id string | question string | answer string | documents list |
|---|---|---|---|
...Nor_the_Battle_to_the_Strong_17253494 | Summarize the 'Plot' part of '...Nor the Battle to the Strong'. | Jake Sisko is returning from a medical conference with Dr. Julian Bashir. Although Jake intended to write an article about the doctor, he discovers he's having trouble finding anything interesting to write about. They receive a distress call from a Federation colony which has just been attacked by the Klingons. Jake se... | [
"...Nor the Battle to the Strong — Plot\n\nJake Sisko is returning from a medical conference with Dr. Julian Bashir. Although Jake intended to write an article about the doctor, he discovers he's having trouble finding anything interesting to write about. They receive a distress call from a Federation colony which ... |
...Nor_the_Battle_to_the_Strong_17253493 | Describe the content of the article about '...Nor the Battle to the Strong'. | "...Nor the Battle to the Strong" is the 102nd episode of the American syndicated science fiction television series Star Trek: Deep Space Nine, the fourth episode of the fifth season. Set in the 24th century, the series follows the adventures on Deep Space Nine, a space station located near a stable wormhole between th... | [
"...Nor the Battle to the Strong — Plot\n\nJake Sisko is returning from a medical conference with Dr. Julian Bashir. Although Jake intended to write an article about the doctor, he discovers he's having trouble finding anything interesting to write about. They receive a distress call from a Federation colony which ... |
...Nor_the_Battle_to_the_Strong_17253496 | Reconstruct the content about 'Plot' from the article on '...Nor the Battle to the Strong'. | combat officer and is desperate to help him, but the dying officer accuses Jake of merely trying to redeem his cowardice. When Jake returns to the hospital, he claims he became disoriented and was knocked unconscious. Bashir blames himself for putting Jake in danger. Jake talks to the soldier who shot himself in the fo... | [
"...Nor the Battle to the Strong — Plot\n\nJake Sisko is returning from a medical conference with Dr. Julian Bashir. Although Jake intended to write an article about the doctor, he discovers he's having trouble finding anything interesting to write about. They receive a distress call from a Federation colony which ... |
...Nor_the_Battle_to_the_Strong_17253499 | What information does the article about '...Nor the Battle to the Strong' provide on 'Reception'? | Tor.com gave the episode 8 out of 10. In 2015, Geek.com recommended this episode for their abbreviated Star Trek: Deep Space Nine binge-watching guide. | [
"...Nor the Battle to the Strong — Plot\n\nJake Sisko is returning from a medical conference with Dr. Julian Bashir. Although Jake intended to write an article about the doctor, he discovers he's having trouble finding anything interesting to write about. They receive a distress call from a Federation colony which ... |
...Nor_the_Battle_to_the_Strong_17253498 | What information does the article about '...Nor the Battle to the Strong' provide on 'Title'? | The title comes from a line in the Bible, Ecclesiastes 9:11, which reads "I have seen something else under the sun: The race is not to the swift nor the battle to the strong, ... but time and chance happen to them all." | [
"...Nor the Battle to the Strong — Plot\n\nJake Sisko is returning from a medical conference with Dr. Julian Bashir. Although Jake intended to write an article about the doctor, he discovers he's having trouble finding anything interesting to write about. They receive a distress call from a Federation colony which ... |
...Nor_the_Battle_to_the_Strong_17253497 | From the article on '...Nor the Battle to the Strong', restate the 'Plot' content. | the medical team tries to evacuate everyone, Jake is attacked by two Klingons. He picks up a phaser from a dead guard and begins firing wildly, which causes a cave-in that knocks him unconscious. Because of the cave-in, the patients are able to escape. Jake survives without injury other than a few bruises. He is consid... | [
"...Nor the Battle to the Strong — Plot\n\nJake Sisko is returning from a medical conference with Dr. Julian Bashir. Although Jake intended to write an article about the doctor, he discovers he's having trouble finding anything interesting to write about. They receive a distress call from a Federation colony which ... |
...Nor_the_Battle_to_the_Strong_17253495 | What does the article about '...Nor the Battle to the Strong' say regarding 'Plot'? | that the wound was self-inflicted, intended to get him out of the fighting. Jake is disgusted by the man's cowardice. Everyone expects the Klingons will take over the settlement within days if no reinforcements arrive. On Deep Space Nine, Jake's father, Captain Benjamin Sisko, takes command of the starship Defiant to c... | [
"...Nor the Battle to the Strong — Plot\n\nJake Sisko is returning from a medical conference with Dr. Julian Bashir. Although Jake intended to write an article about the doctor, he discovers he's having trouble finding anything interesting to write about. They receive a distress call from a Federation colony which ... |
...Nothing_Like_the_Sun_10880370 | Explain what '...Nothing Like the Sun' covers in the 'Production and recording' section. | My Beating Heart" and "The Lazarus Heart" approach the subjects of life, love and death. Elsewhere on the album, "Englishman in New York", in honour of Quentin Crisp, continues the jazz-influenced music more commonly found on Sting's previous album, as does "Sister Moon". "The Lazarus Heart" was originally written by S... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_Like_the_Sun_10880369 | Based on the article about '...Nothing Like the Sun', describe the 'Production and recording' section. | The album was influenced by two events in Sting's life: first, the death in late 1986 of his mother, which contributed to the sombre tone of several songs; and second, his participation in the Conspiracy of Hope Tour on behalf of Amnesty International, which brought Sting to parts of Latin America that had been ravaged... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_Like_the_Sun_10880378 | Describe the 'Personnel' section of the article about '...Nothing Like the Sun'. | Sting – vocals, arrangements, bass guitar (1-9, 12), guitars (4, 6), double bass (10) ; Kenny Kirkland – keyboards ; Ken Helman – acoustic piano (12) ; Andy Summers – guitars (1, 2) ; Eric Clapton – guitar (5) ; Fareed Haque – guitar (5) ; Mark Knopfler – guitar (5) ; Hiram Bullock – guitars (11) ; Mark Egan – bass gui... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_Like_the_Sun_10880376 | From the article on '...Nothing Like the Sun', restate the 'B-sides' content. | 1) "Ghost in the Strand" ("Englishman in New York" 7"/ Maxi Single) ; 2) "Ellas Danzan Solas" ("They Dance Alone" Maxi Single) ; 3) "If You There" ("They Dance Alone" 7") ; 4) "Conversation with a Dog" ("We'll Be Together" 7"/ Maxi Single) ; 5) "Someone to Watch over Me" ("Englishman in New York" 3-inch CD single) ; 6)... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_Like_the_Sun_10880375 | Describe the 'Commercial performance' section of the article about '...Nothing Like the Sun'. | In the United States, the album debuted at number 54 on the US Billboard 200 chart on the week of 31 October 1987 and eventually peaked at number nine in its third week of release. The album spent a total of 52 weeks on the chart. On 24 October 1991, the album was certified double platinum by the Recording Industry Ass... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_Like_the_Sun_10880373 | Explain what '...Nothing Like the Sun' covers in the 'Critical reception' section. | ...Nothing Like the Sun was praised by many critics. In a review for Rolling Stone, Anthony DeCurtis wrote: "...Nothing Like the Sun represents [an] impressive growth for Sting. His voice is rich, grainy and more mature; his ideas are gaining in complexity; and musically he is stretching without straining. His mistress... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_Like_the_Sun_10880366 | Reconstruct the content from the article about '...Nothing Like the Sun'. | ...Nothing Like the Sun is the second solo studio album by English singer-songwriter Sting. The album was originally released on 13 October 1987 on A&M (worldwide). The album explores the genres of pop rock, soft rock, jazz, reggae, world, acoustic rock, dance-rock, and funk rock. The songs were recorded during March–A... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_Like_the_Sun_10880371 | Summarize the 'Release' part of '...Nothing Like the Sun'. | The album's first single and biggest hit, "We'll Be Together" sported a prominent dance beat and funk overtones; it reached No. 7 on the Billboard Hot 100 charts in late 1987 and even crossed over to the R&B charts. The album was one of the most expensive ever recorded at the time, resulting in a list price that was hi... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_Like_the_Sun_10880374 | Based on the article about '...Nothing Like the Sun', describe the 'Critical reception' section. | in comparison to Sting's sophomore effort, Nothing Like the Sun, one of the most doggedly serious pop albums ever recorded." Erlewine added, "If Nothing Like the Sun runs a little too long, with only his Gil Evans-assisted cover of 'Little Wing' standing out in the final quarter, it still maintains its tone until the e... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_Like_the_Sun_10880368 | Describe the 'Album title' section of the article about '...Nothing Like the Sun'. | The title comes from Shakespeare's Sonnet No. 130 ("My mistress' eyes are nothing like the sun"), which Sting used in the song "Sister Moon". He added that his inspiration for this was a close encounter with a drunk, in which Sting quoted the sonnet in response to the drunk's importunate query, "How beautiful is the mo... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_Like_the_Sun_10880367 | Summarize the following section from the article on '...Nothing Like the Sun'. | of Sting's early work. On release, the album was received favorably by the majority of music critics and in 1989, the album was ranked #90 on Rolling Stone magazine's list of the "100 Best Albums of the Eighties". "We'll Be Together", "Be Still My Beating Heart", "Englishman in New York", "Fragile", and "They Dance Alo... | [
"...Nothing Like the Sun — Certifications and sales\n\n}",
"...Nothing Like the Sun — Production and recording\n\nMy Beating Heart\" and \"The Lazarus Heart\" approach the subjects of life, love and death. Elsewhere on the album, \"Englishman in New York\", in honour of Quentin Crisp, continues the jazz-influence... |
...Nothing_but_a_Dream_4333915 | What does the article about '...Nothing but a Dream' say regarding 'Reception'? | AllMusic's Jason MacNeil rated the US version of ...nothing but a dream at four-out-of-five stars and explained, "the songs speak of a certain longing and asking for redemption, but are dominantly roots pop arrangements." He observed, "An added bonus is the four additional tracks from a previously released EP, with the... | [
"...Nothing but a Dream — Reception\n\nAllMusic's Jason MacNeil rated the US version of ...nothing but a dream at four-out-of-five stars and explained, \"the songs speak of a certain longing and asking for redemption, but are dominantly roots pop arrangements.\" He observed, \"An added bonus is the four additional ... |
...Nothing_but_a_Dream_4333917 | What does the article about '...Nothing but a Dream' say regarding 'Paul Kelly Exclusive CD'? | Paul Kelly Exclusive CD is a five-track extended play by Paul Kelly, which was provided free with The Weekend Australian Magazine in August 2001. It is a compilation with four audio tracks including two from Kelly's forthcoming album, ...nothing but a dream ("The Pretty Place" and "Somewhere in the City"), one from his... | [
"...Nothing but a Dream — Reception\n\nAllMusic's Jason MacNeil rated the US version of ...nothing but a dream at four-out-of-five stars and explained, \"the songs speak of a certain longing and asking for redemption, but are dominantly roots pop arrangements.\" He observed, \"An added bonus is the four additional ... |
...Nothing_but_a_Dream_4333916 | What does the article about '...Nothing but a Dream' say regarding 'Personnel'? | Musicians ; Peter Luscombe – drums ; Dave Ruffy – percussion, drums ; Spencer P. Jones – guitar (electric), vocals ; Bic Runga – vocals ; Bruce Haymes – organ, vocals, keyboards ; Billie Godfrey – vocals ; Paul Kelly – guitar, vocals, keyboards ; Shane O'Mara – guitar (electric) ; Renee Geyer – vocals ; Linda Bull – vo... | [
"...Nothing but a Dream — Reception\n\nAllMusic's Jason MacNeil rated the US version of ...nothing but a dream at four-out-of-five stars and explained, \"the songs speak of a certain longing and asking for redemption, but are dominantly roots pop arrangements.\" He observed, \"An added bonus is the four additional ... |
...Nothing_but_a_Dream_4333914 | What information does the article about '...Nothing but a Dream' provide? | ...nothing but a dream is a studio album recorded by Australian singer-songwriter, Paul Kelly. It was released on 13 August 2001 via EMI Records, which peaked at No. 7 on the ARIA Albums Chart and No. 46 on the Official New Zealand Music Chart. It was also released in the United States on Cooking Vinyl and included fou... | [
"...Nothing but a Dream — Reception\n\nAllMusic's Jason MacNeil rated the US version of ...nothing but a dream at four-out-of-five stars and explained, \"the songs speak of a certain longing and asking for redemption, but are dominantly roots pop arrangements.\" He observed, \"An added bonus is the four additional ... |
...Nothing_but_a_Dream_4333918 | Reconstruct the content about 'Personnel' from the article on '...Nothing but a Dream'. | Musicians ; Stephen Hadley – bass guitar (tracks 1–2) ; Bruce Haymes – keyboard (tracks 1–3) ; Spencer Jones – guitar (track 1) ; Paul Kelly – guitar, vocals (tracks 1–5) ; Peter Luscombe – drums (tracks 1–2) ; Linda Bull – vocals (track 1) ; Vika Bull – vocals (track 1) Recording details ; Producer – Mark Wallis (trac... | [
"...Nothing but a Dream — Reception\n\nAllMusic's Jason MacNeil rated the US version of ...nothing but a dream at four-out-of-five stars and explained, \"the songs speak of a certain longing and asking for redemption, but are dominantly roots pop arrangements.\" He observed, \"An added bonus is the four additional ... |
...Of_Nightmares_18415186 | Summarize the following section from the article on '...Of Nightmares'. | ...Of Nightmares is the second EP by alternative rock band Angels & Airwaves, released on September 4, 2015, through To the Stars. The EP is a companion piece to the novel written by Tom DeLonge and Suzanne Young, Poet Anderson... Of Nightmares, which is a part of the Poet Anderson franchise, also including The Dream W... | [
"...Of Nightmares\n\n...Of Nightmares is the second EP by alternative rock band Angels & Airwaves, released on September 4, 2015, through To the Stars. The EP is a companion piece to the novel written by Tom DeLonge and Suzanne Young, Poet Anderson... Of Nightmares, which is a part of the Poet Anderson franchise, a... |
...Of_Nightmares_18415188 | What does the article about '...Of Nightmares' say regarding 'Production'? | its own and something that was totally experimental for us. I think there's, like, one normal song on the EP; the rest of it was meant to just be really pushing the envelope, something that is unorthodox, at least for Angels & Airwaves. These are not songs I wrote in my living room and said, 'Let's go in and record the... | [
"...Of Nightmares\n\n...Of Nightmares is the second EP by alternative rock band Angels & Airwaves, released on September 4, 2015, through To the Stars. The EP is a companion piece to the novel written by Tom DeLonge and Suzanne Young, Poet Anderson... Of Nightmares, which is a part of the Poet Anderson franchise, a... |
...Of_Nightmares_18415187 | Summarize the 'Production' part of '...Of Nightmares'. | The band released the track "Into the Night" on August 21, 2015 on Rolling Stone magazine's website. Tom DeLonge said about the track, "'Into the Night' is about walking the person you love through a nightmare, I believe that we all encounter those we love in our dreams all of the time." On September 3, 2015 they relea... | [
"...Of Nightmares\n\n...Of Nightmares is the second EP by alternative rock band Angels & Airwaves, released on September 4, 2015, through To the Stars. The EP is a companion piece to the novel written by Tom DeLonge and Suzanne Young, Poet Anderson... Of Nightmares, which is a part of the Poet Anderson franchise, a... |
...Of_the_Dark_Light_21625092 | Based on the article about '...Of the Dark Light', describe the 'Reception' section. | ...Of the Dark Light received generally favorable views from critics. At Metacritic (a review aggregator site which assigns a normalized rating out of 100 from music critics), based on 4 critics, the album has received a score of 72/100, which indicates "generally favorable" reviews. | [
"...Of the Dark Light — Reception\n\n...Of the Dark Light received generally favorable views from critics. At Metacritic (a review aggregator site which assigns a normalized rating out of 100 from music critics), based on 4 critics, the album has received a score of 72/100, which indicates \"generally favorable\" r... |
...Of_the_Dark_Light_21625093 | Summarize the 'Personnel' part of '...Of the Dark Light'. | Frank Mullen – vocals ; Terrance Hobbs – lead guitar ; Charlie Errigo – rhythm guitar ; Derek Boyer – bass ; Eric Morotti – drums Kevin Muller – backing vocals Joe Cincotta – production, engineering ; Chris "Zeuss" Harris – mixing, mastering ; Colin Marks – artwork, design Credits are adapted from the album's liner not... | [
"...Of the Dark Light — Reception\n\n...Of the Dark Light received generally favorable views from critics. At Metacritic (a review aggregator site which assigns a normalized rating out of 100 from music critics), based on 4 critics, the album has received a score of 72/100, which indicates \"generally favorable\" r... |
...Of_the_Dark_Light_21625091 | Describe the content of the article about '...Of the Dark Light'. | ...Of the Dark Light is the eighth studio album by American death metal band Suffocation, released on June 9, 2017, via Nuclear Blast. It is the band's first album to feature guitarist Charlie Errigo and drummer Eric Morotti, and their final album to feature original vocalist Frank Mullen. At 35 minutes and 17 seconds,... | [
"...Of the Dark Light — Reception\n\n...Of the Dark Light received generally favorable views from critics. At Metacritic (a review aggregator site which assigns a normalized rating out of 100 from music critics), based on 4 critics, the album has received a score of 72/100, which indicates \"generally favorable\" r... |
...One_Third_of_a_Nation..._28110961 | Explain what '...One Third of a Nation...' covers in the 'Cast' section. | Sylvia Sidney as Mary Rogers ; Leif Erickson as Peter Cortlant ; Myron McCormick as Sam Moon ; Hiram Sherman as Donald Hinchley ; Sidney Lumet as Joey Rogers ; Muriel Hutchison as Ethel Cortlant ; Percy Waram as Arthur Mather ; Otto Hulett as Assistant District Attorney ; Horace Sinclair as John ; Iris Adrian as Myrtle... | [
"...One Third of a Nation... — Cast\n\nSylvia Sidney as Mary Rogers ; Leif Erickson as Peter Cortlant ; Myron McCormick as Sam Moon ; Hiram Sherman as Donald Hinchley ; Sidney Lumet as Joey Rogers ; Muriel Hutchison as Ethel Cortlant ; Percy Waram as Arthur Mather ; Otto Hulett as Assistant District Attorney ; Hora... |
...One_Third_of_a_Nation..._28110959 | Summarize the 'Plot' part of '...One Third of a Nation...'. | When a fire breaks out in a run-down tenement in New York City, a young boy named Joey Rogers (Sidney Lumet) attempts to flee using a fire escape. It collapses due to ill repair, and Joey is severely injured. Joey's much older sister, Mary (Sylvia Sidney), rushes him to the hospital with the help of wealthy Peter Cortl... | [
"...One Third of a Nation... — Cast\n\nSylvia Sidney as Mary Rogers ; Leif Erickson as Peter Cortlant ; Myron McCormick as Sam Moon ; Hiram Sherman as Donald Hinchley ; Sidney Lumet as Joey Rogers ; Muriel Hutchison as Ethel Cortlant ; Percy Waram as Arthur Mather ; Otto Hulett as Assistant District Attorney ; Hora... |
...One_Third_of_a_Nation..._28110958 | Describe the content of the article about '...One Third of a Nation...'. | ...One Third of a Nation... is a 1939 American drama film directed by Dudley Murphy and written by Oliver H.P. Garrett and Dudley Murphy. The film stars Sylvia Sidney, Leif Erickson, Myron McCormick, Hiram Sherman, the future director Sidney Lumet and Muriel Hutchison. The film was released on February 10, 1939, by Par... | [
"...One Third of a Nation... — Cast\n\nSylvia Sidney as Mary Rogers ; Leif Erickson as Peter Cortlant ; Myron McCormick as Sam Moon ; Hiram Sherman as Donald Hinchley ; Sidney Lumet as Joey Rogers ; Muriel Hutchison as Ethel Cortlant ; Percy Waram as Arthur Mather ; Otto Hulett as Assistant District Attorney ; Hora... |
...One_Third_of_a_Nation..._28110960 | Describe the 'Plot' section of the article about '...One Third of a Nation...'. | visits the tenement, he is warned to stay away from Mary by Mary's boyfriend, Sam (Myron McCormick). Mary is upset when she learns that Cortlant owned her building. She removes Joey from the hospital. Crippled and suffering from delusions that the building is talking to him, Joey vows revenge on the tenement. Mary meet... | [
"...One Third of a Nation... — Cast\n\nSylvia Sidney as Mary Rogers ; Leif Erickson as Peter Cortlant ; Myron McCormick as Sam Moon ; Hiram Sherman as Donald Hinchley ; Sidney Lumet as Joey Rogers ; Muriel Hutchison as Ethel Cortlant ; Percy Waram as Arthur Mather ; Otto Hulett as Assistant District Attorney ; Hora... |
...Or_Stay_Tuned_27453981 | What does the article about '...Or Stay Tuned' say regarding 'Track listing'? | Additional tracks ; The vinyl & Japanese CD releases of the album separate out the skit "Church" from the end of "Fly Love Song". ; The Japanese release of the album also includes three additional tracks: ; "R&B", 0:23 (a brief interlude between "Church" and "Drumbox") ; "Hangloose Pt 2 (bonus track)", 4:23 (after "Out... | [
"...Or Stay Tuned — Track listing\n\nAdditional tracks ; The vinyl & Japanese CD releases of the album separate out the skit \"Church\" from the end of \"Fly Love Song\". ; The Japanese release of the album also includes three additional tracks: ; \"R&B\", 0:23 (a brief interlude between \"Church\" and \"Drumbox\")... |
...Or_Stay_Tuned_27453978 | Summarize the following section from the article on '...Or Stay Tuned'. | ...Or Stay Tuned is the fourth studio album by the People Under the Stairs and their final release on Om Records until 2009's Carried Away. The group's shortest album (clocking in at only 43 minutes), it was originally marketed as an EP release and called a "mini-album" in the liner notes. In the years since the album'... | [
"...Or Stay Tuned — Track listing\n\nAdditional tracks ; The vinyl & Japanese CD releases of the album separate out the skit \"Church\" from the end of \"Fly Love Song\". ; The Japanese release of the album also includes three additional tracks: ; \"R&B\", 0:23 (a brief interlude between \"Church\" and \"Drumbox\")... |
...Or_Stay_Tuned_27453980 | Summarize the 'Reception' part of '...Or Stay Tuned'. | Much like "Acid Raindrops" on their previous album, O.S.T., the song "Outrun" proved to be a hit with fans, with its Wesley Willis-tribute chorus and record scratching by Double K. AllMusic gave the album four out of five stars, complimented PUTS' D.I.Y. attitude, and called ...Or Stay Tuned "highly recommended". The t... | [
"...Or Stay Tuned — Track listing\n\nAdditional tracks ; The vinyl & Japanese CD releases of the album separate out the skit \"Church\" from the end of \"Fly Love Song\". ; The Japanese release of the album also includes three additional tracks: ; \"R&B\", 0:23 (a brief interlude between \"Church\" and \"Drumbox\")... |
...Or_Stay_Tuned_27453979 | Based on the article about '...Or Stay Tuned', describe the 'Background' section. | Contractually, People Under The Stairs had one more album to complete with Om. After receiving a funding advance for the final album with Om, Thes One purchased a Neve 5116/32 mixing console, and in the space of a couple weeks in June, the group finished recording several tracks. After looking through their outtakes fr... | [
"...Or Stay Tuned — Track listing\n\nAdditional tracks ; The vinyl & Japanese CD releases of the album separate out the skit \"Church\" from the end of \"Fly Love Song\". ; The Japanese release of the album also includes three additional tracks: ; \"R&B\", 0:23 (a brief interlude between \"Church\" and \"Drumbox\")... |
...Phobia_6633689 | Reconstruct the content about 'Track listing' from the article on '...Phobia'. | Note: "Rocket in the Sky" and "Feel Alive" were re-recorded when they were released as singles replaced with Dhany and Sandy, respectively. | [
"...Phobia — Track listing\n\nNote: \"Rocket in the Sky\" and \"Feel Alive\" were re-recorded when they were released as singles replaced with Dhany and Sandy, respectively.",
"...Phobia\n\n...Phobia is the second studio album by electronic musicians Benassi Bros., released in 2005. It is the follow-up to their d... |
...Phobia_6633688 | Reconstruct the content from the article about '...Phobia'. | ...Phobia is the second studio album by electronic musicians Benassi Bros., released in 2005. It is the follow-up to their debut album Pumphonia. It went gold in France, followed by huge acclaims for the singles "Every Single Day" and "Make Me Feel". A part of the "Feel Alive"s melody is based on a remix of the main gu... | [
"...Phobia — Track listing\n\nNote: \"Rocket in the Sky\" and \"Feel Alive\" were re-recorded when they were released as singles replaced with Dhany and Sandy, respectively.",
"...Phobia\n\n...Phobia is the second studio album by electronic musicians Benassi Bros., released in 2005. It is the follow-up to their d... |
...Play_Nine_Songs_with_Mr._Quintron_16955445 | What does the article about '...Play Nine Songs with Mr. Quintron' say regarding 'Overview'? | 8 hours, and we took him to my (Eric "Oblivian" Friedl's) house to play him some songs that we were thinking of covering." Mr. Quintron began arranging his contributions upon arrival, without any prior knowledge of the content of the album. "We had sent him a tape of the songs but it never got delivered to him- so he c... | [
"...Play Nine Songs with Mr. Quintron — Overview\n\n8 hours, and we took him to my (Eric \"Oblivian\" Friedl's) house to play him some songs that we were thinking of covering.\" Mr. Quintron began arranging his contributions upon arrival, without any prior knowledge of the content of the album. \"We had sent him a ... |
...Play_Nine_Songs_with_Mr._Quintron_16955446 | Describe the 'Overview' section of the article about '...Play Nine Songs with Mr. Quintron'. | for eight hours and then we took him to the bus the same day, so he had a tough 24 hours." The dramatic shift in styles between this album and its predecessors was one of the reasons for the eventual break up of the band. As Greg Cartwright once explained, "this is really why the band ended - the ...Play 9 record sound... | [
"...Play Nine Songs with Mr. Quintron — Overview\n\n8 hours, and we took him to my (Eric \"Oblivian\" Friedl's) house to play him some songs that we were thinking of covering.\" Mr. Quintron began arranging his contributions upon arrival, without any prior knowledge of the content of the album. \"We had sent him a ... |
...Play_Nine_Songs_with_Mr._Quintron_16955443 | What information does the article about '...Play Nine Songs with Mr. Quintron' provide? | ...Play Nine Songs with Mr. Quintron is the third studio album by the Oblivians, released in 1997 on Crypt Records. The album features noted Ninth Ward nightclub organist Mr. Quintron playing organ and percussion on a number of tracks. | [
"...Play Nine Songs with Mr. Quintron — Overview\n\n8 hours, and we took him to my (Eric \"Oblivian\" Friedl's) house to play him some songs that we were thinking of covering.\" Mr. Quintron began arranging his contributions upon arrival, without any prior knowledge of the content of the album. \"We had sent him a ... |
...Play_Nine_Songs_with_Mr._Quintron_16955444 | What information does the article about '...Play Nine Songs with Mr. Quintron' provide on 'Overview'? | The album's concept came about in part due to Greg Cartwright's fondness for gospel music: "Greg had been really into black gospel music, and wanted to try some gospels songs in Oblivians fashion, but only if they were kinda screwed up. We didn't want to try to come off as religious, but we didn't want to make a joke o... | [
"...Play Nine Songs with Mr. Quintron — Overview\n\n8 hours, and we took him to my (Eric \"Oblivian\" Friedl's) house to play him some songs that we were thinking of covering.\" Mr. Quintron began arranging his contributions upon arrival, without any prior knowledge of the content of the album. \"We had sent him a ... |
...Play_Nine_Songs_with_Mr._Quintron_16955447 | What information does the article about '...Play Nine Songs with Mr. Quintron' provide on 'Personnel'? | Greg Oblivian – Lead and backing vocals, guitar ; Eric Oblivian – Lead and backing vocals, guitar ; Jack Oblivian – Drums, backing vocals ; Mr. Quintron – Organ, percussion | [
"...Play Nine Songs with Mr. Quintron — Overview\n\n8 hours, and we took him to my (Eric \"Oblivian\" Friedl's) house to play him some songs that we were thinking of covering.\" Mr. Quintron began arranging his contributions upon arrival, without any prior knowledge of the content of the album. \"We had sent him a ... |
...Re_(film)_17027531 | Based on the article about '...Re (film)', describe the 'Production' section. | Pre-production of this movie started in 2013 with the title “Thandana Thandanaana”. The film has been produced by Lokesh R under Sujana Creations banner and has mostly been shot in and around Bengaluru. | [
"...Re (film) — Production\n\nPre-production of this movie started in 2013 with the title “Thandana Thandanaana”. The film has been produced by Lokesh R under Sujana Creations banner and has mostly been shot in and around Bengaluru.",
"...Re (film) — About\n\nIn an interview with New Indian Express, the director ... |
...Re_(film)_17027529 | What does the article about '...Re (film)' say regarding 'About'? | In an interview with New Indian Express, the director Sunil Kumar Desai said that the film revolves around the "'ifs' of our lives". Lead actor of the film Ramesh Aravind described the film as "an out of the box love story, which has deep meaning with weird characterisations". Anant Nag also felt that the movie had "se... | [
"...Re (film) — Production\n\nPre-production of this movie started in 2013 with the title “Thandana Thandanaana”. The film has been produced by Lokesh R under Sujana Creations banner and has mostly been shot in and around Bengaluru.",
"...Re (film) — About\n\nIn an interview with New Indian Express, the director ... |
...Re_(film)_17027530 | Reconstruct the content about 'Cast' from the article on '...Re (film)'. | Ramesh Aravind as PaPu Babu Rao ; Anant Nag as Narayan Rao ; Harshika Poonacha as Parvathi ; Suman as Preethi Bhat ; Suman Nagarkar ; Ramesh Bhat ; Master Hirannaiah ; Loknath ; G. K. Govinda Rao ; Srinivasa Prabhu ; Shivaram ; Chi. Guru Dutt ; Sharath Lohitashwa ; Vaijanath Biradar ; Divya Shetty Shridhar as Shreya ; ... | [
"...Re (film) — Production\n\nPre-production of this movie started in 2013 with the title “Thandana Thandanaana”. The film has been produced by Lokesh R under Sujana Creations banner and has mostly been shot in and around Bengaluru.",
"...Re (film) — About\n\nIn an interview with New Indian Express, the director ... |
...Re_(film)_17027528 | Describe the content of the article about '...Re (film)'. | ...Re (if) is a 2016 Indian Kannada comedy film written and directed by Sunil Kumar Desai. The film has an ensemble cast consisting of veteran actors: Ramesh Aravind, Anant Nag, Master Hirannaiah, Loknath, Shivaram, Tennis Krishna, Ramesh Bhat, Vaijanath Biradar, Sharath Lohitashwa, Suman, G. K. Govinda Rao among other... | [
"...Re (film) — Production\n\nPre-production of this movie started in 2013 with the title “Thandana Thandanaana”. The film has been produced by Lokesh R under Sujana Creations banner and has mostly been shot in and around Bengaluru.",
"...Re (film) — About\n\nIn an interview with New Indian Express, the director ... |
...Ready_for_It?_28336824 | Reconstruct the content from the article about '...Ready for It?'. | critics, who praised the production as "anthemic" and "colossal", and cited the track as an improvement over Swift's previous single, "Look What You Made Me Do" (2017). Commercially, "...Ready for It?" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Scotland and the United Kingdom. In ... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336826 | What does the article about '...Ready for It?' say regarding 'Writing and composition'? | "...Ready for It?" is a "pop-oriented", "electronic-inspired" electropop, industrial pop, and EDM song with influences of dancehall and trap music. The song features deep synths, a tropical house chorus, dubstep a bass drop, drum machines and rapping. The atmosphere of the song drew comparisons to Kanye West and Rihan... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336832 | From the article on '...Ready for It?', restate the 'Synopsis' content. | The video features two versions of Swift. One version is a cyborg in a white bodysuit. She is shown behind the walls of a cell being guarded by several men in suits. The other version of Swift is seen wearing a large black cloak. The video starts with the cloaked Swift walking through an alley, making her way past seve... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336828 | Describe the 'Critical reception' section of the article about '...Ready for It?'. | uses the voice as an instrument" and that the song's chorus has "one of the prettiest melodies of her career". However, Craig Jenkins of Vulture gave it a lukewarm review, stating that the song "doesn't reinvent pop or Taylor, but it does get her name out on a product built to keep pace with current trends". Mike Wass ... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336823 | Reconstruct the content from the article about '...Ready for It?'. | "...Ready for It?" is a song recorded by American singer-songwriter Taylor Swift for her sixth studio album, Reputation (2017). Initially released as a promotional single on September 3, 2017, the song impacted radio on September 17 as the album's second official single after "Look What You Made Me Do". The song itself... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336833 | What information does the article about '...Ready for It?' provide on 'Live performances'? | Swift performed "...Ready for It?" for the first time during an episode of the 43rd season of Saturday Night Live on November 11, 2017, alongside an acoustic version of "Call It What You Want". Swift also performed "...Ready for It?" as part of the KIIS-FM's Jingle Ball 2017 on December 1, 2017, in Inglewood, Californi... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336827 | Describe the 'Critical reception' section of the article about '...Ready for It?'. | "...Ready for It?" received positive reviews from music critics, calling it an improvement from Swift's previous single, "Look What You Made Me Do". Tom Breihan of Stereogum said the songwriters "made something ungainly and goofy, something that was probably a terrible idea, and they still made it sound like towering, ... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336829 | Reconstruct the content about 'Commercial performance' from the article on '...Ready for It?'. | In the United States, "...Ready for It?" debuted and peaked at number four on the Billboard Hot 100, becoming Swift's 22nd top 10 song and her fourteenth top 10 debut on the chart, the most among female artists and second most overall behind rapper Drake. It also became her thirteenth number one song on the Billboard D... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336825 | What does the article about '...Ready for It?' say regarding 'Promotion and release'? | Swift had first teased a portion of the single, along with "Look What You Made Me Do", on September 2, 2017, during ABC's Saturday Night Football broadcast of the Florida State vs. Alabama game, and it has since been used in the introduction to every Saturday Night Football game on ABC. The same day, she announced it w... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336835 | What information does the article about '...Ready for It?' provide on 'Credits and personnel'? | Recorded at MXM Studios (Stockholm, Sweden) ; Mixed at Mixstar Studios (Virginia Beach, Virginia) ; Mastered at Sterling Sound Studios (New York) Taylor Swift – lead vocals, background vocals, songwriter ; Max Martin – producer, songwriter, recording, keyboards, programming ; Shellback – producer, songwriter, recording... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336831 | Summarize the 'Production and release' part of '...Ready for It?'. | The video was shot on August 21, 2017. An audio for the song was released on September 3, 2017, that has 50 million views to date. On October 23, 2017, Swift released a teaser of the music video for the song. The full video premiered on October 26. It was directed by Joseph Kahn. The video features homage references to... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Ready_for_It?_28336830 | Reconstruct the content about 'Commercial performance' from the article on '...Ready for It?'. | peaked at number 12 on the Mainstream Top 40 chart, number 10 on the Billboard Adult Top 40 chart, and number 26 on the Adult Contemporary chart. In Canada, the song peaked at number seven. It opened atop the digital sales chart, dethroning another single from Reputation, "Look What You Made Me Do". Likewise in the UK,... | [
"...Ready for It?\n\ncritics, who praised the production as \"anthemic\" and \"colossal\", and cited the track as an improvement over Swift's previous single, \"Look What You Made Me Do\" (2017). Commercially, \"...Ready for It?\" reached the top-ten in Australia, Canada, Greece, Hungary, Malaysia, New Zealand, Sco... |
...Saturday_Night,_'Round_Ten_113862 | From the article on '...Saturday Night, 'Round Ten', restate the 'Track listing' content. | 1) "Arse-Kickin' Lady from the North-West" ; 2) "Mr. Milk" ; 3) "Jaimme's Got a Gal" ; 4) "Stray" ; 5) "Gasoline for Two" ; 6) "Fifteen" ; 7) "Berlin Chair" ; 8) "Junk" ; 9) "Minor Byrd" ; 10) "Heavy Heart" ; 11) "'Round Ten" ; 12) "Purple Sneakers" ; 13) "Cathy's Clown" ; 14) "Rumble" ; 15) "Trike" ; 16) "How Much Is ... | [
"...Saturday Night, 'Round Ten — Track listing\n\n1) \"Arse-Kickin' Lady from the North-West\" ; 2) \"Mr. Milk\" ; 3) \"Jaimme's Got a Gal\" ; 4) \"Stray\" ; 5) \"Gasoline for Two\" ; 6) \"Fifteen\" ; 7) \"Berlin Chair\" ; 8) \"Junk\" ; 9) \"Minor Byrd\" ; 10) \"Heavy Heart\" ; 11) \"'Round Ten\" ; 12) \"Purple Sne... |
...Saturday_Night,_'Round_Ten_113861 | Describe the content of the article about '...Saturday Night, 'Round Ten'. | ...Saturday Night, 'Round Ten is a live album by the Australian rock band, You Am I, released in 1999. The performances are taken from three sets the band played in a warehouse in Richmond, Victoria. "Round Ten" was released as a radio only single. A recording of "The Cream And The Crock" from the same gigs was release... | [
"...Saturday Night, 'Round Ten — Track listing\n\n1) \"Arse-Kickin' Lady from the North-West\" ; 2) \"Mr. Milk\" ; 3) \"Jaimme's Got a Gal\" ; 4) \"Stray\" ; 5) \"Gasoline for Two\" ; 6) \"Fifteen\" ; 7) \"Berlin Chair\" ; 8) \"Junk\" ; 9) \"Minor Byrd\" ; 10) \"Heavy Heart\" ; 11) \"'Round Ten\" ; 12) \"Purple Sne... |
...Saturday_Night,_'Round_Ten_113863 | What information does the article about '...Saturday Night, 'Round Ten' provide on 'Ignorance and Vodka'? | 1) "Useless Information" ; 2) "Have You Plum Gone... (And Given Up On Me)" ; 3) "Bring The Ole Sun Down" ; 4) "You Want It So Bad" ; 5) "The Choices That I've Made" Initial pressings came with a bonus disc entitled Ignorance and Vodka which included five rare and/or unreleased tracks plus a fifteen-minute band biograph... | [
"...Saturday Night, 'Round Ten — Track listing\n\n1) \"Arse-Kickin' Lady from the North-West\" ; 2) \"Mr. Milk\" ; 3) \"Jaimme's Got a Gal\" ; 4) \"Stray\" ; 5) \"Gasoline for Two\" ; 6) \"Fifteen\" ; 7) \"Berlin Chair\" ; 8) \"Junk\" ; 9) \"Minor Byrd\" ; 10) \"Heavy Heart\" ; 11) \"'Round Ten\" ; 12) \"Purple Sne... |
...Say_When_11821344 | Summarize the 'Background' part of '...Say When'. | Having signed with MCA in 1983, ...Say When was Larson's first of two country albums for the label. It peaked at No. 48 on the Billboard Top Country Albums and remained on the chart for twenty weeks. Three singles were released from the album. "Only Love Will Make It Right" was released in January 1985 and reached No. ... | [
"...Say When — Background\n\nHaving signed with MCA in 1983, ...Say When was Larson's first of two country albums for the label. It peaked at No. 48 on the Billboard Top Country Albums and remained on the chart for twenty weeks. Three singles were released from the album. \"Only Love Will Make It Right\" was releas... |
...Say_When_11821345 | Explain what '...Say When' covers in the 'Critical reception' section. | Upon release, Billboard considered Larson a "high energy addition to the new breed of today's country artists". They felt the album "spins through a kaleidoscope of material" and picked "When You Get a Little Lonely" as the album's "strong contender". Cash Box commented: "Thoroughly satisfying vocally, melodically and ... | [
"...Say When — Background\n\nHaving signed with MCA in 1983, ...Say When was Larson's first of two country albums for the label. It peaked at No. 48 on the Billboard Top Country Albums and remained on the chart for twenty weeks. Three singles were released from the album. \"Only Love Will Make It Right\" was releas... |
...Say_When_11821343 | What information does the article about '...Say When' provide? | ...Say When is the fifth studio album by American singer Nicolette Larson. It was produced by Emory Gordy Jr. and Tony Brown, and released by MCA Records in 1985. | [
"...Say When — Background\n\nHaving signed with MCA in 1983, ...Say When was Larson's first of two country albums for the label. It peaked at No. 48 on the Billboard Top Country Albums and remained on the chart for twenty weeks. Three singles were released from the album. \"Only Love Will Make It Right\" was releas... |
...Smile's_OK_13633262 | Based on the article about '...Smile's OK', describe the 'Track listing' section. | 1) "Dagger" (Neil Halstead) ; 2) "Only Human" (Heidi Berry) ; 3) "Outer Skin" (Chris Knox) ; 4) "Sweet Unknown" (A. Shaw) ; 5) "Let the Happiness In" (David Sylvian) ; 6) "Is Jesus Your Pal" (Slowblow) ; 7) "Spider and I" (Brian Eno) ; 8) "Hanky Panky Nohow" (John Cale) | [
"...Smile's OK — Track listing\n\n1) \"Dagger\" (Neil Halstead) ; 2) \"Only Human\" (Heidi Berry) ; 3) \"Outer Skin\" (Chris Knox) ; 4) \"Sweet Unknown\" (A. Shaw) ; 5) \"Let the Happiness In\" (David Sylvian) ; 6) \"Is Jesus Your Pal\" (Slowblow) ; 7) \"Spider and I\" (Brian Eno) ; 8) \"Hanky Panky Nohow\" (John C... |
...Smile's_OK_13633263 | From the article on '...Smile's OK', restate the 'Personnel' content. | Louise Rutkowski – vocals ; Laurence O'Keefe – bass guitar ; Audrey Riley – cello ; Chris Tombling – violin ; Leo Payne – violin ; Sue Dench – viola ; Richard Thomas – saxophone, drums ; Audrey Riley – string arrangements ; Louise Laurence, Dmitri Willilams and Astrid Williamson – backing vocals ; Sheena Bizarre- Chatt... | [
"...Smile's OK — Track listing\n\n1) \"Dagger\" (Neil Halstead) ; 2) \"Only Human\" (Heidi Berry) ; 3) \"Outer Skin\" (Chris Knox) ; 4) \"Sweet Unknown\" (A. Shaw) ; 5) \"Let the Happiness In\" (David Sylvian) ; 6) \"Is Jesus Your Pal\" (Slowblow) ; 7) \"Spider and I\" (Brian Eno) ; 8) \"Hanky Panky Nohow\" (John C... |
...Something_to_Be_3575203 | From the article on '...Something to Be', restate the 'Critical reception' content. | "Streetcorner Symphony". However, he criticized the "ponderous poetics...and platitudes" for being mistaken as depth. Paul Lingas of avrev.com called the album "a mixed bag with some surprisingly good offerings and some duds that sadly aren’t surprising" (giving the performance a 5.5 and the sound 6.5), complimenting s... | [
"...Something to Be — Critical reception\n\n\"Streetcorner Symphony\". However, he criticized the \"ponderous poetics...and platitudes\" for being mistaken as depth. Paul Lingas of avrev.com called the album \"a mixed bag with some surprisingly good offerings and some duds that sadly aren’t surprising\" (giving the... |
...Something_to_Be_3575202 | Reconstruct the content about 'Critical reception' from the article on '...Something to Be'. | out "musical perfection to the road trip worthy". Thomas Inskeep of Stylus Magazine gave the album a negative review (although the "C" rating reflects a more mixed attitude), calling it "mediocre" and explaining that the large part of the problem was that "Rob's a fairly generic songwriter". Inskeep continued by saying... | [
"...Something to Be — Critical reception\n\n\"Streetcorner Symphony\". However, he criticized the \"ponderous poetics...and platitudes\" for being mistaken as depth. Paul Lingas of avrev.com called the album \"a mixed bag with some surprisingly good offerings and some duds that sadly aren’t surprising\" (giving the... |
...Something_to_Be_3575200 | Summarize the following section from the article on '...Something to Be'. | ...Something to Be is the debut solo album from the Matchbox Twenty lead singer Rob Thomas. The album was released on April 5, 2005, and it debuted at No. 1 on the US Billboard 200 albums chart, knocking out Mariah Carey's The Emancipation of Mimi. This marked the first time that a male artist from a rock or pop group ... | [
"...Something to Be — Critical reception\n\n\"Streetcorner Symphony\". However, he criticized the \"ponderous poetics...and platitudes\" for being mistaken as depth. Paul Lingas of avrev.com called the album \"a mixed bag with some surprisingly good offerings and some duds that sadly aren’t surprising\" (giving the... |
...Something_to_Be_3575201 | Based on the article about '...Something to Be', describe the 'Critical reception' section. | Reception for ...Something to Be was mixed. David Browne of Entertainment Weekly said Rob Thomas "sounds less like his usual tortured self and more like a boy-band veteran who still knows a thing or two about a grabby hook" and noting that the single "Streetcorner Symphony" sounds like "the world's greatest Black Crowe... | [
"...Something to Be — Critical reception\n\n\"Streetcorner Symphony\". However, he criticized the \"ponderous poetics...and platitudes\" for being mistaken as depth. Paul Lingas of avrev.com called the album \"a mixed bag with some surprisingly good offerings and some duds that sadly aren’t surprising\" (giving the... |
...Something_to_Be_(song)_12906643 | What information does the article about '...Something to Be (song)' provide? | "...Something to Be" is the title track and fourth single from Matchbox Twenty frontman Rob Thomas's solo debut album, ...Something to Be (2005). The song features guitar work from fellow Matchbox Twenty member Kyle Cook and Tom Petty and the Heartbreakers guitarist Mike Campbell. Released on March 13, 2006, the song p... | [
"...Something to Be (song)\n\n\"...Something to Be\" is the title track and fourth single from Matchbox Twenty frontman Rob Thomas's solo debut album, ...Something to Be (2005). The song features guitar work from fellow Matchbox Twenty member Kyle Cook and Tom Petty and the Heartbreakers guitarist Mike Campbell. Re... |
...Something_to_Be_(song)_12906644 | Reconstruct the content about 'Track listing' from the article on '...Something to Be (song)'. | 1) "...Something to Be" ; 2) "...Something to Be" (AOL Sessions) ; 3) "I Am an Illusion" (XM Sessions) Australian CD single | [
"...Something to Be (song)\n\n\"...Something to Be\" is the title track and fourth single from Matchbox Twenty frontman Rob Thomas's solo debut album, ...Something to Be (2005). The song features guitar work from fellow Matchbox Twenty member Kyle Cook and Tom Petty and the Heartbreakers guitarist Mike Campbell. Re... |
...Something_to_Be_(song)_12906645 | Describe the 'Credits and personnel' section of the article about '...Something to Be (song)'. | Recorded at The Hit Factory (New York City), BiCoastal Music (Ossining, New York), Conway Studios, and Henson Studios (Los Angeles) ; Mixed at The Hit Factory (New York City) ; Mastered at Gateway Mastering (Portland, Maine, US) Rob Thomas – writing, vocals ; Wendy Melvoin – guitar ; Mike Campbell – guitar ; Kyle Cook ... | [
"...Something to Be (song)\n\n\"...Something to Be\" is the title track and fourth single from Matchbox Twenty frontman Rob Thomas's solo debut album, ...Something to Be (2005). The song features guitar work from fellow Matchbox Twenty member Kyle Cook and Tom Petty and the Heartbreakers guitarist Mike Campbell. Re... |
...Somewhere_More_Familiar_13506268 | What does the article about '...Somewhere More Familiar' say regarding 'Sister Hazel'? | Ken Block: Lead Vocal, Acoustic Guitar ; Andrew Copeland: Rhythm Guitar, Harmony Vocals ; Ryan Newell: Lead & Slide Guitar, Backing Vocals ; Jett Beres: Bass, Backing Vocals ; Mark Trojanowski: Drums, Percussion | [
"...Somewhere More Familiar — Sister Hazel\n\nKen Block: Lead Vocal, Acoustic Guitar ; Andrew Copeland: Rhythm Guitar, Harmony Vocals ; Ryan Newell: Lead & Slide Guitar, Backing Vocals ; Jett Beres: Bass, Backing Vocals ; Mark Trojanowski: Drums, Percussion",
"...Somewhere More Familiar\n\n...Somewhere More Famil... |
...Somewhere_More_Familiar_13506266 | Summarize the following section from the article on '...Somewhere More Familiar'. | ...Somewhere More Familiar is the second studio album by the American alternative rock band Sister Hazel, released in 1997 by Universal Records. Although it only peaked at #47 in the U.S., it has gone platinum selling over a million copies. This album contained a re-recorded and more well known version of "All for You"... | [
"...Somewhere More Familiar — Sister Hazel\n\nKen Block: Lead Vocal, Acoustic Guitar ; Andrew Copeland: Rhythm Guitar, Harmony Vocals ; Ryan Newell: Lead & Slide Guitar, Backing Vocals ; Jett Beres: Bass, Backing Vocals ; Mark Trojanowski: Drums, Percussion",
"...Somewhere More Familiar\n\n...Somewhere More Famil... |
...Sounds_Like_This_22149195 | What does the article about '...Sounds Like This' say regarding 'Personnel'? | Roye Albrighton – lead vocals, guitars ; Allan "Taff" Freeman – keyboards, vocals ; Derek "Mo" Moore – bass, vocals ; Ron Howden – drums, percussion ; Mick Brockett – lights | [
"...Sounds Like This — Personnel\n\nRoye Albrighton – lead vocals, guitars ; Allan \"Taff\" Freeman – keyboards, vocals ; Derek \"Mo\" Moore – bass, vocals ; Ron Howden – drums, percussion ; Mick Brockett – lights",
"...Sounds Like This — Background and recording\n\nThe idea behind ...Sounds Like This, conceived ... |
...Sounds_Like_This_22149192 | Summarize the 'Background and recording' part of '...Sounds Like This'. | The idea behind ...Sounds Like This, conceived by the band themselves, was to create an album that recreated Nektar's live sound while avoiding the various recording and sound quality difficulties inherent to live recordings. To this end, on 12 October 1972 the band set up their gear in Dierks Studios and performed for... | [
"...Sounds Like This — Personnel\n\nRoye Albrighton – lead vocals, guitars ; Allan \"Taff\" Freeman – keyboards, vocals ; Derek \"Mo\" Moore – bass, vocals ; Ron Howden – drums, percussion ; Mick Brockett – lights",
"...Sounds Like This — Background and recording\n\nThe idea behind ...Sounds Like This, conceived ... |
...Sounds_Like_This_22149194 | Reconstruct the content about 'Reception' from the article on '...Sounds Like This'. | Allmusic's brief retrospective review dismissed ...Sounds Like This as "a step backward, with lighter, less ambitious songs that didn't work as well as their long form sound." | [
"...Sounds Like This — Personnel\n\nRoye Albrighton – lead vocals, guitars ; Allan \"Taff\" Freeman – keyboards, vocals ; Derek \"Mo\" Moore – bass, vocals ; Ron Howden – drums, percussion ; Mick Brockett – lights",
"...Sounds Like This — Background and recording\n\nThe idea behind ...Sounds Like This, conceived ... |
...Sounds_Like_This_22149193 | Based on the article about '...Sounds Like This', describe the 'Background and recording' section. | Future. Dissatisfied with the original master, Nektar and producer Peter Hauke opted to do a series of dubs and re-recordings, which took place in February. Of the tracks recorded during the original October session, only "Wings" appeared on the album in its original form, without dubbing or additional takes. Two songs... | [
"...Sounds Like This — Personnel\n\nRoye Albrighton – lead vocals, guitars ; Allan \"Taff\" Freeman – keyboards, vocals ; Derek \"Mo\" Moore – bass, vocals ; Ron Howden – drums, percussion ; Mick Brockett – lights",
"...Sounds Like This — Background and recording\n\nThe idea behind ...Sounds Like This, conceived ... |
...Start_Killing_23438699 | Explain what '...Start Killing' covers in the 'Track listing' section. | 1) "A Lesson Once Learned" - 5:27 ; 2) "Indulge in Genocide" - 3:33 ; 3) "Severe Facial Reconstruction" - 3:11 ; 4) "All Shall Perish" - 4:57 ; 5) "War On Creation" - 4:09 ; 6) "Eradicate the Weak" - 3:28 ; 7) "Scumkiller" - 4:52 ; 8) "Kingdoms Shall Fall" - 3:41 ; 9) "Faint Figure In Black" - 5:03 | [
"...Start Killing\n\n...Start Killing is the debut album by the Scottish technical death metal band Man Must Die released in 2004.",
"...Start Killing — Credits\n\nJoe McGlynn - vocals ; Alan McFarland - guitar ; Danny McNab - bass ; John Lee - drums",
"...Start Killing — Track listing\n\n1) \"A Lesson Once Lea... |
...Suki_xxx/0-ji_Mae_no_Tsunderella_902311 | Summarize the following section from the article on '...Suki xxx/0-ji Mae no Tsunderella'. | 「...Suki×××」/0-ji Mae no Cinderella ~Piano Ver.~ (「...好き×××」／0時前のツンデレラ 〜Ｐｉａｎｏ Ｖｅｒ．〜 / "...Like×××"/Cinderella Before Midnight) is the last single released by Japanese soloist misono for her studio album Me, and her sixteenth overall single. The single was released in CD, CD+DVD and a fan club CD+DVD edition. The single... | [
"...Suki xxx/0-ji Mae no Tsunderella\n\n「...Suki×××」/0-ji Mae no Cinderella ~Piano Ver.~ (「...好き×××」／0時前のツンデレラ 〜Ｐｉａｎｏ Ｖｅｒ．〜 / \"...Like×××\"/Cinderella Before Midnight) is the last single released by Japanese soloist misono for her studio album Me, and her sixteenth overall single. The single was released in CD, CD... |
...Suki_xxx/0-ji_Mae_no_Tsunderella_902313 | Reconstruct the content about 'Background' from the article on '...Suki xxx/0-ji Mae no Tsunderella'. | 1st • 2nd • 3rd Reviews~). The CD portion not only contained both a-sides and their corresponding instrumentals, but also alternate versions to her songs "Kimi to Watashi no Uta" and "music letter." The single contained the grunge/pop song "「...Suki×××」," which was written and arranged by musical composers Susumu Nishi... | [
"...Suki xxx/0-ji Mae no Tsunderella\n\n「...Suki×××」/0-ji Mae no Cinderella ~Piano Ver.~ (「...好き×××」／0時前のツンデレラ 〜Ｐｉａｎｏ Ｖｅｒ．〜 / \"...Like×××\"/Cinderella Before Midnight) is the last single released by Japanese soloist misono for her studio album Me, and her sixteenth overall single. The single was released in CD, CD... |
...Suki_xxx/0-ji_Mae_no_Tsunderella_902312 | From the article on '...Suki xxx/0-ji Mae no Tsunderella', restate the 'Background' content. | 「...Suki×××」/0-ji Mae no Cinderella ~Piano Ver.~ is the sixteenth single released by Japanese pop/rock artist misono. It became her sixth consecutive double a-side release. The single peaked at #8 on the daily Oricon Singles Charts, but dropped in rank to take the #15 spot, staying on the charts for two weeks. It was r... | [
"...Suki xxx/0-ji Mae no Tsunderella\n\n「...Suki×××」/0-ji Mae no Cinderella ~Piano Ver.~ (「...好き×××」／0時前のツンデレラ 〜Ｐｉａｎｏ Ｖｅｒ．〜 / \"...Like×××\"/Cinderella Before Midnight) is the last single released by Japanese soloist misono for her studio album Me, and her sixteenth overall single. The single was released in CD, CD... |
...Suki_xxx/0-ji_Mae_no_Tsunderella_902315 | Reconstruct the content about 'Music video' from the article on '...Suki xxx/0-ji Mae no Tsunderella'. | The music video for "「...Suki×××」" carried an overall grunge theme, with misono in several locations many United States and United Kingdom videos used in the early-to-late 1990s. These included a rundown skatepark and the inside of a building under construction. The video used low-lighting, along with a spotlight, some... | [
"...Suki xxx/0-ji Mae no Tsunderella\n\n「...Suki×××」/0-ji Mae no Cinderella ~Piano Ver.~ (「...好き×××」／0時前のツンデレラ 〜Ｐｉａｎｏ Ｖｅｒ．〜 / \"...Like×××\"/Cinderella Before Midnight) is the last single released by Japanese soloist misono for her studio album Me, and her sixteenth overall single. The single was released in CD, CD... |
...Suki_xxx/0-ji_Mae_no_Tsunderella_902314 | What information does the article about '...Suki xxx/0-ji Mae no Tsunderella' provide on 'Background'? | wondering how things would have turned out if they had been older and more mature. In contrast, "0-ji Mae no Tsunderella" was a song about how the fictional character Cinderella had felt after going to the ball and meeting the prince. The take was most likely from the 1950 cinematic Disney version of the fairy tale. "0... | [
"...Suki xxx/0-ji Mae no Tsunderella\n\n「...Suki×××」/0-ji Mae no Cinderella ~Piano Ver.~ (「...好き×××」／0時前のツンデレラ 〜Ｐｉａｎｏ Ｖｅｒ．〜 / \"...Like×××\"/Cinderella Before Midnight) is the last single released by Japanese soloist misono for her studio album Me, and her sixteenth overall single. The single was released in CD, CD... |
...There_and_Then_2654982 | What information does the article about '...There and Then' provide? | ...There and Then is a live video consisting of footage taken from three of Oasis' biggest shows from the 1995-96 "(What's the Story) Morning Glory?" tour. It was released first on VHS on 14 October 1996, then on DVD on 12 November 1997 and later re-released on DVD on 15 October 2001 which included bonus live audio tra... | [
"...There and Then\n\n...There and Then is a live video consisting of footage taken from three of Oasis' biggest shows from the 1995-96 \"(What's the Story) Morning Glory?\" tour. It was released first on VHS on 14 October 1996, then on DVD on 12 November 1997 and later re-released on DVD on 15 October 2001 which i... |
...There_and_Then_2654983 | Describe the 'Notes' section of the article about '...There and Then'. | Tracks 2, 3, 6, 7, 9, 12, 13, 14, 15, 16 and 18 were recorded at Maine Road, Manchester, England on 28 April 1996 ; Tracks 4, 5, 8, 10 and 11 were recorded at Earls Court, London, England on 4 November 1995 ; Track 17 was recorded at Earls Court, London, England on 5 November 1995. | [
"...There and Then\n\n...There and Then is a live video consisting of footage taken from three of Oasis' biggest shows from the 1995-96 \"(What's the Story) Morning Glory?\" tour. It was released first on VHS on 14 October 1996, then on DVD on 12 November 1997 and later re-released on DVD on 15 October 2001 which i... |
...There_and_Then_2654985 | From the article on '...There and Then', restate the 'Personnel' content. | Liam Gallagher – vocals ; Noel Gallagher – lead guitar, vocals ; Paul "Bonehead" Arthurs – rhythm guitar ; Paul McGuigan – bass guitar ; Alan White – drums, percussion | [
"...There and Then\n\n...There and Then is a live video consisting of footage taken from three of Oasis' biggest shows from the 1995-96 \"(What's the Story) Morning Glory?\" tour. It was released first on VHS on 14 October 1996, then on DVD on 12 November 1997 and later re-released on DVD on 15 October 2001 which i... |
...There_and_Then_2654984 | Describe the 'Bonus audio CD' section of the article about '...There and Then'. | 1) "Wonderwall" (Acoustic) (Recorded at Earls Court, London, England on 4 November 1995) ; 2) "Cigarettes & Alcohol" (Recorded at Maine Road, Manchester, England on 28 April 1996) ; 3) "Champagne Supernova" (featuring John Squire of The Stone Roses) (Recorded at Knebworth Park, Stevenage, Hertfordshire, England on 11 A... | [
"...There and Then\n\n...There and Then is a live video consisting of footage taken from three of Oasis' biggest shows from the 1995-96 \"(What's the Story) Morning Glory?\" tour. It was released first on VHS on 14 October 1996, then on DVD on 12 November 1997 and later re-released on DVD on 15 October 2001 which i... |
...Thirteen_Years_Later_9818446 | Summarize the 'Plot' part of '...Thirteen Years Later'. | its ring that it belonged to Niederman. When the sheriff shuts down production, Black theorizes that the killer may target the crew's hotel; he and Hollis arrive to find the body of the film's publicist hanging from a rope. The next day, a film extra (Gene Simmons) confesses to the killings; Black pokes holes in his st... | [
"...Thirteen Years Later — Plot\n\nits ring that it belonged to Niederman. When the sheriff shuts down production, Black theorizes that the killer may target the crew's hotel; he and Hollis arrive to find the body of the film's publicist hanging from a rope. The next day, a film extra (Gene Simmons) confesses to th... |
...Thirteen_Years_Later_9818444 | Based on the article about '...Thirteen Years Later', describe the 'Plot' section. | Federal Bureau of Investigation agents Frank Black (Lance Henriksen) and Emma Hollis (Klea Scott) travel to Travelers Rest, South Carolina to investigate the deaths of film director Lew Carroll (Paul Stanley) and Marta Danbury, the leading actress in his newest film. As the local sheriff guides Black and Hollis through... | [
"...Thirteen Years Later — Plot\n\nits ring that it belonged to Niederman. When the sheriff shuts down production, Black theorizes that the killer may target the crew's hotel; he and Hollis arrive to find the body of the film's publicist hanging from a rope. The next day, a film extra (Gene Simmons) confesses to th... |
...Thirteen_Years_Later_9818452 | From the article on '...Thirteen Years Later', restate the 'Broadcast and reception' content. | Black, but admitted that it "falls apart" when attempting to send up other subjects; she also felt that the guest appearance by Kiss felt unnecessary and contrived. Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated "...Thirteen Years... | [
"...Thirteen Years Later — Plot\n\nits ring that it belonged to Niederman. When the sheriff shuts down production, Black theorizes that the killer may target the crew's hotel; he and Hollis arrive to find the body of the film's publicist hanging from a rope. The next day, a film extra (Gene Simmons) confesses to th... |
...Thirteen_Years_Later_9818445 | Based on the article about '...Thirteen Years Later', describe the 'Plot' section. | of the deaths—producer Kenny Neiderman had been having an affair with Danbury; Rowdy Beeman replaced Carroll as director; Ruby Dahl and Ramona Tangent, whose roles in the film will expand without Danbury; and Mark Bianco, a method actor relishing the opportunity to meet Black, whose role he plays. Also questioned is Hu... | [
"...Thirteen Years Later — Plot\n\nits ring that it belonged to Niederman. When the sheriff shuts down production, Black theorizes that the killer may target the crew's hotel; he and Hollis arrive to find the body of the film's publicist hanging from a rope. The next day, a film extra (Gene Simmons) confesses to th... |
...Thirteen_Years_Later_9818447 | What does the article about '...Thirteen Years Later' say regarding 'Plot'? | the hotel, he visits the production's climactic shoot, set during a performance by the band Kiss. As he looks around him, the sheriff's body is thrown down from the rafters; as the pandemonium settles, Black realizes that horror films end with the leading lady being targeted—the killer is after Hollis. Racing back to h... | [
"...Thirteen Years Later — Plot\n\nits ring that it belonged to Niederman. When the sheriff shuts down production, Black theorizes that the killer may target the crew's hotel; he and Hollis arrive to find the body of the film's publicist hanging from a rope. The next day, a film extra (Gene Simmons) confesses to th... |
...Thirteen_Years_Later_9818449 | What does the article about '...Thirteen Years Later' say regarding 'Production'? | small cameo role. However, the band members insisted during filming that their roles be given an equal amount of dialogue, which led to Perry being asked to amend scenes on short notice and fax updated scripts to the shooting locations; ultimately much of this additional material was filmed but not used in the episode.... | [
"...Thirteen Years Later — Plot\n\nits ring that it belonged to Niederman. When the sheriff shuts down production, Black theorizes that the killer may target the crew's hotel; he and Hollis arrive to find the body of the film's publicist hanging from a rope. The next day, a film extra (Gene Simmons) confesses to th... |
...Thirteen_Years_Later_9818443 | Describe the content of the article about '...Thirteen Years Later'. | "...Thirteen Years Later" is the fifth episode of the third season of the American crime-thriller television series Millennium. It premiered on the Fox network on October 30, 1998. The episode was written by Michael R. Perry, and directed by Thomas J. Wright. "...Thirteen Years Later" featured guest appearances by the ... | [
"...Thirteen Years Later — Plot\n\nits ring that it belonged to Niederman. When the sheriff shuts down production, Black theorizes that the killer may target the crew's hotel; he and Hollis arrive to find the body of the film's publicist hanging from a rope. The next day, a film extra (Gene Simmons) confesses to th... |
...Thirteen_Years_Later_9818451 | From the article on '...Thirteen Years Later', restate the 'Broadcast and reception' content. | "...Thirteen Years Later" was first broadcast on the Fox network on October 30, 1998. The episode earned a Nielsen rating of 5.4 during its original broadcast, meaning that 5.4 percent of households in the United States viewed the episode. This represented approximately 5.37 million households. "...Thirteen Years Later... | [
"...Thirteen Years Later — Plot\n\nits ring that it belonged to Niederman. When the sheriff shuts down production, Black theorizes that the killer may target the crew's hotel; he and Hollis arrive to find the body of the film's publicist hanging from a rope. The next day, a film extra (Gene Simmons) confesses to th... |
...Thirteen_Years_Later_9818450 | What does the article about '...Thirteen Years Later' say regarding 'Production'? | long to fabricate. Perry has described the production "...Thirteen Years Later" as being "one of the most gruelling" of the series' run, citing its abundance of stunt work and physical effects as the cause of this. Perry praised Wright for his ability to direct the episode within the usual time constraints, as he felt ... | [
"...Thirteen Years Later — Plot\n\nits ring that it belonged to Niederman. When the sheriff shuts down production, Black theorizes that the killer may target the crew's hotel; he and Hollis arrive to find the body of the film's publicist hanging from a rope. The next day, a film extra (Gene Simmons) confesses to th... |
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