Lifetime TV series You.",
"(He's) Th... |
(Here_I_Stand)_In_the_Spirit_of_Paul_Robeson_11340091 | Describe the content of the article about '(Here I Stand) In the Spirit of Paul Robeson'. | (Here I Stand) in the Spirit of Paul Robeson is a public artwork by American artist Allen Uzikee Nelson, located at the intersection of Kansas Ave NW, Georgia Ave NW and Varnum St NW in the Petworth neighborhood in Washington, D.C., United States. It is a tribute to musician, actor and social activist Paul Robeson. | [
"(Here I Stand) In the Spirit of Paul Robeson\n\n(Here I Stand) in the Spirit of Paul Robeson is a public artwork by American artist Allen Uzikee Nelson, located at the intersection of Kansas Ave NW, Georgia Ave NW and Varnum St NW in the Petworth neighborhood in Washington, D.C., United States. It is a tribute to ... |
(Here_I_Stand)_In_the_Spirit_of_Paul_Robeson_11340092 | What does the article about '(Here I Stand) In the Spirit of Paul Robeson' say regarding 'Description'? | This Cor-Ten steel sculpture stands like a sign in the middle of the intersection. It rises upwards and opens up into a large face created with heavy African influences. Greenish glass frames the face. The artist describes it as a "Janus-face". | [
"(Here I Stand) In the Spirit of Paul Robeson\n\n(Here I Stand) in the Spirit of Paul Robeson is a public artwork by American artist Allen Uzikee Nelson, located at the intersection of Kansas Ave NW, Georgia Ave NW and Varnum St NW in the Petworth neighborhood in Washington, D.C., United States. It is a tribute to ... |
(Here_I_Stand)_In_the_Spirit_of_Paul_Robeson_11340093 | Based on the article about '(Here I Stand) In the Spirit of Paul Robeson', describe the 'Artist' section. | Originally from Tupelo, Mississippi, Uzikee now lives in Washington D.C. His background in engineering provides a basis for his work. His creative goal is to combine "African design and aesthetic into subconscious culture." All of his works are three-dimensional, steel and glass. His work has been on display at Howard ... | [
"(Here I Stand) In the Spirit of Paul Robeson\n\n(Here I Stand) in the Spirit of Paul Robeson is a public artwork by American artist Allen Uzikee Nelson, located at the intersection of Kansas Ave NW, Georgia Ave NW and Varnum St NW in the Petworth neighborhood in Washington, D.C., United States. It is a tribute to ... |
(Hotel)_Beau_SΓ©jour_15588720 | Explain what '(Hotel) Beau SΓ©jour' covers in the 'Season 1' section. | Lynn Van Royen β Kato Hoeven, teenage murder victim ; Kris Cuppens β Luc Hoeven, Kato's father ; Charlotte Timmers β Sofia Otten, Kato's 18-year-old stepsister ; Joke Emmers β Ines Anthoni, Kato's friend ; Johan van Assche β Alexander Vinken, local 'crooked' cop ; Joren Seldeslachts β Charlie Vinken, Alexander's son ; ... | [
"(Hotel) Beau SΓ©jour β Season 1\n\nLynn Van Royen β Kato Hoeven, teenage murder victim ; Kris Cuppens β Luc Hoeven, Kato's father ; Charlotte Timmers β Sofia Otten, Kato's 18-year-old stepsister ; Joke Emmers β Ines Anthoni, Kato's friend ; Johan van Assche β Alexander Vinken, local 'crooked' cop ; Joren Seldeslach... |
(Hotel)_Beau_SΓ©jour_15588723 | What information does the article about '(Hotel) Beau SΓ©jour' provide on 'Production'? | November 2017. Sanne Nuyens and Bert Van Dael will return as writers. For the second season, the writers received a subsidy of 25,000 euros from the Flemish Audiovisual Fund. In February 2019, it was announced that the city of Bruges and production house De Mensen had reached an agreement to film the second season in t... | [
"(Hotel) Beau SΓ©jour β Season 1\n\nLynn Van Royen β Kato Hoeven, teenage murder victim ; Kris Cuppens β Luc Hoeven, Kato's father ; Charlotte Timmers β Sofia Otten, Kato's 18-year-old stepsister ; Joke Emmers β Ines Anthoni, Kato's friend ; Johan van Assche β Alexander Vinken, local 'crooked' cop ; Joren Seldeslach... |
(Hotel)_Beau_SΓ©jour_15588722 | Explain what '(Hotel) Beau SΓ©jour' covers in the 'Production' section. | The series' first season was shot on location at the real Hotel Beau SΓ©jour ("Nice Stay") in Dilsen-Stokkem. The father of series co-creator Nathalie Basteyns stayed at the hotel 10 years before the show was created, and it made an impression upon him. Basteyns and Kaat Beels conceived the idea for the series immediate... | [
"(Hotel) Beau SΓ©jour β Season 1\n\nLynn Van Royen β Kato Hoeven, teenage murder victim ; Kris Cuppens β Luc Hoeven, Kato's father ; Charlotte Timmers β Sofia Otten, Kato's 18-year-old stepsister ; Joke Emmers β Ines Anthoni, Kato's friend ; Johan van Assche β Alexander Vinken, local 'crooked' cop ; Joren Seldeslach... |
(Hotel)_Beau_SΓ©jour_15588724 | Explain what '(Hotel) Beau SΓ©jour' covers in the 'Reception' section. | Hotel Beau SΓ©jour has been well received by critics, with particular praise for Lynn Van Royen's portrayal of the murdered Kato. John Doyle of The Globe and Mail compared it favorably to the first season of HBO's True Detective, calling it "a remarkably textured, slow-burning and compelling murder mystery." The Los Ang... | [
"(Hotel) Beau SΓ©jour β Season 1\n\nLynn Van Royen β Kato Hoeven, teenage murder victim ; Kris Cuppens β Luc Hoeven, Kato's father ; Charlotte Timmers β Sofia Otten, Kato's 18-year-old stepsister ; Joke Emmers β Ines Anthoni, Kato's friend ; Johan van Assche β Alexander Vinken, local 'crooked' cop ; Joren Seldeslach... |
(Hotel)_Beau_SΓ©jour_15588718 | Describe the content of the article about '(Hotel) Beau SΓ©jour'. | Beau SΓ©jour (the first season is internationally known as Hotel Beau SΓ©jour) is a Dutch-language Belgian supernatural crime drama television series, created by Bert Van Dael and Sanne Nuyens, and directed by Nathalie Basteyns and Kaat Beels. It began airing on Belgian channel EΓ©n on 1 January 2017 and on Arte in France... | [
"(Hotel) Beau SΓ©jour β Season 1\n\nLynn Van Royen β Kato Hoeven, teenage murder victim ; Kris Cuppens β Luc Hoeven, Kato's father ; Charlotte Timmers β Sofia Otten, Kato's 18-year-old stepsister ; Joke Emmers β Ines Anthoni, Kato's friend ; Johan van Assche β Alexander Vinken, local 'crooked' cop ; Joren Seldeslach... |
(How_Does_It_Feel_to_Be)_On_Top_of_the_World_21779520 | What information does the article about '(How Does It Feel to Be) On Top of the World' provide? | "(How Does it Feel to Be) on Top of the World" is a song by the British supergroup England United β formed by Echo and the Bunnymen, Ocean Colour Scene, Space and the Spice Girls. The song was written by Echo and the Bunnymen frontman Ian McCulloch and Johnny Marr and released as official theme of the England national ... | [
"(How Does It Feel to Be) On Top of the World\n\n\"(How Does it Feel to Be) on Top of the World\" is a song by the British supergroup England United β formed by Echo and the Bunnymen, Ocean Colour Scene, Space and the Spice Girls. The song was written by Echo and the Bunnymen frontman Ian McCulloch and Johnny Marr ... |
(How_Does_It_Feel_to_Be)_On_Top_of_the_World_21779523 | Explain what '(How Does It Feel to Be) On Top of the World' covers in the 'Live performances' section. | The song was first performed live on TFI Friday on 1 May 1998. On 21 May 1998, a performance of song was recorded for Top of the Pops, which was broadcast on 5 June 1998. | [
"(How Does It Feel to Be) On Top of the World\n\n\"(How Does it Feel to Be) on Top of the World\" is a song by the British supergroup England United β formed by Echo and the Bunnymen, Ocean Colour Scene, Space and the Spice Girls. The song was written by Echo and the Bunnymen frontman Ian McCulloch and Johnny Marr ... |
(How_Does_It_Feel_to_Be)_On_Top_of_the_World_21779522 | From the article on '(How Does It Feel to Be) On Top of the World', restate the 'Reception' content. | Although the song was a substantial chart hit in the UK, peaking at #9, critical reception to the song was largely negative. Chris Evans was quoted as saying: "It is a good pop song, but you can't sing it on the terraces. You can't really get your teeth into the lyrics." Charlie Porter in The Times said that it was "a ... | [
"(How Does It Feel to Be) On Top of the World\n\n\"(How Does it Feel to Be) on Top of the World\" is a song by the British supergroup England United β formed by Echo and the Bunnymen, Ocean Colour Scene, Space and the Spice Girls. The song was written by Echo and the Bunnymen frontman Ian McCulloch and Johnny Marr ... |
(How_Does_It_Feel_to_Be)_On_Top_of_the_World_21779524 | Summarize the 'Music video' part of '(How Does It Feel to Be) On Top of the World'. | An official music video was released featuring all the members of England United, with appearances by footballers of the National Team, including David Beckham, Ian Wright and Rio Ferdinand. | [
"(How Does It Feel to Be) On Top of the World\n\n\"(How Does it Feel to Be) on Top of the World\" is a song by the British supergroup England United β formed by Echo and the Bunnymen, Ocean Colour Scene, Space and the Spice Girls. The song was written by Echo and the Bunnymen frontman Ian McCulloch and Johnny Marr ... |
(How_Does_It_Feel_to_Be)_On_Top_of_the_World_21779525 | From the article on '(How Does It Feel to Be) On Top of the World', restate the 'Track listing' content. | CD one / Cassette ; 1) "(How Does It Feel to Be) On Top of the World" β 4:50 ; 2) "(How Does It Feel to Be) On Top of the World (Instrumental)" β 4:47 CD two ; 1) "(How Does It Feel To Be) On Top of the World (Perfecto Edit)" ; 2) "(How Does It Feel To Be) On Top of the World (Perfecto Remix)" β 6:00 ; 3) "(How Does It... | [
"(How Does It Feel to Be) On Top of the World\n\n\"(How Does it Feel to Be) on Top of the World\" is a song by the British supergroup England United β formed by Echo and the Bunnymen, Ocean Colour Scene, Space and the Spice Girls. The song was written by Echo and the Bunnymen frontman Ian McCulloch and Johnny Marr ... |
(How_Does_It_Feel_to_Be)_On_Top_of_the_World_21779521 | Describe the 'Background and release' section of the article about '(How Does It Feel to Be) On Top of the World'. | In 1998, Universal Music Group and the UEFA European Championship called a group of artists to record the official theme of the England national football team for the 1998 World Cup. The supergroup, credited as England United, was formed by the Spice Girls, Echo and the Bunnymen, Space and Ocean Colour Scene. The song ... | [
"(How Does It Feel to Be) On Top of the World\n\n\"(How Does it Feel to Be) on Top of the World\" is a song by the British supergroup England United β formed by Echo and the Bunnymen, Ocean Colour Scene, Space and the Spice Girls. The song was written by Echo and the Bunnymen frontman Ian McCulloch and Johnny Marr ... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099289 | What information does the article about '(How Much Is) That Doggie in the Window?' provide on 'Legacy'? | According to rock historian Michael Uslan, "novelty songs" like "Doggie" led to the "fervent embrace of rock & roll" by 1955. "A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vibrant to shake the rafters." The song has since become a popular c... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099299 | What information does the article about '(How Much Is) That Doggie in the Window?' provide on 'Parodies'? | was arranged by "Don Gould". English would later quip that the record "sold about eight copies". ; "How much is that window in the doggie ?" was written by the quadriplegic cartoonist John Callahan. A pane of glass falls from a building and slices into a man's seeing eye dog. A child observer asks the inverted question... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099298 | Explain what '(How Much Is) That Doggie in the Window?' covers in the 'Parodies' section. | first popular in 1953. ; Another notable (but hardly known) parody, according to David English, former president of RSO Records – which went on to become Eric Clapton's and the Bee Gees' record label – was the very first record released by that company in 1973, with Tim Rice and Andrew Lloyd Webber. The rec... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099297 | Summarize the 'Parodies' part of '(How Much Is) That Doggie in the Window?'. | In 1953, the year of the original's release, country musicians Homer & Jethro, "the thinking man's hillbillies," released their parody, "How Much Is That Hound Dog in the Window?" ("Window" was pronounced "winder", and the lyrics continued with, "... I do hope that flea bag's for sale....") It was to become an enormous... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099290 | What does the article about '(How Much Is) That Doggie in the Window?' say regarding 'Legacy'? | of the United States. Said Page: ""The original song asks the question: 'How much is that doggie in the window?' Today, the answer is 'too much.' And I don't just mean the price tag on the puppies in pet stores. The real cost is in the suffering of the mother dogs back at the puppy mill. That's where most pet store pup... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099295 | What does the article about '(How Much Is) That Doggie in the Window?' say regarding 'Other contemporary versions'? | 1953: these were by Lita Roza, Patti Page, Carole Carr with Children's Choir and Rustler the Dog, and British actor John Slater. The following month, a version by the British child star Mandy Miller, who was aged just 8, was released. A parody version by American country music duo Homer and Jethro (titled "That Hound D... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099293 | Describe the 'Reception' section of the article about '(How Much Is) That Doggie in the Window?'. | "(How Much is) That Doggie in the Window" was a new entry in the UK charts on March 14, 1953 at No. 9. It moved up to No. 3 in its second and third week of release, before dropping down to No. 4 on April 4. On April 11, it moved up to No. 2 for a week, before reaching No. 1 on April 18. This made Lita Roza both the fir... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099300 | What information does the article about '(How Much Is) That Doggie in the Window?' provide on 'Parodies'? | window? I'm so glad that Trotsky is dead.' ; In 2021, CEO of Tesla, Inc. and SpaceX, Elon Musk, who has been the driving force behind Dogecoin's skyrocketing prices since earlier that year, tweeted "How much is that Doge in the window?", while on the dark background behind neon lights, an image of Doge has been superim... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099296 | Summarize the 'Legacy' part of '(How Much Is) That Doggie in the Window?'. | Lita Roza was widely reported to have strongly disliked her song. In an interview in 2004 she revealed that she had kept her promise never to perform the song, "I sang it once, just one take, and vowed I would never sing it again. When it reached number one, there was enormous pressure to perform it but I always refuse... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099288 | Reconstruct the content about 'Popular reception' from the article on '(How Much Is) That Doggie in the Window?'. | On April 4, 1953, singer Patti Page's rendition of "The Doggie in the Window" went to No. 1 in the US Billboard magazine chart, staying at that top spot for eight weeks. The song was wildly popular across a wide demographic. The song had school children "yipping", Mercury Records was besieged with requests for free pup... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099285 | Describe the content of the article about '(How Much Is) That Doggie in the Window?'. | "(How Much Is) That Doggie in the Window?" is a popular novelty song. It was written by Bob Merrill, and first published on September 25, 1952 as "The Doggie in the Window". On January 27, 1953, it was published in New York as "How Much is That Doggie in the Window?". The song was loosely based on the folk tune "Carniv... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099294 | Explain what '(How Much Is) That Doggie in the Window?' covers in the 'Other contemporary versions' section. | Record sales in the UK were not a threat to the sheet music charts, broadcast on Radio Luxembourg, until around 1955. It is thought that the last sheet music million sellers were in 1953, and it has been suggested that "(How Much is) That Doggie in the Window" was the final title to reach this figure. The song entered ... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099291 | What does the article about '(How Much Is) That Doggie in the Window?' say regarding 'Legacy'? | of Cold Case, "Devil's Music", used Patti Page's recording in the opening. Creative director Ken Levine commented on the use of the song in 2007 video game BioShock as choosing "the sort of crap pop of the time, what we consider pop music, like Patti Page, which holds up more for its nostalgic value than for being grea... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099287 | Reconstruct the content about 'Background' from the article on '(How Much Is) That Doggie in the Window?'. | "Doggie" was one in a series of successful novelty songs since the 1930s, following on the success of songs such as Bing Crosby's "Pistol Packin' Mama" and Merv Griffin's "I've Got a Lovely Bunch of Coconuts". Prior to the release of "Doggie", composer Bob Merrill penned "If I Knew You Were Comin' I'd've Baked a Cake".... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_Much_Is)_That_Doggie_in_the_Window?_12099286 | Reconstruct the content from the article about '(How Much Is) That Doggie in the Window?'. | (45 rpm) under the title "The Doggie in the Window", with the flip side being "My Jealous Eyes". It reached No. 1 on both the Billboard and Cash Box charts in 1953, and sold over two million copies. Mercury, however, had poor distribution in the United Kingdom. Therefore, a recording by Lita Roza was the one most widel... | [
"(How Much Is) That Doggie in the Window? β Legacy\n\nAccording to rock historian Michael Uslan, \"novelty songs\" like \"Doggie\" led to the \"fervent embrace of rock & roll\" by 1955. \"A lot of songs at that time were extremely bland, squeaky-clean stuff. The music field was ripe for something new, something vib... |
(How_to_Be_A)_Millionaire_31174284 | Summarize the following section from the article on '(How to Be A) Millionaire'. | "(How to Be A) Millionaire" is a song by English new wave and synth-pop band ABC. It was the first single taken from their third studio album, How to Be a ... Zillionaire! The single peaked at a modest No. 49 on the UK Singles Chart, though it fared better in the US where it reached No. 20 on the US Billboard Hot 100 a... | [
"(How to Be A) Millionaire β 7\": Neutron NT107\n\n1) \"(How to Be A) Millionaire\" β 3:30 ; 2) \"(How to Be A) Billionaire\" β 3:37",
"(How to Be A) Millionaire\n\n\"(How to Be A) Millionaire\" is a song by English new wave and synth-pop band ABC. It was the first single taken from their third studio album, How ... |
(How_to_Be_A)_Millionaire_31174285 | What information does the article about '(How to Be A) Millionaire' provide on 'Music video'? | The animated music video shows a cartoon Martin Fry and Mark White being overwhelmed by their luxury goods, which are continually growing in size. The other two band members make a brief appearance also in animated form. | [
"(How to Be A) Millionaire β 7\": Neutron NT107\n\n1) \"(How to Be A) Millionaire\" β 3:30 ; 2) \"(How to Be A) Billionaire\" β 3:37",
"(How to Be A) Millionaire\n\n\"(How to Be A) Millionaire\" is a song by English new wave and synth-pop band ABC. It was the first single taken from their third studio album, How ... |
(How_to_Be_A)_Millionaire_31174287 | What information does the article about '(How to Be A) Millionaire' provide on '12": Neutron NTXR 107'? | 1) "(How to Be A) Zillionaire" (Bond Street Mix) β 6:05 ; 2) "(How to Be A) Millionaire" (Single Remix) β 3:31 ; 3) "(How to Be A) Millionaire" (A Capella Version) β 3:30 | [
"(How to Be A) Millionaire β 7\": Neutron NT107\n\n1) \"(How to Be A) Millionaire\" β 3:30 ; 2) \"(How to Be A) Billionaire\" β 3:37",
"(How to Be A) Millionaire\n\n\"(How to Be A) Millionaire\" is a song by English new wave and synth-pop band ABC. It was the first single taken from their third studio album, How ... |
(How_to_Be_A)_Millionaire_31174288 | What information does the article about '(How to Be A) Millionaire' provide on '12": Neutron NTX 107'? | 1) "(How to Be A) Zillionaire" (Wall Street Mix) β 7:33 ; 2) "(How to Be A) Millionaire" β 3:31 ; 3) "(How to Be A) Millionaire" (Accapella) β 3:30 ; 4) "(How to Be A) Millionaire" (Nickel & Dime Mix) β 5:22 (included on US version only) | [
"(How to Be A) Millionaire β 7\": Neutron NT107\n\n1) \"(How to Be A) Millionaire\" β 3:30 ; 2) \"(How to Be A) Billionaire\" β 3:37",
"(How to Be A) Millionaire\n\n\"(How to Be A) Millionaire\" is a song by English new wave and synth-pop band ABC. It was the first single taken from their third studio album, How ... |
(How_to_Live)_As_Ghosts_31779800 | Reconstruct the content about 'Themes and composition' from the article on '(How to Live) As Ghosts'. | Working with Raskulinecz for the first time lead to the band changing a number of aspects of the music. Past albums focused on layering and harmonizing Hasek's vocals for a more "epic" feel, though Raskulinecz encouraged Hasek to move away from that, stripping it down to just one unaltered vocal track for much of the a... | [
"(How to Live) As Ghosts β Themes and composition\n\nWorking with Raskulinecz for the first time lead to the band changing a number of aspects of the music. Past albums focused on layering and harmonizing Hasek's vocals for a more \"epic\" feel, though Raskulinecz encouraged Hasek to move away from that, stripping ... |
(How_to_Live)_As_Ghosts_31779802 | From the article on '(How to Live) As Ghosts', restate the 'Release and promotion' content. | In December 2016, the band announced that they had signed with Mascot Records of Mascot Label Group, to release their album. The album's name was first announced on August 16, 2017, alongside the track list, and the album's first single, "Novacaine". The song peaked at number 5 on the Billboard US Mainstream Rock Songs... | [
"(How to Live) As Ghosts β Themes and composition\n\nWorking with Raskulinecz for the first time lead to the band changing a number of aspects of the music. Past albums focused on layering and harmonizing Hasek's vocals for a more \"epic\" feel, though Raskulinecz encouraged Hasek to move away from that, stripping ... |
(How_to_Live)_As_Ghosts_31779798 | Summarize the 'Background' part of '(How to Live) As Ghosts'. | In 2015, the band released their seventh studio album, From Birth to Burial, deriving from the fact that frontman and lead vocalist Jesse Hasek believed it to be the band's final album. The sessions for the prior album had been difficult for the band, with long-time members Matt Wantland and Brian Vodinh leaving in 201... | [
"(How to Live) As Ghosts β Themes and composition\n\nWorking with Raskulinecz for the first time lead to the band changing a number of aspects of the music. Past albums focused on layering and harmonizing Hasek's vocals for a more \"epic\" feel, though Raskulinecz encouraged Hasek to move away from that, stripping ... |
(How_to_Live)_As_Ghosts_31779797 | Describe the content of the article about '(How to Live) As Ghosts'. | (How to Live) As Ghosts, is the eighth studio album by American rock band 10 Years. While their prior album, From Birth to Burial alluded to the band's plan at the time for it to be their final album, (How to Live) As Ghosts alludes to the sentiment of it being a rebirth of a band, while also alluding to the general se... | [
"(How to Live) As Ghosts β Themes and composition\n\nWorking with Raskulinecz for the first time lead to the band changing a number of aspects of the music. Past albums focused on layering and harmonizing Hasek's vocals for a more \"epic\" feel, though Raskulinecz encouraged Hasek to move away from that, stripping ... |
(How_to_Live)_As_Ghosts_31779803 | Based on the article about '(How to Live) As Ghosts', describe the 'Personnel' section. | Jesse Hasek β vocals ; Brian Vodinh β guitar, bass, drums, backing vocals, keys, programming ; Matt Wantland β guitar Nick Raskulinecz β production ; Nathan Yarborough β audio engineer ; Eric Ratz β mixing ; Justin Shturtz β audio mastering 10 Years Production | [
"(How to Live) As Ghosts β Themes and composition\n\nWorking with Raskulinecz for the first time lead to the band changing a number of aspects of the music. Past albums focused on layering and harmonizing Hasek's vocals for a more \"epic\" feel, though Raskulinecz encouraged Hasek to move away from that, stripping ... |
(How_to_Live)_As_Ghosts_31779799 | Describe the 'Writing and recording' section of the article about '(How to Live) As Ghosts'. | For the first time since 2008's Division, the album's core writing team again consisted of Hasek, Vodinh, and Wantland again. However, this time they approached writing differently; historically, Hasek and Vodinh would do the bulk of the writing together, and then have the rest of the band members add minor nuances to ... | [
"(How to Live) As Ghosts β Themes and composition\n\nWorking with Raskulinecz for the first time lead to the band changing a number of aspects of the music. Past albums focused on layering and harmonizing Hasek's vocals for a more \"epic\" feel, though Raskulinecz encouraged Hasek to move away from that, stripping ... |
(Hurt_Me!_Hurt_Me!)_But_the_Pants_Stay_On_27044473 | Describe the content of the article about '(Hurt Me! Hurt Me!) But the Pants Stay On'. | "(Hurt Me! Hurt Me!) But the Pants Stay On" is a 1991 dance-house song performed by British singer Samantha Fox. It was written and produced by Full Force and was released as the first single from Samantha's fourth album, Just One Night. A music video was also made to accompany the song, directed by Jim Swaffield. | [
"(Hurt Me! Hurt Me!) But the Pants Stay On\n\n\"(Hurt Me! Hurt Me!) But the Pants Stay On\" is a 1991 dance-house song performed by British singer Samantha Fox. It was written and produced by Full Force and was released as the first single from Samantha's fourth album, Just One Night. A music video was also made to... |
(Hurt_Me!_Hurt_Me!)_But_the_Pants_Stay_On_27044475 | Reconstruct the content about 'Track listings' from the article on '(Hurt Me! Hurt Me!) But the Pants Stay On'. | CD maxi, US ; 1) "(Hurt Me! Hurt Me!) But The Pants Stay On" (LP Version) β 5:45 ; 2) "(Hurt Me! Hurt Me!) But The Pants Stay On" (Radio Edit - Sam Talks) β 4:06 ; 3) "(Hurt Me! Hurt Me!) But The Pants Stay On" (The Pants Come Off Mix) β 6:29 ; 4) "(Hurt Me! Hurt Me!) But The Pants Come Off" (DJ Pierre's Remix) β 6:45 ... | [
"(Hurt Me! Hurt Me!) But the Pants Stay On\n\n\"(Hurt Me! Hurt Me!) But the Pants Stay On\" is a 1991 dance-house song performed by British singer Samantha Fox. It was written and produced by Full Force and was released as the first single from Samantha's fourth album, Just One Night. A music video was also made to... |
(Hurt_Me!_Hurt_Me!)_But_the_Pants_Stay_On_27044474 | What information does the article about '(Hurt Me! Hurt Me!) But the Pants Stay On' provide on 'Critical reception'? | Larry Flick from Billboard wrote, "Naughty girl seems to be having almost too much fun on this titillating house teaser that revolves around whether or not Fox is going to keep her drawers on. In collaborating with Full Force the singer once again finds all the right buttons to push and has come up with yet another con... | [
"(Hurt Me! Hurt Me!) But the Pants Stay On\n\n\"(Hurt Me! Hurt Me!) But the Pants Stay On\" is a 1991 dance-house song performed by British singer Samantha Fox. It was written and produced by Full Force and was released as the first single from Samantha's fourth album, Just One Night. A music video was also made to... |
(I_Am)_Nobody's_Lunch_3745623 | Reconstruct the content about 'The Play' from the article on '(I Am) Nobody's Lunch'. | (I Am) Nobody's Lunch takes on the question that was on the minds of many Americans as the Bush Administration began to launch the Iraq War: Who, or what, do we believe? It presents a dynamic range of real-life perspectives from across the country, from an Arab-American cab driver to a staffer at the Department of Home... | [
"(I Am) Nobody's Lunch β The Play\n\n(I Am) Nobody's Lunch takes on the question that was on the minds of many Americans as the Bush Administration began to launch the Iraq War: Who, or what, do we believe? It presents a dynamic range of real-life perspectives from across the country, from an Arab-American cab driv... |
(I_Am)_Nobody's_Lunch_3745624 | Describe the 'Production history' section of the article about '(I Am) Nobody's Lunch'. | An early version of the play opened in September 2004 and was produced by The Civilians and presented by Performance Space 122. (I Am) Nobody's Lunch had its official U.S. Premiere by The Civilians at 59E59 Theaters, New York City, January 19, 2006. The play then received its London Premiere by The Civilians at Soho Th... | [
"(I Am) Nobody's Lunch β The Play\n\n(I Am) Nobody's Lunch takes on the question that was on the minds of many Americans as the Bush Administration began to launch the Iraq War: Who, or what, do we believe? It presents a dynamic range of real-life perspectives from across the country, from an Arab-American cab driv... |
(I_Am)_Nobody's_Lunch_3745621 | From the article on '(I Am) Nobody's Lunch', restate the 'Conception' content. | (I Am) Nobody's Lunch grew from interviews with people from all over America about what they believe regarding their current government and public culture. When writing about the motivation to create such a work, writer and director Steve Cosson said "If a democracy depends in part on there being some common understand... | [
"(I Am) Nobody's Lunch β The Play\n\n(I Am) Nobody's Lunch takes on the question that was on the minds of many Americans as the Bush Administration began to launch the Iraq War: Who, or what, do we believe? It presents a dynamic range of real-life perspectives from across the country, from an Arab-American cab driv... |
(I_Am)_Nobody's_Lunch_3745622 | Describe the 'Process' section of the article about '(I Am) Nobody's Lunch'. | (I Am) Nobody's Lunch is marked by The Civilians' characteristic journalistic approach to theater, in which the play's foundation is built from a series of individual interviews, usually conducted by the cast members themselves. These interviews are not recorded, and transcribed later from memory. The dialogue from the... | [
"(I Am) Nobody's Lunch β The Play\n\n(I Am) Nobody's Lunch takes on the question that was on the minds of many Americans as the Bush Administration began to launch the Iraq War: Who, or what, do we believe? It presents a dynamic range of real-life perspectives from across the country, from an Arab-American cab driv... |
(I_Am)_Nobody's_Lunch_3745620 | Describe the content of the article about '(I Am) Nobody's Lunch'. | (I Am) Nobody's Lunch is a 2006 play with music produced by The Civilians, an investigative theater company in New York City. Based on interviews conducted in 2003, the play explores the compromised issues of trust and truth that arose between the American government and its people during the lead-up to the Iraq War. (... | [
"(I Am) Nobody's Lunch β The Play\n\n(I Am) Nobody's Lunch takes on the question that was on the minds of many Americans as the Bush Administration began to launch the Iraq War: Who, or what, do we believe? It presents a dynamic range of real-life perspectives from across the country, from an Arab-American cab driv... |
(I_Am)_Nobody's_Lunch_3745626 | Based on the article about '(I Am) Nobody's Lunch', describe the 'Cast' section. | U.S. Premiere: Quincy Tyler Bernstine, Matt Dellapina, Brad Heberlee, Daoud Heidami, Caitlin Miller, Jennifer R. Morris, and Andy Boronson. London Premiere: Matt Dellapina, Daoud Heidami, Brandon Miller, Caitlin Miller, Lexy Fridell, and Andy Boroson on piano. | [
"(I Am) Nobody's Lunch β The Play\n\n(I Am) Nobody's Lunch takes on the question that was on the minds of many Americans as the Bush Administration began to launch the Iraq War: Who, or what, do we believe? It presents a dynamic range of real-life perspectives from across the country, from an Arab-American cab driv... |
(I_Am)_Nobody's_Lunch_3745625 | Reconstruct the content about 'Public response and recognition' from the article on '(I Am) Nobody's Lunch'. | (I Am) Nobody's Lunch garnered favorable reviews from such publications as The New York Times, The Boston Globe, and The Times. The play also won a coveted First Fringe award at the Edinburgh Fringe Festival in 2006 and was named as a Critic's Choice: Top Five Plays selection by The Evening Standard. | [
"(I Am) Nobody's Lunch β The Play\n\n(I Am) Nobody's Lunch takes on the question that was on the minds of many Americans as the Bush Administration began to launch the Iraq War: Who, or what, do we believe? It presents a dynamic range of real-life perspectives from across the country, from an Arab-American cab driv... |
(I_Believe)_Love's_a_Prima_Donna_14054115 | Explain what '(I Believe) Love's a Prima Donna' covers in the 'Release' section. | "(I Believe) Love's a Prima Donna" was released by EMI Records on 7" vinyl in the UK, the Netherlands, Germany, Belgium and Japan. The B-Side, "Sidetrack 1", was written and produced by Harley. It has remained exclusive to the single ever since. In the UK, two almost-identical editions of the single were released. One ... | [
"(I Believe) Love's a Prima Donna β Release\n\n\"(I Believe) Love's a Prima Donna\" was released by EMI Records on 7\" vinyl in the UK, the Netherlands, Germany, Belgium and Japan. The B-Side, \"Sidetrack 1\", was written and produced by Harley. It has remained exclusive to the single ever since. In the UK, two alm... |
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