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Well, we spent enough time building the damn thing, might as well use it. | A bit sadistic, don't you think, Captain...? |
What are you doing on Theo's line? | Taking messages. |
Taking messages. | He ran out on me to be with you? Well fuck him! Everything worked twice as good without him. We didn't need him then and I don't need him now. |
He ran out on me to be with you? Well fuck him! Everything worked twice as good without him. We didn't need him then and I don't need him now. | I'm sure he'll be heartbroken. |
I'm sure he'll be heartbroken. | I know he's there! He doesn't even have the balls to pick up the phone! |
I know he's there! He doesn't even have the balls to pick up the phone! | I won't let him. He belongs to me now. Bye, sweetie. |
Have you got to tell her your life story? | This is my conversation. I'll say what I fucking please. |
This is my conversation. I'll say what I fucking please. | Wake up. Make a right at Ocean Avenue. The hotel's a few blocks up on the left. |
Say something ... | Me, he won't stay on the phone with for five fucking minutes without bitching. |
Me, he won't stay on the phone with for five fucking minutes without bitching. | I'm trying to help somebody. Okay? |
I'm trying to help somebody. Okay? | He's at it again. Like that night at the Emerald. This piece of Euro-trash is slapping shit out of his little wife in a back booth -- so Mr. Good Deed here has got to step in and pound the fucker's head into the wall. Meantime "Wifey" recovers enough to pull off her high heel and nearly take our hero's eye out. It ... |
He's at it again. Like that night at the Emerald. This piece of Euro-trash is slapping shit out of his little wife in a back booth -- so Mr. Good Deed here has got to step in and pound the fucker's head into the wall. Meantime "Wifey" recovers enough to pull off her high heel and nearly take our hero's eye out. It ... | How was I in the wrong? |
Lady, don't let him do it! | You got it wrong. I'm the one that's on your side. |
You got it wrong. I'm the one that's on your side. | You almost brain me and lock me in a fucking trunk and you're on my side? You stupid fuck! |
It took you long enough to get my ass out. | With all those holes Nels pumped in I knew you wouldn't suffocate. |
With all those holes Nels pumped in I knew you wouldn't suffocate. | You can tell she was really worried about me. |
Just hand up on the bitch! Fuck you, madam. And goodbye! | That's what I deserve for listening in the first place. |
I don't like anybody laying their hands on me. | Just like they say; no fucking self control. |
Just like they say; no fucking self control. | If you know that just back off. |
If you know that just back off. | Shit. There's the hotel. You overshot the driveway. |
Shit. There's the hotel. You overshot the driveway. | And stop with the directions. |
And stop with the directions. | Make a "U" and go back. |
Make a "U" and go back. | That's illegal. You want us pulled over? I'll turn around at the corner if you'll shut the fuck up. |
That's illegal. You want us pulled over? I'll turn around at the corner if you'll shut the fuck up. | <u>You're</u> doing all the talk. |
We still gotta run the drill before we walk in that lobby. | Go ahead then. I'm covering the receiver. She can't hear. |
Go ahead then. I'm covering the receiver. She can't hear. | First off, this Mr. Chow Yen doesn't speak a lot of English. The girl with him will interpret. There will be a third person to accompany you into the men's room where you can take count. I hope you know Krugerands better than they know a <u>Hockney</u>. |
First off, this Mr. Chow Yen doesn't speak a lot of English. The girl with him will interpret. There will be a third person to accompany you into the men's room where you can take count. I hope you know Krugerands better than they know a <u>Hockney</u>. | I improved on the fucking original. |
I improved on the fucking original. | Let's hope so. Once you come out and okay everything I'll give Caitlin the sign that she can bring the painting on over. |
Let's hope so. Once you come out and okay everything I'll give Caitlin the sign that she can bring the painting on over. | It's rolled up in the tube on the floor back there. |
Don't fuck around. Pop a cap in him. | Allow me. |
Lady, try making some sense. | You may be our only chance. I don't know if I can do this again. |
You may be our only chance. I don't know if I can do this again. | What'd you do! Just pick my number out of the air? |
What'd you do! Just pick my number out of the air? | They smashed the phone. I've been clicking the loose wires together hoping it'd make a connection. |
They smashed the phone. I've been clicking the loose wires together hoping it'd make a connection. | Who smashed the phone? |
Who smashed the phone? | They're holding my husband downstairs. |
They're holding my husband downstairs. | Sure. And they left you upstairs to make phone calls? |
Sure. And they left you upstairs to make phone calls? | They gave me pills to make me sleep. They didn't realize how much Seconal I'm used to -- that I'd have so much tolerance -- |
They gave me pills to make me sleep. They didn't realize how much Seconal I'm used to -- that I'd have so much tolerance -- | Well I'm not tolerant of being bothered with this bullshit story when I'm about to make the most important score of my life. This has gotta be some "put-on," right? |
Well I'm not tolerant of being bothered with this bullshit story when I'm about to make the most important score of my life. This has gotta be some "put-on," right? | I'm sorry. I'm so sorry to do this to you. |
I'm sorry. I'm so sorry to do this to you. | You're not doing anything to me -- because -- listen to this carefully -- I do not care. |
You're not doing anything to me -- because -- listen to this carefully -- I do not care. | I don't believe you. |
I don't believe you. | You're the one who's not to be believed. |
You're the one who's not to be believed. | My name is -- |
My name is -- | I don't want to know -- |
I don't want to know -- | My name is Lenore Oberfeld. |
My name is Lenore Oberfeld. | Don't expect me to tell you who I am. |
Don't expect me to tell you who I am. | I realize you don't want to be involved. |
I realize you don't want to be involved. | I am not involved. Keep clicking your little wires. You'll get someone else. Good luck. |
I am not involved. Keep clicking your little wires. You'll get someone else. Good luck. | You won't disconnect. |
You won't disconnect. | Oh won't I? |
Oh won't I? | Because you know you'll be killing us. |
Because you know you'll be killing us. | Don't lay this on me! |
Don't lay this on me! | Then hang up! Do it! |
He's right. You'll get my whole family killed. | He's right? Look, don't try to put blood on my hands. You've got one hell of a nerve siding with him! |
Where's the fucking recharger cord? Must be in her car, dammit. | How much time do you have left on it? |
How much time do you have left on it? | I don't know. 80 or 90 minutes, tops. |
I don't know. 80 or 90 minutes, tops. | Why didn't you do what your friends wanted and just -- get rid of me? |
Why didn't you do what your friends wanted and just -- get rid of me? | I don't know. I hung up on somebody else a long time ago, and later on I wished I hadn't of. |
I don't know. I hung up on somebody else a long time ago, and later on I wished I hadn't of. | A woman? |
A woman? | Hey drop it, okay? |
Hey drop it, okay? | I didn't mean to open up any old wounds. |
I didn't mean to open up any old wounds. | It never healed. I called her a lying bitch and everything else and I hung up on her. "Click." You don't exist. |
It never healed. I called her a lying bitch and everything else and I hung up on her. "Click." You don't exist. | And that was the end of it? |
And that was the end of it? | I sure as hell got my wish. She doesn't exist. So maybe you reached the appropriate person after all. |
I sure as hell got my wish. She doesn't exist. So maybe you reached the appropriate person after all. | I'm sorry if I caused you to lose your business deal. |
I'm sorry if I caused you to lose your business deal. | Well you did. |
I suppose if you're a struggling artist you need a patron. | Lady, you don't have to keep up a running commentary. |
Lady, you don't have to keep up a running commentary. | I'm afraid if I stop talking I'll lose you. Just name any reasonable amount and it's yours. |
I'm afraid if I stop talking I'll lose you. Just name any reasonable amount and it's yours. | Shit, stop with the money! I never asked for a nickel. I was just doing this. And you have to fuck it up with a price tag. |
Shit, stop with the money! I never asked for a nickel. I was just doing this. And you have to fuck it up with a price tag. | I didn't mean to. It's just the way I am. |
I didn't mean to. It's just the way I am. | A price on everything. |
A price on everything. | I wasn't always like that. I don't think I was. |
I wasn't always like that. I don't think I was. | I'm about ten blocks from the school. |
I'm about ten blocks from the school. | I have no right to ask for help. I've never thought of anybody but myself. |
I have no right to ask for help. I've never thought of anybody but myself. | That makes two of us. |
That makes two of us. | You're breaking up. I can't hear you. Theo? |
You're not Lenore Oberfeld. | There isn't any such person. |
There isn't any such person. | Whose money is this? |
Whose money is this? | It belongs to the man you took it from. Or should I saw <u>stole</u> it from? |
It belongs to the man you took it from. Or should I saw <u>stole</u> it from? | The guy with the transplant. |
The guy with the transplant. | Jack Oberfeld in person. Did you kill him? |
Jack Oberfeld in person. Did you kill him? | Damned if I know. |
Damned if I know. | The video cameras will put you with him in the bank, and I'll bet there were enough witnesses. |
The video cameras will put you with him in the bank, and I'll bet there were enough witnesses. | At least one. |
At least one. | Plus they'll remember you going after his daughter at school. |
Plus they'll remember you going after his daughter at school. | You timed that beautifully. |
You timed that beautifully. | They always pick Rachel up early on Thursday. |
They always pick Rachel up early on Thursday. | I got what I fucking deserved. I had it all. I could've kept going! |
I got what I fucking deserved. I had it all. I could've kept going! | As they say -- no good deed goes unpunished. |
As they say -- no good deed goes unpunished. | And all that crap about your driver being murdered by a cop -- |
And all that crap about your driver being murdered by a cop -- | I thought it was inspired. |
I thought it was inspired. | There was <u>no</u> cop involved. Oh shit! Fuck! |
Tell them I'm keeping what's left. I earned it. I probably killed some poor bastard for it. | He seems to think he's entitled to it all. |
He seems to think he's entitled to it all. | Not all. They already have a third. The question is how much of that are they willing to give to get you back? |
Not all. They already have a third. The question is how much of that are they willing to give to get you back? | You won't shoot me. That's not your style. |
You won't shoot me. That's not your style. | We might hit a bump and the gun might go off. Ever see that Tarantino movie -- where Travolta blew that guy away in the back seat -- purely by accident? |
We might hit a bump and the gun might go off. Ever see that Tarantino movie -- where Travolta blew that guy away in the back seat -- purely by accident? | Do you have to point that? |
Do you have to point that? | Absolutely. And Topanga Canyon has a hell of a lot of potholes if I recall. |
Absolutely. And Topanga Canyon has a hell of a lot of potholes if I recall. | He seems to be headed for Topanga. |
He seems to be headed for Topanga. | I'm not trying to lose them. Nor am I exceeding any speed limits. |
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