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You look like Robinson after that last LaMotta fight. 'Course LaMotta looked a lot worse. So you're twenty-two, right? | Man, why do you keep asking me that? |
Man, why do you keep asking me that? | Just getting my facts straight. Twenty-two makes it a gas chamber bounce. You should have pulled this caper a couple of years ago. Get life, do a little Youth Authority jolt, transfer to Folsom a big man. Orbit on some of that good prison brew, get yourself a sissy -- |
Just getting my facts straight. Twenty-two makes it a gas chamber bounce. You should have pulled this caper a couple of years ago. Get life, do a little Youth Authority jolt, transfer to Folsom a big man. Orbit on some of that good prison brew, get yourself a sissy -- | I never truck with no sissies! |
I never truck with no sissies! | That fucking Larry. I almost believed him. |
That fucking Larry. I almost believed him. | Believed what? |
Believed what? | Nothing, Ray. That Larry, he's a pisser. You did the Casitas Youth Camp with him, didn't you? |
Nothing, Ray. That Larry, he's a pisser. You did the Casitas Youth Camp with him, didn't you? | Man, why're you talkin' about Larry? His business is his business. |
And? | In my car. Blackmail shit. The trunk under the carpet. Patchett got me to photograph a cop fucking this gorgeous cunt Lynn, looks just like Veronicaaa -- |
I'm loathe to kill my brother officers, Edmund. | Tell that to Jack Vincennes. To Stensland. |
Tell that to Jack Vincennes. To Stensland. | Jack was a shame, but Dick Stensland had the audacity to try to sell me my own heroin. Through his whore girl friend. I sent him to make the buy. The rest is history. |
Jack was a shame, but Dick Stensland had the audacity to try to sell me my own heroin. Through his whore girl friend. I sent him to make the buy. The rest is history. | Why? |
Why? | A vacuum, Edmund. That's what we have in Los Angeles. Sending Mickey Cohen up created it. My containment work maintained it. Certain photographs guarantee it. Organized crime has been held back, but there's still a demand for the services it provides. |
A vacuum, Edmund. That's what we have in Los Angeles. Sending Mickey Cohen up created it. My containment work maintained it. Certain photographs guarantee it. Organized crime has been held back, but there's still a demand for the services it provides. | And now you'll provide them. |
And now you'll provide them. | Absolutely. Prostitution and gambling are victimless crimes. The heroin we'll run down to the coloreds. Anesthetize them. As long as it's not a middle class problem, no one will care. It's still a crime free city... for respectable people. |
You're the key witness? | That's right. |
That's right. | I should've known. What's the Chief throwing you? |
I should've known. What's the Chief throwing you? | <u>Throwing me</u>? |
<u>Throwing me</u>? | Yeah, Exley. What's the payoff? |
Yeah, Exley. What's the payoff? | You're the payoff expert. I'm just doing my duty. |
You're the payoff expert. I'm just doing my duty. | You're playing an angle, college boy. You're getting something out of this so you don't have to hobnob with the fucking rank and file cops who'll hate your guts for snitching. If they're making you a detective, watch out. Some Bureau guys are gonna burn in this and you're gonna have to work with friends of theirs. |
You're playing an angle, college boy. You're getting something out of this so you don't have to hobnob with the fucking rank and file cops who'll hate your guts for snitching. If they're making you a detective, watch out. Some Bureau guys are gonna burn in this and you're gonna have to work with friends of theirs. | What about you? |
What about you? | I'm snitching three old timers who'll be fishing in Oregon next week. Next to you I'm clean. And smart. |
I'm trying to figure what angle you're playing <u>this</u> time, but I sure as hell can't see one. | I've given up angles for awhile. I just want to solve this thing. |
I've given up angles for awhile. I just want to solve this thing. | The Nite Owl was solved, Lieutenant. |
The Nite Owl was solved, Lieutenant. | I want to do it right. |
We did a piece last year. 'Ingenue Dykes In Hollywood.' Her name got mentioned. | Is she? |
Is she? | Beats me. Look, Jackie-Boy, a friend of mine just sold some reefer to Matt Reynolds. He's tripping the light fantastic with Tammy Jordan at 2245 Maravilla, Hollywood Hills. It's right around the corner. |
Beats me. Look, Jackie-Boy, a friend of mine just sold some reefer to Matt Reynolds. He's tripping the light fantastic with Tammy Jordan at 2245 Maravilla, Hollywood Hills. It's right around the corner. | You lost me, Sid. Who? |
You lost me, Sid. Who? | Contract players at Metro. You pinch 'em. I do you up feature in the next issue. Plus the usual fifty cash. Tell me, am I fucking Santa Claus? |
Contract players at Metro. You pinch 'em. I do you up feature in the next issue. Plus the usual fifty cash. Tell me, am I fucking Santa Claus? | I need an extra fifty. Two patrolmen at twenty apiece and a dime for the watch commander at Hollywood Station. |
I need an extra fifty. Two patrolmen at twenty apiece and a dime for the watch commander at Hollywood Station. | Jack! It's Christmas! |
Jack! It's Christmas! | No. It's felony possession of marijuana. |
The Grauman's Chinese pot bust. He just got off the honor farm. | What's he doing here, Sid? |
What's he doing here, Sid? | You tight with the D.A., trash? |
You tight with the D.A., trash? | Sure, he just tried to throw me off the force last Christmas as a little joke. |
Sure, he just tried to throw me off the force last Christmas as a little joke. | How'd you like a little payback? Not to mention a donation to the widows and orphans fund. Did you know Loew was a swish? |
How'd you like a little payback? Not to mention a donation to the widows and orphans fund. Did you know Loew was a swish? | And Reynolds? |
And Reynolds? | He's queer too. Metro paid him two grand a week to fake it with ingenues. On screen and off. I'm getting him to fuck the D.A. for a hundred bucks. That's twice the fifty you got for wrecking his career. |
Sid, why would a guy like Pierce Patchett get involved with running dope and hookers? | Where'd you hear that? |
Where'd you hear that? | Around. |
Around. | Jackie, all I know is what you know. The man is very rich. And he's invested in freeway construction so he's gonna get a lot richer. But that's it. Patchett's what I like to call 'Twilight.' He ain't queer, he ain't Red, he can't help me in my quest for prime sinuendo. |
And you were the last one to talk to him. | Yes. |
Yes. | What'd he say to you? |
What'd he say to you? | Nothing. |
Nothing. | What'd he give to you? |
What'd he give to you? | Nothing. |
Nothing. | Don't bullshit me, I can save your life. |
Don't bullshit me, I can save your life. | I'm telling you, I-- |
Why don't you just call Brill directly. | I don't know who he is. |
I don't know who he is. | I'm told you had an affair with Rachel Banks four years ago. |
I'm told you had an affair with Rachel Banks four years ago. | Told by whom? |
Told by whom? | Considering the enormous exposure to which you've subjected this firm, I'd think you'd do best to simply answer my questions. |
Considering the enormous exposure to which you've subjected this firm, I'd think you'd do best to simply answer my questions. | Really? |
Really? | Yes. |
Yes. | Well considering what a colossal douche bag you are, David, maybe I'd do best to simply kick your ass all over the capitol. |
Why don't they just identify themselves and tell me what they want? | They're spooks. |
They're spooks. | I don't know what that-- |
I don't know what that-- | Exposure. They can't have it. They wanna learn what you know and then deal with it. |
Exposure. They can't have it. They wanna learn what you know and then deal with it. | I don't know <u>anything</u>. |
I don't know <u>anything</u>. | No shit. |
No shit. | What am I gonna do?! I mean, like, for the rest of my <u>life</u>?! |
What am I gonna do?! I mean, like, for the rest of my <u>life</u>?! | Hey, if you live another week I'll be impressed. |
Hey, if you live another week I'll be impressed. | What if-- |
What if-- | Look, you gave me some work over the last year. We'll call it even. |
What the fuck?! | They shouldn't have come without calling first. |
We're gonna lead Albert by the nose to one conclusion. And then when he's pissed as hell, we're gonna drop the tape in his lap. How fast can you teach me what I need to know? | How fast can you learn? |
Did he give you anything? | No. |
No. | Anything at all? |
Anything at all? | No, sir. |
No, sir. | Was he with anyone? |
Was he with anyone? | Not that I could see. |
Not that I could see. | Nobody gave you <u>anything</u>? |
Nobody gave you <u>anything</u>? | No. |
No. | Why'd you go to Harrison's? |
Why'd you go to Harrison's? | To buy lingerie. |
To buy lingerie. | For your wife? |
For your wife? | <u>Yes</u>, for my wife, what the hell kinds of questions are these. |
<u>Yes</u>, for my wife, what the hell kinds of questions are these. | I thought maybe it might be for Rachel Banks. |
You <u>swore</u>! | I have lunch with Rachel once a month. She's my connection to an investigator. |
I have lunch with Rachel once a month. She's my connection to an investigator. | I told you I didn't want you seeing her. |
I told you I didn't want you seeing her. | I know. |
I know. | You had an affair with this woman, Robert, we went to a fucking <u>counselor</u> for a year. |
You had an affair with this woman, Robert, we went to a fucking <u>counselor</u> for a year. | I see her for business. |
I see her for business. | You told me you weren't seeing her at <u>all</u>. |
You told me you weren't seeing her at <u>all</u>. | I didn't want you to be upset. I shouldn't have lied. Stacy, there's nothing between me and Rachel Banks. |
What can I do for you? | Well, I was hoping you might stop by my office to swear out a criminal deposition against some of your friends and co-workers. |
Well, I was hoping you might stop by my office to swear out a criminal deposition against some of your friends and co-workers. | Is this a fuckin' joke? |
Is this a fuckin' joke? | I don't believe it is, no. |
I don't believe it is, no. | Why the hell would I-- |
Why the hell would I-- | I've got photographs of you at the Trenton Ramada looking very-- |
I've got photographs of you at the Trenton Ramada looking very-- | That ain't me. |
That ain't me. | It's not? |
It's not? | You don't know who the fuck-- |
You don't know who the fuck-- | That's not you having a whiskey sour with Carmine Morada. |
That's not you having a whiskey sour with Carmine Morada. | This is fucked. You don't know <u>who's</u> in that-- |
This is fucked. You don't know <u>who's</u> in that-- | You're right, Mr. DePinto, and maybe I jumped the gun. |
You're right, Mr. DePinto, and maybe I jumped the gun. | You're goddam right you jumped the gun. |
You're goddam right you jumped the gun. | That's probably not you in the picture. I tell you what, I'll just run the thing by the Grand Jury, see if they can't-- |
That's probably not you in the picture. I tell you what, I'll just run the thing by the Grand Jury, see if they can't-- | I want to talk to a goddam lawyer. |
I want to talk to a goddam lawyer. | Good news there, Mr. DePinto, you're talking to one. |
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