id string | question string | answer string | documents list |
|---|---|---|---|
...Best_II_29649312 | Explain what '...Best II' covers in the 'Background' section. | WEA (now the Warner Music Group) had acquired the entire Smiths back catalogue in early 1992 (sister label Sire Records already had the North American rights). Along with the re-release of all original albums and compilations, they immediately set to work compiling a 'best of' collection in two volumes. It was the firs... | [
"...Best II — Background\n\nWEA (now the Warner Music Group) had acquired the entire Smiths back catalogue in early 1992 (sister label Sire Records already had the North American rights). Along with the re-release of all original albums and compilations, they immediately set to work compiling a 'best of' collection... |
...Best_II_29649314 | Summarize the 'Track listing' part of '...Best II'. | 1) "The Boy with the Thorn in His Side" (album version) (Single A-side) – 3:16 ; 2) "The Headmaster Ritual" (From Meat Is Murder) – 4:52 ; 3) "Heaven Knows I'm Miserable Now" (Single A-side) – 3:34 ; 4) "Ask" (album version) (Single A-side) – 3:15 ; 5) "Oscillate Wildly" (B-side of "How Soon Is Now?") – 3:26 ; 6) "Nowh... | [
"...Best II — Background\n\nWEA (now the Warner Music Group) had acquired the entire Smiths back catalogue in early 1992 (sister label Sire Records already had the North American rights). Along with the re-release of all original albums and compilations, they immediately set to work compiling a 'best of' collection... |
...Best_II_29649317 | Summarize the 'Production' part of '...Best II'. | John Porter – producer (A2, A5-A6, B2-B3) ; The Smiths – producers (A3-A4, A7, B4-B5) ; Morrissey and Marr – producers (A1, B1, B7) ; Johnny Marr, Morrissey and Stephen Street – producers (B6) | [
"...Best II — Background\n\nWEA (now the Warner Music Group) had acquired the entire Smiths back catalogue in early 1992 (sister label Sire Records already had the North American rights). Along with the re-release of all original albums and compilations, they immediately set to work compiling a 'best of' collection... |
...Best_II_29649315 | Describe the 'Personnel' section of the article about '...Best II'. | Morrissey – vocals ; Johnny Marr – guitars, keyboard instruments, harmonica, mandolins, synthesized string and flute arrangements ; Andy Rourke – bass guitar, cello on "Oscillate Wildly" and "Shakespeare's Sister" ; Mike Joyce – drums ; Craig Gannon – rhythm guitar on "Ask" | [
"...Best II — Background\n\nWEA (now the Warner Music Group) had acquired the entire Smiths back catalogue in early 1992 (sister label Sire Records already had the North American rights). Along with the re-release of all original albums and compilations, they immediately set to work compiling a 'best of' collection... |
...Best_II_29649313 | What does the article about '...Best II' say regarding 'Cover'? | The UK and European release of the record featured the right half of a 1960s biker couple photograph by Dennis Hopper on its sleeve, with Best...I completing the picture; the U.S. sleeve was designed by singer Morrissey and once again features Richard Davalos, co-star of East of Eden (other shots of Davalos grace the c... | [
"...Best II — Background\n\nWEA (now the Warner Music Group) had acquired the entire Smiths back catalogue in early 1992 (sister label Sire Records already had the North American rights). Along with the re-release of all original albums and compilations, they immediately set to work compiling a 'best of' collection... |
...Best_II_29649311 | Summarize the following section from the article on '...Best II'. | ...Best II is a compilation album by The Smiths. It was released on November 2, 1992 by the new owner of their back catalogue, WEA (Sire Records in the United States). Its highest British chart position was #29; it did not chart in the U.S. | [
"...Best II — Background\n\nWEA (now the Warner Music Group) had acquired the entire Smiths back catalogue in early 1992 (sister label Sire Records already had the North American rights). Along with the re-release of all original albums and compilations, they immediately set to work compiling a 'best of' collection... |
...Beyond_My_Grey_Wake_16488951 | What information does the article about '...Beyond My Grey Wake' provide on 'Credits'? | Dust − male vocals, piano, orchestra ; Agony − violins ; Tragedy − female vocals ; Misery − female vocals ; Bane − bass guitar ; Mist − classical, acoustic and electric guitars | [
"...Beyond My Grey Wake — Credits\n\nDust − male vocals, piano, orchestra ; Agony − violins ; Tragedy − female vocals ; Misery − female vocals ; Bane − bass guitar ; Mist − classical, acoustic and electric guitars",
"...Beyond My Grey Wake — Track listing\n\n1) \"A Flower That Sears in Silence\" – 5:51 ; 2) \"All... |
...Beyond_My_Grey_Wake_16488950 | What does the article about '...Beyond My Grey Wake' say regarding 'Track listing'? | 1) "A Flower That Sears in Silence" – 5:51 ; 2) "All the Seasons of Madness" – 7:58 ; 3) "Laying Together Again" – 6:52 ; 4) "Bescreen'd" – 10:37 ; 5) "Who is Hiding" (instrumental) – 2:20 ; 6) "Crucifige" – 7:09 ; 7) "XCVII" – 3:19 ; 8) "The Night, Then Him" – 8:23 ; 9) "So Death Would be Just a Bad Dream" (instrument... | [
"...Beyond My Grey Wake — Credits\n\nDust − male vocals, piano, orchestra ; Agony − violins ; Tragedy − female vocals ; Misery − female vocals ; Bane − bass guitar ; Mist − classical, acoustic and electric guitars",
"...Beyond My Grey Wake — Track listing\n\n1) \"A Flower That Sears in Silence\" – 5:51 ; 2) \"All... |
...Beyond_My_Grey_Wake_16488949 | What information does the article about '...Beyond My Grey Wake' provide? | ...Beyond My Grey wake is the debut studio album by the Italian gothic doom metal band How Like a Winter. | [
"...Beyond My Grey Wake — Credits\n\nDust − male vocals, piano, orchestra ; Agony − violins ; Tragedy − female vocals ; Misery − female vocals ; Bane − bass guitar ; Mist − classical, acoustic and electric guitars",
"...Beyond My Grey Wake — Track listing\n\n1) \"A Flower That Sears in Silence\" – 5:51 ; 2) \"All... |
...Burn,_Piano_Island,_Burn_12844388 | Explain what '...Burn, Piano Island, Burn' covers in the 'Vinyl information' section. | 500 on 180 gram vinyl. 200 on red vinyl with red labels (only sold by the band). 378 on white vinyl. 819 on blue/white swirl vinyl. 505 on clear vinyl. ; 519 on opaque light green vinyl. 528 on light blue vinyl. ; 524 on pink vinyl. ; 552 on half pink/half blue "cotton candy" vinyl. 200 on screen-printed 2 x LP. 265 Tr... | [
"...Burn, Piano Island, Burn — Vinyl information\n\n500 on 180 gram vinyl. 200 on red vinyl with red labels (only sold by the band). 378 on white vinyl. 819 on blue/white swirl vinyl. 505 on clear vinyl. ; 519 on opaque light green vinyl. 528 on light blue vinyl. ; 524 on pink vinyl. ; 552 on half pink/half blue \"... |
...Burn,_Piano_Island,_Burn_12844387 | Explain what '...Burn, Piano Island, Burn' covers in the 'Personnel' section. | The Blood Brothers ; Jordan Blilie – vocals ; Mark Gajadhar – drums ; Morgan Henderson – bass, Nord II, piano, G4 ; Cody Votolato – guitar ; Johnny Whitney – vocals, guitar on "Salesman, Denver Max", Wurlitzer piano, Glockenspiel, Lawnmower ; Chava Mirel – backing vocals Production and design ; Ross Robinson – Producer... | [
"...Burn, Piano Island, Burn — Vinyl information\n\n500 on 180 gram vinyl. 200 on red vinyl with red labels (only sold by the band). 378 on white vinyl. 819 on blue/white swirl vinyl. 505 on clear vinyl. ; 519 on opaque light green vinyl. 528 on light blue vinyl. ; 524 on pink vinyl. ; 552 on half pink/half blue \"... |
...Burn,_Piano_Island,_Burn_12844386 | Describe the content of the article about '...Burn, Piano Island, Burn'. | ...Burn, Piano Island, Burn is the third full-length studio album by the American post-hardcore band The Blood Brothers, released in March 2003. Produced by Ross Robinson, the album was recorded over two months with a roughly $25,000 budget. The album drew widespread critical acclaim, reflected by an average score 82 o... | [
"...Burn, Piano Island, Burn — Vinyl information\n\n500 on 180 gram vinyl. 200 on red vinyl with red labels (only sold by the band). 378 on white vinyl. 819 on blue/white swirl vinyl. 505 on clear vinyl. ; 519 on opaque light green vinyl. 528 on light blue vinyl. ; 524 on pink vinyl. ; 552 on half pink/half blue \"... |
...But_Seriously_32476545 | Reconstruct the content about 'Additional material' from the article on '...But Seriously'. | 1) "That's How I Feel" ; 2) "You've Been in Love (That Little Bit Too Long)" ; 3) "Around the World in 80 Presets" Collins recorded three other songs that were released as B-sides to the album's singles: | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476549 | Summarize the 'Reception' part of '...But Seriously'. | British Male Artist, for which he was nominated again a year later. In the UK, ...But Seriously spent 15 non-consecutive weeks at No. 1, including the whole competitive Christmas season, and at the end of 1989 became the third best-selling album of the year in the country after only six weeks on sale. It became the bes... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476548 | What does the article about '...But Seriously' say regarding 'Reception'? | Atlantic Records initially placed a sticker on the CD version that read "Two bonus tracks" which Collins disagreed with and clarified that they were "extra" songs. The sticker was changed accordingly. At the 33rd Annual Grammy Awards "Another Day in Paradise" won the award for Record of the Year. ...But Seriously recei... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476540 | Describe the 'Songs' section of the article about '...But Seriously'. | The album was a departure from the dance pop of the No Jacket Required album. Unlike No Jacket Required, this album was a pop-rock album, but also included various styles and influences, like R&B, dance-pop, jazz, soul and gospel. "Hang in Long Enough" was the opening of the album. This song was a dance-pop song, with ... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476541 | From the article on '...But Seriously', restate the 'Songs' content. | two met at the Atlantic Records 40th Anniversary concert in 1988, and Crosby was keen to participate on the album. When recording moved to Los Angeles, Collins prepared several mixes of the songs that he wanted Crosby to sing on and recalled that Crosby "did exactly what I expected him to do [...] He just picked a few ... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476547 | From the article on '...But Seriously', restate the 'Tour' content. | In support of the album, Collins' embarked on a worldwide tour, called Seriously Live!. In total, there were 113 shows over 3 continents and it led to the release of a live album and video Serious Hits... Live!. | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476535 | Describe the content of the article about '...But Seriously'. | ...But Seriously is the fourth solo studio album by English drummer and singer-songwriter Phil Collins. It was released on 7 November 1989 in the United States by Atlantic Records and on 24 November 1989 in the United Kingdom by Virgin Records. After Collins finished touring commitments with the rock band Genesis in 19... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476546 | What does the article about '...But Seriously' say regarding 'Release and singles'? | "Another Day in Paradise" – US #1, UK #2 (1989) ; "I Wish It Would Rain Down" – US #3, UK #7 (1990) ; "Something Happened on the Way to Heaven" – US #4, UK #15 (1990) ; "Do You Remember?" – US #4 (1990) ; "That's Just The Way It Is" – UK #26 (1990) ; "Hang in Long Enough" – US #23, UK #34 (1990) ...But Seriously was re... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476550 | What does the article about '...But Seriously' say regarding 'LP'? | The vinyl release features a rearranged track listing and is missing two tracks from the CD/cassette version, "Heat on the Street" and the instrumental "Saturday Night and Sunday Morning". | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476552 | Describe the 'Personnel' section of the article about '...But Seriously'. | Satterfield – trombone ; Harry Kim – trumpet ; Rhamlee Michael Davis – trumpet ; Steve Winwood – Hammond organ (track 9) ; Alex Brown, Marva King and Lynne Fiddmont – backing vocals (tracks 1, 4, 8, 9) ; David Crosby – vocals (tracks 2, 7) ; Stephen Bishop – vocals (track 3) Phil Collins – producer, mixing ; Hugh Padgh... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476544 | What does the article about '...But Seriously' say regarding 'Songs'? | so close by. "Heat on the Street" is a political song about the abuse and violence in the street. The song was a Pop-Rock oriented sound. Collins wrote that "All of My Life" is about his relationship with his late father and his regrets to not have more connection with him during his life. The song was a R&B jazz balla... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476539 | Summarize the 'Production' part of '...But Seriously'. | turmoil underneath the polished studio production and many of the songs are unambiguous and unveiled in their melancholy. While incorporating political themes, ...But Seriously does not abandon the theme of relationships. But unlike some of his earlier work, Collins takes a more mature and reflective approach when look... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476538 | What does the article about '...But Seriously' say regarding 'Production'? | harmoniser and echo and he looked back on this as a way of hiding the perceived drawbacks he had about his singing. In the end, a small amount of reverb and delay for a slap echo effect were used. Collins experienced difficulty in naming the album. The initial title was Serious Business, before Collins decided against ... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476543 | What information does the article about '...But Seriously' provide on 'Songs'? | Africa and displays a progressive rock influence. It was originally titled "Oh Mr. Botha, What Can We Do?", a reference to the English music hall song "Oh! Mr Porter". "I Wish It Would Rain Down" is a gospel-influenced track that Collins said is the closest he had come to writing a blues song. It features Eric Clapton ... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476542 | Explain what '...But Seriously' covers in the 'Songs' section. | features Stephen Bishop on backing vocals. "Something Happened on the Way to Heaven" was written by Collins and his longtime touring guitarist Daryl Stuermer. It was the last song written for the album and was originally for the Four Tops, but it was not delivered to the group as Collins wanted to keep it for himself b... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476537 | Summarize the 'Production' part of '...But Seriously'. | ...But Seriously was recorded between April and October 1989 at The Farm in Chiddingfold, Surrey and A&M Studios in Los Angeles, California. It was produced by Collins and Hugh Padgham, who had worked on his previous solo albums and with Genesis throughout the decade. The album saw Collins use a live drum kit in contra... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_Seriously_32476551 | Reconstruct the content about 'Personnel' from the article on '...But Seriously'. | Phil Collins – vocals (tracks 1–9, 11, 12), keyboards (1-9, 11, 12) , drums (1, 4-12) , percussion (2, 3, 10, 12) , tambourine (6, 8) ; Daryl Stuermer – guitar (tracks 1–4, 8, 11, 12) ; Dominic Miller – guitar (tracks 1, 4, 5, 7, 9) ; Eric Clapton – guitar (track 6) ; Nathan East – bass guitar (tracks 1, 4) ; Leland Sk... | [
"...But Seriously — Additional material\n\n1) \"That's How I Feel\" ; 2) \"You've Been in Love (That Little Bit Too Long)\" ; 3) \"Around the World in 80 Presets\" Collins recorded three other songs that were released as B-sides to the album's singles:",
"...But Seriously — Reception\n\nBritish Male Artist, for w... |
...But_the_Little_Girls_Understand_14900113 | From the article on '...But the Little Girls Understand', restate the 'Reception' content. | a scathing review, commenting: "The music can't redeem the lyrics–not only because such dehumanization is irredeemable, but also because the music is lame. Indeed, the Knack are the most nefarious sort of hacks. They're terribly competent and they have a seemingly inexhaustible storehouse of clichés... the Knack's grea... | [
"...But the Little Girls Understand — Reception\n\na scathing review, commenting: \"The music can't redeem the lyrics–not only because such dehumanization is irredeemable, but also because the music is lame. Indeed, the Knack are the most nefarious sort of hacks. They're terribly competent and they have a seemingly... |
...But_the_Little_Girls_Understand_14900111 | What does the article about '...But the Little Girls Understand' say regarding 'Overview'? | The album's title is a reference to blues musician Willie Dixon's song "Back Door Man", which has the lyrics: "I'm a back door man. The men don't know, but the little girls understand." Recording was done at MCA-Whitney Studios in Glendale, where Mike Chapman—credited as "Commander" Chapman—produced the album. Chapman ... | [
"...But the Little Girls Understand — Reception\n\na scathing review, commenting: \"The music can't redeem the lyrics–not only because such dehumanization is irredeemable, but also because the music is lame. Indeed, the Knack are the most nefarious sort of hacks. They're terribly competent and they have a seemingly... |
...But_the_Little_Girls_Understand_14900115 | Summarize the 'Reception' part of '...But the Little Girls Understand'. | of some of the album's lyrics, giving "Mr. Handleman's" wife-pimping lyrics as an example. In a generally negative review, Robert Christgau stated that "little girls prefer catchy, punchy second-hand songs to varied, indecisive thirdhand ones. In fact, so do critics." On the other hand, critic Chris Woodstra of AllMusi... | [
"...But the Little Girls Understand — Reception\n\na scathing review, commenting: \"The music can't redeem the lyrics–not only because such dehumanization is irredeemable, but also because the music is lame. Indeed, the Knack are the most nefarious sort of hacks. They're terribly competent and they have a seemingly... |
...But_the_Little_Girls_Understand_14900112 | Explain what '...But the Little Girls Understand' covers in the 'Reception' section. | The album was a commercial disappointment, failing to match the immense commercial success of the band's 1979 debut Get the Knack. The album did, however, sell well enough to hit the No. 15 spot on the Billboard 200 album chart in 1980, propelled by the singles "Baby Talks Dirty" and "Can't Put a Price on Love" which b... | [
"...But the Little Girls Understand — Reception\n\na scathing review, commenting: \"The music can't redeem the lyrics–not only because such dehumanization is irredeemable, but also because the music is lame. Indeed, the Knack are the most nefarious sort of hacks. They're terribly competent and they have a seemingly... |
...But_the_Little_Girls_Understand_14900110 | Summarize the following section from the article on '...But the Little Girls Understand'. | ...But the Little Girls Understand is the second studio album by power pop/new wave group the Knack, released by Capitol Records in February 1980. The album reached the number 15 spot on the Billboard 200 album chart in 1980. The singles "Baby Talks Dirty" and "Can't Put a Price on Love" charted on the Billboard Hot 10... | [
"...But the Little Girls Understand — Reception\n\na scathing review, commenting: \"The music can't redeem the lyrics–not only because such dehumanization is irredeemable, but also because the music is lame. Indeed, the Knack are the most nefarious sort of hacks. They're terribly competent and they have a seemingly... |
...But_the_Little_Girls_Understand_14900114 | Summarize the 'Reception' part of '...But the Little Girls Understand'. | to be brutalized. The kid in 'Baby Talks Dirty' is a foul-mouthed windup doll, and in 'Mr. Handleman,' the tame calypso that's the new LP's catchiest number, the protagonist is pimping for his wife–a situation the group views with dispassion, if not outright approbation." He further wrote "All of Fieger's lyrics finall... | [
"...But the Little Girls Understand — Reception\n\na scathing review, commenting: \"The music can't redeem the lyrics–not only because such dehumanization is irredeemable, but also because the music is lame. Indeed, the Knack are the most nefarious sort of hacks. They're terribly competent and they have a seemingly... |
...But_the_Little_Girls_Understand_14900118 | What does the article about '...But the Little Girls Understand' say regarding 'Personnel'? | Doug Fieger – lead vocals, rhythm guitar ; Berton Averre – lead guitar ; Prescott Niles – bass ; Bruce Gary – drums | [
"...But the Little Girls Understand — Reception\n\na scathing review, commenting: \"The music can't redeem the lyrics–not only because such dehumanization is irredeemable, but also because the music is lame. Indeed, the Knack are the most nefarious sort of hacks. They're terribly competent and they have a seemingly... |
...But_the_Olsen_Gang_Wasn't_Dead_26109077 | Reconstruct the content from the article about '...But the Olsen Gang Wasn't Dead'. | ...men Olsenbanden var ikke død (...But the Olsen Gang Wasn't Dead) is a 1984 Norwegian comedy-crime film, directed by Knut Bohwim. It is the last installment of the original Olsenbanden-films starring Opsahl, Holm, and Byhring. It was released on September 6, 1984. | [
"...But the Olsen Gang Wasn't Dead\n\n...men Olsenbanden var ikke død (...But the Olsen Gang Wasn't Dead) is a 1984 Norwegian comedy-crime film, directed by Knut Bohwim. It is the last installment of the original Olsenbanden-films starring Opsahl, Holm, and Byhring. It was released on September 6, 1984.",
"...But... |
...But_the_Olsen_Gang_Wasn't_Dead_26109080 | Based on the article about '...But the Olsen Gang Wasn't Dead', describe the 'Plot' section. | leaves angrily. They arrange a meeting with Cap Cheval outside the Trinity Church in Oslo to swap money with art. As fate would have it, their old friend Hermansen, the police superintendent, is having a porn razzia in a nearby video store, and discovers them. Olsenbanden gets into their Toyota Corona and flees, while ... | [
"...But the Olsen Gang Wasn't Dead\n\n...men Olsenbanden var ikke død (...But the Olsen Gang Wasn't Dead) is a 1984 Norwegian comedy-crime film, directed by Knut Bohwim. It is the last installment of the original Olsenbanden-films starring Opsahl, Holm, and Byhring. It was released on September 6, 1984.",
"...But... |
...But_the_Olsen_Gang_Wasn't_Dead_26109079 | Describe the 'Plot' section of the article about '...But the Olsen Gang Wasn't Dead'. | paintings and then sell them to France. Unaware, Valborg gets the same idea. She then secretly switches back the Munch paintings with her own, apart from one painting, The Scream, and they are where they started, without either knowing anything. They steal some tickets and travel to Nice. There, art enthusiast and coll... | [
"...But the Olsen Gang Wasn't Dead\n\n...men Olsenbanden var ikke død (...But the Olsen Gang Wasn't Dead) is a 1984 Norwegian comedy-crime film, directed by Knut Bohwim. It is the last installment of the original Olsenbanden-films starring Opsahl, Holm, and Byhring. It was released on September 6, 1984.",
"...But... |
...But_the_Olsen_Gang_Wasn't_Dead_26109081 | What information does the article about '...But the Olsen Gang Wasn't Dead' provide on 'Plot'? | the wildest car chase in the history of the Olsenbanden-movies, ends outside Bislett Stadium, after driving in circles around a traffic island for a minute, when the tram suddenly shows up. The police car slams his brakes, and the camera shifts away and follows the tram, while subsequent crash noises can be heard in th... | [
"...But the Olsen Gang Wasn't Dead\n\n...men Olsenbanden var ikke død (...But the Olsen Gang Wasn't Dead) is a 1984 Norwegian comedy-crime film, directed by Knut Bohwim. It is the last installment of the original Olsenbanden-films starring Opsahl, Holm, and Byhring. It was released on September 6, 1984.",
"...But... |
...Continued_32956914 | From the article on '...Continued', restate the 'Personnel' content. | Tony Joe White - guitar, harmonica ; Tommy McClure – bass ; Sammy Creason – drums ; James Milhart – drums ; Mike Utley – organ | [
"...Continued — Personnel\n\nTony Joe White - guitar, harmonica ; Tommy McClure – bass ; Sammy Creason – drums ; James Milhart – drums ; Mike Utley – organ",
"...Continued — Track listing\n\nSide One ; 1) \"Elements And Things\" ; 2) \"Roosevelt And Ira Lee (Night Of The Mossacin)\" ; 3) \"Woodpecker\" ; 4) \"Rai... |
...Continued_32956913 | Explain what '...Continued' covers in the 'Track listing' section. | Side One ; 1) "Elements And Things" ; 2) "Roosevelt And Ira Lee (Night Of The Mossacin)" ; 3) "Woodpecker" ; 4) "Rainy Night In Georgia" ; 5) "For Le Ann" Side Two ; 1) "Old Man Willis" ; 2) "Woman With Soul" ; 3) "I Want You" ; 4) "I Thought I Knew You Well" ; 5) "The Migrant" All tracks written by Tony Joe White. | [
"...Continued — Personnel\n\nTony Joe White - guitar, harmonica ; Tommy McClure – bass ; Sammy Creason – drums ; James Milhart – drums ; Mike Utley – organ",
"...Continued — Track listing\n\nSide One ; 1) \"Elements And Things\" ; 2) \"Roosevelt And Ira Lee (Night Of The Mossacin)\" ; 3) \"Woodpecker\" ; 4) \"Rai... |
...Continued_32956911 | Summarize the following section from the article on '...Continued'. | Joe White himself) was the second single. "Old Man Willis" was later re-recorded for the album. The album contained the track "Rainy Night In Georgia" popularized by R&B vocalist Brook Benton in 1970. It reached #4 on the Pop Singles and #2 on the Adult Contemporary charts, respectively. The RIAA certified the single g... | [
"...Continued — Personnel\n\nTony Joe White - guitar, harmonica ; Tommy McClure – bass ; Sammy Creason – drums ; James Milhart – drums ; Mike Utley – organ",
"...Continued — Track listing\n\nSide One ; 1) \"Elements And Things\" ; 2) \"Roosevelt And Ira Lee (Night Of The Mossacin)\" ; 3) \"Woodpecker\" ; 4) \"Rai... |
...Continued_32956910 | What information does the article about '...Continued' provide? | ...Continued is the second album released by Tony Joe White. It was released on Monument Records and contained the single Roosevelt and Ira Lee It was recorded at Monument Studios, Nashville and Lyn-Lou Studios, Memphis in 1969. It was produced by Billy Swan and engineered by Tommy Strong and Mort Thomasson. The album ... | [
"...Continued — Personnel\n\nTony Joe White - guitar, harmonica ; Tommy McClure – bass ; Sammy Creason – drums ; James Milhart – drums ; Mike Utley – organ",
"...Continued — Track listing\n\nSide One ; 1) \"Elements And Things\" ; 2) \"Roosevelt And Ira Lee (Night Of The Mossacin)\" ; 3) \"Woodpecker\" ; 4) \"Rai... |
...Cooks!_22782863 | Explain what '...Cooks!' covers in the 'Scheduling' section. | Saturday Cooks! aired on the various ITV networks from 10 June 2006 to 15 December 2007. When it first started it aired at 9:25 am but then was moved first to 11:30 am and later, in 2007, to 12 noon. This was to initially compete with the BBC's offering Saturday Kitchen. | [
"...Cooks! — Scheduling\n\nSaturday Cooks! aired on the various ITV networks from 10 June 2006 to 15 December 2007. When it first started it aired at 9:25 am but then was moved first to 11:30 am and later, in 2007, to 12 noon. This was to initially compete with the BBC's offering Saturday Kitchen.",
"...Cooks! — ... |
...Cooks!_22782866 | Based on the article about '...Cooks!', describe the 'Guest chefs' section. | Ken Hom ; Keith Floyd ; Ching-He Huang ; Ed Baines ; Eadie Manson ; Frank Bordoni ; Merrilees Parker ; Jun Tanaka ; Maria Elia ; Sophie Wright ; Paul Rankin ; Martin Blunos ; Silvana Franco ; Rustie Lee ; Jill Dupleix ; Aldo Zilli ; Mary Berry ; Richard Phillips ; Ben O'Donoghue ; Andrew Nutter ; Momma Cherri ; Jo Prat... | [
"...Cooks! — Scheduling\n\nSaturday Cooks! aired on the various ITV networks from 10 June 2006 to 15 December 2007. When it first started it aired at 9:25 am but then was moved first to 11:30 am and later, in 2007, to 12 noon. This was to initially compete with the BBC's offering Saturday Kitchen.",
"...Cooks! — ... |
...Cooks!_22782868 | Explain what '...Cooks!' covers in the 'DVDs' section. | Daily Cooks Challenge: Mains Volume One ; Daily Cooks Challenge: Mains Volume Two ; Daily Cooks Challenge: Desserts ; Daily Cooks Challenge: 3 DVD Box set | [
"...Cooks! — Scheduling\n\nSaturday Cooks! aired on the various ITV networks from 10 June 2006 to 15 December 2007. When it first started it aired at 9:25 am but then was moved first to 11:30 am and later, in 2007, to 12 noon. This was to initially compete with the BBC's offering Saturday Kitchen.",
"...Cooks! — ... |
...Cooks!_22782862 | What information does the article about '...Cooks!' provide on 'Formats'? | There were different names for the show, depending on which day it aired. The Saturday morning show was called Saturday Cooks!, whilst the show that aired during the week was called Daily Cooks Challenge. This series aired in a weekday prime-time slot and from its second series was shot in front of a studio audience. W... | [
"...Cooks! — Scheduling\n\nSaturday Cooks! aired on the various ITV networks from 10 June 2006 to 15 December 2007. When it first started it aired at 9:25 am but then was moved first to 11:30 am and later, in 2007, to 12 noon. This was to initially compete with the BBC's offering Saturday Kitchen.",
"...Cooks! — ... |
...Cooks!_22782864 | Summarize the 'Spin-offs' part of '...Cooks!'. | A spin-off series, Christmas Cooks! aired during the Christmas period in 2006 at 10:30 am on weekday mornings on the ITV network. It returned for a second series in December 2007. In 2008, Christmas Cooks! was replaced by Christmas Cooks Challenge. In the 2009 'Christmas Specials' there were three selected Christmas Co... | [
"...Cooks! — Scheduling\n\nSaturday Cooks! aired on the various ITV networks from 10 June 2006 to 15 December 2007. When it first started it aired at 9:25 am but then was moved first to 11:30 am and later, in 2007, to 12 noon. This was to initially compete with the BBC's offering Saturday Kitchen.",
"...Cooks! — ... |
...Cooks!_22782861 | Reconstruct the content from the article about '...Cooks!'. | ...Cooks! is an ITV television cookery show, hosted by Antony Worrall Thompson, broadcast on the ITV networks between 2006 and 2010. | [
"...Cooks! — Scheduling\n\nSaturday Cooks! aired on the various ITV networks from 10 June 2006 to 15 December 2007. When it first started it aired at 9:25 am but then was moved first to 11:30 am and later, in 2007, to 12 noon. This was to initially compete with the BBC's offering Saturday Kitchen.",
"...Cooks! — ... |
...Dawn+Dream_II_27612561 | What information does the article about '...Dawn+Dream II' provide? | ...Dawn+Dream II is a compilation album by the avant-garde/progressive death metal band Pan.Thy.Monium. The album consists of the band's only demo and EP, ...Dawn and Dream II, respectively. It was released on vinyl strictly limited to a one-time-only pressing of 500 hand-numbered copies. 250 sets were on 180 gram blac... | [
"...Dawn+Dream II\n\n...Dawn+Dream II is a compilation album by the avant-garde/progressive death metal band Pan.Thy.Monium. The album consists of the band's only demo and EP, ...Dawn and Dream II, respectively. It was released on vinyl strictly limited to a one-time-only pressing of 500 hand-numbered copies. 250 s... |
...Dawn+Dream_II_27612563 | Based on the article about '...Dawn+Dream II', describe the 'Credits' section. | Derelict aka Robert "Robban" Karlsson – vocals ; Winter aka Benny Larsson – drums, percussion and violin ; Day DiSyraah aka Dan Swanö – bass, keyboards and Effects ; Mourning aka Robert Ivarsson – rhythm guitars ; Äag aka Tom Nouga aka Dag Swanö - lead guitars, organ and baritone saxophone | [
"...Dawn+Dream II\n\n...Dawn+Dream II is a compilation album by the avant-garde/progressive death metal band Pan.Thy.Monium. The album consists of the band's only demo and EP, ...Dawn and Dream II, respectively. It was released on vinyl strictly limited to a one-time-only pressing of 500 hand-numbered copies. 250 s... |
...Dawn+Dream_II_27612562 | Based on the article about '...Dawn+Dream II', describe the 'Track listing' section. | 1) "Dauwhnn" – 3:45 ; 2) "Zenotaffph" – 3:14 ; 3) "Klievieage" – 2:57 ; 4) "Ekkhoeece" – 0:44 ; 5) "I" – 4:26 ; 6) "II" – 3:31 ; 7) "III" – 3:46 ; 8) "Vvoiiccheeces" – 1:29 ; 9) "IV" – 5:47 | [
"...Dawn+Dream II\n\n...Dawn+Dream II is a compilation album by the avant-garde/progressive death metal band Pan.Thy.Monium. The album consists of the band's only demo and EP, ...Dawn and Dream II, respectively. It was released on vinyl strictly limited to a one-time-only pressing of 500 hand-numbered copies. 250 s... |
...Distinto_a_los_demás_21893837 | Reconstruct the content from the article about '...Distinto a los demás'. | ...Distinto a los demás is the first EP by American singer Nicky Jam. Released in 1995, he was 14 years old when he recorded the EP. | [
"...Distinto a los demás\n\n...Distinto a los demás is the first EP by American singer Nicky Jam. Released in 1995, he was 14 years old when he recorded the EP.",
"...Distinto a los demás — Background and history\n\npursue a musical career. He also used Caribbean hip-hop and reggaeton as a way to help him polish ... |
...Distinto_a_los_demás_21893839 | Explain what '...Distinto a los demás' covers in the 'Background and history' section. | pursue a musical career. He also used Caribbean hip-hop and reggaeton as a way to help him polish his Spanish-language skills. He originally went by the moniker "Nick MC", but changed it to Nicky Jam after a neighborhood homeless man gave him the unsolicited comment, "You ain't Nick MC, you're Nicky Jam". While working... | [
"...Distinto a los demás\n\n...Distinto a los demás is the first EP by American singer Nicky Jam. Released in 1995, he was 14 years old when he recorded the EP.",
"...Distinto a los demás — Background and history\n\npursue a musical career. He also used Caribbean hip-hop and reggaeton as a way to help him polish ... |
...Distinto_a_los_demás_21893840 | Describe the 'Background and history' section of the article about '...Distinto a los demás'. | his recordings. He recorded and released ...Distinto a los demás in 1995 at age thirteen. He endured a difficult breakup with his girlfriend shortly after the EP's release and the emotional pain of the experience led him to try cocaine for the first time at age fifteen. Nicky Jam reflected on the experience by saying: ... | [
"...Distinto a los demás\n\n...Distinto a los demás is the first EP by American singer Nicky Jam. Released in 1995, he was 14 years old when he recorded the EP.",
"...Distinto a los demás — Background and history\n\npursue a musical career. He also used Caribbean hip-hop and reggaeton as a way to help him polish ... |
...Distinto_a_los_demás_21893838 | From the article on '...Distinto a los demás', restate the 'Background and history' content. | Nicky Jam was born in Lawrence, Massachusetts to a Dominican mother and Puerto Rican father. While in Massachusetts, he developed an affinity for hip-hop, specifically East Coast acts Marky Mark and the Funky Bunch and LL Cool J. When Nicky Jam was ten years old, his family moved to the Río Hondo suburb of San Juan, Pu... | [
"...Distinto a los demás\n\n...Distinto a los demás is the first EP by American singer Nicky Jam. Released in 1995, he was 14 years old when he recorded the EP.",
"...Distinto a los demás — Background and history\n\npursue a musical career. He also used Caribbean hip-hop and reggaeton as a way to help him polish ... |
...Earth_to_the_Dandy_Warhols..._6479327 | Describe the 'Reception' section of the article about '...Earth to the Dandy Warhols...'. | The album received a generally negative response from critics. While Robert Christgau gave it a two-star rating, signifying an "Honorable Mention", and AllMusic called it "a giant leap in the right direction" after the "uneven" Odditorium or Warlords of Mars, The Guardian calling it "achingly dull". | [
"...Earth to the Dandy Warhols... — Reception\n\nThe album received a generally negative response from critics. While Robert Christgau gave it a two-star rating, signifying an \"Honorable Mention\", and AllMusic called it \"a giant leap in the right direction\" after the \"uneven\" Odditorium or Warlords of Mars, T... |
...Earth_to_the_Dandy_Warhols..._6479326 | What does the article about '...Earth to the Dandy Warhols...' say regarding 'Release'? | ...Earth to the Dandy Warhols... was released for download and streaming play on May 19, 2008, with the CD version of the album following on August 18. It is their first release on their self-founded Beat the World Records label, after leaving Capitol Records in 2007. "Mission Control" was released as the sole single f... | [
"...Earth to the Dandy Warhols... — Reception\n\nThe album received a generally negative response from critics. While Robert Christgau gave it a two-star rating, signifying an \"Honorable Mention\", and AllMusic called it \"a giant leap in the right direction\" after the \"uneven\" Odditorium or Warlords of Mars, T... |
...Earth_to_the_Dandy_Warhols..._6479325 | Describe the content of the article about '...Earth to the Dandy Warhols...'. | ...Earth to the Dandy Warhols... is the sixth studio album by American rock band The Dandy Warhols. It was recorded in 2008 and released on May 19, 2008, the first album released on their self-founded Beat the World Records label after leaving Capitol Records in 2007. Music critics were largely unappreciative of the al... | [
"...Earth to the Dandy Warhols... — Reception\n\nThe album received a generally negative response from critics. While Robert Christgau gave it a two-star rating, signifying an \"Honorable Mention\", and AllMusic called it \"a giant leap in the right direction\" after the \"uneven\" Odditorium or Warlords of Mars, T... |
...En_their_medh_ríki_fara..._11026897 | Based on the article about '...En their medh ríki fara...', describe the 'Track listing' section. | The song "Læknishendr" appeared in early forms on the Læknishendr and Promo 1995 demos. It was re-recorded once more for the Heralding - The Fireblade album in 2005. ; The song "...Into the Ardent Awaited Land..." first appeared on the ...Skínn af sverði sól valtíva... demo, and as an acoustic re-recording for the Ok n... | [
"...En their medh ríki fara... — Track listing\n\nThe song \"Læknishendr\" appeared in early forms on the Læknishendr and Promo 1995 demos. It was re-recorded once more for the Heralding - The Fireblade album in 2005. ; The song \"...Into the Ardent Awaited Land...\" first appeared on the ...Skínn af sverði sól val... |
...En_their_medh_ríki_fara..._11026896 | What information does the article about '...En their medh ríki fara...' provide? | ...En their medh ríki fara... (Old Norse, "...And in Glory Will They Go...") is the debut studio album by the German Viking metal band Falkenbach. The album was recorded and mixed between 18–21 December 1995 and 07-9 March 1996 at Blue House Studio. There are two CD versions of this album. The first came with a picture... | [
"...En their medh ríki fara... — Track listing\n\nThe song \"Læknishendr\" appeared in early forms on the Læknishendr and Promo 1995 demos. It was re-recorded once more for the Heralding - The Fireblade album in 2005. ; The song \"...Into the Ardent Awaited Land...\" first appeared on the ...Skínn af sverði sól val... |
...Famous_Last_Words..._17707220 | Based on the article about '...Famous Last Words...', describe the 'Reception' section. | A contemporary review in Creem savaged the album for its nondescript nature, concluding "this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them". AllMusic, in a retrospective review, found the album overly tailored towards commercial success, claiming that the group i... | [
"...Famous Last Words... — Reception\n\nA contemporary review in Creem savaged the album for its nondescript nature, concluding \"this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them\". AllMusic, in a retrospective review, found the album overly tailored towards... |
...Famous_Last_Words..._17707217 | Describe the 'Background and recording' section of the article about '...Famous Last Words...'. | However, the sleeve notes color-code the songs' lyrics by individual author. The lead vocalist on each song is the same as its writer: "Crazy", "It's Raining Again", "Know Who You Are", "C'est le bon", and "Don't Leave Me Now" were written by Hodgson, and "Put on Your Old Brown Shoes", "Bonnie", "My Kind of Lady", and ... | [
"...Famous Last Words... — Reception\n\nA contemporary review in Creem savaged the album for its nondescript nature, concluding \"this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them\". AllMusic, in a retrospective review, found the album overly tailored towards... |
...Famous_Last_Words..._17707221 | Summarize the 'Track listing' part of '...Famous Last Words...'. | Side one Side two All songs credited to Rick Davies and Roger Hodgson. Listed below are the respective writers, also lead singers of their songs. | [
"...Famous Last Words... — Reception\n\nA contemporary review in Creem savaged the album for its nondescript nature, concluding \"this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them\". AllMusic, in a retrospective review, found the album overly tailored towards... |
...Famous_Last_Words..._17707223 | Describe the 'Production' section of the article about '...Famous Last Words...'. | Producers: Peter Henderson, Russel Pope, Supertramp ; Engineer: Peter Henderson ; Assistant engineer: Norman Hall ; Mastering on original issue: Doug Sax, Mike Reese ; Mastering on 2002 remaster: Greg Calbi, Jay Messina ; Concert sound: Russel Pope ; Technicians: Bud Wyatt, Ian "Biggles" Lloyd-Bisley ; String arrangeme... | [
"...Famous Last Words... — Reception\n\nA contemporary review in Creem savaged the album for its nondescript nature, concluding \"this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them\". AllMusic, in a retrospective review, found the album overly tailored towards... |
...Famous_Last_Words..._17707216 | Reconstruct the content about 'Background and recording' from the article on '...Famous Last Words...'. | changed their formats and their picture of what they thought this album should be. It became a diluted version of what it started out to be. It was really neither here nor there." In particular, the band decided to leave out "Brother Where You Bound", since it was too "heavy" to fit alongside Hodgson's pop compositions... | [
"...Famous Last Words... — Reception\n\nA contemporary review in Creem savaged the album for its nondescript nature, concluding \"this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them\". AllMusic, in a retrospective review, found the album overly tailored towards... |
...Famous_Last_Words..._17707214 | Reconstruct the content from the article about '...Famous Last Words...'. | ...Famous Last Words... is the seventh album by English rock band Supertramp and was released in October 1982. It was the studio follow-up to 1979's Breakfast in America and the last album with vocalist/keyboardist/guitarist Roger Hodgson, who left the group to pursue a solo career. Thus, it was the final album to be r... | [
"...Famous Last Words... — Reception\n\nA contemporary review in Creem savaged the album for its nondescript nature, concluding \"this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them\". AllMusic, in a retrospective review, found the album overly tailored towards... |
...Famous_Last_Words..._17707218 | Based on the article about '...Famous Last Words...', describe the 'Background and recording' section. | parts at his home studio, The Backyard Studios, in Encino, California. Other overdubs were at Bill Schnee Recording Studios in Los Angeles. At the time of the album's release, many interpreted the title and cover art as thinly-veiled hints that Supertramp was breaking up. In a 2015 interview, Hodgson confirmed that he ... | [
"...Famous Last Words... — Reception\n\nA contemporary review in Creem savaged the album for its nondescript nature, concluding \"this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them\". AllMusic, in a retrospective review, found the album overly tailored towards... |
...Famous_Last_Words..._17707222 | Reconstruct the content about 'Personnel' from the article on '...Famous Last Words...'. | Supertramp ; Rick Davies – keyboards, lead and backing vocals ; Roger Hodgson – keyboards, guitars, lead and backing vocals ; John Helliwell – saxophones (tracks 1–3, 6, 8, 9), keyboards ; Dougie Thomson – bass ; Bob Siebenberg – drums ; This was the first Supertramp album for which Siebenberg was credited under his re... | [
"...Famous Last Words... — Reception\n\nA contemporary review in Creem savaged the album for its nondescript nature, concluding \"this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them\". AllMusic, in a retrospective review, found the album overly tailored towards... |
...Famous_Last_Words..._17707219 | Explain what '...Famous Last Words...' covers in the 'Background and recording' section. | relationship with what we were doing but was enigmatic at the same time. We always like to have enigmatic titles like Crime of the Century... This last LP we thought was going to be real quick. We thought we were going to rehearse it and record it real quick and it ended up taking longer than any other so we had to eat... | [
"...Famous Last Words... — Reception\n\nA contemporary review in Creem savaged the album for its nondescript nature, concluding \"this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them\". AllMusic, in a retrospective review, found the album overly tailored towards... |
...Felt_Like_Making_a_Live_Record_26934602 | Describe the 'Overview' section of the article about '...Felt Like Making a Live Record'. | The album was recorded during a tour in support of the Josh Clayton-Felt's debut solo album Inarticulate Nature Boy. The album also features covers and a previously unreleased song. | [
"...Felt Like Making a Live Record — Overview\n\nThe album was recorded during a tour in support of the Josh Clayton-Felt's debut solo album Inarticulate Nature Boy. The album also features covers and a previously unreleased song.",
"...Felt Like Making a Live Record — Track listing\n\nAll songs by Josh Clayton-F... |
...First_Do_No_Harm_20654477 | What information does the article about '...First Do No Harm' provide? | ...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Charlie. | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654486 | Based on the article about '...First Do No Harm', describe the 'Background' section. | The director and producer, Jim Abrahams, was inspired to make the film as a result of his own experiences with his son Charlie. Charlie developed a very serious seizure condition that proved intractable despite several medications and surgery. His cognitive decline was described by Abrahams as "a fate worse than death"... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654487 | From the article on '...First Do No Harm', restate the 'Background' content. | Foundation to promote the diet and funded research studies to demonstrate its effectiveness. Although the film plot has parallels with the Abrahams' story, the character of Robbie is a composite one and the family circumstances are fictional. Several minor characters in the film are played by people who have been on th... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654484 | What information does the article about '...First Do No Harm' provide on 'Plot'? | an old family friend who once practiced as a physician and is still licensed. This doctor and the sympathetic nurse agree to accompany Lori and Robbie on the trip to Baltimore. During the flight, Robbie has a prolonged convulsive seizure, which causes some concern to the pilot and crew. When they arrive at Johns Hopkin... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654482 | From the article on '...First Do No Harm', restate the 'Plot' content. | this is an option. These involve removing the top of the skull and inserting electrodes on the surface of the brain to achieve a more accurate location of any seizure focus than normal scalp EEG electrodes. The Reimullers see surgery as a dangerous last resort and want to know if anything else can be done. Lori begins ... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654479 | Explain what '...First Do No Harm' covers in the 'Plot' section. | are performed: a CT scan, a lumbar puncture, an electroencephalogram (EEG) and blood tests. No cause is found but the two falls are regarded as epileptic seizures and the child is diagnosed with epilepsy. Robbie is started on phenobarbital, an old anticonvulsant drug with well-known side effects including cognitive imp... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654488 | Based on the article about '...First Do No Harm', describe the 'Background' section. | a true story and we see this story often, but not everyone is cured by the diet and not everyone goes home to ride in a parade." He later noted that the film had "fueled a grass-roots effort for more research on the diet." The film was first broadcast on 16 February 1997. It was subsequently released on DVD. Meryl Stre... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654481 | What information does the article about '...First Do No Harm' provide on 'Plot'? | become a "vegetable" and are losing hope. At one point, Robbie goes into status epilepticus (a continuous convulsive seizure that must be stopped as a medical emergency). Increasing doses of diazepam (Valium) are given intravenously to no effect. Eventually, paraldehyde is given rectally. This drug is described as havi... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654480 | Reconstruct the content about 'Plot' from the article on '...First Do No Harm'. | Reimullers discover that their health insurance is invalid and their treatment is transferred from private to county hospital. In an attempt to pay the medical bills, Dave takes on more dangerous truck loads and works long hours. Family tensions reach a head when the children realize the holiday is not going to happen ... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654485 | What does the article about '...First Do No Harm' say regarding 'Plot'? | convent in Baltimore. The diet is briefly explained by Millicent Kelly (played by herself) a dietitian who has helped run the ketogenic diet program since the 1940s. Robbie's seizures begin to improve during the initial fast that is used to kick-start the diet. Despite the very high-fat nature of the diet, Robbie accep... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654478 | Describe the 'Plot' section of the article about '...First Do No Harm'. | The film tells a story in the life of a Midwestern family, the Reimullers. Lori (played by Meryl Streep) is the mother of three children, and the wife of Dave (Fred Ward), a truck driver. The family are presented as happy, normal and comfortable financially: they have just bought a horse and are planning a holiday to H... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...First_Do_No_Harm_20654483 | Explain what '...First Do No Harm' covers in the 'Plot' section. | but sets impossible hurdles in the way: the Reimullers must find a way to transport their son to Johns Hopkins Hospital in Baltimore, Maryland with continual medical support—something they cannot afford. That evening, Lori attempts to abduct her son from the hospital and, despite the risk, fly with him to an appointmen... | [
"...First Do No Harm\n\n...First Do No Harm is a 1997 American made-for-television drama film directed by Jim Abrahams about a boy whose severe epilepsy, unresponsive to medications with terrible side effects, is controlled by the ketogenic diet. Aspects of the story mirror Abrahams' own experience with his son Cha... |
...For_Victory_24573059 | Summarize the 'Personnel' part of '...For Victory'. | Bolt Thrower ; Karl Willetts – Vocals ; Gavin Ward – Guitars ; Barry Thomson – Guitars ; Andrew Whale – drums ; Jo Bench – Bass guitar Production ; John Cornfield - Engineering ; Colin Richardson - Producer | [
"...For Victory — Track listing\n\nAll songs written by Bolt Thrower",
"...For Victory — Personnel\n\nBolt Thrower ; Karl Willetts – Vocals ; Gavin Ward – Guitars ; Barry Thomson – Guitars ; Andrew Whale – drums ; Jo Bench – Bass guitar Production ; John Cornfield - Engineering ; Colin Richardson - Producer",
"... |
...For_Victory_24573057 | Summarize the following section from the article on '...For Victory'. | ...For Victory is the fifth album by British death metal band Bolt Thrower. It was recorded at Sawmill studios in 1994, produced by Colin Richardson and Bolt Thrower. A limited edition contains a live CD titled Live War. The song "...For Victory" contains a quote from Laurence Binyon poem, known as the Ode of Remembran... | [
"...For Victory — Track listing\n\nAll songs written by Bolt Thrower",
"...For Victory — Personnel\n\nBolt Thrower ; Karl Willetts – Vocals ; Gavin Ward – Guitars ; Barry Thomson – Guitars ; Andrew Whale – drums ; Jo Bench – Bass guitar Production ; John Cornfield - Engineering ; Colin Richardson - Producer",
"... |
...For_the_Whole_World_to_See_9605452 | Reconstruct the content about 'Personnel' from the article on '...For the Whole World to See'. | David Hackney – guitar ; Bobby Hackney – bass, lead vocals ; Dannis Hackney – drums ; Death – producer ; Tammy Hackney – photography ; Jim Vitti – engineer | [
"...For the Whole World to See — Personnel\n\nDavid Hackney – guitar ; Bobby Hackney – bass, lead vocals ; Dannis Hackney – drums ; Death – producer ; Tammy Hackney – photography ; Jim Vitti – engineer",
"...For the Whole World to See\n\n...For the Whole World to See is a studio album by the American band Death, ... |
...For_the_Whole_World_to_See_9605449 | Summarize the following section from the article on '...For the Whole World to See'. | ...For the Whole World to See is a studio album by the American band Death, released in 2009 and consisting of various demos originally recorded in the mid 1970s. | [
"...For the Whole World to See — Personnel\n\nDavid Hackney – guitar ; Bobby Hackney – bass, lead vocals ; Dannis Hackney – drums ; Death – producer ; Tammy Hackney – photography ; Jim Vitti – engineer",
"...For the Whole World to See\n\n...For the Whole World to See is a studio album by the American band Death, ... |
...For_the_Whole_World_to_See_9605450 | Summarize the 'History' part of '...For the Whole World to See'. | In 1975 the band entered a studio to record a 12-song album. After refusing to change their group's name, Death was turned away by Clive Davis of Columbia Records. Only seven songs were completed and the album was never released. The surviving songs were released as ...For the Whole World to See in 2009 by Drag City. J... | [
"...For the Whole World to See — Personnel\n\nDavid Hackney – guitar ; Bobby Hackney – bass, lead vocals ; Dannis Hackney – drums ; Death – producer ; Tammy Hackney – photography ; Jim Vitti – engineer",
"...For the Whole World to See\n\n...For the Whole World to See is a studio album by the American band Death, ... |
...I_Care_Because_You_Do_23223069 | Reconstruct the content about 'Reception' from the article on '...I Care Because You Do'. | Classics (1995). Select later placed the album at 42nd place on their list of the best albums of 1995, referring to the album as "leftfield, sound pop brilliance". In a retrospective of James' work in The Rolling Stone Album Guide, Sasha Frere-Jones found that the album's newer tracks were its best ones. Justin Boreta ... | [
"...I Care Because You Do — Track listing\n\nEach track on I Care Because You Do is annotated with the year of its recording.",
"...I Care Because You Do — Reception\n\nClassics (1995). Select later placed the album at 42nd place on their list of the best albums of 1995, referring to the album as \"leftfield, sou... |
...I_Care_Because_You_Do_23223064 | What information does the article about '...I Care Because You Do' provide on 'Composition'? | Each track on I Care Because You Do is annotated with a date, revealing that the tracks were created between 1990 and 1994. It was James's final album to be recorded primarily with analogue technology before he turned to digital production methods. Many of the song titles are anagrams. According to AllMusic, the album ... | [
"...I Care Because You Do — Track listing\n\nEach track on I Care Because You Do is annotated with the year of its recording.",
"...I Care Because You Do — Reception\n\nClassics (1995). Select later placed the album at 42nd place on their list of the best albums of 1995, referring to the album as \"leftfield, sou... |
...I_Care_Because_You_Do_23223071 | Reconstruct the content about 'Personnel' from the article on '...I Care Because You Do'. | The album credits only state that "Everything by Richard D. James. Self portrait painted by me. Design help from John." | [
"...I Care Because You Do — Track listing\n\nEach track on I Care Because You Do is annotated with the year of its recording.",
"...I Care Because You Do — Reception\n\nClassics (1995). Select later placed the album at 42nd place on their list of the best albums of 1995, referring to the album as \"leftfield, sou... |
...I_Care_Because_You_Do_23223065 | Based on the article about '...I Care Because You Do', describe the 'Composition' section. | asserting that the album draws "most strongly from hip-hop. James' trademark is to put rhythm and percussion above all else; his beautiful, haunting melodies are relegated to the back of the mix." Exclaim! stated that the album has been described as "occupying a middle-ground between Philip Glass and the Wu-Tang Clan."... | [
"...I Care Because You Do — Track listing\n\nEach track on I Care Because You Do is annotated with the year of its recording.",
"...I Care Because You Do — Reception\n\nClassics (1995). Select later placed the album at 42nd place on their list of the best albums of 1995, referring to the album as \"leftfield, sou... |
...I_Care_Because_You_Do_23223063 | Describe the content of the article about '...I Care Because You Do'. | ...I Care Because You Do is the third studio album by electronic musician Richard D. James under the alias Aphex Twin, released on 24 April 1995 by Warp. Containing material recorded between 1990 and 1994, the album marked James's return to a percussive sound following the largely beatless Selected Ambient Works Volume... | [
"...I Care Because You Do — Track listing\n\nEach track on I Care Because You Do is annotated with the year of its recording.",
"...I Care Because You Do — Reception\n\nClassics (1995). Select later placed the album at 42nd place on their list of the best albums of 1995, referring to the album as \"leftfield, sou... |
...I_Care_Because_You_Do_23223066 | Describe the 'Release' section of the article about '...I Care Because You Do'. | ...I Care Because You Do was released on 24 April 1995. It was released on vinyl, compact disc and cassette. It charted for two weeks in the United Kingdom, peaking at number 24 on the UK Albums Chart. I Care Because You Do was re-issued on vinyl by the record label 1972 on 18 September 2012. Warp also re-issued the al... | [
"...I Care Because You Do — Track listing\n\nEach track on I Care Because You Do is annotated with the year of its recording.",
"...I Care Because You Do — Reception\n\nClassics (1995). Select later placed the album at 42nd place on their list of the best albums of 1995, referring to the album as \"leftfield, sou... |
...If_I_Die,_I_Die_21127825 | Reconstruct the content about 'Critical reception' from the article on '...If I Die, I Die'. | ...If I Die, I Die has been well received by critics. AllMusic, in their retrospective review of the album, called it "a wonderfully confounding and sometimes campy and often disturbing exercise in unfettered creativity". Chuck Eddy of Spin included it in his list of essential gothic rock albums, remarking that it "dem... | [
"...If I Die, I Die — Critical reception\n\n...If I Die, I Die has been well received by critics. AllMusic, in their retrospective review of the album, called it \"a wonderfully confounding and sometimes campy and often disturbing exercise in unfettered creativity\". Chuck Eddy of Spin included it in his list of es... |
...If_I_Die,_I_Die_21127826 | Explain what '...If I Die, I Die' covers in the 'Personnel' section. | Virgin Prunes ; Dave-iD Busaras – vocals ; Mary D'Nellon – drums ; Dik Evans – guitar ; Gavin Friday – vocals ; Guggi (Derek Rowen) – vocals ; Trevor "Strongman" Rowen – bass guitar Technical ; Colin Newman – production ; Kevin Moloney – engineering ; Steve Parker – engineering ; Denis Blackham – engineering ; BilBo –... | [
"...If I Die, I Die — Critical reception\n\n...If I Die, I Die has been well received by critics. AllMusic, in their retrospective review of the album, called it \"a wonderfully confounding and sometimes campy and often disturbing exercise in unfettered creativity\". Chuck Eddy of Spin included it in his list of es... |
...If_I_Die,_I_Die_21127824 | Describe the content of the article about '...If I Die, I Die'. | ...If I Die, I Die is the debut studio album by Irish post-punk band Virgin Prunes. It was released on 4 November 1982 by record label Rough Trade. It was produced by Colin Newman of Wire. | [
"...If I Die, I Die — Critical reception\n\n...If I Die, I Die has been well received by critics. AllMusic, in their retrospective review of the album, called it \"a wonderfully confounding and sometimes campy and often disturbing exercise in unfettered creativity\". Chuck Eddy of Spin included it in his list of es... |
...If_I_Ever_Fall_in_Love_29694114 | What does the article about '...If I Ever Fall in Love' say regarding 'Formats'? | Cassette – December 22, 1992, MCA ; Vinyl – December 29, 1992, MCA ; Europe CD – January 26, 1993, Universal ; Cassette – March 10, 1993, MCA ; UK CD – March 24, 1997, Universal ; Japan CD – December 2, 2003, Victor | [
"...If I Ever Fall in Love — Formats\n\nCassette – December 22, 1992, MCA ; Vinyl – December 29, 1992, MCA ; Europe CD – January 26, 1993, Universal ; Cassette – March 10, 1993, MCA ; UK CD – March 24, 1997, Universal ; Japan CD – December 2, 2003, Victor",
"...If I Ever Fall in Love — Personnel\n\nBill Appleberr... |
...If_I_Ever_Fall_in_Love_29694112 | From the article on '...If I Ever Fall in Love', restate the 'Personnel' content. | Bill Appleberry – Keyboards ; Paul Brown – Engineer, Mixing ; Jeff Carruthers – Programming ; Mario Castellanos – Photography ; Jim Ebert – Mixing ; James Elliott – Production Coordination ; Marc Gay – Keyboards, Producer ; Eric Greedy – Assistant Engineer ; Steve Hall – Mastering ; Kevin Levi – Saxophone ; Carl "Groov... | [
"...If I Ever Fall in Love — Formats\n\nCassette – December 22, 1992, MCA ; Vinyl – December 29, 1992, MCA ; Europe CD – January 26, 1993, Universal ; Cassette – March 10, 1993, MCA ; UK CD – March 24, 1997, Universal ; Japan CD – December 2, 2003, Victor",
"...If I Ever Fall in Love — Personnel\n\nBill Appleberr... |
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