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Come on--we're taking off. | I'm not going anywhere. Less than a week to go. Not on your life-- |
I'm not going anywhere. Less than a week to go. Not on your life-- | --You don't understand, they'll make the connection, they'll hoover again. We should cut our losses. |
--You don't understand, they'll make the connection, they'll hoover again. We should cut our losses. | Where is your head, Jerome? You're acting like a guilty man. They won't marry the eyelash to you. They won't believe that one of their elite navigators could have suckered them for the last five years. |
Where is your head, Jerome? You're acting like a guilty man. They won't marry the eyelash to you. They won't believe that one of their elite navigators could have suckered them for the last five years. | They'll recognize me. |
They'll recognize me. | How could they recognize you? <i>I</i> don't recognize you. Anyway, you don't have a choice. You run, you may as well sign a confession, turn us both in right now. No, we stick this out-- find out what we can but change nothing. This is a minor inconvenience is all it is. We've taken worse heat than this. Jesus,... |
How are you, Jerome? | Not bad, Jerome. |
Not bad, Jerome. | How the hell did you get here. |
How the hell did you get here. | I could always walk. I've been faking it. |
He has the heart of an ox. He could run through a Goddamn wall--if he could still run. Actually, he was a big college swimming star. | I hope he's not just a body. |
I hope he's not just a body. | No problem. Before he dropped out he was an honor student, the right majors-- |
No problem. Before he dropped out he was an honor student, the right majors-- | How do I square the accident? |
How do I square the accident? | It happened in Australasia. He checked in yesterday. No family complications, no record he ever broke his neck. As far as anybody's concerned, he's still a walking, talking, fully-productive member of society. You just have to get him off the pipe and fill in the last two years of his life. Excuse me, <i>your</i> l... |
Jerome...never shy. Pisses on command. You've got a beautiful cock. I ever told you that, Jerome? | Only every time I'm in here. |
I'm in a hurry. | You still don't get the picture do you? I've always heard what a smart ass operator you are. |
You still don't get the picture do you? I've always heard what a smart ass operator you are. | No applause! |
A simple reason, McCoy. The obvious reason. To rob a bank. | I knew that life didn't add up to the obvious when I was 8. |
I knew that life didn't add up to the obvious when I was 8. | What do you add up to here? |
What do you add up to here? | One. The radio's rappin' about $750^000. We only got a half a million. |
One. The radio's rappin' about $750^000. We only got a half a million. | A little more was taken out before. My brother's a director of that Bank, Mr. McCoy... I had a few pressing debts. |
A little more was taken out before. My brother's a director of that Bank, Mr. McCoy... I had a few pressing debts. | So we did that crackerbox... to cover for you. |
So we did that crackerbox... to cover for you. | The obvious. But we are both not interested in that right now. |
The obvious. But we are both not interested in that right now. | No. My old lady must have made a lot of promises. |
No. My old lady must have made a lot of promises. | Close... but it takes a hell of a lot more than promises to pull the kind of strings I pulled. |
Close... but it takes a hell of a lot more than promises to pull the kind of strings I pulled. | I bet. |
Why didn't you tell me? | There wasn't any way to explain it. |
There wasn't any way to explain it. | Yeah. |
Yeah. | You sent me to him. |
You sent me to him. | When I got out, why didn't you tell me where it was? |
When I got out, why didn't you tell me where it was? | What the hell do you want? Mary Tyler Moore? |
What the hell do you want? Mary Tyler Moore? | Who's she? |
Who's she? | She's on TV. |
She's on TV. | If you don't start telling the truth... |
If you don't start telling the truth... | What do we do? |
What do we do? | We keep going. |
There better be a guy with the | You bastard... |
You're crazy. | Get your clothes on, move your butt. |
Hope you get to where you're going. | Thanks. Hope you do too. |
Thanks. Hope you do too. | By the way, you're getting a hell of a car there, mister. |
You know what the bloody time is! It's two o'clock in the bloody morning! | I know. |
I know. | Well? |
A new venture of mine. It's going to be a restaurant. Do you like it? | Yes. |
Yes. | Last night, after you'd gone, I did a little bit of asking around. Seeing as you weren't very forthcoming, It seems that you are concerned about the death of your brother? I got to thinking it would be nice if the bloke you were after was the same bloke I wanted off my back, You know my life. Machines. The arcades. ... |
How were things between you and Frank? | He was all right to me. |
He was all right to me. | Nothing more? Just another feller? |
Nothing more? Just another feller? | Nicer than most. |
Nicer than most. | But he was just another feller, wasn't he? |
But he was just another feller, wasn't he? | Yes. |
Yes. | Though nicer than most? |
Though nicer than most? | Yes. I can't help the way I am. |
Yes. I can't help the way I am. | Why'd you see him so regular? |
Why'd you see him so regular? | Once a week? |
Once a week? | I call that regular. |
I call that regular. | He was gentlemanly. I like that. |
He was gentlemanly. I like that. | Once a week you like a gentleman? |
Once a week you like a gentleman? | Look, I'm me, right. You're not. We are what we are, like it or not. Why all the bloody needle? |
Look, I'm me, right. You're not. We are what we are, like it or not. Why all the bloody needle? | What was bugging Frank? |
What was bugging Frank? | He wanted me to leave Dave and marry him. Last Friday I told him it wouldn't work. Dave would have killed us both! He followed me home and kicked up a stink in the street, I had to tell Frank I couldn't see him any more. It was getting too dodgy. That was on Sunday. He said he'd kill himself. I was frightened what y... |
What does he want that bloody great country place for? | Entertaining. |
Entertaining. | What kind of entertaining? |
What kind of entertaining? | Now you're asking. |
Does Brumby get a kick out of that crap? | Especially when I play the lead. |
It's a bloody funny thing. You know a bloke for six bloody years and all the time he's as calm as gentle Jesus... ...then he goes and does a thing like that. It's a bloody funny thing. | Yeah. A bloody funny thing! |
Ever been into an arcade there and put a penny in the slot machine? | Yeah. |
Yeah. | Ten to one, it belonged to Cliff Brumby, and like as not the bloody arcade as well. Right along the coast. Isn't that right, Thorpey? |
Did they give you a rough time? | No. You bastard. You knew they'd come back. |
No. You bastard. You knew they'd come back. | No, I didn't, Does Albert Swift still live over the ferry? |
No, I didn't, Does Albert Swift still live over the ferry? | Get knotted. |
Get knotted. | All right. All right. I want to square things with you first. |
All right. All right. I want to square things with you first. | Oh yes? How? |
What the bloody hell do you think you're at? | I'm sorry. |
I'm sorry. | You don't look it. |
You don't look it. | No. Really, I am. |
No. Really, I am. | Don't come that bloody flannel with me. If you're a traveller, I'm bloody Twiggy. And who's he? |
They bloody hurt me. | You're lucky. They kill as well. |
You're lucky. They kill as well. | And what about you? Did you kill Brumby? |
Thorpey nearly died laughing. | That little shit! |
That little shit! | What about Keith? |
What about Keith? | What about Keith? |
What about Keith? | What you going to do? |
What you going to do? | Pension him off. |
Pension him off. | You're a bastard. |
You're a bastard. | What am I supposed to do? I don't know where they've taken him. Do you? |
Yes, I can see your problem, Mr Kinnear. | Sit down, Jack, I could weep. I really could. Sometimes I think I'll retire. Just piss off to the Bahamas and let somebody else employ them, Glenda, get Jack a drink. What is it, Jack? |
Sit down, Jack, I could weep. I really could. Sometimes I think I'll retire. Just piss off to the Bahamas and let somebody else employ them, Glenda, get Jack a drink. What is it, Jack? | Scotch, please. |
Scotch, please. | Piss off, Ray. |
Oh... I think I'll stay as I am. | You're bluffing, you bastard! |
You're bluffing, you bastard! | That's what you pay to find out. Right, Jack? |
Polacks and deadbeats. | ...Polacks... |
...Polacks... | Deadbeats all. |
Deadbeats all. | ...they hold on to their money... |
...they hold on to their money... | All of 'em. They, hey: it happens to us all. |
All of 'em. They, hey: it happens to us all. | Where am I going to work? |
You have to cheer up, George, you aren't out yet. | I'm not? |
I'm not? | You missed a fucking sale. Big deal. A deadbeat Polack. Big deal. How you going to sell 'em in the first place...? Your mistake, you shoun'a took the lead. |
You missed a fucking sale. Big deal. A deadbeat Polack. Big deal. How you going to sell 'em in the first place...? Your mistake, you shoun'a took the lead. | I had to. |
I had to. | You had to, yeah. Why? |
You had to, yeah. Why? | To get on the... |
To get on the... | To get on the board. Yeah. How you goan'a get on the board sell'n a Polack? And I'll tell you, I'll tell you what else. You listening? I'll tell you what else: don't ever try to sell an Indian. |
To get on the board. Yeah. How you goan'a get on the board sell'n a Polack? And I'll tell you, I'll tell you what else. You listening? I'll tell you what else: don't ever try to sell an Indian. | I'd never try to sell an Indian. |
I'd never try to sell an Indian. | You get those names come up, you ever get 'em, "Patel?" |
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