id stringlengths 24 24 | question stringlengths 1 270 | answer stringlengths 1 239 | documents listlengths 1 1 |
|---|---|---|---|
57064d5075f01819005e7b2d | What is important to note about where the tags are stored? | separate from the actual MP3 frame data | [
"MP3\n\nHowever, several de facto standards for tag formats exist. As of 2010, the most widespread are ID3v1 and ID3v2, and the more recently introduced APEv2. These tags are normally embedded at the beginning or end of MP3 files, separate from the actual MP3 frame data. MP3 decoders either extract information from... |
57064d5075f01819005e7b2e | If the MP3 decoders do not extract information from the tags, what do they do to them? | treat them as ignorable, non-MP3 junk data | [
"MP3\n\nHowever, several de facto standards for tag formats exist. As of 2010, the most widespread are ID3v1 and ID3v2, and the more recently introduced APEv2. These tags are normally embedded at the beginning or end of MP3 files, separate from the actual MP3 frame data. MP3 decoders either extract information from... |
57064fcc75f01819005e7b34 | What is the name given to the standard for measure and storing the loudness of an MP3 file? | ReplayGain | [
"MP3\n\nReplayGain is a standard for measuring and storing the loudness of an MP3 file (audio normalization) in its metadata tag, enabling a ReplayGain-compliant player to automatically adjust the overall playback volume for each file. MP3Gain may be used to reversibly modify files based on ReplayGain measurements ... |
57064fcc75f01819005e7b35 | What is measuring and storing loudness of an MP3 file also known as? | audio normalization | [
"MP3\n\nReplayGain is a standard for measuring and storing the loudness of an MP3 file (audio normalization) in its metadata tag, enabling a ReplayGain-compliant player to automatically adjust the overall playback volume for each file. MP3Gain may be used to reversibly modify files based on ReplayGain measurements ... |
57064fcc75f01819005e7b36 | What does the standard ReplayGain allow a player to automatically adjust? | the overall playback volume | [
"MP3\n\nReplayGain is a standard for measuring and storing the loudness of an MP3 file (audio normalization) in its metadata tag, enabling a ReplayGain-compliant player to automatically adjust the overall playback volume for each file. MP3Gain may be used to reversibly modify files based on ReplayGain measurements ... |
57064fcc75f01819005e7b37 | What program can be used to modify files based on ReplayGain measurements? | MP3Gain | [
"MP3\n\nReplayGain is a standard for measuring and storing the loudness of an MP3 file (audio normalization) in its metadata tag, enabling a ReplayGain-compliant player to automatically adjust the overall playback volume for each file. MP3Gain may be used to reversibly modify files based on ReplayGain measurements ... |
57064fcc75f01819005e7b38 | MP3Gain is important because it allows players without what capability to have adjusted playback? | ReplayGain capability | [
"MP3\n\nReplayGain is a standard for measuring and storing the loudness of an MP3 file (audio normalization) in its metadata tag, enabling a ReplayGain-compliant player to automatically adjust the overall playback volume for each file. MP3Gain may be used to reversibly modify files based on ReplayGain measurements ... |
5706520375f01819005e7b3e | Where is the basic MP3 decoding and technology patent free? | European Union | [
"MP3\n\nThe basic MP3 decoding and encoding technology is patent-free in the European Union, all patents having expired there. In the United States, the technology will be substantially patent-free on 31 December 2017 (see below). The majority of MP3 patents expired in the US between 2007 and 2015."
] |
5706520375f01819005e7b3f | What happened to the patents that caused them to be patent-free? | expired | [
"MP3\n\nThe basic MP3 decoding and encoding technology is patent-free in the European Union, all patents having expired there. In the United States, the technology will be substantially patent-free on 31 December 2017 (see below). The majority of MP3 patents expired in the US between 2007 and 2015."
] |
5706520375f01819005e7b40 | When will the technology be patent - free in the United States? | 31 December 2017 | [
"MP3\n\nThe basic MP3 decoding and encoding technology is patent-free in the European Union, all patents having expired there. In the United States, the technology will be substantially patent-free on 31 December 2017 (see below). The majority of MP3 patents expired in the US between 2007 and 2015."
] |
5706520375f01819005e7b41 | Between which years did most of the MP3 patents in the US expire? | 2007 and 2015 | [
"MP3\n\nThe basic MP3 decoding and encoding technology is patent-free in the European Union, all patents having expired there. In the United States, the technology will be substantially patent-free on 31 December 2017 (see below). The majority of MP3 patents expired in the US between 2007 and 2015."
] |
5706534d75f01819005e7b50 | What has many organizations claiming ownership of patents related to aspects of MP3 led to? | legal threats | [
"MP3\n\nIn the past, many organizations have claimed ownership of patents related to MP3 decoding or encoding. These claims led to a number of legal threats and actions from a variety of sources. As a result, uncertainty about which patents must be licensed in order to create MP3 products without committing patent ... |
5706534d75f01819005e7b51 | Legal threats and confusion made it difficult to ensure what about patents regarding MP3 products? | which patents must be licensed | [
"MP3\n\nIn the past, many organizations have claimed ownership of patents related to MP3 decoding or encoding. These claims led to a number of legal threats and actions from a variety of sources. As a result, uncertainty about which patents must be licensed in order to create MP3 products without committing patent ... |
5706534d75f01819005e7b52 | What was the danger of not correctly patenting products? | patent infringement | [
"MP3\n\nIn the past, many organizations have claimed ownership of patents related to MP3 decoding or encoding. These claims led to a number of legal threats and actions from a variety of sources. As a result, uncertainty about which patents must be licensed in order to create MP3 products without committing patent ... |
5706534d75f01819005e7b53 | At what stage of the technology were these problems prevalent? | early stages | [
"MP3\n\nIn the past, many organizations have claimed ownership of patents related to MP3 decoding or encoding. These claims led to a number of legal threats and actions from a variety of sources. As a result, uncertainty about which patents must be licensed in order to create MP3 products without committing patent ... |
570654ef75f01819005e7b58 | What became publicly available on 6 December 1991? | MPEG-1 standard | [
"MP3\n\nThe initial near-complete MPEG-1 standard (parts 1, 2 and 3) was publicly available on 6 December 1991 as ISO CD 11172. In most countries, patents cannot be filed after prior art has been made public, and patents expire 20 years after the initial filing date, which can be up to 12 months later for filings i... |
570654ef75f01819005e7b59 | When can patents not be filed in most countries? | after prior art has been made public | [
"MP3\n\nThe initial near-complete MPEG-1 standard (parts 1, 2 and 3) was publicly available on 6 December 1991 as ISO CD 11172. In most countries, patents cannot be filed after prior art has been made public, and patents expire 20 years after the initial filing date, which can be up to 12 months later for filings i... |
570654ef75f01819005e7b5a | How long does it take for patents to expire after being filed? | 20 years | [
"MP3\n\nThe initial near-complete MPEG-1 standard (parts 1, 2 and 3) was publicly available on 6 December 1991 as ISO CD 11172. In most countries, patents cannot be filed after prior art has been made public, and patents expire 20 years after the initial filing date, which can be up to 12 months later for filings i... |
570654ef75f01819005e7b5b | How long can it take for patents to be approved after initially being filed? | 12 months | [
"MP3\n\nThe initial near-complete MPEG-1 standard (parts 1, 2 and 3) was publicly available on 6 December 1991 as ISO CD 11172. In most countries, patents cannot be filed after prior art has been made public, and patents expire 20 years after the initial filing date, which can be up to 12 months later for filings i... |
570654ef75f01819005e7b5c | When did patents required to implement MP3 expire in most countries? | December 2012 | [
"MP3\n\nThe initial near-complete MPEG-1 standard (parts 1, 2 and 3) was publicly available on 6 December 1991 as ISO CD 11172. In most countries, patents cannot be filed after prior art has been made public, and patents expire 20 years after the initial filing date, which can be up to 12 months later for filings i... |
5706565675f01819005e7b62 | How long does it take for patents to expire in the United States? | 17 years after the publication date | [
"MP3\n\nAn exception is the United States, where patents filed prior to 8 June 1995 expire 17 years after the publication date of the patent, but application extensions make it possible for a patent to issue much later than normally expected (see submarine patents). The various MP3-related patents expire on dates r... |
5706565675f01819005e7b63 | A patent issue much later than normally expected can be referred to as what? | submarine patents | [
"MP3\n\nAn exception is the United States, where patents filed prior to 8 June 1995 expire 17 years after the publication date of the patent, but application extensions make it possible for a patent to issue much later than normally expected (see submarine patents). The various MP3-related patents expire on dates r... |
5706565675f01819005e7b64 | What year is the latest that MP3 related patents will expire on in the United States? | 2017 | [
"MP3\n\nAn exception is the United States, where patents filed prior to 8 June 1995 expire 17 years after the publication date of the patent, but application extensions make it possible for a patent to issue much later than normally expected (see submarine patents). The various MP3-related patents expire on dates r... |
5706565675f01819005e7b65 | Who holds the longest running MP3 patent in the United States? | Fraunhofer-Gesellschaft | [
"MP3\n\nAn exception is the United States, where patents filed prior to 8 June 1995 expire 17 years after the publication date of the patent, but application extensions make it possible for a patent to issue much later than normally expected (see submarine patents). The various MP3-related patents expire on dates r... |
5706565675f01819005e7b66 | Who administered the longest running MP3 patent in the United States? | Technicolor | [
"MP3\n\nAn exception is the United States, where patents filed prior to 8 June 1995 expire 17 years after the publication date of the patent, but application extensions make it possible for a patent to issue much later than normally expected (see submarine patents). The various MP3-related patents expire on dates r... |
5706587852bb8914006899ea | What was Technicolor's previous name? | Thomson Consumer Electronics | [
"MP3\n\nTechnicolor (formerly called Thomson Consumer Electronics) claims to control MP3 licensing of the Layer 3 patents in many countries, including the United States, Japan, Canada and EU countries. Technicolor has been actively enforcing these patents."
] |
5706587852bb8914006899eb | What patent does Technicolor claim to control? | Layer 3 | [
"MP3\n\nTechnicolor (formerly called Thomson Consumer Electronics) claims to control MP3 licensing of the Layer 3 patents in many countries, including the United States, Japan, Canada and EU countries. Technicolor has been actively enforcing these patents."
] |
5706587852bb8914006899ec | What are Technicolor constantly in the process of doing? | actively enforcing these patents | [
"MP3\n\nTechnicolor (formerly called Thomson Consumer Electronics) claims to control MP3 licensing of the Layer 3 patents in many countries, including the United States, Japan, Canada and EU countries. Technicolor has been actively enforcing these patents."
] |
570659e875f01819005e7b6c | When did the Fraunhofer institute send out a letter? | September 1998 | [
"MP3\n\nIn September 1998, the Fraunhofer Institute sent a letter to several developers of MP3 software stating that a license was required to \"distribute and/or sell decoders and/or encoders\". The letter claimed that unlicensed products \"infringe the patent rights of Fraunhofer and Thomson. To make, sell and/or... |
570659e875f01819005e7b6d | What did the letter claim would be required to distribute and/or sell decoders and/or encoders? | a license | [
"MP3\n\nIn September 1998, the Fraunhofer Institute sent a letter to several developers of MP3 software stating that a license was required to \"distribute and/or sell decoders and/or encoders\". The letter claimed that unlicensed products \"infringe the patent rights of Fraunhofer and Thomson. To make, sell and/or... |
570659e875f01819005e7b6e | What does selling unlicensed products mean that the seller is doing? | infringe the patent rights of Fraunhofer and Thomson | [
"MP3\n\nIn September 1998, the Fraunhofer Institute sent a letter to several developers of MP3 software stating that a license was required to \"distribute and/or sell decoders and/or encoders\". The letter claimed that unlicensed products \"infringe the patent rights of Fraunhofer and Thomson. To make, sell and/or... |
570659e875f01819005e7b6f | What can products not use if they want to avoid infringing on patent rights? | the [MPEG Layer-3] standard | [
"MP3\n\nIn September 1998, the Fraunhofer Institute sent a letter to several developers of MP3 software stating that a license was required to \"distribute and/or sell decoders and/or encoders\". The letter claimed that unlicensed products \"infringe the patent rights of Fraunhofer and Thomson. To make, sell and/or... |
57065a7c75f01819005e7b74 | Who was sued for patent infringement on MP3 technology? | Thomson | [
"MP3\n\nSisvel S.p.A. and its U.S. subsidiary Audio MPEG, Inc. previously sued Thomson for patent infringement on MP3 technology, but those disputes were resolved in November 2005 with Sisvel granting Thomson a license to their patents. Motorola followed soon after, and signed with Sisvel to license MP3-related pat... |
57065a7c75f01819005e7b75 | Who initially sued to protect their patent rights? | Sisvel S.p.A. | [
"MP3\n\nSisvel S.p.A. and its U.S. subsidiary Audio MPEG, Inc. previously sued Thomson for patent infringement on MP3 technology, but those disputes were resolved in November 2005 with Sisvel granting Thomson a license to their patents. Motorola followed soon after, and signed with Sisvel to license MP3-related pat... |
57065a7c75f01819005e7b76 | What did Sisvel grant Thomson to end the lawsuit? | a license to their patents | [
"MP3\n\nSisvel S.p.A. and its U.S. subsidiary Audio MPEG, Inc. previously sued Thomson for patent infringement on MP3 technology, but those disputes were resolved in November 2005 with Sisvel granting Thomson a license to their patents. Motorola followed soon after, and signed with Sisvel to license MP3-related pat... |
57065a7c75f01819005e7b77 | When did the majority of the patents held by Sisvel expire? | 2015 | [
"MP3\n\nSisvel S.p.A. and its U.S. subsidiary Audio MPEG, Inc. previously sued Thomson for patent infringement on MP3 technology, but those disputes were resolved in November 2005 with Sisvel granting Thomson a license to their patents. Motorola followed soon after, and signed with Sisvel to license MP3-related pat... |
57065a7c75f01819005e7b78 | When does the last patent held by Sisvel expire? | 9. April 2017 | [
"MP3\n\nSisvel S.p.A. and its U.S. subsidiary Audio MPEG, Inc. previously sued Thomson for patent infringement on MP3 technology, but those disputes were resolved in November 2005 with Sisvel granting Thomson a license to their patents. Motorola followed soon after, and signed with Sisvel to license MP3-related pat... |
57065bea75f01819005e7b7e | What did German officials seize from SanDisk on September 2006? | MP3 players | [
"MP3\n\nIn September 2006, German officials seized MP3 players from SanDisk's booth at the IFA show in Berlin after an Italian patents firm won an injunction on behalf of Sisvel against SanDisk in a dispute over licensing rights. The injunction was later reversed by a Berlin judge, but that reversal was in turn blo... |
57065bea75f01819005e7b7f | At which show did SanDisk have their assets seized? | IFA | [
"MP3\n\nIn September 2006, German officials seized MP3 players from SanDisk's booth at the IFA show in Berlin after an Italian patents firm won an injunction on behalf of Sisvel against SanDisk in a dispute over licensing rights. The injunction was later reversed by a Berlin judge, but that reversal was in turn blo... |
57065bea75f01819005e7b80 | Which company was the Italian patents firm representing? | Sisvel | [
"MP3\n\nIn September 2006, German officials seized MP3 players from SanDisk's booth at the IFA show in Berlin after an Italian patents firm won an injunction on behalf of Sisvel against SanDisk in a dispute over licensing rights. The injunction was later reversed by a Berlin judge, but that reversal was in turn blo... |
57065bea75f01819005e7b81 | What happened after the injunction was successful? | The injunction was later reversed | [
"MP3\n\nIn September 2006, German officials seized MP3 players from SanDisk's booth at the IFA show in Berlin after an Italian patents firm won an injunction on behalf of Sisvel against SanDisk in a dispute over licensing rights. The injunction was later reversed by a Berlin judge, but that reversal was in turn blo... |
57065bea75f01819005e7b82 | The continuous back and forth regarding the decisions on patents was referred to as what? | bringing the Patent Wild West to Germany | [
"MP3\n\nIn September 2006, German officials seized MP3 players from SanDisk's booth at the IFA show in Berlin after an Italian patents firm won an injunction on behalf of Sisvel against SanDisk in a dispute over licensing rights. The injunction was later reversed by a Berlin judge, but that reversal was in turn blo... |
57065e2352bb8914006899f0 | Who sued Apple, Samsung Electronics and Sandisk in 2007? | Texas MP3 Technologies | [
"MP3\n\nIn February 2007, Texas MP3 Technologies sued Apple, Samsung Electronics and Sandisk in eastern Texas federal court, claiming infringement of a portable MP3 player patent that Texas MP3 said it had been assigned. Apple, Samsung, and Sandisk all settled the claims against them in January 2009."
] |
57065e2352bb8914006899f1 | Which court did the lawsuit take place in? | eastern Texas federal court | [
"MP3\n\nIn February 2007, Texas MP3 Technologies sued Apple, Samsung Electronics and Sandisk in eastern Texas federal court, claiming infringement of a portable MP3 player patent that Texas MP3 said it had been assigned. Apple, Samsung, and Sandisk all settled the claims against them in January 2009."
] |
57065e2352bb8914006899f2 | What was the claim that the lawsuit was based on? | infringement of a portable MP3 player patent | [
"MP3\n\nIn February 2007, Texas MP3 Technologies sued Apple, Samsung Electronics and Sandisk in eastern Texas federal court, claiming infringement of a portable MP3 player patent that Texas MP3 said it had been assigned. Apple, Samsung, and Sandisk all settled the claims against them in January 2009."
] |
57065e2352bb8914006899f3 | What action did the three companies being sued take? | all settled the claims against them | [
"MP3\n\nIn February 2007, Texas MP3 Technologies sued Apple, Samsung Electronics and Sandisk in eastern Texas federal court, claiming infringement of a portable MP3 player patent that Texas MP3 said it had been assigned. Apple, Samsung, and Sandisk all settled the claims against them in January 2009."
] |
57065e2352bb8914006899f4 | What year did the lawsuits end? | 2009 | [
"MP3\n\nIn February 2007, Texas MP3 Technologies sued Apple, Samsung Electronics and Sandisk in eastern Texas federal court, claiming infringement of a portable MP3 player patent that Texas MP3 said it had been assigned. Apple, Samsung, and Sandisk all settled the claims against them in January 2009."
] |
5706605352bb8914006899fa | Which company allegedly inherited MP3 patents from AT&T-Bell LAbs? | Alcatel-Lucent | [
"MP3\n\nAlcatel-Lucent has asserted several MP3 coding and compression patents, allegedly inherited from AT&T-Bell Labs, in litigation of its own. In November 2006, before the companies' merger, Alcatel sued Microsoft for allegedly infringing seven patents. On 23 February 2007, a San Diego jury awarded Alcatel-Luce... |
5706605352bb8914006899fb | What kind of patents were allegedly inherited? | MP3 coding and compression | [
"MP3\n\nAlcatel-Lucent has asserted several MP3 coding and compression patents, allegedly inherited from AT&T-Bell Labs, in litigation of its own. In November 2006, before the companies' merger, Alcatel sued Microsoft for allegedly infringing seven patents. On 23 February 2007, a San Diego jury awarded Alcatel-Luce... |
5706605352bb8914006899fc | How many patents did Alcatel claim Microsoft infringed on? | seven | [
"MP3\n\nAlcatel-Lucent has asserted several MP3 coding and compression patents, allegedly inherited from AT&T-Bell Labs, in litigation of its own. In November 2006, before the companies' merger, Alcatel sued Microsoft for allegedly infringing seven patents. On 23 February 2007, a San Diego jury awarded Alcatel-Luce... |
5706605352bb8914006899fd | How much money was awarded to Alcatel by a San Diego jury? | US $1.52 billion | [
"MP3\n\nAlcatel-Lucent has asserted several MP3 coding and compression patents, allegedly inherited from AT&T-Bell Labs, in litigation of its own. In November 2006, before the companies' merger, Alcatel sued Microsoft for allegedly infringing seven patents. On 23 February 2007, a San Diego jury awarded Alcatel-Luce... |
5706605352bb8914006899fe | What subsequently happened after Alcatel was awarded damages? | The court subsequently tossed the award | [
"MP3\n\nAlcatel-Lucent has asserted several MP3 coding and compression patents, allegedly inherited from AT&T-Bell Labs, in litigation of its own. In November 2006, before the companies' merger, Alcatel sued Microsoft for allegedly infringing seven patents. On 23 February 2007, a San Diego jury awarded Alcatel-Luce... |
5706635252bb891400689a0c | AAC, mp3PRO and MP2 are all members of the same technological family as which other lossy format? | MP3 | [
"MP3\n\nOther lossy formats exist. Among these, mp3PRO, AAC, and MP2 are all members of the same technological family as MP3 and depend on roughly similar psychoacoustic models. The Fraunhofer Gesellschaft owns many of the basic patents underlying these formats as well, with others held by Dolby Labs, Sony, Thomson... |
5706635252bb891400689a0d | What model type do all of the lossy formats roughly depend on? | psychoacoustic | [
"MP3\n\nOther lossy formats exist. Among these, mp3PRO, AAC, and MP2 are all members of the same technological family as MP3 and depend on roughly similar psychoacoustic models. The Fraunhofer Gesellschaft owns many of the basic patents underlying these formats as well, with others held by Dolby Labs, Sony, Thomson... |
5706635252bb891400689a0e | Which company owns many of the patents that cover the other formats? | Fraunhofer Gesellschaft | [
"MP3\n\nOther lossy formats exist. Among these, mp3PRO, AAC, and MP2 are all members of the same technological family as MP3 and depend on roughly similar psychoacoustic models. The Fraunhofer Gesellschaft owns many of the basic patents underlying these formats as well, with others held by Dolby Labs, Sony, Thomson... |
5706649675f01819005e7b92 | Opus and Vorbis are two explans of what kind of compression format? | open | [
"MP3\n\nThere are also open compression formats like Opus and Vorbis that are available free of charge and without any known patent restrictions. Some of the newer audio compression formats, such as AAC, WMA Pro and Vorbis, are free of some limitations inherent to the MP3 format that cannot be overcome by any MP3 e... |
5706649675f01819005e7b93 | Being open formats means that Opus and Vorbis can be used without what? | any known patent restrictions | [
"MP3\n\nThere are also open compression formats like Opus and Vorbis that are available free of charge and without any known patent restrictions. Some of the newer audio compression formats, such as AAC, WMA Pro and Vorbis, are free of some limitations inherent to the MP3 format that cannot be overcome by any MP3 e... |
5706649675f01819005e7b94 | What are some benefits to some of the newer audio compression formats when compared to MP3? | free of some limitations inherent to the MP3 format | [
"MP3\n\nThere are also open compression formats like Opus and Vorbis that are available free of charge and without any known patent restrictions. Some of the newer audio compression formats, such as AAC, WMA Pro and Vorbis, are free of some limitations inherent to the MP3 format that cannot be overcome by any MP3 e... |
5706649675f01819005e7b95 | How can one obtain an open compression format such as Opus or Vorbis? | available free of charge | [
"MP3\n\nThere are also open compression formats like Opus and Vorbis that are available free of charge and without any known patent restrictions. Some of the newer audio compression formats, such as AAC, WMA Pro and Vorbis, are free of some limitations inherent to the MP3 format that cannot be overcome by any MP3 e... |
5706653e75f01819005e7b9a | What is a significant alternative to MP3? | lossless formats | [
"MP3\n\nBesides lossy compression methods, lossless formats are a significant alternative to MP3 because they provide unaltered audio content, though with an increased file size compared to lossy compression. Lossless formats include FLAC (Free Lossless Audio Codec), Apple Lossless and many others."
] |
5706653e75f01819005e7b9b | What can lossless formats provide? | unaltered audio content | [
"MP3\n\nBesides lossy compression methods, lossless formats are a significant alternative to MP3 because they provide unaltered audio content, though with an increased file size compared to lossy compression. Lossless formats include FLAC (Free Lossless Audio Codec), Apple Lossless and many others."
] |
5706653e75f01819005e7b9c | What is the downside of using a lossless format? | increased file size | [
"MP3\n\nBesides lossy compression methods, lossless formats are a significant alternative to MP3 because they provide unaltered audio content, though with an increased file size compared to lossy compression. Lossless formats include FLAC (Free Lossless Audio Codec), Apple Lossless and many others."
] |
5706653e75f01819005e7b9d | What is another example of a lossless format other than Apple Lossless? | FLAC | [
"MP3\n\nBesides lossy compression methods, lossless formats are a significant alternative to MP3 because they provide unaltered audio content, though with an increased file size compared to lossy compression. Lossless formats include FLAC (Free Lossless Audio Codec), Apple Lossless and many others."
] |
5706653e75f01819005e7b9e | What does FLAC stand for? | Free Lossless Audio Codec | [
"MP3\n\nBesides lossy compression methods, lossless formats are a significant alternative to MP3 because they provide unaltered audio content, though with an increased file size compared to lossy compression. Lossless formats include FLAC (Free Lossless Audio Codec), Apple Lossless and many others."
] |
5706924752bb891400689a76 | What city did House music originate from? | Chicago | [
"House_music\n\nHouse music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized in Chicago, circa 1984. House music quickly spread to other American cities such as Detroit, New York City, and Newark – all of which developed their own regional scenes. In t... |
5706924752bb891400689a77 | What decade did House music first develop? | 1980s | [
"House_music\n\nHouse music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized in Chicago, circa 1984. House music quickly spread to other American cities such as Detroit, New York City, and Newark – all of which developed their own regional scenes. In t... |
5706924752bb891400689a78 | What year was House music first popularized? | 1984 | [
"House_music\n\nHouse music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized in Chicago, circa 1984. House music quickly spread to other American cities such as Detroit, New York City, and Newark – all of which developed their own regional scenes. In t... |
5706924752bb891400689a79 | What genre does House music fall into? | electronic dance music | [
"House_music\n\nHouse music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized in Chicago, circa 1984. House music quickly spread to other American cities such as Detroit, New York City, and Newark – all of which developed their own regional scenes. In t... |
5706924752bb891400689a7a | What song by MARRS was an early House hit in 1987? | "Pump Up The Volume" | [
"House_music\n\nHouse music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized in Chicago, circa 1984. House music quickly spread to other American cities such as Detroit, New York City, and Newark – all of which developed their own regional scenes. In t... |
570692ee75f01819005e7c18 | House music is characterized by what type of beats? | 4/4 beats | [
"House_music\n\nEarly house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic, and th... |
570692ee75f01819005e7c19 | What are some subgenres of House music? | euro house, tech house, electro house and jump house | [
"House_music\n\nEarly house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic, and th... |
570692ee75f01819005e7c1a | What are rhythms provided by in House music? | drum machines | [
"House_music\n\nEarly house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic, and th... |
570692ee75f01819005e7c1b | What are some differences between House and Disco music? | it was more electronic and minimalistic | [
"House_music\n\nEarly house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic, and th... |
570692ee75f01819005e7c1c | What type of music is House based on? | dance-based music | [
"House_music\n\nEarly house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic, and th... |
5706950a52bb891400689a9c | When was the second wave of progressive house? | 1999–2001 | [
"House_music\n\nIn the late 1980s, many local Chicago house music artists suddenly found themselves presented with major label deals. House music proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna, Janet Jackson, Paula... |
5706950a52bb891400689a9d | What are some popular subgenres of House? | G-house, Deep House, Tech House and Bass House | [
"House_music\n\nIn the late 1980s, many local Chicago house music artists suddenly found themselves presented with major label deals. House music proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna, Janet Jackson, Paula... |
5706950a52bb891400689a9e | where is house music extremely popular? | both clubs and in the mainstream pop scene | [
"House_music\n\nIn the late 1980s, many local Chicago house music artists suddenly found themselves presented with major label deals. House music proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna, Janet Jackson, Paula... |
5706950a52bb891400689a9f | What variation of house music was produced by artists such as Madonna and Kylie Minogue? | a more mainstream pop-based variation | [
"House_music\n\nIn the late 1980s, many local Chicago house music artists suddenly found themselves presented with major label deals. House music proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna, Janet Jackson, Paula... |
570695a652bb891400689aa4 | What instruments did disco songs incorporate from house music? | synthesizers and drum machines | [
"House_music\n\nVarious disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single \"I Feel Love\" from 1977, Cerrone's \"Supernature\" (1977), Yellow Magic ... |
570695a652bb891400689aa5 | who produced Donna Summer's hit single "I Feel Love"? | Giorgio Moroder | [
"House_music\n\nVarious disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single \"I Feel Love\" from 1977, Cerrone's \"Supernature\" (1977), Yellow Magic ... |
570695a652bb891400689aa6 | what sort of music did Hi-NRG group Lime produce? | 1980s disco-pop | [
"House_music\n\nVarious disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single \"I Feel Love\" from 1977, Cerrone's \"Supernature\" (1977), Yellow Magic ... |
570695a652bb891400689aa7 | What year did Cerrone's "Supernature" get released? | 1977 | [
"House_music\n\nVarious disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single \"I Feel Love\" from 1977, Cerrone's \"Supernature\" (1977), Yellow Magic ... |
570695a652bb891400689aa8 | What year was solid state survivor released? | 1979 | [
"House_music\n\nVarious disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single \"I Feel Love\" from 1977, Cerrone's \"Supernature\" (1977), Yellow Magic ... |
5706962d52bb891400689aae | What influenced House music? | Soul and disco | [
"House_music\n\nSoul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and p... |
5706962d52bb891400689aaf | What type of producer was Frankie Knuckles? | Early house producers | [
"House_music\n\nSoul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and p... |
5706962d52bb891400689ab0 | what did Frankie Knuckles use to create his compositions? | samplers, synthesizers, sequencers, and drum machines | [
"House_music\n\nSoul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and p... |
5706969952bb891400689ab4 | What was the name of Charanjit Singh's 1982 album? | Synthesizing: Ten Ragas to a Disco Beat | [
"House_music\n\nThe electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's... |
5706969952bb891400689ab5 | What did Singh's album contain? | Indian ragas performed in a disco style | [
"House_music\n\nThe electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's... |
5706969952bb891400689ab6 | What year was synthesizing: ten ragas to a disco beat released? | 1982 | [
"House_music\n\nThe electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's... |
5706969952bb891400689ab7 | What sort of arrangement did Charanjit Singh use on his 1982 album? | minimal arrangement | [
"House_music\n\nThe electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's... |
57069abf75f01819005e7c36 | Who is Rachel Cain? | co-founder of an influential Trax Records | [
"House_music\n\nRachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily st... |
57069abf75f01819005e7c37 | Who were Frankie Knuckles and ron hardy? | two influential pioneers of house music | [
"House_music\n\nRachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily st... |
57069abf75f01819005e7c38 | what was the nickname of frankie knuckles? | "the Godfather of House," | [
"House_music\n\nRachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily st... |
57069abf75f01819005e7c39 | marshall jefferson got involved in house music after hearing whose music? | Ron Hardy's | [
"House_music\n\nRachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily st... |
57069abf75f01819005e7c3a | what was ron hardy's music released in? | Muzic Box | [
"House_music\n\nRachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily st... |
57069b2452bb891400689abc | who were the chicago radio jocks that played dance music in the early 1980s? | The Hot Mix 5 | [
"House_music\n\nIn the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop m... |
57069b2452bb891400689abd | what style of music did man parrish play? | B-Boy hip hop music | [
"House_music\n\nIn the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop m... |
57069b2452bb891400689abe | what style of music did afrika bambaataa play? | electro funk | [
"House_music\n\nIn the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop m... |
57069b2452bb891400689abf | what style of music did kraftwerk play? | electronic pop music | [
"House_music\n\nIn the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop m... |
57069b2452bb891400689ac0 | how did producers sometimes make edits of house music? | reel-to-reel tape | [
"House_music\n\nIn the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop m... |
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