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A trifle. | Then maybe it isn't different at all. You know, her attitude nearly drove me crazy. I simply couldn't understand it. |
Then maybe it isn't different at all. You know, her attitude nearly drove me crazy. I simply couldn't understand it. | When I got back to San Francisco I spent days trying to figure out just what I'd done to displease her. |
When I got back to San Francisco I spent days trying to figure out just what I'd done to displease her. | And what had you done? |
And what had you done? | Nothing! I simply existed. So what was the answer? A jealous woman, right? A clinging possessive mother. Wrong. With all due respect to Oedipus, I don't think that was the case at all. |
Nothing! I simply existed. So what was the answer? A jealous woman, right? A clinging possessive mother. Wrong. With all due respect to Oedipus, I don't think that was the case at all. | Then what was it? |
Then what was it? | Lydia liked me, you see. That was the strange part of it. In fact, now that I'm no longer a threat, we're very good friends. |
Lydia liked me, you see. That was the strange part of it. In fact, now that I'm no longer a threat, we're very good friends. | Then why did she object to you? |
Then why did she object to you? | Because she was afraid. |
Because she was afraid. | Afraid you'd take Mitch? |
Afraid you'd take Mitch? | Afraid I'd give Mitch. |
Afraid I'd give Mitch. | I don't understand. |
I don't understand. | Afraid of any woman who'd give Mitch the only thing Lydia can give him -- love. |
Afraid of any woman who'd give Mitch the only thing Lydia can give him -- love. | Annie, that adds up to a jealous, possessive woman. |
Annie, that adds up to a jealous, possessive woman. | No, I don't think so. She's not afraid of losing her son, you see. She's only afraid of being abandoned. |
No, I don't think so. She's not afraid of losing her son, you see. She's only afraid of being abandoned. | Someone ought to tell her she'd be gaining a daughter. |
Someone ought to tell her she'd be gaining a daughter. | She already has a daughter. |
She already has a daughter. | What about Mitch? Didn't he have anything to say about this? |
What about Mitch? Didn't he have anything to say about this? | I can understand his position. He went through a lot with Lydia after his father died. He didn't want to risk going through it all over again. |
I can understand his position. He went through a lot with Lydia after his father died. He didn't want to risk going through it all over again. | I see. |
I see. | So it ended. Not immediately, of course. I went back to San Francisco, and I still saw Mitch every now and then... but we both knew it was finished. |
So it ended. Not immediately, of course. I went back to San Francisco, and I still saw Mitch every now and then... but we both knew it was finished. | Then what are you doing here in Bodega Bay? |
Then what are you doing here in Bodega Bay? | You get straight to the point, don't you? |
You get straight to the point, don't you? | I'm sorry. Forgive me. |
I'm sorry. Forgive me. | No, that's all right, I don't mind. I came up here for two reasons. To begin with, I was bored with my job in San Francisco. I was teaching at a private school there... well, you know, you probably went to one yourself. |
No, that's all right, I don't mind. I came up here for two reasons. To begin with, I was bored with my job in San Francisco. I was teaching at a private school there... well, you know, you probably went to one yourself. | I did. |
I did. | Then you know. Little girls in brown beanies. Deadly. Here I have a life. I'll go into that classroom on Monday morning, and I'll look out at twenty- five upturned little faces, and each of them will be saying, 'Yes, please give me what you have.' And I'll give them what I have. I haven't got very much, but I'll give ... |
Then you know. Little girls in brown beanies. Deadly. Here I have a life. I'll go into that classroom on Monday morning, and I'll look out at twenty- five upturned little faces, and each of them will be saying, 'Yes, please give me what you have.' And I'll give them what I have. I haven't got very much, but I'll give ... | And the second? |
And the second? | I wanted to be near Mitch. It was over, and I knew it, but I wanted to be near him, anyway. You see, I still like him a hell of a lot. That's rare, I think. I don't want to lose his friendship... ever. |
You'll be able to find your way back, won't you? | Oh, yes. |
Oh, yes. | Will I be seeing you again? |
Will I be seeing you again? | San Francisco's a long way from here. |
San Francisco's a long way from here. | I'm in San Francisco five days a week. With a lot of time on my hands. I'd like to see you. Maybe we could go swimming or something. Mother tells me you like to swim. |
I'm in San Francisco five days a week. With a lot of time on my hands. I'd like to see you. Maybe we could go swimming or something. Mother tells me you like to swim. | How does Mother know what I like to do? |
How does Mother know what I like to do? | I guess she and I read the same gossip columns. |
I guess she and I read the same gossip columns. | Oh. That. Rome. |
Oh. That. Rome. | Mmmm. I like to swim. We might get along very... |
Mmmm. I like to swim. We might get along very... | In case you're interested, I was pushed into that fountain. |
In case you're interested, I was pushed into that fountain. | Without any clothes on? |
Without any clothes on? | With all my clothes on! The newspaper that ran the story happens to be a rival of my father's paper. Anything they said... |
With all my clothes on! The newspaper that ran the story happens to be a rival of my father's paper. Anything they said... | You were just a poor, innocent victim of circumstance, huh? |
You were just a poor, innocent victim of circumstance, huh? | I'm neither poor nor innocent, but the truth of that particular... |
I'm neither poor nor innocent, but the truth of that particular... | The truth is you were running around with a pretty wild crowd... |
The truth is you were running around with a pretty wild crowd... | Yes, but... |
Yes, but... | ...who didn't much care for propriety or convention or... |
...who didn't much care for propriety or convention or... | Yes. |
Yes. | ...the opinions of others, and you went right along with them, isn't that the truth? |
...the opinions of others, and you went right along with them, isn't that the truth? | Yes, that's the truth. But I was pushed into that fountain, and that's the truth, too. |
Yes, that's the truth. But I was pushed into that fountain, and that's the truth, too. | Sure. Do you really know Annie Hayworth? |
Sure. Do you really know Annie Hayworth? | No. At least, I didn't until I came up here. |
No. At least, I didn't until I came up here. | So you didn't go to school together. |
So you didn't go to school together. | No. |
No. | And you didn't come up here to see her. |
And you didn't come up here to see her. | No. |
No. | You were lying. |
You were lying. | Yes, I was lying. |
Yes, I was lying. | Did you really write a letter to me? Or was that a lie, too? |
Did you really write a letter to me? Or was that a lie, too? | I wrote the letter. |
I wrote the letter. | What did it say? |
What did it say? | It said, "Dear Mr. Brenner, I think you need those lovebirds, after all. They may help your personality." That's what it said. |
It said, "Dear Mr. Brenner, I think you need those lovebirds, after all. They may help your personality." That's what it said. | But you tore it up. |
But you tore it up. | Yes. |
Yes. | Why? |
Why? | Because it seemed stupid and foolish. |
Because it seemed stupid and foolish. | Like jumping into a fountain in Rome! |
Like jumping into a fountain in Rome! | I told you what happened in Rome! |
I told you what happened in Rome! | Do you expect me to believe...? |
Do you expect me to believe...? | I don't give a damn what you believe! |
It's so damn quiet out there. | It was like that yesterday. |
It was like that yesterday. | What do you mean? |
What do you mean? | After the gulls attacked. |
After the gulls attacked. | I hadn't thought of that. And then the swifts came. |
I hadn't thought of that. And then the swifts came. | It makes you feel as if they're... they're waiting or... resting... or.... |
It makes you feel as if they're... they're waiting or... resting... or.... | No, they're having a meeting, Melanie. Your sparrow is standing on a soap box and... |
Sssshhh. She's resting. | Where the fuck did you come from? |
Where the fuck did you come from? | Big bang, primordial ooze, divine hand of a benevolent creator? All possibilities. Although recent events have given me doubts about the benevolent creator. |
We're going to play a little game called "Who's got the Scar." | What Scar? What fucking scar? |
What Scar? What fucking scar? | AAAANK. That's not how we play the game. |
Not my arm! What you fucking want? | I want Lauren. I want my life back. I want... to know why. |
I want Lauren. I want my life back. I want... to know why. | Why? Why's anything happen? It's all money, man. Money. The girl just got in the way. |
Are you out of your fucking mind? We're going to die. | How can you die if you're already dead? |
How can you die if you're already dead? | You're him. Corvis. |
You're him. Corvis. | I was talking about you. |
Just don't believe everything you see. | Doubt is a motherfucker. |
Doubt is a motherfucker. | Give me a hand with this sack of shit. |
I'm sure you recognize from our broad- casts the evil forces that have produced the tension in our world. Surely you would agree-- | I am not concerned, Mr. Harley, with the internal affairs of your planet. I consider that to be your business -- not mine. |
I am not concerned, Mr. Harley, with the internal affairs of your planet. I consider that to be your business -- not mine. | I was only hoping to make you understand. |
I was only hoping to make you understand. | My mission here is not to solve your petty squabbles. It concerns the existence of every last creature who lives on Earth. |
My mission here is not to solve your petty squabbles. It concerns the existence of every last creature who lives on Earth. | Perhaps if you could explain a little-- |
Perhaps if you could explain a little-- | I intend to explain. To all the nations -- simultaneously. How do we proceed, Mr. Harley? |
Did you see that sucker burn?! | Man, we totally annihilated his night-stalkin' ass! |
Man, we totally annihilated his night-stalkin' ass! | Two down and two to go. |
Two down and two to go. | <u>Four</u> to go. |
<u>Four</u> to go. | Whattaya mean? |
Whattaya mean? | Those two we brought back with us. The girl and the kid. I don't trust 'em. I say we terminate 'em while we can. |
Those two we brought back with us. The girl and the kid. I don't trust 'em. I say we terminate 'em while we can. | You know what? You're absolutely right. |
Or a vampire. | Are you guys sniffing old newsprint or something? |
Are you guys sniffing old newsprint or something? | You think you're cool, don't you? You think you know what's really happening, don't you? Well, you don't know shit, buddy. |
What did you say? | Vampires, Mom! Everywhere! You've got to tell the police! The newspapers! The TV stations! They'll listen to you. They'll believe you... you're a <u>mom</u>! |
Vampires, Mom! Everywhere! You've got to tell the police! The newspapers! The TV stations! They'll listen to you. They'll believe you... you're a <u>mom</u>! | Not funny, Sam! |
Not funny, Sam! | This is not a joke. They know that we know about them. They're coming to the house as soon as it gets dark! |
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