id string | question string | answer string | documents list |
|---|---|---|---|
...And_Then_I_Wrote_1048967 | Reconstruct the content about 'Recording and composition' from the article on '...And Then I Wrote'. | was written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing "this was creativity on demand," and later recalling: First few days found me a little uneasy. I had my guitar, a pencil, and a blank notebook. Hank might throw out an idea, hoping it m... | [
"...And Then I Wrote — Recording and composition\n\nwas written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing \"this was creativity on demand,\" and later recalling: First few days found me a little uneasy. I had my guitar, a pencil, and a... |
...And_Then_I_Wrote_1048972 | Describe the 'Personnel' section of the article about '...And Then I Wrote'. | Willie Nelson – lead vocals, acoustic guitar ; Billy Strange – guitar ; Roy Nichols – guitar ; Johnny Western – guitar ; Earl Palmer - drums ; B. J. Baker – backing vocals ; Technical ; Joe Allison – producer ; Ralph Valentine – engineer ; Selby Coffeen – engineer ; Charlie Williams – liner notes ; Murray Garrett – pho... | [
"...And Then I Wrote — Recording and composition\n\nwas written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing \"this was creativity on demand,\" and later recalling: First few days found me a little uneasy. I had my guitar, a pencil, and a... |
...And_Then_I_Wrote_1048964 | Explain what '...And Then I Wrote' covers in the 'Background' section. | In 1958, Nelson released two records under a contract with Pappy Daily of D Records, "Man With the Blues"/"The Storm Has Just Begun" and "What a Way to Live"/"Misery Mansion". While working for D Records and singing in nightclubs, Nelson was hired by guitar instructor Paul Buskirk to teach in his school. He sold to Bus... | [
"...And Then I Wrote — Recording and composition\n\nwas written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing \"this was creativity on demand,\" and later recalling: First few days found me a little uneasy. I had my guitar, a pencil, and a... |
...And_Then_I_Wrote_1048968 | Describe the 'Recording and composition' section of the article about '...And Then I Wrote'. | make a few calls. You work on something by yourself." By the time Cochran had returned from his phone call Nelson had written "Hello Walls" and sang it for him. "It's worth a fuckin' fortune," Cochran responded, adding, "Willie, my friend, you just wrote a hit." The recording sessions for his first album release, ...An... | [
"...And Then I Wrote — Recording and composition\n\nwas written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing \"this was creativity on demand,\" and later recalling: First few days found me a little uneasy. I had my guitar, a pencil, and a... |
...And_Then_I_Wrote_1048966 | From the article on '...And Then I Wrote', restate the 'Recording and composition' content. | In his 2015 autobiography, Nelson insists that he composed "Crazy", "Night Life", "Funny How Time Slips Away", "Mr. Record Man", "I Gotta Get Drunk" and "The Party's Over" in one songwriting jag while living in Houston before finally moving to Nashville: "Within an astounding short period of time – a week or two – I'd ... | [
"...And Then I Wrote — Recording and composition\n\nwas written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing \"this was creativity on demand,\" and later recalling: First few days found me a little uneasy. I had my guitar, a pencil, and a... |
...And_Then_I_Wrote_1048969 | Explain what '...And Then I Wrote' covers in the 'Recording and composition' section. | three other stellar guitarists - session leader Billy Strange, Roy Nichols from the Maddox Brothers and Rose, and Johnny Western, who had worked with Johnny Cash. During two sessions on September 11–12, Nelson recorded "Crazy", "Darkness on the Face of the Earth", "Three Days", "Funny How Times Slips Away", "Mr. Record... | [
"...And Then I Wrote — Recording and composition\n\nwas written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing \"this was creativity on demand,\" and later recalling: First few days found me a little uneasy. I had my guitar, a pencil, and a... |
...And_Then_I_Wrote_1048971 | Summarize the 'Release' part of '...And Then I Wrote'. | The record was released in September 1962. "Touch Me" was released as a single, becoming Nelson's second top ten single, reaching No. 7 on Billboard's Hot Country Singles chart. Billboard wrote a review about the single, describing it as an "interesting country-styled tune" with "good" lyrics. AllMusic rated the album ... | [
"...And Then I Wrote — Recording and composition\n\nwas written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing \"this was creativity on demand,\" and later recalling: First few days found me a little uneasy. I had my guitar, a pencil, and a... |
...And_Then_I_Wrote_1048965 | What information does the article about '...And Then I Wrote' provide on 'Background'? | "Night Life", and his previous bassist Johnny Paycheck quit, Nelson joined Price's touring band as a bass player. While playing with Price and the Cherokee Cowboys, other of his original songs became hits for other artists, including "Funny How Time Slips Away" (Billy Walker), "Pretty Paper" (Roy Orbison), and, most fa... | [
"...And Then I Wrote — Recording and composition\n\nwas written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing \"this was creativity on demand,\" and later recalling: First few days found me a little uneasy. I had my guitar, a pencil, and a... |
...And_Then_I_Wrote_1048963 | Describe the content of the article about '...And Then I Wrote'. | ...And Then I Wrote is the debut studio album by country singer Willie Nelson, recorded during August and September 1962 and released through Liberty Records. Despite Nelson's fruitless efforts to succeed with his recording releases with D Records, and after trying with other labels as a singer, he sold several of his ... | [
"...And Then I Wrote — Recording and composition\n\nwas written after Nelson had been hired by Pamper Music. Initially collaborating with Hank Cochran, he was nervous at first, realizing \"this was creativity on demand,\" and later recalling: First few days found me a little uneasy. I had my guitar, a pencil, and a... |
...And_Then_There_Were_Three..._31092920 | Reconstruct the content about 'Critical reception' from the article on '...And Then There Were Three...'. | In an April 1978 review for Melody Maker, reporter Chris Welch praised the album as "strong, confident" that is "as good as any they have made in the band's post-Gabriel years". Welch noted the songs have "a sense of purpose" and come with "a remarkably powerful sound", and picked "Ballad of Big" as his favourite track... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092921 | Explain what '...And Then There Were Three...' covers in the 'Critical reception' section. | little different to Wind & Wuthering and noted the dominance of Banks's keyboards over Rutherford's guitars, with "the same dreamy wall-of-sound music with the same high-pitched vocals" from Collins. He concluded that Genesis succeed at points on the album but thought many songs on it fail to go anywhere, "blending int... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092909 | Describe the 'Sleeve design' section of the article about '...And Then There Were Three...'. | As with their past three studio albums, the album cover and packaging was designed by Storm Thorgerson and Aubrey Powell of Hipgnosis. Thorgerson later said the cover was "trying to tell a story by the traces left by the light trails". The photograph was shot using time-lapse to represent the "comings and goings" in th... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092906 | What does the article about '...And Then There Were Three...' say regarding 'Writing and recording'? | on the album's sleeve. According to Rutherford, the material was recorded in two weeks. The band considered auditioning new guitarists or utilising a studio guitarist for the album, but Rutherford felt confident enough in his skills to take on the lead guitar parts himself, feeling he would enjoy the challenge of doing... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092925 | Based on the article about '...And Then There Were Three...', describe the 'Tour' section. | Genesis embarked on the ...And Then There Were Three... Tour between March and December 1978, including nearly 100 shows covering Europe, the US and Japan, with only a single UK show at Knebworth Park on 24 June. The US dates were important as they would allow the band to recoup touring costs, which were running at aro... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092912 | What does the article about '...And Then There Were Three...' say regarding 'Side one'? | the band that were kept "low-key and subtle" in the final mix. Banks had written a two-minute introduction to the song, but recalled disagreement from the other members as there were enough keyboard parts on the album. The section was reworked and used as a part of "From the Undertow", a track on Banks's first solo alb... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092927 | Based on the article about '...And Then There Were Three...', describe the 'Track listing' section. | All songs arranged and performed by Genesis. Genesis recorded two additional songs that were left off the album, and released as B-sides. | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092910 | Reconstruct the content about 'Composition' from the article on '...And Then There Were Three...'. | The album marked a change in the band's sound, moving from their progressive rock roots towards shorter, more concise songs. The motivation for this was to be able to put more musical ideas on an album, and to act as a response to the punk rock and new wave scenes, where short and concise songs were standard. This deci... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092903 | Summarize the 'Background' part of '...And Then There Were Three...'. | In July 1977, the Genesis line-up of drummer and vocalist Phil Collins, keyboardist Tony Banks, bassist Mike Rutherford, guitarist Steve Hackett, and touring drummer Chester Thompson completed their tour in support of their eighth studio album, Wind & Wuthering. The band proceeded to edit and mix their second live albu... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092904 | What information does the article about '...And Then There Were Three...' provide on 'Background'? | of things to do. Hackett's departure was not made public until 8 October, when Collins, Banks, and Rutherford were promoting Seconds Out (and had finished working on ...And Then There Were Three...). The trio were confident they could carry on, as they had formed the backbone of several Genesis classics, including the ... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092915 | Based on the article about '...And Then There Were Three...', describe the 'Side two' section. | tried it. Banks, who penned the song's lyrics, recalled an issue Collins had with singing the word "mama" in the chorus, something which Banks had to reassure him that he could sing it. "Scenes from a Night's Dream" is based on a childhood dream, itself inspired by the cartoon strip character Little Nemo which Collins ... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092928 | What does the article about '...And Then There Were Three...' say regarding 'Personnel'? | Tony Banks – keyboards ; Phil Collins – drums, vocals ; Mike Rutherford – basses, guitars Genesis – production ; David Hentschel – production, engineer ; Pierre Geofroy Chateau – production assistant ; Steve Short – mixing assistant ; Geoff Banks – equipment ; Andy Mackrill – equipment ; Dale Newman – equipment ; Hipgn... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092914 | Describe the 'Side two' section of the article about '...And Then There Were Three...'. | The original title to "Deep in the Motherlode" was "Heavy". Rutherford uses a bottleneck slide guitar which he was inexperienced with at first to the point of placing it "on the wrong hand". "Many Too Many" features more lead guitar work from Rutherford, who felt less confident about his playing compared to the months ... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092922 | What information does the article about '...And Then There Were Three...' provide on 'Critical reception'? | numerous similar but usually inferior European art-rock ensembles". He names Banks as the one of the trio most responsible for their sound with his "rich" arrangements complemented by Rutherford's restrained guitar work which is "more felt than heard" which worked well to his praise on "Burning Rope". Walters, however,... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092905 | Summarize the 'Writing and recording' part of '...And Then There Were Three...'. | Rehearsals began at Shepperton Studios for around six weeks. In September 1977, the remaining three members returned to Relight Studios in Hilvarenbeek, Netherlands to write and record their new album, the same venue as used for the Wind & Wuthering album. The group wished to record in a new location, but they could no... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092918 | Based on the article about '...And Then There Were Three...', describe the 'Release' section. | ...And Then There Were Three... was released in the UK on 31 March 1978 and in the US on 28 March on Atlantic Records. It reached on the UK Albums Chart during a 32-week stay on the chart and on the US Billboard 200. The album continued to sell, and was certified gold by the Recording Industry Association of America o... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092907 | Based on the article about '...And Then There Were Three...', describe the 'Writing and recording' section. | top of them. Following the recording, the group mixed the album at Trident Studios in London. Banks and Rutherford remained the more dominant songwriters with four and three songs written by them respectively, one from Banks and Collins, and three tracks written by all three members. Collins had settled down with his w... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092924 | Reconstruct the content about 'Critical reception' from the article on '...And Then There Were Three...'. | a disappointment than an interminable frustration". In his review for Rolling Stone, he said Hackett's "wonderful orchestral guitar playing, which once governed his subtle use of effects, has unfortunately evaporated in the baldness of his new material", while concluding that "this contemptible opus is but the palest s... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092913 | Summarize the 'Side one' part of '...And Then There Were Three...'. | the group decided to slow them down in order to fit the style of the song. Collins and Rutherford described it as a romantic song, with its lyrics about a man who wears a snowman outfit to hide from people but while inside, becomes paranoid and finds he cannot get out. While Banks was writing "Burning Rope", he decided... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092926 | What does the article about '...And Then There Were Three...' say regarding 'Tour'? | suggested instead that they consider jazz-fusion guitarist Daryl Stuermer, who was already a Genesis fan. He tried out an audition in New York, playing bass on "Down and Out" and lead guitar on "Squonk" (from A Trick of the Tail) and was immediately hired. "The Fountain of Salmacis", the closing track from 1971's Nurse... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092923 | Reconstruct the content about 'Critical reception' from the article on '...And Then There Were Three...'. | fewer excuses." In Crawdaddy, Michael Bloom found Banks's sounding arrangements and keyboard sounds poor, saying they tend to "practically vanish" and "slip through your fingers". He also declared Rutherford's lead guitar playing as "unbearably clumsy" compared to Hackett but remains a "rare bassist" whose 12-string gu... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092908 | From the article on '...And Then There Were Three...', restate the 'Writing and recording' content. | developed from jams and improvisations. Collins later thought the album lacked "rich, jazzy pieces" like "Los Endos" from A Trick of the Tail with its merge of rhythm and melody, but could not contribute such ideas as it was difficult to play the drums in his flat in Ealing with his wife and two children. The group wer... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092919 | Based on the article about '...And Then There Were Three...', describe the 'Reissues' section. | A digitally remastered version was released on CD in 1994 on Virgin in Europe and Atlantic in the US and Canada. A SACD / DVD double disc set (including new 5.1 and Stereo mixes) was released on 2 April 2007. It was released in the US and Canada as part of the Genesis 1976–1982 box set. This includes the album in remix... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092917 | Reconstruct the content about 'Side two' from the article on '...And Then There Were Three...'. | note" as a contrast to a heavier track, so they placed "Follow You Follow Me" at the end, the album's only track written during the rehearsal stage and went through numerous guises before the group settled on a three-minute song. Hentschel was dismissive of the song, but prepared an initial mix and presented it to the ... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092911 | Summarize the 'Side one' part of '...And Then There Were Three...'. | "Down and Out", one of the three tracks written collectively, was written during the band's rehearsals. Thompson found its more complex time signature difficult to reproduce on stage at first as Collins could not explain the riff and rhythm which Rutherford noted merely "added to the confusion". Collins wrote the lyric... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_There_Were_Three..._31092902 | Summarize the following section from the article on '...And Then There Were Three...'. | ...And Then There Were Three... (stylised in all lowercase) is the ninth studio album by the English rock band Genesis. It was released in March 1978 by Charisma Records and is their first recorded as a trio of singer/drummer Phil Collins, keyboardist Tony Banks, and bassist/guitarist Mike Rutherford following the depa... | [
"...And Then There Were Three... — Critical reception\n\nIn an April 1978 review for Melody Maker, reporter Chris Welch praised the album as \"strong, confident\" that is \"as good as any they have made in the band's post-Gabriel years\". Welch noted the songs have \"a sense of purpose\" and come with \"a remarkabl... |
...And_Then_You_Shoot_Your_Cousin_13021 | Explain what '...And Then You Shoot Your Cousin' covers in the 'Critical reception' section. | musically than Undun and is "a touching, upsetting meditation in which a sketchy gangsta wannabe embodies the limits of all striving." Evan Rytlewski of The A.V. Club said, "With their 11th effort, The Roots have managed yet another album individualistic like little else in hip-hop, but unlike their best work this one'... | [
"...And Then You Shoot Your Cousin — Artwork\n\nThe album's artwork is a painting called Pittsburgh Memory by North Carolina-born painter Romare Bearden.",
"...And Then You Shoot Your Cousin — Critical reception\n\nmusically than Undun and is \"a touching, upsetting meditation in which a sketchy gangsta wannabe e... |
...And_Then_You_Shoot_Your_Cousin_13020 | What information does the article about '...And Then You Shoot Your Cousin' provide on 'Critical reception'? | ...And Then You Shoot Your Cousin was met with generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 70, based on 26 reviews. Andy Kellman of AllMusic felt that it may be the most challenging album from ... | [
"...And Then You Shoot Your Cousin — Artwork\n\nThe album's artwork is a painting called Pittsburgh Memory by North Carolina-born painter Romare Bearden.",
"...And Then You Shoot Your Cousin — Critical reception\n\nmusically than Undun and is \"a touching, upsetting meditation in which a sketchy gangsta wannabe e... |
...And_Then_You_Shoot_Your_Cousin_13022 | From the article on '...And Then You Shoot Your Cousin', restate the 'Commercial performance' content. | The album debuted at number 11 on the Billboard 200 chart, with first-week sales of 19,786 copies in the United States. In its second week the album sold 5,856 more copies bringing its total album sales to 25,642. | [
"...And Then You Shoot Your Cousin — Artwork\n\nThe album's artwork is a painting called Pittsburgh Memory by North Carolina-born painter Romare Bearden.",
"...And Then You Shoot Your Cousin — Critical reception\n\nmusically than Undun and is \"a touching, upsetting meditation in which a sketchy gangsta wannabe e... |
...And_Then_You'll_Beg_2517036 | Based on the article about '...And Then You'll Beg', describe the 'Additional personnel' section. | Dave Galea – technical adviser ; Graves – mastering ; Louis Legault – engineering assistant ; Pierre Rémillard – production, engineering, mixing ; Francois Quevillon – design, illustration, photography | [
"...And Then You'll Beg — Additional personnel\n\nDave Galea – technical adviser ; Graves – mastering ; Louis Legault – engineering assistant ; Pierre Rémillard – production, engineering, mixing ; Francois Quevillon – design, illustration, photography",
"...And Then You'll Beg\n\nAnd Then You'll Beg is the fourth... |
...And_Then_You'll_Beg_2517034 | Reconstruct the content from the article about '...And Then You'll Beg'. | And Then You'll Beg is the fourth studio album by Canadian technical death metal band Cryptopsy. It is the first album with guitarist Alex Auburn, and the last album with vocalist Mike DiSalvo and guitarist Jon Levasseur, until Levasseur returned in 2011. "Back to the Worms" was the only track from Ungentle Exhumation ... | [
"...And Then You'll Beg — Additional personnel\n\nDave Galea – technical adviser ; Graves – mastering ; Louis Legault – engineering assistant ; Pierre Rémillard – production, engineering, mixing ; Francois Quevillon – design, illustration, photography",
"...And Then You'll Beg\n\nAnd Then You'll Beg is the fourth... |
...And_Then_You'll_Beg_2517035 | Reconstruct the content about 'Cryptopsy' from the article on '...And Then You'll Beg'. | Mike DiSalvo – vocals ; Jon Levasseur – guitars ; Alex Auburn – guitars, vocals ; Eric Langlois – bass guitar ; Flo Mounier – drums, backing vocals | [
"...And Then You'll Beg — Additional personnel\n\nDave Galea – technical adviser ; Graves – mastering ; Louis Legault – engineering assistant ; Pierre Rémillard – production, engineering, mixing ; Francois Quevillon – design, illustration, photography",
"...And Then You'll Beg\n\nAnd Then You'll Beg is the fourth... |
...And_They_Shall_Take_Up_Serpents_24575948 | Reconstruct the content from the article about '...And They Shall Take Up Serpents'. | ...And They Shall Take Up Serpents is the second studio album by American heavy metal band Byzantine. It was released on July 12, 2005. | [
"...And They Shall Take Up Serpents\n\n...And They Shall Take Up Serpents is the second studio album by American heavy metal band Byzantine. It was released on July 12, 2005.",
"...And They Shall Take Up Serpents — Singles\n\n\"Jeremiad\"",
"...And They Shall Take Up Serpents — Personnel\n\nChris \"OJ\" Ojeda –... |
...And_They_Shall_Take_Up_Serpents_24575949 | What does the article about '...And They Shall Take Up Serpents' say regarding 'Personnel'? | Chris "OJ" Ojeda – vocals, guitars, piano ; Tony Rohbrough – guitars, bass ; Matt Wolfe – drums, acoustic guitar ; Drew Mazurek – mixing ; Aaron Fisher – production | [
"...And They Shall Take Up Serpents\n\n...And They Shall Take Up Serpents is the second studio album by American heavy metal band Byzantine. It was released on July 12, 2005.",
"...And They Shall Take Up Serpents — Singles\n\n\"Jeremiad\"",
"...And They Shall Take Up Serpents — Personnel\n\nChris \"OJ\" Ojeda –... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285032 | Explain what '...And You Will Know Us by the Trail of Dead' covers in the 'Rise and success (1995–2006)' section. | it is "one of indie rock's truly epic albums". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a "post-punk Voltron, that just might be the most exciting unit working today." A follow-up EP to Source Tags & Codes was released in April 2003, titled The Secret... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285040 | Summarize the 'Musical style and influences' part of '...And You Will Know Us by the Trail of Dead'. | The band cites their influences to include Fugazi, Melvins, Bikini Kill, Bauhaus, Echo and the Bunnymen, KARP, Unwound, Sonic Youth, Led Zeppelin, Rush, Genesis, Pink Floyd, Public Enemy, Yes, Johann Sebastian Bach and Vivaldi. | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285030 | Based on the article about '...And You Will Know Us by the Trail of Dead', describe the 'Formation' section. | ferry boat that travels between Mukilteo and Clinton, Washington). Eventually, Keely and Reece moved to Austin, Texas. The two started playing as a duo under the moniker "You Will Know Us by the Trail of Dead." The band expanded eventually to include guitarist Kevin Allen and bassist Neil Busch. They then officially le... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285038 | Based on the article about '...And You Will Know Us by the Trail of Dead', describe the 'Post-Interscope era (2007–present)' section. | September 25, they released "Catatonic" through Spotify. In May 2013, the band announced a forthcoming EP Tao of the Dead Part III via Twitter. Using PledgeMusic, they were taking pre-orders for special editions of the EP. In February 2014, the band announced a limited U.S. tour focused on playing music from Source Tag... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285041 | What does the article about '...And You Will Know Us by the Trail of Dead' say regarding 'Personnel'? | Current ; Conrad Keely – vocals, guitar (1994–present), piano (2010–2020) ; drums (1994–2005, 2010–2011) ; bass (1994–1995) ; Jason Reece – drums, vocals, guitar (1994–present) ; bass (1994–1995) ; Alec Padron – bass (2019–present) ; Ben Redman – guitar, drums (2020–present) ; AJ Vincent – keyboards (2020–present) Form... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285034 | Describe the 'Post-Interscope era (2007–present)' section of the article about '...And You Will Know Us by the Trail of Dead'. | In late summer of 2007, Trail of Dead once again toured Europe, this time with drummer Aaron Ford replacing Doni Schroader. Danny Wood was absent from these performances, having quietly left the band. He would eventually be replaced by Jay Leo Phillips. The band provided the soundtrack to the 2007 film Hell on Wheels, ... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285033 | Explain what '...And You Will Know Us by the Trail of Dead' covers in the 'Rise and success (1995–2006)' section. | around this time. Trail of Dead released Worlds Apart on January 25, 2005. Music videos were filmed for singles "And the Rest Will Follow" and "Caterwaul". The band also added live keyboardist David Longoria to their touring lineup. Now a six-piece, the band toured heavily on the album, with its trademark explosive liv... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285039 | From the article on '...And You Will Know Us by the Trail of Dead', restate the 'Post-Interscope era (2007–present)' content. | jigsaw puzzle. Pitchfork suggested "the arrival at a crossroads" for the band with the album. After a subsequent tour the band, Keely moved to Cambodia and released his debut solo album, Original Machines, in 2016. In November 2017, the band announced a European tour to celebrate the 20 year anniversary of the release ... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285037 | What information does the article about '...And You Will Know Us by the Trail of Dead' provide on 'Post-Interscope era (2007–present)'? | on February 7, 2011, debuting bassist Autry Fulbright II (from Reece side project Midnight Masses) and drummer/guitarist Jamie Miller, of the band theSTART. On February 17, 2011, it was announced that Reece would guest host Toby Ryan's radio show on Austin's KROX-FM (101X). In 2012, the band recorded material for a new... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285036 | Summarize the 'Post-Interscope era (2007–present)' part of '...And You Will Know Us by the Trail of Dead'. | Smith is also set to re-mix their debut eponymous album. On November 10, 2010, the band announced that their seventh album, Tao of the Dead, would be released in North America on February 8, 2011. It was also revealed that the band had stripped down to a core four-piece, and that Jay Phillips, Clay Morris and longtime ... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285042 | From the article on '...And You Will Know Us by the Trail of Dead', restate the 'Discography' content. | Studio albums Singles ; 2000: "Mistakes & Regrets" UK No. 69 ; 2002: "Another Morning Stoner" UK No. 54 ; 2002: "Relative Ways" ; 2004: "Worlds Apart" ; 2005: "The Rest Will Follow" ; 2006: "A Classic Art Showcase" UK Download No. 49 ; 2006: "Wasted State of Mind" ; 2009: "Isis Unveiled" (Radio Edit) promo only for rad... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285029 | What does the article about '...And You Will Know Us by the Trail of Dead' say regarding 'Formation'? | Keely and Reece have been friends since their youth, and originally in Hawaii. They each formed their first bands in Olympia, Washington, where Keely studied at The Evergreen State College. Keely, a songwriter and bassist named James Olsen and a guitarist (Paul Westmoreland) started a band in the early 1990s. The band ... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285031 | Reconstruct the content about 'Rise and success (1995–2006)' from the article on '...And You Will Know Us by the Trail of Dead'. | In 1995, Trail of Dead issued their first release, a song titled "Novena Without Faith" on a cassette-only compilation titled Austin Live Houses, followed by another self-titled four-song cassette on Golden Hour. In January 1998, they released a self-titled full-length on Trance Syndicate. Trail of Dead soon joined Mer... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_You_Will_Know_Us_by_the_Trail_of_Dead_10285043 | From the article on '...And You Will Know Us by the Trail of Dead', restate the 'Music videos' content. | "Mistakes & Regrets" ; "Relative Ways" ; "Another Morning Stoner" ; "All St. Day" (on the Worlds Apart' bonus DVD) ; "The Rest Will Follow" ; "Caterwaul" ; "Naked Sun" (Edit) ; "Isis Unveiled" (Radio Edit) ; "Summer of all Dead Souls" ; "Catatonic" ; "Lost Songs" ; "The Ghost Within" ; "The Lie Without a Liar" ; "Don't... | [
"...And You Will Know Us by the Trail of Dead — Rise and success (1995–2006)\n\nit is \"one of indie rock's truly epic albums\". Their following tour was chronicled by Rolling Stone, with Andrew Dansby commenting on their group dynamic as a \"post-punk Voltron, that just might be the most exciting unit working toda... |
...And_a_Little_Pleasure_13166099 | From the article on '...And a Little Pleasure', restate the 'Releases' content. | Uptown Records released the album in 1981. In 1989, Reservoir Records reissued it on CD, with the title A Little Pleasure. | [
"...And a Little Pleasure — Releases\n\nUptown Records released the album in 1981. In 1989, Reservoir Records reissued it on CD, with the title A Little Pleasure.",
"...And a Little Pleasure — Personnel\n\nJ. R. Monterose – tenor and soprano saxophone ; Tommy Flanagan – piano",
"...And a Little Pleasure\n\n...A... |
...And_a_Little_Pleasure_13166097 | Summarize the following section from the article on '...And a Little Pleasure'. | ...And a Little Pleasure is an album by saxophonist J. R. Monterose and pianist Tommy Flanagan. It was recorded and originally released in 1981, and was reissued on CD as A Little Pleasure in 1989. | [
"...And a Little Pleasure — Releases\n\nUptown Records released the album in 1981. In 1989, Reservoir Records reissued it on CD, with the title A Little Pleasure.",
"...And a Little Pleasure — Personnel\n\nJ. R. Monterose – tenor and soprano saxophone ; Tommy Flanagan – piano",
"...And a Little Pleasure\n\n...A... |
...And_a_Little_Pleasure_13166098 | Summarize the 'Recording and music' part of '...And a Little Pleasure'. | The album was recorded on April 6 and 7, 1981, in New York City. It was Monterose's recording debut playing the soprano saxophone. The miking was close, so his breathing is clearly audible. There are two original compositions on the album: "Pain and Suffering...And a Little Pleasure", in 3/4 time, and "Vinnie's Pad". T... | [
"...And a Little Pleasure — Releases\n\nUptown Records released the album in 1981. In 1989, Reservoir Records reissued it on CD, with the title A Little Pleasure.",
"...And a Little Pleasure — Personnel\n\nJ. R. Monterose – tenor and soprano saxophone ; Tommy Flanagan – piano",
"...And a Little Pleasure\n\n...A... |
...And_the_Bag's_in_the_River_24525990 | Reconstruct the content about 'Production' from the article on '...And the Bag's in the River'. | The episode was written by Vince Gilligan, and directed by Adam Bernstein; it aired on AMC in the United States and Canada on February 10, 2008. | [
"...And the Bag's in the River — Production\n\nThe episode was written by Vince Gilligan, and directed by Adam Bernstein; it aired on AMC in the United States and Canada on February 10, 2008.",
"...And the Bag's in the River — Title meaning\n\nThe episode title is a part of a line from the 1957 film Sweet Smell o... |
...And_the_Bag's_in_the_River_24525992 | What information does the article about '...And the Bag's in the River' provide on 'Title meaning'? | The episode title is a part of a line from the 1957 film Sweet Smell of Success, in which a character reports that he resolved an issue. It means that Walt kills Krazy-8. "J.J. Hunsecker: 'That means you've got a plan. Can you deliver?'Sidney Falco: 'Tonight, before you go to bed. The cat's in the bag and the bag's in ... | [
"...And the Bag's in the River — Production\n\nThe episode was written by Vince Gilligan, and directed by Adam Bernstein; it aired on AMC in the United States and Canada on February 10, 2008.",
"...And the Bag's in the River — Title meaning\n\nThe episode title is a part of a line from the 1957 film Sweet Smell o... |
...And_the_Bag's_in_the_River_24525987 | Based on the article about '...And the Bag's in the River', describe the 'Plot' section. | Walt and Jesse clean up the bloody remains of Emilio while Krazy-8 regains consciousness in the basement. While talking with Walt, Krazy-8 reveals that Jesse told him and Emilio about Walt's personal life. Walt then confronts Jesse, in the middle of getting high off meth, who berates him for not living up to his end of... | [
"...And the Bag's in the River — Production\n\nThe episode was written by Vince Gilligan, and directed by Adam Bernstein; it aired on AMC in the United States and Canada on February 10, 2008.",
"...And the Bag's in the River — Title meaning\n\nThe episode title is a part of a line from the 1957 film Sweet Smell o... |
...And_the_Bag's_in_the_River_24525989 | Reconstruct the content about 'Plot' from the article on '...And the Bag's in the River'. | holding Krazy-8 captive. However, he realizes that there is a large shard missing from the broken plate, indicating that Krazy-8 obtained it while he was unconscious and plans to use it as a weapon. Walt reluctantly garrotes Krazy-8 with the bike lock while he stabs backward into Walt's leg with the broken plate. Walt ... | [
"...And the Bag's in the River — Production\n\nThe episode was written by Vince Gilligan, and directed by Adam Bernstein; it aired on AMC in the United States and Canada on February 10, 2008.",
"...And the Bag's in the River — Title meaning\n\nThe episode title is a part of a line from the 1957 film Sweet Smell o... |
...And_the_Bag's_in_the_River_24525988 | Describe the 'Plot' section of the article about '...And the Bag's in the River'. | Walt Jr. to a motel to show how meth has corroded the teeth of a prostitute. Walt phones Skyler to apologize for being late, falsely claiming that he's working over at the car wash. Skyler informs Walt that she knows he quit his job there two weeks previously and angrily tells him to not come home. Walt weighs the pros... | [
"...And the Bag's in the River — Production\n\nThe episode was written by Vince Gilligan, and directed by Adam Bernstein; it aired on AMC in the United States and Canada on February 10, 2008.",
"...And the Bag's in the River — Title meaning\n\nThe episode title is a part of a line from the 1957 film Sweet Smell o... |
...And_the_Bag's_in_the_River_24525991 | What does the article about '...And the Bag's in the River' say regarding 'Critical reception'? | The episode received critical acclaim. Seth Amitin of IGN gave the episode a rating of 8.9 out of 10 commenting: "If you put every episode of every TV show in existence and rolled it up into one giant ball, we doubt you'd come out with anything as intense as that one minute of television where Walt killed Crazy-8." Don... | [
"...And the Bag's in the River — Production\n\nThe episode was written by Vince Gilligan, and directed by Adam Bernstein; it aired on AMC in the United States and Canada on February 10, 2008.",
"...And the Bag's in the River — Title meaning\n\nThe episode title is a part of a line from the 1957 film Sweet Smell o... |
...And_the_Battle_Begun_29274674 | What does the article about '...And the Battle Begun' say regarding 'Release'? | They supported Finch in July and August 2005. In September and October 2005, they toured across California with Mike Park and Dan Potthast. The album was originally slated to be released in late 2005 via Drive-Thru Records, but for reasons known only to the band and the label, they decided to part ways, despite the con... | [
"...And the Battle Begun — Release\n\nThey supported Finch in July and August 2005. In September and October 2005, they toured across California with Mike Park and Dan Potthast. The album was originally slated to be released in late 2005 via Drive-Thru Records, but for reasons known only to the band and the label, ... |
...And_the_Battle_Begun_29274675 | Based on the article about '...And the Battle Begun', describe the 'Critical reception' section. | The Sacramento News & Review wrote that the album "challenges your ears in the best way possible, with shifting time signatures, wildly varying moods and general chaotic genius. Countless experimental bands mine similar 'anything goes, so long as its good' territory, but rarely has this boundary-pushing been so refresh... | [
"...And the Battle Begun — Release\n\nThey supported Finch in July and August 2005. In September and October 2005, they toured across California with Mike Park and Dan Potthast. The album was originally slated to be released in late 2005 via Drive-Thru Records, but for reasons known only to the band and the label, ... |
...And_the_Battle_Begun_29274676 | Based on the article about '...And the Battle Begun', describe the 'Rx Bandits' section. | Matthew Embree – vocals, guitar ; Steve Choi – guitar, keyboards ; Steven Jess Borth II – saxophone, keyboards, backing vocals ; Chris Sheets – trombone, backing vocals, percussion ; Joseph Troy – bass ; Christopher Tsagakis – drums | [
"...And the Battle Begun — Release\n\nThey supported Finch in July and August 2005. In September and October 2005, they toured across California with Mike Park and Dan Potthast. The album was originally slated to be released in late 2005 via Drive-Thru Records, but for reasons known only to the band and the label, ... |
...And_the_Battle_Begun_29274673 | What does the article about '...And the Battle Begun' say regarding 'Background and recording'? | Rx Bandits served as the backing band of the Bruce Lee Band for a series of shows in March 2005. They went on a US West Coast tour with Steel Train, Before Braille and Facing New York. The band recorded their next album in May 2005. Like The Resignation, the rhythm section was recorded live for ...And The Battle Begun.... | [
"...And the Battle Begun — Release\n\nThey supported Finch in July and August 2005. In September and October 2005, they toured across California with Mike Park and Dan Potthast. The album was originally slated to be released in late 2005 via Drive-Thru Records, but for reasons known only to the band and the label, ... |
...And_the_Battle_Begun_29274677 | From the article on '...And the Battle Begun', restate the 'Additional Personnel' content. | Robert Cheek, Ryan Baker, David Embree – Engineer ; Louis Teran/Marcussen Mastering – Mastering ; Aaron Nagel – Album cover painting ; Lisa Huey – Photography ; Josh Mintz – Layout | [
"...And the Battle Begun — Release\n\nThey supported Finch in July and August 2005. In September and October 2005, they toured across California with Mike Park and Dan Potthast. The album was originally slated to be released in late 2005 via Drive-Thru Records, but for reasons known only to the band and the label, ... |
...And_the_Circus_Leaves_Town_29233185 | Reconstruct the content about 'Reception' from the article on '...And the Circus Leaves Town'. | The album received a positive review in Tharunka, an Australian student publication in August 1995. The review described the lead single, One Inch Man, as "unrepresentative" of the album's sound. Two of the tracks, Jumbo Blimp Jumbo and Catamaran were compared favorably to Black Sabbath and Sonic Youth, respectively an... | [
"...And the Circus Leaves Town — Reception\n\nThe album received a positive review in Tharunka, an Australian student publication in August 1995. The review described the lead single, One Inch Man, as \"unrepresentative\" of the album's sound. Two of the tracks, Jumbo Blimp Jumbo and Catamaran were compared favorab... |
...And_the_Circus_Leaves_Town_29233186 | Explain what '...And the Circus Leaves Town' covers in the 'Personnel' section. | John Garcia – lead vocals, producer ; Josh Homme – guitar, producer ; Scott Reeder – bass, producer ; Alfredo Hernández – drums, producer Chris Goss – producer ; Joe Barresi – recording engineer ; Brian Jenkins – mixing engineer ; Billy Bowers – assistant engineer ; Chad Banford – assistant engineer ; Eddy Schreyer – m... | [
"...And the Circus Leaves Town — Reception\n\nThe album received a positive review in Tharunka, an Australian student publication in August 1995. The review described the lead single, One Inch Man, as \"unrepresentative\" of the album's sound. Two of the tracks, Jumbo Blimp Jumbo and Catamaran were compared favorab... |
...And_the_Circus_Leaves_Town_29233182 | Summarize the following section from the article on '...And the Circus Leaves Town'. | ...And the Circus Leaves Town is the fourth and final studio album by American stoner rock band Kyuss, released on July 11, 1995, nearly a year before their breakup. Drummer Alfredo Hernández (Yawning Man) replaces Brant Bjork, who left Kyuss in 1993. The album features a tighter and more straightforward sound, both in... | [
"...And the Circus Leaves Town — Reception\n\nThe album received a positive review in Tharunka, an Australian student publication in August 1995. The review described the lead single, One Inch Man, as \"unrepresentative\" of the album's sound. Two of the tracks, Jumbo Blimp Jumbo and Catamaran were compared favorab... |
...And_the_Native_Hipsters_26003403 | Describe the 'Biography' section of the article about '...And the Native Hipsters'. | revived in 2001 when Rough Trade included "There Goes Concorde Again" in a box set, Rough Trade Shops – 25 Years. This prompted Wilding to release two CDs, There Goes Concorde Again... (2001) and Songs to Protest About (2006) containing their singles, previously unreleased songs and new material. Interest in the Native... | [
"...And the Native Hipsters — Biography\n\nrevived in 2001 when Rough Trade included \"There Goes Concorde Again\" in a box set, Rough Trade Shops – 25 Years. This prompted Wilding to release two CDs, There Goes Concorde Again... (2001) and Songs to Protest About (2006) containing their singles, previously unreleas... |
...And_the_Native_Hipsters_26003400 | What does the article about '...And the Native Hipsters' say regarding 'Biography'? | ...And the Native Hipsters was a London-based duo of musicians William Wilding from Romford England, and Blatt (Nanette Greenblatt) from Cape Town, South Africa. They had previously worked together as the Wildings, and then the Patterns with Robert Cubitt and Tom Fawcett. The Patterns became the Native Hipsters in 1979... | [
"...And the Native Hipsters — Biography\n\nrevived in 2001 when Rough Trade included \"There Goes Concorde Again\" in a box set, Rough Trade Shops – 25 Years. This prompted Wilding to release two CDs, There Goes Concorde Again... (2001) and Songs to Protest About (2006) containing their singles, previously unreleas... |
...And_the_Native_Hipsters_26003399 | Reconstruct the content from the article about '...And the Native Hipsters'. | ...And the Native Hipsters was an English experimental group formed in London, England in 1979. Centred on the nucleus of musicians William Wilding and Blatt (Nanette Greenblatt), they are best known for their 1980 single, "There Goes Concorde Again", which attracted the attention of BBC Radio 1 DJ John Peel, and reach... | [
"...And the Native Hipsters — Biography\n\nrevived in 2001 when Rough Trade included \"There Goes Concorde Again\" in a box set, Rough Trade Shops – 25 Years. This prompted Wilding to release two CDs, There Goes Concorde Again... (2001) and Songs to Protest About (2006) containing their singles, previously unreleas... |
...And_the_Native_Hipsters_26003405 | Summarize the 'Singles and EPs' part of '...And the Native Hipsters'. | "There Goes Concorde Again" (1980, 7" single, Heater Volume Records) ; "Tenderly Hurt Me" (1982, 12" EP, Glass Records and Illuminated Records co-release) ; "Going Steady With Larry and Emma" (1983, 7" single, Plattekop Volume) | [
"...And the Native Hipsters — Biography\n\nrevived in 2001 when Rough Trade included \"There Goes Concorde Again\" in a box set, Rough Trade Shops – 25 Years. This prompted Wilding to release two CDs, There Goes Concorde Again... (2001) and Songs to Protest About (2006) containing their singles, previously unreleas... |
...And_the_Native_Hipsters_26003406 | Summarize the 'Albums' part of '...And the Native Hipsters'. | There Goes Concorde Again... (CD, 2001, MRMusic) ; Songs To Protest About (CD, 2006, MRMusic) ; Original Copy (CD, 2012, MRMusic) | [
"...And the Native Hipsters — Biography\n\nrevived in 2001 when Rough Trade included \"There Goes Concorde Again\" in a box set, Rough Trade Shops – 25 Years. This prompted Wilding to release two CDs, There Goes Concorde Again... (2001) and Songs to Protest About (2006) containing their singles, previously unreleas... |
...And_the_Native_Hipsters_26003407 | Based on the article about '...And the Native Hipsters', describe the 'Compilation appearances' section. | Various artists: Rough Trade Shops – 25 Years (2001, 4xCD box set, Mute Records) ; Various artists: Kats Karavan: The History of John Peel on the Radio (2009, 4xCD, Universal) The following compilations each include one track by ...And the Native Hipsters, "There Goes Concorde Again". | [
"...And the Native Hipsters — Biography\n\nrevived in 2001 when Rough Trade included \"There Goes Concorde Again\" in a box set, Rough Trade Shops – 25 Years. This prompted Wilding to release two CDs, There Goes Concorde Again... (2001) and Songs to Protest About (2006) containing their singles, previously unreleas... |
...And_the_Native_Hipsters_26003401 | Describe the 'Biography' section of the article about '...And the Native Hipsters'. | released by the group as a single in a limited edition of 500 copies. Each disc had its label hand-stamped by the group, and the sleeves were cut from advertising posters (including one of Kevin Keegan, an English footballer), making each cover virtually unique. They sent the records to Rough Trade, an independent reco... | [
"...And the Native Hipsters — Biography\n\nrevived in 2001 when Rough Trade included \"There Goes Concorde Again\" in a box set, Rough Trade Shops – 25 Years. This prompted Wilding to release two CDs, There Goes Concorde Again... (2001) and Songs to Protest About (2006) containing their singles, previously unreleas... |
...And_the_Native_Hipsters_26003402 | What does the article about '...And the Native Hipsters' say regarding 'Biography'? | Wilding received an offer from producer Tony Visconti to re-record the song, but turned it down for fear of it becoming "too commercial". The song was later listed by New Musical Express in their "NME Writers 100 Best Indie Singles Ever" in 1992. In 1982 the Native Hipsters released a four-track EP, "Tenderly Hurt Me" ... | [
"...And the Native Hipsters — Biography\n\nrevived in 2001 when Rough Trade included \"There Goes Concorde Again\" in a box set, Rough Trade Shops – 25 Years. This prompted Wilding to release two CDs, There Goes Concorde Again... (2001) and Songs to Protest About (2006) containing their singles, previously unreleas... |
...And_the_Saga_Continues_19822567 | Reconstruct the content about 'Other contributions' from the article on '...And the Saga Continues'. | 2004: Montreal Spirit, a DTC Family Compilation - The Ballad of the Bugs (Dare to Care Records) ; 2006: Crush Your Canadian Idols - This One's For You Dickheads (Capital Kill Productions) ; 2006: The Battle Must Go On! - The True Pleasure Of Life (Fight the Mentality Records) | [
"...And the Saga Continues — Other contributions\n\n2004: Montreal Spirit, a DTC Family Compilation - The Ballad of the Bugs (Dare to Care Records) ; 2006: Crush Your Canadian Idols - This One's For You Dickheads (Capital Kill Productions) ; 2006: The Battle Must Go On! - The True Pleasure Of Life (Fight the Mental... |
...And_the_Saga_Continues_19822565 | Explain what '...And the Saga Continues' covers in the 'Full-length albums' section. | 2000: Braust Till You Die ; 2002: The Sinister 3 ; 2003: You Can't Stop the 3rd (Contempt for Humanity Records) ; 2008: Making Enemies & Burning Bridges (Fuck the Bullshit Records) | [
"...And the Saga Continues — Other contributions\n\n2004: Montreal Spirit, a DTC Family Compilation - The Ballad of the Bugs (Dare to Care Records) ; 2006: Crush Your Canadian Idols - This One's For You Dickheads (Capital Kill Productions) ; 2006: The Battle Must Go On! - The True Pleasure Of Life (Fight the Mental... |
...And_the_Saga_Continues_19822562 | From the article on '...And the Saga Continues', restate the 'History' content. | of their history, the band released four full-length albums as well as EPs and compilation contributions, toured internationally and garnered critical acclaim. They were described by Exclaim! magazine as holding an "incredibly D.I.Y. standpoint, and [a] fearless nature to do and say whatever the hell they want, no matt... | [
"...And the Saga Continues — Other contributions\n\n2004: Montreal Spirit, a DTC Family Compilation - The Ballad of the Bugs (Dare to Care Records) ; 2006: Crush Your Canadian Idols - This One's For You Dickheads (Capital Kill Productions) ; 2006: The Battle Must Go On! - The True Pleasure Of Life (Fight the Mental... |
...And_the_Saga_Continues_19822563 | From the article on '...And the Saga Continues', restate the 'History' content. | described by Equalizing Distort as "amped up fast hardcore played in a power violence style". In late 2003, they recorded the 'You Can't Stop The 3rd' album with Rene Garcia (of The Brains and Vulgar Deli) which was released on Contempt For Humanity Records. The album received positive reviews, and was described by ma... | [
"...And the Saga Continues — Other contributions\n\n2004: Montreal Spirit, a DTC Family Compilation - The Ballad of the Bugs (Dare to Care Records) ; 2006: Crush Your Canadian Idols - This One's For You Dickheads (Capital Kill Productions) ; 2006: The Battle Must Go On! - The True Pleasure Of Life (Fight the Mental... |
...And_the_Saga_Continues_19822561 | Reconstruct the content about 'History' from the article on '...And the Saga Continues'. | The founding members of ...And the Saga Continues were Jonah Aspler on bass, Truffle Simmons on guitar, Matt "The Fridge" Dillitzer on drums, and Chris Ross on vocals. Aspler and Simmons had previously played together in late 90s seminal Quebec punk band All the Answers, alongside other musicians Chris Snelgrove and M... | [
"...And the Saga Continues — Other contributions\n\n2004: Montreal Spirit, a DTC Family Compilation - The Ballad of the Bugs (Dare to Care Records) ; 2006: Crush Your Canadian Idols - This One's For You Dickheads (Capital Kill Productions) ; 2006: The Battle Must Go On! - The True Pleasure Of Life (Fight the Mental... |
...And_the_Wings_Embraced_Us_24893044 | Summarize the 'Personnel' part of '...And the Wings Embraced Us'. | Christopher Schmid – vocals ; Anja Hotzendorfer – violin, female vocals ; Oliver Nikolas Schmid – guitars ; Markus Lapper – bass ; Christian Greisberger – drums ; Eva Stoger – flute, keyboards | [
"...And the Wings Embraced Us — Personnel\n\nChristopher Schmid – vocals ; Anja Hotzendorfer – violin, female vocals ; Oliver Nikolas Schmid – guitars ; Markus Lapper – bass ; Christian Greisberger – drums ; Eva Stoger – flute, keyboards",
"...And the Wings Embraced Us — Track listing\n\nAll songs written by Chri... |
...And_the_Wings_Embraced_Us_24893042 | What information does the article about '...And the Wings Embraced Us' provide? | ...And the Wings Embraced Us is the premiere studio album by the German gothic metal band Lacrimas Profundere. It was originally released in 1995, and remastered and re-released in 2002. | [
"...And the Wings Embraced Us — Personnel\n\nChristopher Schmid – vocals ; Anja Hotzendorfer – violin, female vocals ; Oliver Nikolas Schmid – guitars ; Markus Lapper – bass ; Christian Greisberger – drums ; Eva Stoger – flute, keyboards",
"...And the Wings Embraced Us — Track listing\n\nAll songs written by Chri... |
...And_the_Women_Who_Love_Them_15692906 | Summarize the following section from the article on '...And the Women Who Love Them'. | ...And the Women Who Love Them is an EP by the Berkeley, California punk rock band The Mr. T Experience, released in 1994 by Lookout! Records. It was the band's first release with drummer Jim "Jym" Pittman, replacing founding member Alex Laipeneiks who had left the group the previous year. It was recorded at a time whe... | [
"...And the Women Who Love Them\n\n...And the Women Who Love Them is an EP by the Berkeley, California punk rock band The Mr. T Experience, released in 1994 by Lookout! Records. It was the band's first release with drummer Jim \"Jym\" Pittman, replacing founding member Alex Laipeneiks who had left the group the pre... |
...And_the_Women_Who_Love_Them_15692907 | What does the article about '...And the Women Who Love Them' say regarding 'Performers'? | Dr. Frank – Vocals, guitar ; Aaron Rubin – bass (tracks 1-8) ; Joel Reader – bass (tracks 8-25) ; Jim "Jym" Pittman – drums | [
"...And the Women Who Love Them\n\n...And the Women Who Love Them is an EP by the Berkeley, California punk rock band The Mr. T Experience, released in 1994 by Lookout! Records. It was the band's first release with drummer Jim \"Jym\" Pittman, replacing founding member Alex Laipeneiks who had left the group the pre... |
...Aval!_8510220 | Describe the 'Release' section of the article about '...Aval!'. | ...Aval! was released on 15 September 1972, and was presented by Nahatha Pictures. Like the original Hindi film, this too attained commercial success, and became one of the most popular films starring Nirmala. | [
"...Aval! — Release\n\n...Aval! was released on 15 September 1972, and was presented by Nahatha Pictures. Like the original Hindi film, this too attained commercial success, and became one of the most popular films starring Nirmala.",
"...Aval! — Production\n\nThe Hindi film Do Raha (1971) was a \"sensational suc... |
...Aval!_8510217 | Describe the 'Production' section of the article about '...Aval!'. | The Hindi film Do Raha (1971) was a "sensational success", prompting A. C. Tirulokchandar to remake it in Tamil with the title ...Aval!. Besides directing, he also wrote the remake's screenplay, while the dialogues were written by A. L. Narayanan. The film was produced by Sunderlal Nahatha under Vijayalakshmi Pictures,... | [
"...Aval! — Release\n\n...Aval! was released on 15 September 1972, and was presented by Nahatha Pictures. Like the original Hindi film, this too attained commercial success, and became one of the most popular films starring Nirmala.",
"...Aval! — Production\n\nThe Hindi film Do Raha (1971) was a \"sensational suc... |
...Aval!_8510218 | Based on the article about '...Aval!', describe the 'Themes' section. | Writing for Bangalore Mirror, R. S. Prakash considered ...Aval! to be one of the earliest Tamil films based entirely on sex. | [
"...Aval! — Release\n\n...Aval! was released on 15 September 1972, and was presented by Nahatha Pictures. Like the original Hindi film, this too attained commercial success, and became one of the most popular films starring Nirmala.",
"...Aval! — Production\n\nThe Hindi film Do Raha (1971) was a \"sensational suc... |
...Aval!_8510214 | Describe the content of the article about '...Aval!'. | ...Aval! is a 1972 Indian Tamil-language film written and directed by A. C. Tirulokchandar, produced by Vijayalakshmi Pictures and presented by Nahatha Pictures. A remake of the 1971 Hindi film Do Raha, it stars V. Nirmala, A. V. M. Rajan, Srikanth and Sasikumar. The film was released on 15 September 1972, and became a... | [
"...Aval! — Release\n\n...Aval! was released on 15 September 1972, and was presented by Nahatha Pictures. Like the original Hindi film, this too attained commercial success, and became one of the most popular films starring Nirmala.",
"...Aval! — Production\n\nThe Hindi film Do Raha (1971) was a \"sensational suc... |
...Aval!_8510215 | Describe the 'Plot' section of the article about '...Aval!'. | Geetha, the daughter of a millionaire, falls in love with Chandranath, a writer. Both have sex before marriage and they get married against the wishes of Geetha's father. Sadanandh, a rich publisher who lusts for Geetha, makes Chandranath rich. Chandranath takes to drinking, induces Geetha to drink and a drunk Sadanand... | [
"...Aval! — Release\n\n...Aval! was released on 15 September 1972, and was presented by Nahatha Pictures. Like the original Hindi film, this too attained commercial success, and became one of the most popular films starring Nirmala.",
"...Aval! — Production\n\nThe Hindi film Do Raha (1971) was a \"sensational suc... |
...Aval!_8510216 | Summarize the 'Cast' part of '...Aval!'. | V. Nirmala as Geetha ; A. V. M. Rajan as Prakash ; Srikanth as Sadanandh ; Sasikumar as Chandranath ; T. K. Bhagavathi as Geetha's father ; Pandari Bai ; J. P. Chandrababu | [
"...Aval! — Release\n\n...Aval! was released on 15 September 1972, and was presented by Nahatha Pictures. Like the original Hindi film, this too attained commercial success, and became one of the most popular films starring Nirmala.",
"...Aval! — Production\n\nThe Hindi film Do Raha (1971) was a \"sensational suc... |
...Baby_One_More_Time_(album)_2285545 | Reconstruct the content from the article about '...Baby One More Time (album)'. | Pop Vocal Performance. Spears had been a child performer on The All-New Mickey Mouse Club during 1993–1994, and was looking to expand her career as a teen singer. After being turned away by several record companies, Spears signed with Jive for a multi-album deal in 1997. Spears traveled to Sweden to collaborate with pr... | [
"...Baby One More Time (album)\n\nPop Vocal Performance. Spears had been a child performer on The All-New Mickey Mouse Club during 1993–1994, and was looking to expand her career as a teen singer. After being turned away by several record companies, Spears signed with Jive for a multi-album deal in 1997. Spears tra... |
...Baby_One_More_Time_(album)_2285570 | Based on the article about '...Baby One More Time (album)', describe the 'Singles' section. | music critics. The song achieved commercial success, peaking inside the top-five in eleven countries. The music video for it was directed by Billie Woodruff and produced by Geneva Films, choreographed by Wade Robson. The song was not released as a single in the United States. "From the Bottom of My Broken Heart" was re... | [
"...Baby One More Time (album)\n\nPop Vocal Performance. Spears had been a child performer on The All-New Mickey Mouse Club during 1993–1994, and was looking to expand her career as a teen singer. After being turned away by several record companies, Spears signed with Jive for a multi-album deal in 1997. Spears tra... |
...Baby_One_More_Time_(album)_2285555 | From the article on '...Baby One More Time (album)', restate the 'Music and lyrics' content. | lines and EKG-machine bass-slaps". Claudia Mitchell and Jacqueline Reid-Walsh, authors of Girl Culture: Studying girl culture : a readers' guide (2008), observed that the lyrics of the song "gesture toward [Spears] longing for the return of an ex-boyfriend." The next song and third single, "(You Drive Me) Crazy" runs t... | [
"...Baby One More Time (album)\n\nPop Vocal Performance. Spears had been a child performer on The All-New Mickey Mouse Club during 1993–1994, and was looking to expand her career as a teen singer. After being turned away by several record companies, Spears signed with Jive for a multi-album deal in 1997. Spears tra... |
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