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side of a lake basin is hopelessly snow-buried and frozen, the other, enjoying sunshine, is adorned with beautiful flower-gardens. Some of the smaller lakes are extinguished in an instant by a heavy avalanche either of rocks or snow. The rolling, sliding, ponderous mass entering on one side sweeps across the bottom and up the opposite side, displacing the water and
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even scraping the basin clean, and shoving the accumulated rocks and sediments up the farther bank and taking full possession. The dislodged water is in part absorbed, but most of it is sent around the front of the avalanche and down the channel of the outlet, roaring and hurrying as if frightened and glad to escape. SNOW-BANNERS The most magnificent
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storm phenomenon I ever saw, surpassing in showy grandeur the most imposing effects of clouds, floods, or avalanches, was the peaks of the High Sierra, back of Yosemite Valley, decorated with snow-banners. Many of the starry snow-flowers, out of which these banners are made, fall before they are ripe, while most of those that do attain perfect development as six-rayed
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crystals glint and chafe against one another in their fall through the frosty air, and are broken into fragments. This dry fragmentary snow is still further prepared for the formation of banners by the action of the wind. For, instead of finding rest at once, like the snow which falls into the tranquil depths of the forests, it is rolled
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over and over, beaten against rock-ridges, and swirled in pits and hollows, like boulders, pebbles, and sand in the pot-holes of a river, until finally the delicate angles of the crystals are worn off, and the whole mass is reduced to dust. And whenever storm-winds find this prepared snow-dust in a loose condition on exposed slopes, where there is a
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free upward sweep to leeward, it is tossed back into the sky, and borne onward from peak to peak in the form of banners or cloudy drifts, according to the velocity of the wind and the conformation of the slopes up or around which it is driven. While thus flying through the air, a small portion makes good its escape,
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and remains in the sky as vapor. But far the greater part, after being driven into the sky again and again, is at length locked fast in bossy drifts, or in the wombs of glaciers, some of it to remain silent and rigid for centuries before it is finally melted and sent singing down the mountainsides to the sea. Yet,
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notwithstanding the abundance of winter snow-dust in the mountains, and the frequency of high winds, and the length of time the dust remains loose and exposed to their action, the occurrence of well-formed banners is, for causes we shall hereafter note, comparatively rare. I have seen only one display of this kind that seemed in every way perfect. This was
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in the winter of , when the snow-laden summits were swept by a wild norther. I happened at the time to be wintering in Yosemite Valley, that sublime Sierra temple where every day one may see the grandest sights. Yet even here the wild gala-day of the north wind seemed surpassingly glorious. I was awakened in the morning by the
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rocking of my cabin and the beating of pine-burs on the roof. Detached torrents and avalanches from the main wind-flood overhead were rushing wildly down the narrow side caons, and over the precipitous walls, with loud resounding roar, rousing the pines to enthusiastic action, and making the whole valley vibrate as though it were an instrument being played. But afar
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on the lofty exposed peaks of the range standing so high in the sky, the storm was expressing itself in still grander characters, which I was soon to see in all their glory. I had long been anxious to study some points in the structure of the ice-cone that is formed every winter at the foot of the upper Yosemite
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fall, but the blinding spray by which it is invested had hitherto prevented me from making a sufficiently near approach. This morning the entire body of the fall was torn into gauzy shreds, and blown horizontally along the face of the cliff, leaving the cone dry; and while making my way to the top of an overlooking ledge to seize
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so favorable an opportunity to examine the interior of the cone, the peaks of the Merced group came in sight over the shoulder of the South Dome, each waving a resplendent banner against the blue sky, as regular in form, and as firm in texture, as if woven of fine silk. So rare and splendid a phenomenon, of course, overbore
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all other considerations, and I at once let the ice-cone go, and began to force my way out of the valley to some dome or ridge sufficiently lofty to command a general view of the main summits, feeling assured that I should find them bannered still more gloriously; nor was I in the least disappointed. Indian Caon, through which I
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climbed, was choked with snow that had been shot down in avalanches from the high cliffs on either side, rendering the ascent difficult; but inspired by the roaring storm, the tedious wallowing brought no fatigue, and in four hours I gained the top of a ridge above the valley, feet high. And there in bold relief, like a clear painting,
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appeared a most imposing scene. Innumerable peaks, black and sharp, rose grandly into the dark blue sky, their bases set in solid white, their sides streaked and splashed with snow, like ocean rocks with foam; and from every summit, all free and unconfused, was streaming a beautiful silky silvery banner, from half a mile to a mile in length, slender
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at the point of attachment, then widening gradually as it extended from the peak until it was about or feet in breadth, as near as I could estimate. The cluster of peaks called the Crown of the Sierra, at the head of the Merced and Tuolumne rivers,Mounts Dana, Gibbs, Conness, Lyell, Maclure, Ritter, with their nameless compeers,each had its own
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refulgent banner, waving with a clearly visible motion in the sunglow, and there was not a single cloud in the sky to mar their simple grandeur. Fancy yourself standing on this Yosemite ridge looking eastward. You notice a strange garish glitter in the air. The gale drives wildly overhead with a fierce, tempestuous roar, but its violence is not felt,
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for you are looking through a sheltered opening in the woods as through a window. There, in the immediate foreground of your picture, rises a majestic forest of Silver Fir blooming in eternal freshness, the foliage yellow-green, and the snow beneath the trees strewn with their beautiful plumes, plucked off by the wind. Beyond, and extending over all the middle
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ground, are somber swaths of pine, interrupted by huge swelling ridges and domes; and just beyond the dark forest you see the monarchs of the High Sierra waving their magnificent banners. They are twenty miles away, but you would not wish them nearer, for every feature is distinct, and the whole glorious show is seen in its right proportions. After
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this general view, mark how sharply the dark snowless ribs and buttresses and summits of the peaks are defined, excepting the portions veiled by the banners, and how delicately their sides are streaked with snow, where it has come to rest in narrow flutings and gorges. Mark, too, how grandly the banners wave as the wind is deflected against their
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sides, and how trimly each is attached to the very summit of its peak, like a streamer at a masthead; how smooth and silky they are in texture, and how finely their fading fringes are penciled on the azure sky. See how dense and opaque they are at the point of attachment, and how filmy and translucent toward the end,
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so that the peaks back of them are seen dimly, as though you were looking through ground glass. Yet again observe how some of the longest, belonging to the loftiest summits, stream perfectly free all the way across intervening notches and passes from peak to peak, while others overlap and partly hide each other. And consider how keenly every particle
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of this wondrous cloth of snow is flashing out jets of light. These are the main features of the beautiful and terrible picture as seen from the forest window; and it would still be surpassingly glorious were the fore- and middle-grounds obliterated altogether, leaving only the black peaks, the white banners, and the blue sky. [Illustration: KOLANA ROCK, HETCH-HETCHY VALLEY]
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Glancing now in a general way at the formation of snow-banners, we find that the main causes of the wondrous beauty and perfection of those we have been contemplating were the favorable direction and great force of the wind, the abundance of snow-dust, and the peculiar conformation of the slopes of the peaks. It is essential not only that the
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wind should move with great velocity and steadiness to supply a sufficiently copious and continuous stream of snow-dust, but that it should come from the north. No perfect banner is ever hung on the Sierra peaks by a south wind. Had the gale that day blown from the south, leaving other conditions unchanged, only a dull, confused, fog-like drift would
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have been produced; for the snow, instead of being spouted up over the tops of the peaks in concentrated currents to be drawn out as streamers, would have been shed off around the sides, and piled down into the glacier wombs. The cause of the concentrated action of the north wind is found in the peculiar form of the north
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sides of the peaks, where the amphitheaters of the residual glaciers are. In general the south sides are convex and irregular, while the north sides are concave both in their vertical and horizontal sections; the wind in ascending these curves converges toward the summits, carrying the snow in concentrating currents with it, shooting it almost straight up into the air
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above the peaks, from which it is then carried away in a horizontal direction. This difference in form between the north and south sides of the peaks was almost wholly produced by the difference in the kind and quantity of the glaciation to which they have been subjected, the north sides having been hollowed by residual shadow-glaciers of a form
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that never existed on the sun-beaten sides. It appears, therefore, that shadows in great part determine not only the forms of lofty icy mountains, but also those of the snow-banners that the wild winds hang on them. A NEAR VIEW OF THE HIGH SIERRA Early one bright morning in the middle of Indian summer, while the glacier meadows were still
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crisp with frost crystals, I set out from the foot of Mount Lyell, on my way down to Yosemite Valley, to replenish my exhausted store of bread and tea. I had spent the past summer, as many preceding ones, exploring the glaciers that lie on the head waters of the San Joaquin, Tuolumne, Merced, and Owens rivers; measuring and studying
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their movements, trends, crevasses, moraines, etc., and the part they had played during the period of their greater extension in the creation and development of the landscapes of this alpine wonderland. The time for this kind of work was nearly over for the year, and I began to look forward with delight to the approaching winter with its wondrous storms,
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when I would be warmly snow-bound in my Yosemite cabin with plenty of bread and books; but a tinge of regret came on when I considered that possibly I might not see this favorite region again until the next summer, excepting distant views from the heights about the Yosemite walls. To artists, few portions of the High Sierra are, strictly
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speaking, picturesque. The whole massive uplift of the range is one great picture, not clearly divisible into smaller ones; differing much in this respect from the older, and what may be called, riper mountains of the Coast Range. All the landscapes of the Sierra, as we have seen, were born again, remodeled from base to summit by the developing ice-floods
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of the last glacial winter. But all those new landscapes were not brought forth simultaneously; some of the highest, where the ice lingered longest, are tens of centuries younger than those of the warmer regions below them. In general, the younger the mountain-landscapes,younger, I mean, with reference to the time of their emergence from the ice of the glacial period,the
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less separable are they into artistic bits capable of being made into warm, sympathetic, lovable pictures with appreciable humanity in them. Here, however, on the head waters of the Tuolumne, is a group of wild peaks on which the geologist may say that the sun has but just begun to shine, which is yet in a high degree picturesque, and
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in its main features so regular and evenly balanced as almost to appear conventionalone somber cluster of snow-laden peaks with gray pine-fringed granite bosses braided around its base, the whole surging free into the sky from the head of a magnificent valley, whose lofty walls are beveled away on both sides so as to embrace it all without admitting anything
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not strictly belonging to it. The foreground was now aflame with autumn colors, brown and purple and gold, ripe in the mellow sunshine; contrasting brightly with the deep, cobalt blue of the sky, and the black and gray, and pure, spiritual white of the rocks and glaciers. Down through the midst, the young Tuolumne was seen pouring from its crystal
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fountains, now resting in glassy pools as if changing back again into ice, now leaping in white cascades as if turning to snow; gliding right and left between granite bosses, then sweeping on through the smooth, meadowy levels of the valley, swaying pensively from side to side with calm, stately gestures past dipping willows and sedges, and around groves of
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arrowy pine; and throughout its whole eventful course, whether flowing fast or slow, singing loud or low, ever filling the landscape with spiritual animation, and manifesting the grandeur of its sources in every movement and tone. Pursuing my lonely way down the valley, I turned again and again to gaze on the glorious picture, throwing up my arms to inclose
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it as in a frame. After long ages of growth in the darkness beneath the glaciers, through sunshine and storms, it seemed now to be ready and waiting for the elected artist, like yellow wheat for the reaper; and I could not help wishing that I might carry colors and brushes with me on my travels, and learn to paint.
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In the mean time I had to be content with photographs on my mind and sketches in my note-books. At length, after I had rounded a precipitous headland that puts out from the west wall of the valley, every peak vanished from sight, and I pushed rapidly along the frozen meadows, over the divide between the waters of the Merced
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and Tuolumne, and down through the forests that clothe the slopes of Clouds Rest, arriving in Yosemite in due timewhich, with me, is _any_ time. And, strange to say, among the first people I met here were two artists who, with letters of introduction, were awaiting my return. They inquired whether in the course of my explorations in the adjacent
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mountains I had ever come upon a landscape suitable for a large painting; whereupon I began a description of the one that had so lately excited my admiration. Then, as I went on further and further into details, their faces began to glow, and I offered to guide them to it, while they declared that they would gladly follow, far
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or near, whithersoever I could spare the time to lead them. Since storms might come breaking down through the fine weather at any time, burying the colors in snow, and cutting off the artists retreat, I advised getting ready at once. I led them out of the valley by the Vernal and Nevada Falls, thence over the main dividing ridge
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to the Big Tuolumne Meadows, by the old Mono trail, and thence along the upper Tuolumne River to its head. This was my companions first excursion into the High Sierra, and as I was almost always alone in my mountaineering, the way that the fresh beauty was reflected in their faces made for me a novel and interesting study. They
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naturally were affected most of all by the colorsthe intense azure of the sky, the purplish grays of the granite, the red and browns of dry meadows, and the translucent purple and crimson of huckleberry bogs; the flaming yellow of aspen groves, the silvery flashing of the streams, and the bright green and blue of the glacier lakes. But the
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general expression of the sceneryrocky and savageseemed sadly disappointing; and as they threaded the forest from ridge to ridge, eagerly scanning the landscapes as they were unfolded, they said: All this is huge and sublime, but we see nothing as yet at all available for effective pictures. Art is long, and art is limited, you know; and here are foregrounds,
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middle-grounds, backgrounds, all alike; bare rock-waves, woods, groves, diminutive flecks of meadow, and strips of glittering water. Never mind, I replied, only bide a wee, and I will show you something you will like. At length, toward the end of the second day, the Sierra Crown began to come into view, and when we had fairly rounded the projecting headland
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before mentioned, the whole picture stood revealed in the flush of the alpenglow. Their enthusiasm was excited beyond bounds, and the more impulsive of the two, a young Scotchman, dashed ahead, shouting and gesticulating and tossing his arms in the air like a madman. Here, at last, was a typical alpine landscape. After feasting awhile on the view, I proceeded
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to make camp in a sheltered grove a little way back from the meadow, where pine-boughs could be obtained for beds, and where there was plenty of dry wood for fires, while the artists ran here and there, along the river-bends and up the sides of the caon, choosing foregrounds for sketches. After dark, when our tea was made and
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a rousing fire had been built, we began to make our plans. They decided to remain several days, at the least, while I concluded to make an excursion in the mean time to the untouched summit of Ritter. It was now about the middle of October, the springtime of snow-flowers. The first winter-clouds had already bloomed, and the peaks were
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strewn with fresh crystals, without, however, affecting the climbing to any dangerous extent. And as the weather was still profoundly calm, and the distance to the foot of the mountain only a little more than a day, I felt that I was running no great risk of being storm-bound. Mount Ritter is king of the mountains of the middle portion
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of the High Sierra, as Shasta of the north and Whitney of the south sections. Moreover, as far as I know, it had never been climbed. I had explored the adjacent wilderness summer after summer, but my studies thus far had never drawn me to the top of it. Its height above sea-level is about , feet, and it is
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fenced round by steeply inclined glaciers, and caons of tremendous depth and ruggedness, which render it almost inaccessible. But difficulties of this kind only exhilarate the mountaineer. Next morning, the artists went heartily to their work and I to mine. Former experiences had given good reason to know that passionate storms, invisible as yet, might be brooding in the calm
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sun-gold; therefore, before bidding farewell, I warned the artists not to be alarmed should I fail to appear before a week or ten days, and advised them, in case a snow-storm should set in, to keep up big fires and shelter themselves as best they could, and on no account to become frightened and attempt to seek their way back
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to Yosemite alone through the drifts. My general plan was simply this: to scale the caon, wall, cross over to the eastern flank of the range, and then make my way southward to the northern spurs of Mount Ritter in compliance with the intervening topography; for to push on directly southward from camp through the innumerable peaks and pinnacles that
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adorn this portion of the axis of the range, however interesting, would take too much time, besides being extremely difficult and dangerous at this time of year. All my first day was pure pleasure; simply mountaineering indulgence, crossing the dry pathways of the ancient glaciers, tracing happy streams, and learning the habits of the birds and marmots in the groves
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and rocks. Before I had gone a mile from camp, I came to the foot of a white cascade that beats its way down a rugged gorge in the caon wall, from a height of about nine hundred feet, and pours its throbbing waters into the Tuolumne. I was acquainted with its fountains, which, fortunately, lay in my course. What
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a fine traveling companion it proved to be, what songs it sang, and how passionately it told the mountains own joy! Gladly I climbed along its dashing border, absorbing its divine music, and bathing from time to time in waftings of irised spray. Climbing higher, higher, now beauty came streaming on the sight: painted meadows, late-blooming gardens, peaks of rare
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architecture, lakes here and there, shining like silver, and glimpses of the forested middle region and the yellow lowlands far in the west. Beyond the range I saw the so-called Mono Desert, lying dreamily silent in thick purple lighta desert of heavy sun-glare beheld from a desert of ice-burnished granite. Here the waters divide, shouting in glorious enthusiasm, and falling
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eastward to vanish in the volcanic sands and dry sky of the Great Basin, or westward to the Great Valley of California, and thence through the Bay of San Francisco and the Golden Gate to the sea. Passing a little way down over the summit until I had reached an elevation of about , feet, I pushed on southward toward
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a group of savage peaks that stand guard about Ritter on the north and west, groping my way, and dealing instinctively with every obstacle as it presented itself. Here a huge gorge would be found cutting across my path, along the dizzy edge of which I scrambled until some less precipitous point was discovered where I might safely venture to
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the bottom and then, selecting some feasible portion of the opposite wall, reascend with the same slow caution. Massive, flat-topped spurs alternate with the gorges, plunging abruptly from the shoulders of the snowy peaks, and planting their feet in the warm desert. These were everywhere marked and adorned with characteristic sculptures of the ancient glaciers that swept over this entire
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region like one vast ice-wind, and the polished surfaces produced by the ponderous flood are still so perfectly preserved that in many places the sunlight reflected from them is about as trying to the eyes as sheets of snow. Gods glacial-mills grind slowly, but they have been kept in motion long enough in California to grind sufficient soil for a
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glorious abundance of life, though most of the grist has been carried to the lowlands, leaving these high regions comparatively lean and bare; while the post-glacial agents of erosion have not yet furnished sufficient available food over the general surface for more than a few tufts of the hardiest plants, chiefly carices and eriogonae. And it is interesting to learn
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in this connection that the sparseness and repressed character of the vegetation at this height is caused more by want of soil than by harshness of climate; for, here and there, in sheltered hollows (countersunk beneath the general surface) into which a few rods of well-ground moraine chips have been dumped, we find groves of spruce and pine thirty to
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forty feet high, trimmed around the edges with willow and huckleberry bushes, and oftentimes still further by an outer ring of tall grasses, bright with lupines, larkspurs, and showy columbines, suggesting a climate by no means repressingly severe. All the streams, too, and the pools at this elevation are furnished with little gardens wherever soil can be made to lie,
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which, though making scarce any show at a distance, constitute charming surprises to the appreciative observer. In these bits of leanness a few birds find grateful homes. Having no acquaintance with man, they fear no ill, and flock curiously about the stranger, almost allowing themselves to be taken in the hand. In so wild and so beautiful a region was
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spent my first day, every sight and sound inspiring, leading one far out of himself, yet feeding and building up his individuality. Now came the solemn, silent evening. Long, blue, spiky shadows crept out across the snow-fields, while a rosy glow, at first scarce discernible, gradually deepened and suffused every mountain-top, flushing the glaciers and the harsh crags above them.
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This was the alpenglow, to me one of the most impressive of all the terrestrial manifestations of God. At the touch of this divine light, the mountains seemed to kindle to a rapt, religious consciousness, and stood hushed and waiting like devout worshipers. Just before the alpenglow began to fade, two crimson clouds came streaming across the summit like wings
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of flame, rendering the sublime scene yet more impressive; then came darkness and the stars. Icy Ritter was still miles away, but I could proceed no farther that night. I found a good campground on the rim of a glacier basin about , feet above the sea. A small lake nestles in the bottom of it, from which I got
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water for my tea, and a storm-beaten thicket near by furnished abundance of resiny fire-wood. Somber peaks, hacked and shattered, circled half-way around the horizon, wearing a savage aspect in the gloaming, and a waterfall chanted solemnly across the lake on its way down from the foot of a glacier. The fall and the lake and the glacier were almost
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equally bare; while the scraggy pines anchored in the rock-fissures were so dwarfed and shorn by storm-winds that you might walk over their tops. In tone and aspect the scene was one of the most desolate I ever beheld. But the darkest scriptures of the mountains are illumined with bright passages of love that never fail to make themselves felt
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when one is alone. I made my bed in a nook of the pine-thicket, where the branches were pressed and crinkled overhead like a roof, and bent down around the sides. These are the best bedchambers the high mountains affordsnug as squirrel-nests, well ventilated, full of spicy odors, and with plenty of wind-played needles to sing one asleep. I little
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expected company, but, creeping in through a low side-door, I found five or six birds nestling among the tassels. The night-wind began to blow soon after dark; at first only a gentle breathing, but increasing toward midnight to a rough gale that fell upon my leafy roof in ragged surges like a cascade, bearing wild sounds from the crags overhead.
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The waterfall sang in chorus, filling the old ice-fountain with its solemn roar, and seeming to increase in power as the night advancedfit voice for such a landscape. I had to creep out many times to the fire during the night, for it was biting cold and I had no blankets. Gladly I welcomed the morning star. The dawn in
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the dry, wavering air of the desert was glorious. Everything encouraged my undertaking and betokened success. There was no cloud in the sky, no storm-tone in the wind. Breakfast of bread and tea was soon made. I fastened a hard, durable crust to my belt by way of provision, in case I should be compelled to pass a night on
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the mountain-top; then, securing the remainder of my little stock against wolves and wood-rats, I set forth free and hopeful. How glorious a greeting the sun gives the mountains! To behold this alone is worth the pains of any excursion a thousand times over. The highest peaks burned like islands in a sea of liquid shade. Then the lower peaks
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and spires caught the glow, and long lances of light, streaming through many a notch and pass, fell thick on the frozen meadows. The majestic form of Ritter was full in sight, and I pushed rapidly on over rounded rock-bosses and pavements, my iron-shod shoes making a clanking sound, suddenly hushed now and then in rugs of bryanthus, and sedgy
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lake-margins soft as moss. Here, too, in this so-called land of desolation, I met cassiope, growing in fringes among the battered rocks. Her blossoms had faded long ago, but they were still clinging with happy memories to the evergreen sprays, and still so beautiful as to thrill every fiber of ones being. Winter and summer, you may hear her voice,
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the low, sweet melody of her purple bells. No evangel among all the mountain plants speaks Natures love more plainly than cassiope. Where she dwells, the redemption of the coldest solitude is complete. The very rocks and glaciers seem to feel her presence, and become imbued with her own fountain sweetness. All things were warming and awakening. Frozen rills began
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to flow, the marmots came out of their nests in boulder-piles and climbed sunny rocks to bask, and the dun-headed sparrows were flitting about seeking their breakfasts. The lakes seen from every ridge-top were brilliantly rippled and spangled, shimmering like the thickets of the low Dwarf Pines. The rocks, too, seemed responsive to the vital heatrock-crystals and snow-crystals thrilling alike.
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I strode on exhilarated, as if never more to feel fatigue, limbs moving of themselves, every sense unfolding like the thawing flowers, to take part in the new day harmony. All along my course thus far, excepting when down in the caons, the landscapes were mostly open to me, and expansive, at least on one side. On the left were
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the purple plains of Mono, reposing dreamily and warm; on the right, the near peaks springing keenly into the thin sky with more and more impressive sublimity. But these larger views were at length lost. Rugged spurs, and moraines, and huge, projecting buttresses began to shut me in. Every feature became more rigidly alpine, without, however, producing any chilling effect;
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for going to the mountains is like going home. We always find that the strangest objects in these fountain wilds are in some degree familiar, and we look upon them with a vague sense of having seen them before. [Illustration: GENERAL GRANT TREE, GENERAL GRANT NATIONAL PARK] On the southern shore of a frozen lake, I encountered an extensive field
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of hard, granular snow, up which I scampered in fine tone, intending to follow it to its head, and cross the rocky spur against which it leans, hoping thus to come direct upon the base of the main Ritter peak. The surface was pitted with oval hollows, made by stones and drifted pine-needles that had melted themselves into the mass
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by the radiation of absorbed sun-heat. These afforded good footholds, but the surface curved more and more steeply at the head, and the pits became shallower and less abundant, until I found myself in danger of being shed off like avalanching snow. I persisted, however, creeping on all fours, and shuffling up the smoothest places on my back, as I
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had often done on burnished granite, until, after slipping several times, I was compelled to retrace my course to the bottom, and make my way around the west end of the lake, and thence up to the summit of the divide between the head waters of Rush Creek and the northernmost tributaries of the San Joaquin. Arriving on the summit
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of this dividing crest, one of the most exciting pieces of pure wilderness was disclosed that I ever discovered in all my mountaineering. There, immediately in front, loomed the majestic mass of Mount Ritter, with a glacier swooping down its face nearly to my feet, then curving westward and pouring its frozen flood into a dark blue lake, whose shores
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were bound with precipices of crystalline snow; while a deep chasm drawn between the divide and the glacier separated the massive picture from everything else. I could see only the one sublime mountain, the one glacier, the one lake; the whole veiled with one blue shadowrock, ice, and water close together without a single leaf or sign of life. After
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gazing spellbound, I began instinctively to scrutinize every notch and gorge and weathered buttress of the mountain, with reference to making the ascent. The entire front above the glacier appeared as one tremendous precipice, slightly receding at the top, and bristling with spires and pinnacles set above one another in formidable array. Massive lichen-stained battlements stood forward here and there,
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hacked at the top with angular notches, and separated by frosty gullies and recesses that have been veiled in shadow ever since their creation; while to right and left, as far as I could see, were huge, crumbling buttresses, offering no hope to the climber. The head of the glacier sends up a few finger-like branches through narrow _couloirs_; but
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these seemed too steep and short to be available, especially as I had no ax with which to cut steps, and the numerous narrow-throated gullies down which stones and snow are avalanched seemed hopelessly steep, besides being interrupted by vertical cliffs; while the whole front was rendered still more terribly forbidding by the chill shadow and the gloomy blackness of
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the rocks. Descending the divide in a hesitating mood, I picked my way across the yawning chasm at the foot, and climbed out upon the glacier. There were no meadows now to cheer with their brave colors, nor could I hear the dun-headed sparrows, whose cheery notes so often relieve the silence of our highest mountains. The only sounds were
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the gurgling of small rills down in the veins and crevasses of the glacier, and now and then the rattling report of falling stones, with the echoes they shot out into the crisp air. I could not distinctly hope to reach the summit from this side, yet I moved on across the glacier as if driven by fate. Contending with
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myself, the season is too far spent, I said, and even should I be successful, I might be storm-bound on the mountain; and in the cloud-darkness, with the cliffs and crevasses covered with snow, how could I escape? No; I must wait till next summer. I would only approach the mountain now, and inspect it, creep about its flanks, learn
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what I could of its history, holding myself ready to flee on the approach of the first storm-cloud. But we little know until tried how much of the uncontrollable there is in us, urging across glaciers and torrents, and up dangerous heights, let the judgment forbid as it may. I succeeded in gaining the foot of the cliff on the
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eastern extremity of the glacier, and there discovered the mouth of a narrow avalanche gully, through which I began to climb, intending to follow it as far as possible, and at least obtain some fine wild views for my pains. Its general course is oblique to the plane of the mountain-face, and the metamorphic slates of which the mountain is
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built are cut by cleavage planes in such a way that they weather off in angular blocks, giving rise to irregular steps that greatly facilitate climbing on the sheer places. I thus made my way into a wilderness of crumbling spires and battlements, built together in bewildering combinations, and glazed in many places with a thin coating of ice, which
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