id string | question string | answer string | documents list |
|---|---|---|---|
(I_Wanna_Give_You)_Devotion_20595358 | Based on the article about '(I Wanna Give You) Devotion', describe the 'Track listings' section. | 12" CD (UK) ; 1) "(I Wanna Give You) Devotion" (6:42) ; 2) "(I Wanna Give You) Devotion" (Instrumental Mix) (6:42) ; 3) "Sang - Froid" (3:32) 12" Maxi CD (UK/US) ; 1) "(I Wanna Give You) Devotion" (7" Mix) (4:09) ; 2) "(I Wanna Give You) Devotion" (Original Mix) (6:46) ; 3) "(I Wanna Give You) Devotion" (Instrume... | [
"(I Wanna Give You) Devotion β Background and release\n\nThe track was produced by Damon Rochefort, who also shares writing credits with fellow Nomad member Steve McCutcheon and rapper MC Mikee Freedom. It also quotes from the earlier club hit \"Devotion\" by Ten City. Although Freedom and singer Sharon Dee Clarke ... |
(I_Wanna)_Testify_17931949 | Describe the 'Background' section of the article about '(I Wanna) Testify'. | was the Track Records release Backtrack 6 in 1970 (Track 2407 006). Group leader George Clinton later produced covers of both "(I Wanna) Testify" and its B-side "I Can Feel The Ice Melting". The former appeared on the 1974 Parliament album Up For The Down Stroke under the abbreviated title "Testify". Both "(I Wanna) Te... | [
"(I Wanna) Testify β Background\n\nwas the Track Records release Backtrack 6 in 1970 (Track 2407 006). Group leader George Clinton later produced covers of both \"(I Wanna) Testify\" and its B-side \"I Can Feel The Ice Melting\". The former appeared on the 1974 Parliament album Up For The Down Stroke under the abbr... |
(I_Wanna)_Testify_17931951 | What does the article about '(I Wanna) Testify' say regarding 'Cover versions'? | Johnnie Taylor remade "(I Wanna Testify)" for his 1969 The Johnnie Taylor Philosophy Continues album - a Don Davis production - from which it was issued as the lead single in April 1969: Taylor's version rose as high as #4 R&B and crossed over to the Pop Top 40 at #36. ; George Clinton produced a 1978 remake of "(I Wan... | [
"(I Wanna) Testify β Background\n\nwas the Track Records release Backtrack 6 in 1970 (Track 2407 006). Group leader George Clinton later produced covers of both \"(I Wanna) Testify\" and its B-side \"I Can Feel The Ice Melting\". The former appeared on the 1974 Parliament album Up For The Down Stroke under the abbr... |
(I_Wanna)_Testify_17931948 | From the article on '(I Wanna) Testify', restate the 'Background' content. | The single was released at the beginning of the summer of 1967 by Revilot Records. It would be the only major hit for the group for the entire decade. The only member of the Parliaments to actually appear on the recording was group leader George Clinton, as the group was based in New Jersey at the time and only Clinton... | [
"(I Wanna) Testify β Background\n\nwas the Track Records release Backtrack 6 in 1970 (Track 2407 006). Group leader George Clinton later produced covers of both \"(I Wanna) Testify\" and its B-side \"I Can Feel The Ice Melting\". The former appeared on the 1974 Parliament album Up For The Down Stroke under the abbr... |
(I_Want_to)_Come_Home_24521301 | Describe the content of the article about '(I Want to) Come Home'. | "(I Want to) Come Home" is a song written and recorded by Paul McCartney for the 2009 film Everybody's Fine. | [
"(I Want to) Come Home\n\n\"(I Want to) Come Home\" is a song written and recorded by Paul McCartney for the 2009 film Everybody's Fine.",
"(I Want to) Come Home β Release\n\nThe song was released as a single in online music stores on 1 March 2010. According to Amazon.com, the song is not included on the soundtra... |
(I_Want_to)_Come_Home_24521304 | What information does the article about '(I Want to) Come Home' provide on 'Release'? | The song was released as a single in online music stores on 1 March 2010. According to Amazon.com, the song is not included on the soundtrack to the film. The song was nominated for a Golden Globe Award for Best Original Song, but did not win, losing the award to "The Weary Kind", from Crazy Heart, by Ryan Bingham. | [
"(I Want to) Come Home\n\n\"(I Want to) Come Home\" is a song written and recorded by Paul McCartney for the 2009 film Everybody's Fine.",
"(I Want to) Come Home β Release\n\nThe song was released as a single in online music stores on 1 March 2010. According to Amazon.com, the song is not included on the soundtra... |
(I_Want_to)_Come_Home_24521302 | Based on the article about '(I Want to) Come Home', describe the 'Composition and recording' section. | An early cut of Everybody's Fine was screened for McCartney, with Aretha Franklin's cover of "Let It Be" inserted as a place holder by director Kirk Jones. McCartney was inspired to write the song for the film after connecting with the protagonist, portrayed by Robert De Niro, a widower who "hits the road to visit his ... | [
"(I Want to) Come Home\n\n\"(I Want to) Come Home\" is a song written and recorded by Paul McCartney for the 2009 film Everybody's Fine.",
"(I Want to) Come Home β Release\n\nThe song was released as a single in online music stores on 1 March 2010. According to Amazon.com, the song is not included on the soundtra... |
(I_Wish_I_Knew_How_It_Would_Feel_to_Be)_Free/One_4547751 | Describe the content of the article about '(I Wish I Knew How It Would Feel to Be) Free/One'. | "(I Wish I Knew How It Would Feel to Be) Free/One" is a song by British musical duo Lighthouse Family, released as their first single from their third album, Whatever Gets You Through the Day (2001). The song was originally written by Billy Taylor, with lyrics by Dick Dallas. Best known for its 1967 version by Nina Sim... | [
"(I Wish I Knew How It Would Feel to Be) Free/One\n\n\"(I Wish I Knew How It Would Feel to Be) Free/One\" is a song by British musical duo Lighthouse Family, released as their first single from their third album, Whatever Gets You Through the Day (2001). The song was originally written by Billy Taylor, with lyrics ... |
(I_Wish_I_Knew_How_It_Would_Feel_to_Be)_Free/One_4547752 | Based on the article about '(I Wish I Knew How It Would Feel to Be) Free/One', describe the 'Content' section. | "(I Wish I Knew How It Would Feel to Be) Free/One" is a cover song of Billy Taylor's "I Wish I Knew How It Would Feel to Be Free" and U2's "One". | [
"(I Wish I Knew How It Would Feel to Be) Free/One\n\n\"(I Wish I Knew How It Would Feel to Be) Free/One\" is a song by British musical duo Lighthouse Family, released as their first single from their third album, Whatever Gets You Through the Day (2001). The song was originally written by Billy Taylor, with lyrics ... |
(I_Wish_I_Knew_How_It_Would_Feel_to_Be)_Free/One_4547753 | Describe the 'Track listings' section of the article about '(I Wish I Knew How It Would Feel to Be) Free/One'. | UK and Australian CD single ; 1) "(I Wish I Knew How It Would Feel to Be) Free/One" (single version) β 4:26 ; 2) "You're a Star" β 4:35 ; 3) "(I Wish I Knew How It Would Feel to Be) Free/One" (Phats 'n' Small vocal mix) β 7:34 ; 4) "(I Wish I Knew How It Would Feel to Be) Free/One" (video) UK cassette single ; 1) "(I W... | [
"(I Wish I Knew How It Would Feel to Be) Free/One\n\n\"(I Wish I Knew How It Would Feel to Be) Free/One\" is a song by British musical duo Lighthouse Family, released as their first single from their third album, Whatever Gets You Through the Day (2001). The song was originally written by Billy Taylor, with lyrics ... |
(I_Would)_Die_for_You_31856765 | From the article on '(I Would) Die for You', restate the 'Eurovision' content. | The song was performed twenty-second on the night following 's Fabrizio Faniello with "Another Summer Night" and preceding 's Rollo & King with "Never Ever Let You Go". At the close of voting, it had received 147 points (12 points from and ), placing 3rd in a field of 23. The song, with lyrics by Antonis Pappas and mus... | [
"(I Would) Die for You β Eurovision\n\nThe song was performed twenty-second on the night following 's Fabrizio Faniello with \"Another Summer Night\" and preceding 's Rollo & King with \"Never Ever Let You Go\". At the close of voting, it had received 147 points (12 points from and ), placing 3rd in a field of 23. ... |
(I_Would)_Die_for_You_31856767 | Based on the article about '(I Would) Die for You', describe the 'Track listing' section. | Greek release ; 1) "(I Would) Die For You" (English Version) (3:00) ; 2) "(I Would) Die For You" (Eurovision Version) (3:00) ; 3) "(I Would) Die For You" (Greek Version) (3:00) ; 4) "(I Would) Die For You" (Extended Version) Promo single ; 1) "(I Would) Die For You" (Eric S Radio) ; 2) "(I Would) Die For You" (Die For ... | [
"(I Would) Die for You β Eurovision\n\nThe song was performed twenty-second on the night following 's Fabrizio Faniello with \"Another Summer Night\" and preceding 's Rollo & King with \"Never Ever Let You Go\". At the close of voting, it had received 147 points (12 points from and ), placing 3rd in a field of 23. ... |
(I_Would)_Die_for_You_31856764 | Summarize the following section from the article on '(I Would) Die for You'. | "(I Would) Die for You" is a song released by Antique, a duo consisting of Elena Paparizou and Nikos Panagiotidis, both born and raised in Sweden by Greek parents. It was the entry in the Eurovision Song Contest 2001, performed in English and Greek (the first Greek entry not to be performed entirely in Greek). Prior to... | [
"(I Would) Die for You β Eurovision\n\nThe song was performed twenty-second on the night following 's Fabrizio Faniello with \"Another Summer Night\" and preceding 's Rollo & King with \"Never Ever Let You Go\". At the close of voting, it had received 147 points (12 points from and ), placing 3rd in a field of 23. ... |
(I_Would)_Die_for_You_31856766 | Reconstruct the content about 'Eurovision' from the article on '(I Would) Die for You'. | that "I would die for you/Look into my eyes and see it's true". The contest performance was a relatively static affair, with both singers as well as the backing vocalists standing in front of microphones to sing. Elena Paparizou, however, wore a tight white outfit, standing out against the black-clad backing singers an... | [
"(I Would) Die for You β Eurovision\n\nThe song was performed twenty-second on the night following 's Fabrizio Faniello with \"Another Summer Night\" and preceding 's Rollo & King with \"Never Ever Let You Go\". At the close of voting, it had received 147 points (12 points from and ), placing 3rd in a field of 23. ... |
(I'd_Be)_A_Legend_in_My_Time_27998658 | Reconstruct the content from the article about '(I'd Be) A Legend in My Time'. | "(I'd Be) A Legend in My Time" is a song written and recorded by Don Gibson in 1960. It appeared as the B-side of his hit "Far Far Away", from the album Sweet Dreams. Gibson re-recorded the song on the 1972 album Country Green. | [
"(I'd Be) A Legend in My Time\n\n\"(I'd Be) A Legend in My Time\" is a song written and recorded by Don Gibson in 1960. It appeared as the B-side of his hit \"Far Far Away\", from the album Sweet Dreams. Gibson re-recorded the song on the 1972 album Country Green.",
"(I'd Be) A Legend in My Time β Ronnie Milsap R... |
(I'd_Be)_A_Legend_in_My_Time_27998659 | Reconstruct the content about 'Ronnie Milsap Recording' from the article on '(I'd Be) A Legend in My Time'. | The song was recorded by Ronnie Milsap and released in November 1974 as the lead single from his album A Legend in My Time. This was Milsap's sixth country hit and his third number one. The single stayed at number one for a single week and spent a total of ten weeks within the top 40. Milsap's recording altered the son... | [
"(I'd Be) A Legend in My Time\n\n\"(I'd Be) A Legend in My Time\" is a song written and recorded by Don Gibson in 1960. It appeared as the B-side of his hit \"Far Far Away\", from the album Sweet Dreams. Gibson re-recorded the song on the 1972 album Country Green.",
"(I'd Be) A Legend in My Time β Ronnie Milsap R... |
(I'd_Be)_A_Legend_in_My_Time_27998660 | Describe the 'Other cover versions' section of the article about '(I'd Be) A Legend in My Time'. | Connie Francis ; Roy Orbison covered the track for his 1961 album Lonely and Blue, and recorded a second later version which was featured on his 1967 tribute album to Gibson, Roy Orbison Sings Don Gibson. ; Dottie West on her 1967 LP, I'll Help You Forget Her. ; Johnny Cash (on the album American V: A Hundred Highways)... | [
"(I'd Be) A Legend in My Time\n\n\"(I'd Be) A Legend in My Time\" is a song written and recorded by Don Gibson in 1960. It appeared as the B-side of his hit \"Far Far Away\", from the album Sweet Dreams. Gibson re-recorded the song on the 1972 album Country Green.",
"(I'd Be) A Legend in My Time β Ronnie Milsap R... |
(I'd_Like_to_Get_You_on_a)_Slow_Boat_to_China_19900227 | Summarize the 'The phrase "a slow boat to China" (or a snowclone thereof) features' part of '(I'd Like to Get You on a) Slow Boat to China'. | The title of Gavin Young's break-through book, recounting a journey from Piraeus to Canton. ; The title of a novel by Chen Danyan in Shanghai, China. ; The title of a short story by Haruki Murakami, translated into English in the collection The Elephant Vanishes. ; Played on in the title of the song "Slow Hole to China... | [
"(I'd Like to Get You on a) Slow Boat to China β The phrase \"a slow boat to China\" (or a snowclone thereof) features\n\nThe title of Gavin Young's break-through book, recounting a journey from Piraeus to Canton. ; The title of a novel by Chen Danyan in Shanghai, China. ; The title of a short story by Haruki Murak... |
(I'd_Like_to_Get_You_on_a)_Slow_Boat_to_China_19900226 | From the article on '(I'd Like to Get You on a) Slow Boat to China', restate the 'In film and television' content. | Featured prominently in 8Β½ Women ; Featured in A Rather English Marriage ; Featured in The Master ; Featured briefly in the Adventure Time episode "Bad Timing", sung by Tree Trunks. ; Briefly sung by "Mother" (played by June Whitfield) in an episode of the long running BBC sitcom Absolutely Fabulous called "Fish Farm.... | [
"(I'd Like to Get You on a) Slow Boat to China β The phrase \"a slow boat to China\" (or a snowclone thereof) features\n\nThe title of Gavin Young's break-through book, recounting a journey from Piraeus to Canton. ; The title of a novel by Chen Danyan in Shanghai, China. ; The title of a short story by Haruki Murak... |
(I'd_Like_to_Get_You_on_a)_Slow_Boat_to_China_19900225 | From the article on '(I'd Like to Get You on a) Slow Boat to China', restate the 'Idiom' content. | Frank Loesser's daughter, Susan Loesser, authored a biography of her father, A Most Remarkable Fella (1993), in which she writes: The idea is that a slow boat to China was the longest trip one could imagine. Loesser moved the phrase to a more romantic setting, yet it eventually entered general parlance to mean anything... | [
"(I'd Like to Get You on a) Slow Boat to China β The phrase \"a slow boat to China\" (or a snowclone thereof) features\n\nThe title of Gavin Young's break-through book, recounting a journey from Piraeus to Canton. ; The title of a novel by Chen Danyan in Shanghai, China. ; The title of a short story by Haruki Murak... |
(I'll_Be_with_You)_In_Apple_Blossom_Time_23790628 | What does the article about '(I'll Be with You) In Apple Blossom Time' say regarding 'Recordings'? | Artie Shaw (1937) ; Harry James ; The Andrews Sisters (US no. 5, 1941). Patty Andrews of the Andrews Sisters describes how they performed the song "in 4/4 [time] when originally it was a waltz." ; Vera Lynn ; Nat King Cole ; Jo Stafford (1946) ; Anne Shelton ; Chet Atkins ; Louis Prima ; Tab Hunter (US no. 31, 1959) ; ... | [
"(I'll Be with You) In Apple Blossom Time β Recordings\n\nArtie Shaw (1937) ; Harry James ; The Andrews Sisters (US no. 5, 1941). Patty Andrews of the Andrews Sisters describes how they performed the song \"in 4/4 [time] when originally it was a waltz.\" ; Vera Lynn ; Nat King Cole ; Jo Stafford (1946) ; Anne Shelt... |
(I'll_Be_with_You)_In_Apple_Blossom_Time_23790627 | What information does the article about '(I'll Be with You) In Apple Blossom Time' provide? | "(I'll Be With You) In Apple Blossom Time" is a popular song written by Albert Von Tilzer and lyricist Neville Fleeson, and copyrighted in 1920. It was introduced by Nora Bayes, who also recorded the song. | [
"(I'll Be with You) In Apple Blossom Time β Recordings\n\nArtie Shaw (1937) ; Harry James ; The Andrews Sisters (US no. 5, 1941). Patty Andrews of the Andrews Sisters describes how they performed the song \"in 4/4 [time] when originally it was a waltz.\" ; Vera Lynn ; Nat King Cole ; Jo Stafford (1946) ; Anne Shelt... |
(I'll_Never_Be)_Maria_Magdalena_7799687 | Summarize the 'Track listing and formats' part of '(I'll Never Be) Maria Magdalena'. | 7-inch vinyl single ; A. "(I'll Never Be) Maria Magdalena" β 3:58 ; B. "Party Games" (Instrumental) β 3:25 12-inch vinyl single ; A. "(I'll Never Be) Maria Magdalena" β 7:13 ; B. "Party Games" (instrumental) β 3:25 CD maxi-single (1993) ; 1) "Maria Magdalena" (Radio Edit) β 3:58 ; 2) "Maria Magdalena" (Clubmix) β 6:01 ... | [
"(I'll Never Be) Maria Magdalena β Track listing and formats\n\n7-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 3:58 ; B. \"Party Games\" (Instrumental) β 3:25 12-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 7:13 ; B. \"Party Games\" (instrumental) β 3:25 CD maxi-single (1993) ; 1) \"... |
(I'll_Never_Be)_Maria_Magdalena_7799686 | Based on the article about '(I'll Never Be) Maria Magdalena', describe the 'Music videos' section. | A simple performance music video was filmed in 1985, which presents Sandra accompanied by a bassist/backing vocalist, a percussionist and a keyboardist. It was directed by Mike Leckebusch. The music video was released on Sandra's VHS video compilations Ten on One (The Singles) and 18 Greatest Hits, released in 1987 and... | [
"(I'll Never Be) Maria Magdalena β Track listing and formats\n\n7-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 3:58 ; B. \"Party Games\" (Instrumental) β 3:25 12-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 7:13 ; B. \"Party Games\" (instrumental) β 3:25 CD maxi-single (1993) ; 1) \"... |
(I'll_Never_Be)_Maria_Magdalena_7799684 | Based on the article about '(I'll Never Be) Maria Magdalena', describe the 'Background and release' section. | its bid to gain radio play, the label targeted DJs in Greece and their tourist audiences next, and the song subsequently became a big hit in Greece, where it topped the singles chart. Returning tourists requested the song at home, and it eventually reached number one on the official German singles chart for four consec... | [
"(I'll Never Be) Maria Magdalena β Track listing and formats\n\n7-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 3:58 ; B. \"Party Games\" (Instrumental) β 3:25 12-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 7:13 ; B. \"Party Games\" (instrumental) β 3:25 CD maxi-single (1993) ; 1) \"... |
(I'll_Never_Be)_Maria_Magdalena_7799689 | Explain what '(I'll Never Be) Maria Magdalena' covers in the 'Sampling' section. | In 1993, the same background melody as in the song "(I'll Never Be) Maria Magdalena" is used for the song "Vino noΔi" which has performed by the Croatian singer Neno Belan, the lead singer of the band Δavoli. | [
"(I'll Never Be) Maria Magdalena β Track listing and formats\n\n7-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 3:58 ; B. \"Party Games\" (Instrumental) β 3:25 12-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 7:13 ; B. \"Party Games\" (instrumental) β 3:25 CD maxi-single (1993) ; 1) \"... |
(I'll_Never_Be)_Maria_Magdalena_7799683 | From the article on '(I'll Never Be) Maria Magdalena', restate the 'Background and release' content. | The song was composed by Hubert Kemmler, Markus LΓΆhr and Michael Cretu. Cretu also arranged and produced the song. The lyrics were written by Richard Palmer-James. The allusion to the biblical figure Mary Magdalene was Kemmler's idea and came up when a name with seven syllables was needed for the chorus. Only the Germa... | [
"(I'll Never Be) Maria Magdalena β Track listing and formats\n\n7-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 3:58 ; B. \"Party Games\" (Instrumental) β 3:25 12-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 7:13 ; B. \"Party Games\" (instrumental) β 3:25 CD maxi-single (1993) ; 1) \"... |
(I'll_Never_Be)_Maria_Magdalena_7799688 | Describe the 'Cover versions' section of the article about '(I'll Never Be) Maria Magdalena'. | The song was covered by Belgian singer Wendy Van Wanten on her 1994 album Blijf nog 1 nacht. ; Spanish singer Soraya Arnelas recorded a cover of the song on her 2007 album Dolce Vita. ; Metal band Visions of Atlantis released their cover in 2011. ; In 2013, the song was covered by German singer Sarah Carina. | [
"(I'll Never Be) Maria Magdalena β Track listing and formats\n\n7-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 3:58 ; B. \"Party Games\" (Instrumental) β 3:25 12-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 7:13 ; B. \"Party Games\" (instrumental) β 3:25 CD maxi-single (1993) ; 1) \"... |
(I'll_Never_Be)_Maria_Magdalena_7799682 | What information does the article about '(I'll Never Be) Maria Magdalena' provide? | "(I'll Never Be) Maria Magdalena", also known simply as "Maria Magdalena", is a song recorded by German singer Sandra for her debut studio album The Long Play (1985). The song, written by Hubert Kemmler, Markus LΓΆhr, Michael Cretu and Richard Palmer-James, was released as the lead single from The Long Play in March 198... | [
"(I'll Never Be) Maria Magdalena β Track listing and formats\n\n7-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 3:58 ; B. \"Party Games\" (Instrumental) β 3:25 12-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 7:13 ; B. \"Party Games\" (instrumental) β 3:25 CD maxi-single (1993) ; 1) \"... |
(I'll_Never_Be)_Maria_Magdalena_7799685 | From the article on '(I'll Never Be) Maria Magdalena', restate the 'Background and release' content. | song was also a popular radio hit song in Brazil, the Middle East, Northern Africa and Eastern Europe. The song was re-released in a remixed version as a standalone single in 1993, but was not commercially successful, though it reached the top ten in Finland and the top twenty in Denmark. Music website AllMusic retrosp... | [
"(I'll Never Be) Maria Magdalena β Track listing and formats\n\n7-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 3:58 ; B. \"Party Games\" (Instrumental) β 3:25 12-inch vinyl single ; A. \"(I'll Never Be) Maria Magdalena\" β 7:13 ; B. \"Party Games\" (instrumental) β 3:25 CD maxi-single (1993) ; 1) \"... |
(I'm_Always_Touched_by_Your)_Presence,_Dear_13130339 | What information does the article about '(I'm Always Touched by Your) Presence, Dear' provide on 'Reception'? | "If you ever doubted Blondie's ability to be funny, intelligent, culty and yet bubblegum, it's here in the lines of this song: 'We could navigate together, psychic frequencies / Coming into contact with outer entities / We could entertain each one with our theosophies. The Daily Telegraph ranked it as one of the band's... | [
"(I'm Always Touched by Your) Presence, Dear β Reception\n\n\"If you ever doubted Blondie's ability to be funny, intelligent, culty and yet bubblegum, it's here in the lines of this song: 'We could navigate together, psychic frequencies / Coming into contact with outer entities / We could entertain each one with ou... |
(I'm_Always_Touched_by_Your)_Presence,_Dear_13130335 | From the article on '(I'm Always Touched by Your) Presence, Dear', restate the 'Background' content. | It was written by Blondie bass player Gary Valentine for his then-girlfriend, the actress and journalist Lisa Jane Persky, before his departure from the band. Valentine had also written the band's first single, "X Offender". In a 2012 interview, Valentine jokingly explained that the song concerns a telepathic connectio... | [
"(I'm Always Touched by Your) Presence, Dear β Reception\n\n\"If you ever doubted Blondie's ability to be funny, intelligent, culty and yet bubblegum, it's here in the lines of this song: 'We could navigate together, psychic frequencies / Coming into contact with outer entities / We could entertain each one with ou... |
(I'm_Always_Touched_by_Your)_Presence,_Dear_13130340 | What does the article about '(I'm Always Touched by Your) Presence, Dear' say regarding 'Cover versions'? | Tracey Ullman covered the song in her 1983 album You Broke My Heart in 17 Places. In 1995, Annie Lennox covered it as the B-side of her single "A Whiter Shade of Pale". 10,000 Maniacs covered the song and released it digitally in 2000. | [
"(I'm Always Touched by Your) Presence, Dear β Reception\n\n\"If you ever doubted Blondie's ability to be funny, intelligent, culty and yet bubblegum, it's here in the lines of this song: 'We could navigate together, psychic frequencies / Coming into contact with outer entities / We could entertain each one with ou... |
(I'm_Always_Touched_by_Your)_Presence,_Dear_13130336 | Reconstruct the content about 'Background' from the article on '(I'm Always Touched by Your) Presence, Dear'. | wrote: "During the Iggy [ Pop ] tour we discovered we were having the same kind of dreams or found we were thinking of each other at the same time. Although we were thousands of miles apart, we were still in touch. Thinking of this one afternoon, it all came together in a song." The lyrics include references to kismet,... | [
"(I'm Always Touched by Your) Presence, Dear β Reception\n\n\"If you ever doubted Blondie's ability to be funny, intelligent, culty and yet bubblegum, it's here in the lines of this song: 'We could navigate together, psychic frequencies / Coming into contact with outer entities / We could entertain each one with ou... |
(I'm_Always_Touched_by_Your)_Presence,_Dear_13130337 | Explain what '(I'm Always Touched by Your) Presence, Dear' covers in the 'Release' section. | "Presence, Dear" was released as the second single from Plastic Letters. It was issued in both 7" and 12" formats in the UK, with two songs on the B-side, as were previous singles, "Rip Her to Shreds" and "Denis". One of the single's B-side tracks was "Detroit 442", and the other was Jimmy Destri's "Poets Problem", whi... | [
"(I'm Always Touched by Your) Presence, Dear β Reception\n\n\"If you ever doubted Blondie's ability to be funny, intelligent, culty and yet bubblegum, it's here in the lines of this song: 'We could navigate together, psychic frequencies / Coming into contact with outer entities / We could entertain each one with ou... |
(I'm_Always_Touched_by_Your)_Presence,_Dear_13130334 | What information does the article about '(I'm Always Touched by Your) Presence, Dear' provide? | "(I'm Always Touched by Your) Presence, Dear" is a song by the American band Blondie, from their 1978 album Plastic Letters. Written by recently departed Blondie bassist Gary Valentine, the song was based on the telepathic connections that Valentine believed he experienced with his girlfriend, journalist Lisa Jane Pers... | [
"(I'm Always Touched by Your) Presence, Dear β Reception\n\n\"If you ever doubted Blondie's ability to be funny, intelligent, culty and yet bubblegum, it's here in the lines of this song: 'We could navigate together, psychic frequencies / Coming into contact with outer entities / We could entertain each one with ou... |
(I'm_Gonna)_Love_Me_Again_17544554 | What does the article about '(I'm Gonna) Love Me Again' say regarding 'Remix'? | DJ Purple Disco Machine was responsible for a remix version of music from John and Egerton. The music was launched on download and streaming platforms on 19 December 2019. Remix cover illustration by Erin Goedtel. | [
"(I'm Gonna) Love Me Again β Track listing\n\nDigital download ; 1) \"(I'm Gonna) Love Me Again [Purple Disco Machine Remix]\" β 3:25",
"(I'm Gonna) Love Me Again β Remix\n\nDJ Purple Disco Machine was responsible for a remix version of music from John and Egerton. The music was launched on download and streaming... |
(I'm_Gonna)_Love_Me_Again_17544551 | Describe the content of the article about '(I'm Gonna) Love Me Again'. | "(I'm Gonna) Love Me Again" is a song from the 2019 biopic Rocketman. Written by Elton John and Bernie Taupin, the song was performed by John and Taron Egerton, who portrayed John in the film. The song is heard in the end credits of the film. The official music video features both archival clips from John's early caree... | [
"(I'm Gonna) Love Me Again β Track listing\n\nDigital download ; 1) \"(I'm Gonna) Love Me Again [Purple Disco Machine Remix]\" β 3:25",
"(I'm Gonna) Love Me Again β Remix\n\nDJ Purple Disco Machine was responsible for a remix version of music from John and Egerton. The music was launched on download and streaming... |
(I'm_Gonna)_Love_Me_Again_17544552 | What does the article about '(I'm Gonna) Love Me Again' say regarding 'Music video'? | The music video was directed by Kii Arens. It was uploaded to John's official Vevo account on 13 June 2019. The video features John and Egerton, with footage of Egerton as John in Rocketman, archival footage of the musician and clips of both John and Egerton recording the song in the studio. It also includes kaleidosco... | [
"(I'm Gonna) Love Me Again β Track listing\n\nDigital download ; 1) \"(I'm Gonna) Love Me Again [Purple Disco Machine Remix]\" β 3:25",
"(I'm Gonna) Love Me Again β Remix\n\nDJ Purple Disco Machine was responsible for a remix version of music from John and Egerton. The music was launched on download and streaming... |
(I'm_Gonna)_Love_Me_Again_17544553 | From the article on '(I'm Gonna) Love Me Again', restate the 'Live performances' content. | "(I'm Gonna) Love Me Again" was performed by John and Egerton on Paramount Pictures' Rocketman: Live in Concert at the Greek Theatre, in Los Angeles, with the Hollywood Symphony Orchestra on 17 October 2019. John performed "(I'm Gonna) Love Me Again" at the 92nd Academy Awards on 9 February 2020 with a red Yamaha piano... | [
"(I'm Gonna) Love Me Again β Track listing\n\nDigital download ; 1) \"(I'm Gonna) Love Me Again [Purple Disco Machine Remix]\" β 3:25",
"(I'm Gonna) Love Me Again β Remix\n\nDJ Purple Disco Machine was responsible for a remix version of music from John and Egerton. The music was launched on download and streaming... |
(I'm_Not_Your)_Steppin'_Stone_28169391 | What does the article about '(I'm Not Your) Steppin' Stone' say regarding 'Monkees version'? | mono album versions, this segment is left instrumental. The stereo version has an edit in the fadeout, but the mono album version does not have this edit and therefore has a longer coda. The single also does not have the edit, but it fades out earlier than does the mono album. All Monkees hits compilations through the ... | [
"(I'm Not Your) Steppin' Stone β Monkees version\n\nmono album versions, this segment is left instrumental. The stereo version has an edit in the fadeout, but the mono album version does not have this edit and therefore has a longer coda. The single also does not have the edit, but it fades out earlier than does th... |
(I'm_Not_Your)_Steppin'_Stone_28169389 | Reconstruct the content from the article about '(I'm Not Your) Steppin' Stone'. | "(I'm Not Your) Steppin' Stone" is a rock song written by Tommy Boyce and Bobby Hart. It was first recorded by Paul Revere & the Raiders and appeared on their album Midnight Ride, released in May 1966. The song is simple musically, with a repeating verse chord progression of E major, G major, A major, and C major, and ... | [
"(I'm Not Your) Steppin' Stone β Monkees version\n\nmono album versions, this segment is left instrumental. The stereo version has an edit in the fadeout, but the mono album version does not have this edit and therefore has a longer coda. The single also does not have the edit, but it fades out earlier than does th... |
(I'm_Not_Your)_Steppin'_Stone_28169390 | Summarize the 'Monkees version' part of '(I'm Not Your) Steppin' Stone'. | "(I'm Not Your) Steppin' Stone" is best known as a hit for the Monkees. Released in November 1966, the song became the first Monkees B-side to chart, reaching #20 on the Billboard Hot 100. Musicians featured on the recording are Micky Dolenz (lead vocal), Tommy Boyce (backing vocal), Wayne Erwin and Gerry McGee (rhythm... | [
"(I'm Not Your) Steppin' Stone β Monkees version\n\nmono album versions, this segment is left instrumental. The stereo version has an edit in the fadeout, but the mono album version does not have this edit and therefore has a longer coda. The single also does not have the edit, but it fades out earlier than does th... |
(I'm_Watching)_Every_Little_Move_You_Make_25165014 | Based on the article about '(I'm Watching) Every Little Move You Make', describe the 'Charts' section. | Little Peggy March version ("(I'm Watching) Every Little Move You Make") Sylvie Vartan version ("I'm watching" / "Deux enfants" / "Ne t'en vas pas" / "Les clous d'or") | [
"(I'm Watching) Every Little Move You Make β Charts\n\nLittle Peggy March version (\"(I'm Watching) Every Little Move You Make\") Sylvie Vartan version (\"I'm watching\" / \"Deux enfants\" / \"Ne t'en vas pas\" / \"Les clous d'or\")",
"(I'm Watching) Every Little Move You Make β Other covers\n\nThe song has been ... |
(I'm_Watching)_Every_Little_Move_You_Make_25165012 | Describe the 'Little Peggy March version' section of the article about '(I'm Watching) Every Little Move You Make'. | A. "After You" (2:25) ; B. "(I'm Watching) Every Little Move You Make" (2:10) 7" single (RCA Victor 47-8302, 1963) | [
"(I'm Watching) Every Little Move You Make β Charts\n\nLittle Peggy March version (\"(I'm Watching) Every Little Move You Make\") Sylvie Vartan version (\"I'm watching\" / \"Deux enfants\" / \"Ne t'en vas pas\" / \"Les clous d'or\")",
"(I'm Watching) Every Little Move You Make β Other covers\n\nThe song has been ... |
(I'm_Watching)_Every_Little_Move_You_Make_25165011 | What information does the article about '(I'm Watching) Every Little Move You Make' provide? | "(I'm Watching) Every Little Move You Make" is a song, written by Paul Anka and originally recorded in 1963 by Little Peggy March. In the same year, it became (under the title I'm watching) a hit for French singer Sylvie Vartan, who released it both in English and in French (under the title "Je ne vois que toi" on her ... | [
"(I'm Watching) Every Little Move You Make β Charts\n\nLittle Peggy March version (\"(I'm Watching) Every Little Move You Make\") Sylvie Vartan version (\"I'm watching\" / \"Deux enfants\" / \"Ne t'en vas pas\" / \"Les clous d'or\")",
"(I'm Watching) Every Little Move You Make β Other covers\n\nThe song has been ... |
(I'm_Watching)_Every_Little_Move_You_Make_25165013 | Explain what '(I'm Watching) Every Little Move You Make' covers in the 'Sylvie Vartan versions' section. | 1) A1. "Ne t'en vas pas" ("Comin' Home Baby") (2:12) ; 2) A2. "Deux enfants" (1:46) ; 3) B1. "(I'm Watching) Every Little Move You Make" (1:59) ; 4) B2. "Les clous d'or" (2:00) A. "(Watching You) Every Little Move You Make" ; B. "Je ne vois que toi" ("Watching You") 7" EP I'm watching / Deux enfants / Ne t'en vas pas /... | [
"(I'm Watching) Every Little Move You Make β Charts\n\nLittle Peggy March version (\"(I'm Watching) Every Little Move You Make\") Sylvie Vartan version (\"I'm watching\" / \"Deux enfants\" / \"Ne t'en vas pas\" / \"Les clous d'or\")",
"(I'm Watching) Every Little Move You Make β Other covers\n\nThe song has been ... |
(I'm_a)_Road_Runner_13654936 | Summarize the 'Background' part of '(I'm a) Road Runner'. | Walker plays the distinctive tenor saxophone solo, backed by Mike Terry on baritone saxophone with Willie Woods on guitar. During the recording, it was discovered that Walker could play the song in only two keys. So Walker sang in a key that he couldnβt play, and after being recorded, the saxophone track was sped up to... | [
"(I'm a) Road Runner β Background\n\nWalker plays the distinctive tenor saxophone solo, backed by Mike Terry on baritone saxophone with Willie Woods on guitar. During the recording, it was discovered that Walker could play the song in only two keys. So Walker sang in a key that he couldnβt play, and after being rec... |
(I'm_a)_Road_Runner_13654937 | Summarize the 'Personnel' part of '(I'm a) Road Runner'. | Junior Walker β tenor saxophone solo, vocals ; Willie Woods β guitar ; Victor Thomas β organ ; James Graves β drums Johnny Dawson β tambourine ; The Funk Brothers β other instrumentation ; Johnny Griffith β piano ; James Jamerson β bass ; Joe Messina β guitar ; Norris Patterson β tenor saxophone ; Mike Terry β baritone... | [
"(I'm a) Road Runner β Background\n\nWalker plays the distinctive tenor saxophone solo, backed by Mike Terry on baritone saxophone with Willie Woods on guitar. During the recording, it was discovered that Walker could play the song in only two keys. So Walker sang in a key that he couldnβt play, and after being rec... |
(I'm_a)_Road_Runner_13654938 | Summarize the 'Later versions' part of '(I'm a) Road Runner'. | British-American rock group Fleetwood Mac recorded the song with Dave Walker on lead vocals for their 1973 album Penguin. ; The Jerry Garcia Band performed a version of the song in 1975, which was featured on The Jerry Garcia Collection, Vol. 2: Let It Rock. ; James Taylor performed his version, in September 1976, in e... | [
"(I'm a) Road Runner β Background\n\nWalker plays the distinctive tenor saxophone solo, backed by Mike Terry on baritone saxophone with Willie Woods on guitar. During the recording, it was discovered that Walker could play the song in only two keys. So Walker sang in a key that he couldnβt play, and after being rec... |
(I'm_a)_Road_Runner_13654935 | What information does the article about '(I'm a) Road Runner' provide? | "(I'm a) Road Runner" is a hit song by Junior Walker & the Allstars, and was the title track of the successful 1966 album Road Runner. Written by the team of HollandβDozierβHolland, it was released on the Tamla (Motown) label in 1966 and reached the top twenty in the U.S. and the UK. | [
"(I'm a) Road Runner β Background\n\nWalker plays the distinctive tenor saxophone solo, backed by Mike Terry on baritone saxophone with Willie Woods on guitar. During the recording, it was discovered that Walker could play the song in only two keys. So Walker sang in a key that he couldnβt play, and after being rec... |
(I'm)_Stranded_12373532 | Describe the 'Retrospective reviews' section of the article about '(I'm) Stranded'. | In his review of (I'm) Stranded, Jack Rabid of AllMusic declared that "[T]he Saints sparked the Far East punk rock movement with a blasting, blistering, scorching sound no one had heard before". Although eight of the tracks showed a "heavy, buzzing racket ... borders on unintelligible, they're so cheaply recorded". McF... | [
"(I'm) Stranded β Retrospective reviews\n\nIn his review of (I'm) Stranded, Jack Rabid of AllMusic declared that \"[T]he Saints sparked the Far East punk rock movement with a blasting, blistering, scorching sound no one had heard before\". Although eight of the tracks showed a \"heavy, buzzing racket ... borders on... |
(I'm)_Stranded_12373531 | Based on the article about '(I'm) Stranded', describe the 'Contemporary reviews' section. | Kris Needs in ZigZag May 1977 called it a "rip-snorter of an album" and "one hell of an album, although it's a bit patchy." Robot A. Hull in Creem December 1977, reviewing the US edition released on Sire, said the Saints "easily match the savage revolt of bands like the Clash and the Jam" and called (I'm Stranded) "a p... | [
"(I'm) Stranded β Retrospective reviews\n\nIn his review of (I'm) Stranded, Jack Rabid of AllMusic declared that \"[T]he Saints sparked the Far East punk rock movement with a blasting, blistering, scorching sound no one had heard before\". Although eight of the tracks showed a \"heavy, buzzing racket ... borders on... |
(I'm)_Stranded_12373529 | Reconstruct the content about 'Background' from the article on '(I'm) Stranded'. | Venice' and 'Messin' With The Kid', they were the first two songs we ever did." It included a cover version of The Missing Links' track "Wild About You". On the single tracks "(I'm) Stranded" and "No Time", Kuepper's guitar was tuned up a semitone, to emulate Bo Diddley. The other eight tracks were recorded over a week... | [
"(I'm) Stranded β Retrospective reviews\n\nIn his review of (I'm) Stranded, Jack Rabid of AllMusic declared that \"[T]he Saints sparked the Far East punk rock movement with a blasting, blistering, scorching sound no one had heard before\". Although eight of the tracks showed a \"heavy, buzzing racket ... borders on... |
(I'm)_Stranded_12373528 | Reconstruct the content about 'Background' from the article on '(I'm) Stranded'. | released the two tracks as their debut single in September 1976. Their self-owned Eternal Promotions sent discs to radio stations and magazines both in Australia β with little local interest β and the United Kingdom. In the UK, a small label, Power Exchange, issued the single. Sounds magazine's reviewer Jonh Ingham dec... | [
"(I'm) Stranded β Retrospective reviews\n\nIn his review of (I'm) Stranded, Jack Rabid of AllMusic declared that \"[T]he Saints sparked the Far East punk rock movement with a blasting, blistering, scorching sound no one had heard before\". Although eight of the tracks showed a \"heavy, buzzing racket ... borders on... |
(I'm)_Stranded_12373527 | From the article on '(I'm) Stranded', restate the 'Background' content. | The Saints formed in Brisbane in 1973 with original members Chris Bailey (singer-songwriter, later guitarist), Ed Kuepper (guitarist-songwriter), and Ivor Hay (drummer). In 1975, Kym Bradshaw joined on bass guitar. Contemporaneous with Ramones, the group were employing the fast tempos, raucous vocals and "buzz saw" gui... | [
"(I'm) Stranded β Retrospective reviews\n\nIn his review of (I'm) Stranded, Jack Rabid of AllMusic declared that \"[T]he Saints sparked the Far East punk rock movement with a blasting, blistering, scorching sound no one had heard before\". Although eight of the tracks showed a \"heavy, buzzing racket ... borders on... |
(I'm)_Stranded_12373526 | Summarize the following section from the article on '(I'm) Stranded'. | (I'm) Stranded is the debut album by Australian punk rock group The Saints which was released by EMI on 21 February 1977. Their debut single, "(I'm) Stranded", was issued ahead of the album in September 1976, which Sounds magazine's reviewer, Jonh Ingham, declared was the "Single of this and every week". "Erotic Neurot... | [
"(I'm) Stranded β Retrospective reviews\n\nIn his review of (I'm) Stranded, Jack Rabid of AllMusic declared that \"[T]he Saints sparked the Far East punk rock movement with a blasting, blistering, scorching sound no one had heard before\". Although eight of the tracks showed a \"heavy, buzzing racket ... borders on... |
(I'm)_Stranded_12373534 | Summarize the 'Personnel' part of '(I'm) Stranded'. | Chris Bailey β vocals ; Kym Bradshaw β bass guitar (tracks 1β10, 11β13 on 2007 release) ; Ivor Hay β drums ; Ed Kuepper β guitar ; Alasdair "Algy" Ward β bass guitar (tracks 11β12 on 1997 release, 14β18 on 2007 release) The Flat Top Four β backing vocals (track 7) Rod Coe β producer (except tracks 1, 6 or bonus tracks)... | [
"(I'm) Stranded β Retrospective reviews\n\nIn his review of (I'm) Stranded, Jack Rabid of AllMusic declared that \"[T]he Saints sparked the Far East punk rock movement with a blasting, blistering, scorching sound no one had heard before\". Although eight of the tracks showed a \"heavy, buzzing racket ... borders on... |
(I'm)_Stranded_12373530 | What does the article about '(I'm) Stranded' say regarding 'Background'? | avoid spill. The band supported AC/DC in late December 1976 and, early in 1977, relocated to Sydney. EMI re-issued the single "(I'm) Stranded" in February 1977 and it reached the Kent Music Report Top 100 Singles Chart. In May 1977, the band released their second single, "Erotic Neurotic" and then moved to the UK, wher... | [
"(I'm) Stranded β Retrospective reviews\n\nIn his review of (I'm) Stranded, Jack Rabid of AllMusic declared that \"[T]he Saints sparked the Far East punk rock movement with a blasting, blistering, scorching sound no one had heard before\". Although eight of the tracks showed a \"heavy, buzzing racket ... borders on... |
(I'm)_Stranded_(song)_25576560 | What information does the article about '(I'm) Stranded (song)' provide on 'History'? | thing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that." On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Their first LP was also called (I'm) Stranded. As well as... | [
"(I'm) Stranded (song) β History\n\nthing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that.\" On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Their first LP w... |
(I'm)_Stranded_(song)_25576557 | Describe the 'History' section of the article about '(I'm) Stranded (song)'. | so formed their own promotion company, their own club (Hay's place became the 76 Club) and their own record label. Their first single, "(I'm) Stranded", released in September 1976, came out ahead of the debut records by better-known punk acts like the Sex Pistols and The Clash. The film clip for the song was directed b... | [
"(I'm) Stranded (song) β History\n\nthing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that.\" On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Their first LP w... |
(I'm)_Stranded_(song)_25576558 | Reconstruct the content about 'History' from the article on '(I'm) Stranded (song)'. | it's so bloody incredible [...] for some reason Australian record companies think the band lack commercial potential. What a bunch of idiots. You like Quo or The Ramones? This pounds them into the dirt. Hear it once and you'll never forget it. The singing's flat and disinterested, the guitars are on full stun. There's ... | [
"(I'm) Stranded (song) β History\n\nthing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that.\" On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Their first LP w... |
(I'm)_Stranded_(song)_25576562 | Describe the 'Personnel' section of the article about '(I'm) Stranded (song)'. | The Saints members ; Chris Bailey β vocals ; Kym Bradshaw β bass ; Ivor Hay β drums ; Ed Kuepper β guitar Recording details ; Producer β The Saints, Richard Coe, Mark Moffatt Art work ; Cover art β Savage Pencil | [
"(I'm) Stranded (song) β History\n\nthing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that.\" On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Their first LP w... |
(I'm)_Stranded_(song)_25576561 | From the article on '(I'm) Stranded (song)', restate the 'Track listing' content. | 1) "(I'm) Stranded" β 3:25 ; 2) "No Time" β 2:45 Both songs written by Ed Kuepper and Chris Bailey. | [
"(I'm) Stranded (song) β History\n\nthing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that.\" On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Their first LP w... |
(I'm)_Stranded_(song)_25576555 | Reconstruct the content from the article about '(I'm) Stranded (song)'. | singing's flat and disinterested, the guitars are on full stun. ... It's fabulous." In 2007, Australian Musician magazine voted this the fourth most significant moment in the history of Australian pop/rock. On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Th... | [
"(I'm) Stranded (song) β History\n\nthing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that.\" On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Their first LP w... |
(I'm)_Stranded_(song)_25576559 | From the article on '(I'm) Stranded (song)', restate the 'History' content. | Sydney was contacted by its London head office and told to sign the punk band from Brisbane. The Saints resisted being re-modelled into the English punk look and were generally ignored by the Australian press at the time, which reported that "a sinister new teenage pop cult, based on sex, sadism and violence, is sweepi... | [
"(I'm) Stranded (song) β History\n\nthing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that.\" On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Their first LP w... |
(I'm)_Stranded_(song)_25576556 | Describe the 'History' section of the article about '(I'm) Stranded (song)'. | The Saints were formed in Brisbane in 1973, initially calling themselves Kid Galahad and the Eternals. They are considered to be one of the first and most influential punk groups. The Saints rehearsed in the front room of the rented house on Petrie terrace, Brisbane, which happened to be opposite the local police headq... | [
"(I'm) Stranded (song) β History\n\nthing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that.\" On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Their first LP w... |
(I'm)_Stranded_(song)_25576554 | Reconstruct the content from the article about '(I'm) Stranded (song)'. | "(I'm) Stranded" is the debut single released by Australian punk rock band the Saints. Issued in September 1976, it has been cited as "one of the iconic singles of the era", and pre-dated vinyl debuts by contemporary punk acts such as the Sex Pistols, Buzzcocks, The Damned and The Clash. In 2001, it was voted among the... | [
"(I'm) Stranded (song) β History\n\nthing by 1974. Two and a half years later, this incredibly fashionable movement comes along, only an arsehole would have associated himself with that.\" On the strength of the single, The Saints were signed in November 1976 to a three-album deal by EMI in the UK. Their first LP w... |
(I've_Got_a_Gal_In)_Kalamazoo_32738812 | From the article on '(I've Got a Gal In) Kalamazoo', restate the 'Background' content. | The song popularized the city of Kalamazoo, Michigan. Although originally recorded by the Glenn Miller band with Tex Beneke on lead vocals, it was recreated by the fictional Gene Morrison Orchestra performing as the Glenn Miller Band and the Nicholas Brothers (performing the song as part of a dance sequence) in the 194... | [
"(I've Got a Gal In) Kalamazoo β Background\n\nThe song popularized the city of Kalamazoo, Michigan. Although originally recorded by the Glenn Miller band with Tex Beneke on lead vocals, it was recreated by the fictional Gene Morrison Orchestra performing as the Glenn Miller Band and the Nicholas Brothers (performi... |
(I've_Got_a_Gal_In)_Kalamazoo_32738811 | Reconstruct the content from the article about '(I've Got a Gal In) Kalamazoo'. | "(I've Got a Gal in) Kalamazoo" is a #1 popular song recorded by Glenn Miller and His Orchestra in 1942. It was written by Mack Gordon and Harry Warren and published in 1942. It was featured in the musical film Orchestra Wives and was recorded by Glenn Miller and His Orchestra, featuring Tex Beneke, Marion Hutton and T... | [
"(I've Got a Gal In) Kalamazoo β Background\n\nThe song popularized the city of Kalamazoo, Michigan. Although originally recorded by the Glenn Miller band with Tex Beneke on lead vocals, it was recreated by the fictional Gene Morrison Orchestra performing as the Glenn Miller Band and the Nicholas Brothers (performi... |
(I've_Got_a_Gal_In)_Kalamazoo_32738813 | Based on the article about '(I've Got a Gal In) Kalamazoo', describe the 'Reception' section. | The Glenn Miller record was the year's best-selling recording in the United States, according to Billboard magazine. It spent nineteen weeks on the Billboard charts, including eight weeks in first place. The song was nominated for an Academy Award in the category of "Best Music, Original Song" in 1943. | [
"(I've Got a Gal In) Kalamazoo β Background\n\nThe song popularized the city of Kalamazoo, Michigan. Although originally recorded by the Glenn Miller band with Tex Beneke on lead vocals, it was recreated by the fictional Gene Morrison Orchestra performing as the Glenn Miller Band and the Nicholas Brothers (performi... |
(I've_Had)_The_Time_of_My_Life_21706162 | Describe the 'History' section of the article about '(I've Had) The Time of My Life'. | Singer-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song "Sweetheart" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked Previte about writing some music for "a little mov... | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I've_Had)_The_Time_of_My_Life_21706166 | What information does the article about '(I've Had) The Time of My Life' provide on 'History'? | 10, 1987; it was intended to be released alongside the film, but the film's producer Vestron Pictures had moved the American release date to August without notifying RCA Records. Ienner quickly edited the song from the original 6:46 to 4:50 for radio airplay. With the release of the film, it became a worldwide hit, and... | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I've_Had)_The_Time_of_My_Life_21706165 | Reconstruct the content about 'History' from the article on '(I've Had) The Time of My Life'. | two months to do the recording, but he also turned it down because his daughter McKenna was due to be born, and he had promised his wife he would be there. After the birth of his daughter, Medley was approached again, because Jennifer Warnes had indicated she would record the song if she could do the duet with Medley. ... | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I've_Had)_The_Time_of_My_Life_21706163 | What information does the article about '(I've Had) The Time of My Life' provide on 'History'? | and the music was written by John DeNicola and Don Markowitz. After getting further approval, Previte, along with DeNicola and Markowitz, created a demo of the song, performing on it himself, along with singer Rachele Cappelli. The demo showcased how the harmonies were to be used, employing a "cold open", or a slow bui... | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I've_Had)_The_Time_of_My_Life_21706161 | Describe the content of the article about '(I've Had) The Time of My Life'. | "(I've Had) The Time of My Life" is a 1987 song composed by Franke Previte, John DeNicola, and Donald Markowitz. It was recorded by Bill Medley and Jennifer Warnes, and used as the theme song for the 1987 film Dirty Dancing. The song has won a number of awards, including the Academy Award for Best Original Song, the Go... | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I've_Had)_The_Time_of_My_Life_21706169 | Summarize the 'Chart performance' part of '(I've Had) The Time of My Life'. | In the United States, the single topped the Billboard Hot 100 chart in November 1987 for one week and also reached number one on the Adult Contemporary for four weeks. In the United Kingdom the song had two chart outings: in November 1987, after the film's initial release, the song peaked at No. 6; in January 1991, aft... | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I've_Had)_The_Time_of_My_Life_21706164 | Summarize the 'History' part of '(I've Had) The Time of My Life'. | and Capelli's much lighter and more youthful version was used as a backing track, so that the actors, Patrick Swayze and Jennifer Grey, and the dancers, could have something to dance to (Swayze had later remarked it was his favorite version, even including all the subsequent remakes). The demo version finally appeared ... | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I've_Had)_The_Time_of_My_Life_21706171 | Describe the 'Formats and track listings' section of the article about '(I've Had) The Time of My Life'. | 7" single ; 1) "(I've Had) The Time of My Life" (4:47) ; 2) "Love Is Strange" by Mickey & Sylvia (2:52) 12" maxi and CD single ; 1) "(I've Had) The Time of My Life" (4:47) ; 2) "In the Still of the Night" by The Five Satins (2:59) ; 3) "Love Is Strange" by Mickey & Sylvia (2:53) ; 4) "Overload" by Zappacosta (3:39) Cas... | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I've_Had)_The_Time_of_My_Life_21706170 | Explain what '(I've Had) The Time of My Life' covers in the 'Awards' section. | Academy Award for Best Original Song, 1987 ; Grammy Award for Best Pop Performance by a Duo or Group with Vocals, 1988 ; Golden Globe Award for Best Original Song, 1988 ; ASCAP "Most Performed Songs from Motion Pictures" and "ASCAP Songwriter Of The Year" for its writer. In 2004 AFI's 100 Years...100 Songs survey place... | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I've_Had)_The_Time_of_My_Life_21706167 | Describe the 'Music video' section of the article about '(I've Had) The Time of My Life'. | A music video was produced for this song in October 1987. The video features several couples dancing like in the movie, and it also featured clips from it. | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I've_Had)_The_Time_of_My_Life_21706173 | Summarize the 'Other versions' part of '(I've Had) The Time of My Life'. | The Black Eyed Peas' 2010 single "The Time (Dirty Bit)" features interpolations of the song performed by Will.i.am and Fergie. ; In the ninth episode of the second season of Glee "Special Education", the New Directions performed this song as part of their setlist for Sectionals with featured solos by Quinn Fabray (Dian... | [
"(I've Had) The Time of My Life β History\n\nSinger-songwriter Previte was the lead singer of the band Franke and the Knockouts. He had success with the song \"Sweetheart\" in 1981, but by 1986 was without a recording contract. In late 1986 or early 1987, producer and head of Millennium Records, Jimmy Ienner, asked... |
(I)_Get_Lost_5449120 | Reconstruct the content about 'Composition' from the article on '(I) Get Lost'. | The track was written during a period Clapton experimented with minimalistic guitar riffs and Pro Tools along with his collaborator Simon Climie, while being in the recording sessions for the 1998 Pilgrim studio album. "(I) Get Lost" starts with a guitar line that featured Clapton playing an acoustic guitar with nylon ... | [
"(I) Get Lost β Composition\n\nThe track was written during a period Clapton experimented with minimalistic guitar riffs and Pro Tools along with his collaborator Simon Climie, while being in the recording sessions for the 1998 Pilgrim studio album. \"(I) Get Lost\" starts with a guitar line that featured Clapton p... |
(I)_Get_Lost_5449123 | Explain what '(I) Get Lost' covers in the 'Reception' section. | "Every element of this song shines, from its light but intelligent lyric about being lost without the one he loves (though, at the same time implicationg her as less than the perfect mate) to an overwhelmingly catchy chorus. But it's the production that will elevate 'Lost' above the pop patter out there, with its digni... | [
"(I) Get Lost β Composition\n\nThe track was written during a period Clapton experimented with minimalistic guitar riffs and Pro Tools along with his collaborator Simon Climie, while being in the recording sessions for the 1998 Pilgrim studio album. \"(I) Get Lost\" starts with a guitar line that featured Clapton p... |
(I)_Get_Lost_5449121 | What does the article about '(I) Get Lost' say regarding 'Release'? | The song was originally written and recorded as part of the movie soundtrack to the 1999 film The Story of Us, where the song was featured along with the "Main Title" (also composed by Clapton for the movie) in the very beginning. It was later released with the soundtrack compact disc under Reprise Records. The pop tit... | [
"(I) Get Lost β Composition\n\nThe track was written during a period Clapton experimented with minimalistic guitar riffs and Pro Tools along with his collaborator Simon Climie, while being in the recording sessions for the 1998 Pilgrim studio album. \"(I) Get Lost\" starts with a guitar line that featured Clapton p... |
(I)_Get_Lost_5449122 | Describe the 'Reception' section of the article about '(I) Get Lost'. | Music critic Dan Goldwasser of Soundtrack.NET calls the song an "upbeat song" which "immediately grabs the listener". Additionally, the "(I) Get Lost" has got an important part of making the movie soundtrack The Story of Us a "relaxing score". The music website AllMusic rates the single release with one and a half of f... | [
"(I) Get Lost β Composition\n\nThe track was written during a period Clapton experimented with minimalistic guitar riffs and Pro Tools along with his collaborator Simon Climie, while being in the recording sessions for the 1998 Pilgrim studio album. \"(I) Get Lost\" starts with a guitar line that featured Clapton p... |
(I)_Get_Lost_5449119 | Describe the content of the article about '(I) Get Lost'. | "(I) Get Lost" is a pop song written and recorded by the British rock musician Eric Clapton. The title was released as both a single on 23 November 1999 for Reprise Records and is featured as part of the compilation album Clapton Chronicles: The Best of Eric Clapton, which was released on 12 October 1999. It was writte... | [
"(I) Get Lost β Composition\n\nThe track was written during a period Clapton experimented with minimalistic guitar riffs and Pro Tools along with his collaborator Simon Climie, while being in the recording sessions for the 1998 Pilgrim studio album. \"(I) Get Lost\" starts with a guitar line that featured Clapton p... |
(ISC)Β²_5783226 | Summarize the 'Professional certifications' part of '(ISC)Β²'. | Certified Information Systems Security Professional (CISSP), including: ; Information Systems Security Architecture Professional (CISSP-ISSAP) ; Information Systems Security Engineering Professional (CISSP-ISSEP) ; Information Systems Security Management Professional (CISSP-ISSMP) Certified Secure Software Lifecycle Pr... | [
"(ISC)Β² β Professional certifications\n\nCertified Information Systems Security Professional (CISSP), including: ; Information Systems Security Architecture Professional (CISSP-ISSAP) ; Information Systems Security Engineering Professional (CISSP-ISSEP) ; Information Systems Security Management Professional (CISSP-... |
(ISC)Β²_5783227 | Summarize the 'Continuous Professional Education' part of '(ISC)Β²'. | All (ISC)Β² certified professionals are required to earn Continuous Professional Education (CPE) credits on an annual basis in order to maintain their certifications. CPE credits can be obtained by attending industry events or conferences, writing articles/book reviews/books, etc. | [
"(ISC)Β² β Professional certifications\n\nCertified Information Systems Security Professional (CISSP), including: ; Information Systems Security Architecture Professional (CISSP-ISSAP) ; Information Systems Security Engineering Professional (CISSP-ISSEP) ; Information Systems Security Management Professional (CISSP-... |
(ISC)Β²_5783228 | Reconstruct the content about 'Code of Ethics' from the article on '(ISC)Β²'. | All certified (ISC)Β² professionals are required to support the (ISC)Β² Code of Ethics. Violations of the code of ethics are each investigated by a peer review panel, within the potential of revoking the certification. (ISC)Β² (along with other security certification organizations) has been criticized for lack of educatio... | [
"(ISC)Β² β Professional certifications\n\nCertified Information Systems Security Professional (CISSP), including: ; Information Systems Security Architecture Professional (CISSP-ISSAP) ; Information Systems Security Engineering Professional (CISSP-ISSEP) ; Information Systems Security Management Professional (CISSP-... |
(ISC)Β²_5783225 | Summarize the 'History' part of '(ISC)Β²'. | had been formed. The work done by that committee resulted in the first version of CBK being finalized by 1992, with the CISSP credential launched by 1994, followed by the SSCP credential in 2001, the CAP credential in 2005, and the CSSLP credential in 2008, the CCFP and HCISPP in 2013 and the CCSP in 2015.[9] In 2001, ... | [
"(ISC)Β² β Professional certifications\n\nCertified Information Systems Security Professional (CISSP), including: ; Information Systems Security Architecture Professional (CISSP-ISSAP) ; Information Systems Security Engineering Professional (CISSP-ISSEP) ; Information Systems Security Management Professional (CISSP-... |
(ISC)Β²_5783224 | From the article on '(ISC)Β²', restate the 'History' content. | at Idaho State University in Pocatello, Idaho to address the need for standardized curriculum for the burgeoning profession. Organizations in attendance included: During the conference, the question was raised why virtually every group represented, save NIST and ISU, was creating a professional certification. The conf... | [
"(ISC)Β² β Professional certifications\n\nCertified Information Systems Security Professional (CISSP), including: ; Information Systems Security Architecture Professional (CISSP-ISSAP) ; Information Systems Security Engineering Professional (CISSP-ISSEP) ; Information Systems Security Management Professional (CISSP-... |
(ISC)Β²_5783222 | Summarize the following section from the article on '(ISC)Β²'. | The International Information System Security Certification Consortium, or (ISC)Β², is a non-profit organization which specializes in training and certifications for cybersecurity professionals. It has been described as the "world's largest IT security organization". The most widely known certification offered by (ISC)Β²... | [
"(ISC)Β² β Professional certifications\n\nCertified Information Systems Security Professional (CISSP), including: ; Information Systems Security Architecture Professional (CISSP-ISSAP) ; Information Systems Security Engineering Professional (CISSP-ISSEP) ; Information Systems Security Management Professional (CISSP-... |
(ISC)Β²_5783223 | Describe the 'History' section of the article about '(ISC)Β²'. | Canadian Information Processing Society (CIPS) ; Computer Security Institute (CSI) ; Data Processing Management Association Special Interest Group for Certified Professionals (DPMA SIG-CP) ; Data Processing Management Association Special Interest Group for Computer Security (DPMA SIG-CS) ; Idaho State University (ISU) ... | [
"(ISC)Β² β Professional certifications\n\nCertified Information Systems Security Professional (CISSP), including: ; Information Systems Security Architecture Professional (CISSP-ISSAP) ; Information Systems Security Engineering Professional (CISSP-ISSEP) ; Information Systems Security Management Professional (CISSP-... |
(If_Loving_You_Is_Wrong)_I_Don't_Want_to_Be_Right_9266086 | Reconstruct the content about 'Content' from the article on '(If Loving You Is Wrong) I Don't Want to Be Right'. | The song is about an adulterous love affair, told from the point of view of either the mistress or the cheating spouse, depending on the gender of the performer. Regardless, both parties involved express their desire to maintain the affair, while at the same time acknowledging that the relationship is wrong according t... | [
"(If Loving You Is Wrong) I Don't Want to Be Right β Content\n\nThe song is about an adulterous love affair, told from the point of view of either the mistress or the cheating spouse, depending on the gender of the performer. Regardless, both parties involved express their desire to maintain the affair, while at th... |
(If_Loving_You_Is_Wrong)_I_Don't_Want_to_Be_Right_9266087 | Explain what '(If Loving You Is Wrong) I Don't Want to Be Right' covers in the 'Notable performers' section. | It was first recorded by The Emotions (but their version has never been released), and by Veda Brown, whose version was finally released in 2008. Other notable singers to cover it include: country singer Jackie Burns (whose version made Hot Country Songs in 1972), Isaac Hayes, Millie Jackson, Rod Stewart, Percy Sledge,... | [
"(If Loving You Is Wrong) I Don't Want to Be Right β Content\n\nThe song is about an adulterous love affair, told from the point of view of either the mistress or the cheating spouse, depending on the gender of the performer. Regardless, both parties involved express their desire to maintain the affair, while at th... |
(If_Loving_You_Is_Wrong)_I_Don't_Want_to_Be_Right_9266085 | Summarize the following section from the article on '(If Loving You Is Wrong) I Don't Want to Be Right'. | "(If Loving You Is Wrong) I Don't Want to Be Right" is a song written by Stax Records songwriters Homer Banks, Carl Hampton, and Raymond Jackson. Originally written for The Emotions, it has been performed by many singers, most notably by Luther Ingram, whose original recording topped the R&B chart for four weeks and ro... | [
"(If Loving You Is Wrong) I Don't Want to Be Right β Content\n\nThe song is about an adulterous love affair, told from the point of view of either the mistress or the cheating spouse, depending on the gender of the performer. Regardless, both parties involved express their desire to maintain the affair, while at th... |
(If_Paradise_Is)_Half_as_Nice_12906001 | What does the article about '(If Paradise Is) Half as Nice' say regarding 'Amen Corner version'? | The song was translated into English by Jack Fishman. When it was offered to The Tremeloes as a potential single, they rejected it. Dave Clark 5 also wanted to record it and they did record the song. It was also recorded by Amen Corner as their debut single for their new record label, Immediate Records, and was produce... | [
"(If Paradise Is) Half as Nice β Amen Corner version\n\nThe song was translated into English by Jack Fishman. When it was offered to The Tremeloes as a potential single, they rejected it. Dave Clark 5 also wanted to record it and they did record the song. It was also recorded by Amen Corner as their debut single fo... |
(If_Paradise_Is)_Half_as_Nice_12906000 | Reconstruct the content from the article about '(If Paradise Is) Half as Nice'. | "(If Paradise Is) Half as Nice" is a popular 1968 song originally written by the Italian singer-songwriter Lucio Battisti for La Ragazza 77, alias Ambra Borelli, in 1968 as "Il paradiso della vita" ("The paradise of the life"), and later in 1969 for Patty Pravo as "Il Paradiso" ("The paradise"). | [
"(If Paradise Is) Half as Nice β Amen Corner version\n\nThe song was translated into English by Jack Fishman. When it was offered to The Tremeloes as a potential single, they rejected it. Dave Clark 5 also wanted to record it and they did record the song. It was also recorded by Amen Corner as their debut single fo... |
(If_There_Was)_Any_Other_Way_17359257 | What does the article about '(If There Was) Any Other Way' say regarding 'Critical reception'? | AllMusic's senior editor Stephen Thomas Erlewine picked the song as an album standout along with "Where Does My Heart Beat Now". Larry Flick from Billboard noted that Dion "continues to soar" with a "spirited, up-tempo" song. He complimented the "crystalline production and shimmering backup vocal support combined with ... | [
"(If There Was) Any Other Way β Critical reception\n\nAllMusic's senior editor Stephen Thomas Erlewine picked the song as an album standout along with \"Where Does My Heart Beat Now\". Larry Flick from Billboard noted that Dion \"continues to soar\" with a \"spirited, up-tempo\" song. He complimented the \"crystall... |
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