triplets list | passage stringlengths 0 32.9k | label stringlengths 4 48 ⌀ | label_id int64 0 1k ⌀ | synonyms list | __index_level_1__ int64 312 64.1k ⌀ | __index_level_0__ int64 0 2.4k ⌀ |
|---|---|---|---|---|---|---|
[
"Antoine-Louis Barye",
"country of citizenship",
"France"
] | Biography
Born in Paris, France, Barye began his career as a goldsmith, like many sculptors of the Romantic Period.
He first worked under his father Pierre, and around 1810 worked under the sculptor Martin-Guillaume Biennais, who was a goldsmith to Napoleon. After studying under sculptor Francois-Joseph Bosio in 1816, ... | country of citizenship | 63 | [
"citizenship country",
"place of citizenship",
"country of origin",
"citizenship nation",
"country of citizenship status"
] | null | null |
[
"Artus Wolffort",
"instance of",
"human"
] | Artus Wolffort, Artus Wolffaert or Artus Wolffaerts (1581–1641) was a Flemish painter known mainly for his history paintings depicting religious and mythological scenes.Life
Artus Wolffort was born in Antwerp and moved with his parents to Dordrecht in the year of his birth. He trained as a painter in Dordrecht where h... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Artus Wolffort",
"place of birth",
"Antwerp"
] | Life
Artus Wolffort was born in Antwerp and moved with his parents to Dordrecht in the year of his birth. He trained as a painter in Dordrecht where he joined the local Guild of Saint Luke in 1603. He returned to Antwerp around 1615 where he worked as an assistant in the studio of Otto van Veen, one of the teachers o... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Artus Wolffort",
"work location",
"Antwerp"
] | Life
Artus Wolffort was born in Antwerp and moved with his parents to Dordrecht in the year of his birth. He trained as a painter in Dordrecht where he joined the local Guild of Saint Luke in 1603. He returned to Antwerp around 1615 where he worked as an assistant in the studio of Otto van Veen, one of the teachers o... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Artus Wolffort",
"occupation",
"painter"
] | Artus Wolffort, Artus Wolffaert or Artus Wolffaerts (1581–1641) was a Flemish painter known mainly for his history paintings depicting religious and mythological scenes.Life
Artus Wolffort was born in Antwerp and moved with his parents to Dordrecht in the year of his birth. He trained as a painter in Dordrecht where h... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Artus Wolffort",
"movement",
"Flemish Baroque painting"
] | Artus Wolffort, Artus Wolffaert or Artus Wolffaerts (1581–1641) was a Flemish painter known mainly for his history paintings depicting religious and mythological scenes.Life
Artus Wolffort was born in Antwerp and moved with his parents to Dordrecht in the year of his birth. He trained as a painter in Dordrecht where h... | movement | 87 | [
"motion",
"activity",
"progression",
"advancement",
"mobility"
] | null | null |
[
"Artus Wolffort",
"child",
"Jan Baptist Wolfaerts"
] | Artus Wolffort was one of the artists who worked on the decorations for the Joyous Entry into Antwerp of the new governor of the Habsburg Netherlands Cardinal-Infante Ferdinand in 1635. Rubens was in overall charge of this project for which Wolffort made decorative paintings after designs by Rubens.His pupils included... | child | 39 | [
"offspring",
"progeny",
"issue",
"descendant",
"heir"
] | null | null |
[
"Artus Wolffort",
"given name",
"Artus"
] | Artus Wolffort, Artus Wolffaert or Artus Wolffaerts (1581–1641) was a Flemish painter known mainly for his history paintings depicting religious and mythological scenes.Life
Artus Wolffort was born in Antwerp and moved with his parents to Dordrecht in the year of his birth. He trained as a painter in Dordrecht where h... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Jan Davidsz. de Heem",
"instance of",
"human"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Jan Davidsz. de Heem",
"place of birth",
"Utrecht"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Jan Davidsz. de Heem",
"work location",
"Utrecht"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Kunsthistorisches Museum"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Allen Memorial Art Museum"
] | Collections
Of the one hundred or more of his pictures seen in European galleries, only 18 are dated. An early work shows a chased tankard with a bottle, a silver cup and a lemon on a marble table, dated 1640, in the Rijksmuseum in Amsterdam. A similar work of 1645, with the addition of fruit, flowers and a distant lan... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Barber Institute of Fine Arts"
] | Collections
Of the one hundred or more of his pictures seen in European galleries, only 18 are dated. An early work shows a chased tankard with a bottle, a silver cup and a lemon on a marble table, dated 1640, in the Rijksmuseum in Amsterdam. A similar work of 1645, with the addition of fruit, flowers and a distant lan... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Thyssen-Bornemisza Museum"
] | Collections
Of the one hundred or more of his pictures seen in European galleries, only 18 are dated. An early work shows a chased tankard with a bottle, a silver cup and a lemon on a marble table, dated 1640, in the Rijksmuseum in Amsterdam. A similar work of 1645, with the addition of fruit, flowers and a distant lan... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jan Davidsz. de Heem",
"sex or gender",
"male"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | sex or gender | 65 | [
"biological sex",
"gender identity",
"gender expression",
"sexual orientation",
"gender classification"
] | null | null |
[
"Jan Davidsz. de Heem",
"place of death",
"Antwerp"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | place of death | 45 | [
"location of death",
"death place",
"place where they died",
"place of passing",
"final resting place"
] | null | null |
[
"Jan Davidsz. de Heem",
"work location",
"Antwerp"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Royal Museums of Fine Arts of Belgium"
] | Collections
Of the one hundred or more of his pictures seen in European galleries, only 18 are dated. An early work shows a chased tankard with a bottle, a silver cup and a lemon on a marble table, dated 1640, in the Rijksmuseum in Amsterdam. A similar work of 1645, with the addition of fruit, flowers and a distant lan... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jan Davidsz. de Heem",
"father",
"David Davidsz. de Heem"
] | Life
De Heem was born in Utrecht as Johannes van Antwerpen. He studied first under his father David de Heem the Elder (1570–1631), then under Balthasar van der Ast. He lived in Leiden from about 1625 to 1629, where he studied in 1629 under David Bailly (1584- c. 1657).
He moved to the Southern Netherlands and joined th... | father | 57 | [
"dad",
"daddy",
"papa",
"pop",
"sire"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Rijksmuseum"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jan Davidsz. de Heem",
"given name",
"Jan"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Royal Museum of Fine Arts Antwerp"
] | Family
A number of de Heems, of whom Jan Davidsz. was the most distinguished, painted works in similar styles, that are often hard to distinguish. These include a brother, two sons, of whom Cornelis became particularly successful, and at least one grandson by each son.
This family of painters started with the unknown f... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jan Davidsz. de Heem",
"occupation",
"painter"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Staatliche Kunstsammlungen Dresden"
] | Family
A number of de Heems, of whom Jan Davidsz. was the most distinguished, painted works in similar styles, that are often hard to distinguish. These include a brother, two sons, of whom Cornelis became particularly successful, and at least one grandson by each son.
This family of painters started with the unknown f... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jan Davidsz. de Heem",
"child",
"Cornelis de Heem"
] | Van Heem married twice, first with Alette van Weede with whom he had three surviving children on her death in 1643, one of which, Cornelis, would become a still life painter. He married a second time in 1644 with Anna Catherina Ruckers with whom he had six more children, one of whom was Jan who would also become a sti... | child | 39 | [
"offspring",
"progeny",
"issue",
"descendant",
"heir"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Mauritshuis"
] | Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch a... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jan Davidsz. de Heem",
"sibling",
"David Davidsz. de Heem"
] | Family
A number of de Heems, of whom Jan Davidsz. was the most distinguished, painted works in similar styles, that are often hard to distinguish. These include a brother, two sons, of whom Cornelis became particularly successful, and at least one grandson by each son.
This family of painters started with the unknown f... | sibling | 37 | [
"brother or sister",
"kin"
] | null | null |
[
"Jan Davidsz. de Heem",
"genre",
"floral painting"
] | Work
De Heem was one of the greatest painters of still lifes in the Netherlands, combining a brilliance and harmony of colour along with an accurate rendering of objects: flowers, in all their variety; European and tropical fruits; lobsters and oysters; butterflies and moths; stone and metal; snails and sea shells.
His... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Museum Boijmans Van Beuningen"
] | Work
De Heem was one of the greatest painters of still lifes in the Netherlands, combining a brilliance and harmony of colour along with an accurate rendering of objects: flowers, in all their variety; European and tropical fruits; lobsters and oysters; butterflies and moths; stone and metal; snails and sea shells.
His... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jan Davidsz. de Heem",
"member of",
"Antwerp Guild of Saint Luke"
] | Life
De Heem was born in Utrecht as Johannes van Antwerpen. He studied first under his father David de Heem the Elder (1570–1631), then under Balthasar van der Ast. He lived in Leiden from about 1625 to 1629, where he studied in 1629 under David Bailly (1584- c. 1657).
He moved to the Southern Netherlands and joined th... | member of | 55 | [
"part of",
"belonging to",
"affiliated with",
"associated with",
"connected to"
] | null | null |
[
"Jan Davidsz. de Heem",
"has works in the collection",
"Brussels City Museum"
] | Family
A number of de Heems, of whom Jan Davidsz. was the most distinguished, painted works in similar styles, that are often hard to distinguish. These include a brother, two sons, of whom Cornelis became particularly successful, and at least one grandson by each son.
This family of painters started with the unknown f... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Mattia Preti",
"instance of",
"human"
] | Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John.Life
Born in the small town of Taverna in Calabria, Preti was called Il Cavalier Calabrese (the Calabrian Knight) after appointment as a Knight of the Order ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Mattia Preti",
"country of citizenship",
"Italy"
] | Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John. | country of citizenship | 63 | [
"citizenship country",
"place of citizenship",
"country of origin",
"citizenship nation",
"country of citizenship status"
] | null | null |
[
"Mattia Preti",
"languages spoken, written or signed",
"Italian"
] | Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John. | languages spoken, written or signed | 38 | [
"linguistic abilities",
"language proficiency",
"language command"
] | null | null |
[
"Mattia Preti",
"field of work",
"art of painting"
] | Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John.Life
Born in the small town of Taverna in Calabria, Preti was called Il Cavalier Calabrese (the Calabrian Knight) after appointment as a Knight of the Order ... | field of work | 20 | [
"profession",
"occupation",
"area of expertise",
"specialization"
] | null | null |
[
"Mattia Preti",
"place of birth",
"Taverna"
] | Life
Born in the small town of Taverna in Calabria, Preti was called Il Cavalier Calabrese (the Calabrian Knight) after appointment as a Knight of the Order of St. John (Knights of Malta) in 1660. His early apprenticeship is said to have been with the "Caravaggist" Giovanni Battista Caracciolo, which may account for hi... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Mattia Preti",
"occupation",
"painter"
] | Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John.Life
Born in the small town of Taverna in Calabria, Preti was called Il Cavalier Calabrese (the Calabrian Knight) after appointment as a Knight of the Order ... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Mattia Preti",
"given name",
"Mattia"
] | Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John.Life
Born in the small town of Taverna in Calabria, Preti was called Il Cavalier Calabrese (the Calabrian Knight) after appointment as a Knight of the Order ... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Pierre-Paul Prud'hon",
"place of birth",
"Cluny"
] | Biography
Pierre-Paul Prud'hon was born in Cluny, Saône-et-Loire, France. He received his artistic training in the French provinces and went to Italy when he was twenty-six years old to continue his education. On his return to Paris, he found work decorating some private mansions. His work for wealthy Parisians led him... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Jules Pascin",
"place of death",
"Paris"
] | Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin (pronounced [pas.kin]; erroneously French: [pas.kɛ̃] or [pa.sɛ̃]), Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women,... | place of death | 45 | [
"location of death",
"death place",
"place where they died",
"place of passing",
"final resting place"
] | null | null |
[
"Jules Pascin",
"instance of",
"human"
] | Career
Like Henri de Toulouse-Lautrec, Pascin drew upon his surroundings and his friends, both male and female, as subjects. During the 1920s, Pascin mostly painted fragile petites filles, prostitutes waiting for clients, or models waiting for the sitting to end. His fleetingly rendered paintings sold readily, but the ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Jules Pascin",
"place of birth",
"Vidin"
] | Early life
Julius Mordecai Pincas was born in Vidin, Bulgaria, the eighth of eleven children, to the Sephardic Jewish family of a grain merchant named Marcus Pincas. Originally from Ruse, the Pincas family was one of the wealthiest in Vidin; they bought and exported wheat, rice, maize and sunflower. His mother, Sofie (... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Jules Pascin",
"manner of death",
"suicide"
] | Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin (pronounced [pas.kin]; erroneously French: [pas.kɛ̃] or [pa.sɛ̃]), Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women,... | manner of death | 44 | [
"cause of death",
"mode of death",
"method of death",
"way of dying",
"circumstances of death"
] | null | null |
[
"Jules Pascin",
"cause of death",
"hanging"
] | Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin (pronounced [pas.kin]; erroneously French: [pas.kɛ̃] or [pa.sɛ̃]), Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women,... | cause of death | 43 | [
"manner of death",
"reason for death",
"mode of death",
"source of death",
"factors leading to death"
] | null | null |
[
"Jules Pascin",
"occupation",
"drawer"
] | Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin (pronounced [pas.kin]; erroneously French: [pas.kɛ̃] or [pa.sɛ̃]), Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women,... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Jules Pascin",
"occupation",
"illustrator"
] | Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin (pronounced [pas.kin]; erroneously French: [pas.kɛ̃] or [pa.sɛ̃]), Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women,... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Jules Pascin",
"family name",
"Pascin"
] | Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin (pronounced [pas.kin]; erroneously French: [pas.kɛ̃] or [pa.sɛ̃]), Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women,... | family name | 54 | [
"surname",
"last name",
"patronymic",
"family surname",
"clan name"
] | null | null |
[
"Jules Pascin",
"occupation",
"painter"
] | Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin (pronounced [pas.kin]; erroneously French: [pas.kɛ̃] or [pa.sɛ̃]), Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women,... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Nicolas de Staël",
"instance of",
"human"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Nicolas de Staël",
"country of citizenship",
"France"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. | country of citizenship | 63 | [
"citizenship country",
"place of citizenship",
"country of origin",
"citizenship nation",
"country of citizenship status"
] | null | null |
[
"Nicolas de Staël",
"languages spoken, written or signed",
"French"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. | languages spoken, written or signed | 38 | [
"linguistic abilities",
"language proficiency",
"language command"
] | null | null |
[
"Nicolas de Staël",
"work location",
"France"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Nicolas de Staël",
"place of birth",
"Saint Petersburg"
] | Early life
Nicolas de Staël was born Nikolai Vladimirovich Stael von Holstein (Russian: Николай Владимирович Шталь фон Гольштейн) in Saint Petersburg, into the family of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Staël von Holstein family, and the last Commandant of the Peter and ... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Nicolas de Staël",
"place of death",
"Antibes"
] | Death
By 1953, de Staël's state led him to seek isolation in the south of France (eventually in Antibes). He suffered from exhaustion, insomnia and depression. In the wake of a disappointing meeting with disparaging art critic Douglas Cooper, on March 16, 1955 he committed suicide. He leapt to his death from his eleven... | place of death | 45 | [
"location of death",
"death place",
"place where they died",
"place of passing",
"final resting place"
] | null | null |
[
"Nicolas de Staël",
"given name",
"Nicolas"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles.Early life
Nicolas de Staël was born Nikolai Vladimirovich Stael ... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Nicolas de Staël",
"has works in the collection",
"The Phillips Collection"
] | Professional success
De Staël met Françoise Chapouton in the spring of 1946, and they married in May. In October 1946 thanks to his friendship with artist André Lanskoy (whom he met in 1944) de Staël made a contract with Louis Carré who agreed to buy all the paintings that he produced. By January 1947 the de Staël fami... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Nicolas de Staël",
"genre",
"abstract art"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Nicolas de Staël",
"manner of death",
"suicide"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles.Death
By 1953, de Staël's state led him to seek isolation in the ... | manner of death | 44 | [
"cause of death",
"mode of death",
"method of death",
"way of dying",
"circumstances of death"
] | null | null |
[
"Nicolas de Staël",
"sex or gender",
"male"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. | sex or gender | 65 | [
"biological sex",
"gender identity",
"gender expression",
"sexual orientation",
"gender classification"
] | null | null |
[
"Nicolas de Staël",
"family name",
"de Staël"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles.Early life
Nicolas de Staël was born Nikolai Vladimirovich Stael ... | family name | 54 | [
"surname",
"last name",
"patronymic",
"family surname",
"clan name"
] | null | null |
[
"Nicolas de Staël",
"place of burial",
"Cimetière de Montrouge"
] | Death
By 1953, de Staël's state led him to seek isolation in the south of France (eventually in Antibes). He suffered from exhaustion, insomnia and depression. In the wake of a disappointing meeting with disparaging art critic Douglas Cooper, on March 16, 1955 he committed suicide. He leapt to his death from his eleven... | place of burial | 58 | [
"final resting place",
"burial site",
"last resting place",
"grave site",
"interment location"
] | null | null |
[
"Nicolas de Staël",
"father",
"Władimir Staël von Holstein"
] | Early life
Nicolas de Staël was born Nikolai Vladimirovich Stael von Holstein (Russian: Николай Владимирович Шталь фон Гольштейн) in Saint Petersburg, into the family of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Staël von Holstein family, and the last Commandant of the Peter and ... | father | 57 | [
"dad",
"daddy",
"papa",
"pop",
"sire"
] | null | null |
[
"Nicolas de Staël",
"mother",
"Lubov Vladimirovna Berednikova"
] | Early life
Nicolas de Staël was born Nikolai Vladimirovich Stael von Holstein (Russian: Николай Владимирович Шталь фон Гольштейн) in Saint Petersburg, into the family of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Staël von Holstein family, and the last Commandant of the Peter and ... | mother | 52 | [
"mom",
"mommy",
"mum",
"mama",
"parent"
] | null | null |
[
"Nicolas de Staël",
"has works in the collection",
"Stedelijk Museum Amsterdam"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Nicolas de Staël",
"cause of death",
"falling"
] | Death
By 1953, de Staël's state led him to seek isolation in the south of France (eventually in Antibes). He suffered from exhaustion, insomnia and depression. In the wake of a disappointing meeting with disparaging art critic Douglas Cooper, on March 16, 1955 he committed suicide. He leapt to his death from his eleven... | cause of death | 43 | [
"manner of death",
"reason for death",
"mode of death",
"source of death",
"factors leading to death"
] | null | null |
[
"Nicolas de Staël",
"occupation",
"painter"
] | Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Hippolyte Flandrin",
"instance of",
"human"
] | Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer ("Young Male Nude Seated beside the Sea"), from 1836, is held in the Louvre.Biography
Early life
From an early age, Flandrin showed interest in the arts and a caree... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Hippolyte Flandrin",
"sex or gender",
"male"
] | Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer ("Young Male Nude Seated beside the Sea"), from 1836, is held in the Louvre.Biography
Early life
From an early age, Flandrin showed interest in the arts and a caree... | sex or gender | 65 | [
"biological sex",
"gender identity",
"gender expression",
"sexual orientation",
"gender classification"
] | null | null |
[
"Hippolyte Flandrin",
"sibling",
"Paul Flandrin"
] | Biography
Early life
From an early age, Flandrin showed interest in the arts and a career as a painter. However, his parents pressured him to become a businessman, and having very little training, he was forced to instead become a miniature painter.
Hippolyte was the second of three sons, all of whom were painters in s... | sibling | 37 | [
"brother or sister",
"kin"
] | null | null |
[
"Hippolyte Flandrin",
"student of",
"Jean Auguste Dominique Ingres"
] | Biography
Early life
From an early age, Flandrin showed interest in the arts and a career as a painter. However, his parents pressured him to become a businessman, and having very little training, he was forced to instead become a miniature painter.
Hippolyte was the second of three sons, all of whom were painters in s... | student of | 72 | [
"apprentice of",
"disciple of",
"pupil of",
"follower of",
"learner of"
] | null | null |
[
"Hippolyte Flandrin",
"movement",
"neoclassicism"
] | Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer ("Young Male Nude Seated beside the Sea"), from 1836, is held in the Louvre. | movement | 87 | [
"motion",
"activity",
"progression",
"advancement",
"mobility"
] | null | null |
[
"Hippolyte Flandrin",
"spouse",
"Aimée Ancelot"
] | Biography
Early life
From an early age, Flandrin showed interest in the arts and a career as a painter. However, his parents pressured him to become a businessman, and having very little training, he was forced to instead become a miniature painter.
Hippolyte was the second of three sons, all of whom were painters in s... | spouse | 51 | [
"partner"
] | null | null |
[
"Hippolyte Flandrin",
"given name",
"Jean"
] | Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer ("Young Male Nude Seated beside the Sea"), from 1836, is held in the Louvre. | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Hippolyte Flandrin",
"award received",
"Prix de Rome"
] | Biography
Early life
From an early age, Flandrin showed interest in the arts and a career as a painter. However, his parents pressured him to become a businessman, and having very little training, he was forced to instead become a miniature painter.
Hippolyte was the second of three sons, all of whom were painters in s... | award received | 62 | [
"received an award",
"given an award",
"won an award",
"received a prize",
"awarded with"
] | null | null |
[
"Hippolyte Flandrin",
"family name",
"Flandrin"
] | Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer ("Young Male Nude Seated beside the Sea"), from 1836, is held in the Louvre.Biography
Early life
From an early age, Flandrin showed interest in the arts and a caree... | family name | 54 | [
"surname",
"last name",
"patronymic",
"family surname",
"clan name"
] | null | null |
[
"Hippolyte Flandrin",
"child",
"Paul-Hippolyte Flandrin"
] | Biography
Early life
From an early age, Flandrin showed interest in the arts and a career as a painter. However, his parents pressured him to become a businessman, and having very little training, he was forced to instead become a miniature painter.
Hippolyte was the second of three sons, all of whom were painters in s... | child | 39 | [
"offspring",
"progeny",
"issue",
"descendant",
"heir"
] | null | null |
[
"Hippolyte Flandrin",
"occupation",
"painter"
] | Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer ("Young Male Nude Seated beside the Sea"), from 1836, is held in the Louvre.Biography
Early life
From an early age, Flandrin showed interest in the arts and a caree... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Hippolyte Flandrin",
"given name",
"Hippolyte"
] | Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer ("Young Male Nude Seated beside the Sea"), from 1836, is held in the Louvre.Biography
Early life
From an early age, Flandrin showed interest in the arts and a caree... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Nicolaes Maes",
"instance of",
"human"
] | Life
Nicolaes Maes was born in Dordrecht as the second son of Gerrit Maes, a prosperous cloth merchant and soap boiler, and Ida Herman Claesdr.
He initially trained with a mediocre painter in his hometown. Around 1648, he went to Amsterdam, where he entered Rembrandt's studio. He remained in the studio of Rembrandt... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Nicolaes Maes",
"place of death",
"Amsterdam"
] | Maes moved to Amsterdam in 1673, where he resided until his death. The move was likely related to the ready market for portrait specialists after the death of the leading Amsterdam portrait painters Abraham van den Tempel and Bartholomeus van der Helst. The downturn in the art market in Dordrecht and other Dutch cities... | place of death | 45 | [
"location of death",
"death place",
"place where they died",
"place of passing",
"final resting place"
] | null | null |
[
"Nicolaes Maes",
"work location",
"Amsterdam"
] | Life
Nicolaes Maes was born in Dordrecht as the second son of Gerrit Maes, a prosperous cloth merchant and soap boiler, and Ida Herman Claesdr.
He initially trained with a mediocre painter in his hometown. Around 1648, he went to Amsterdam, where he entered Rembrandt's studio. He remained in the studio of Rembrandt... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Nicolaes Maes",
"student of",
"Rembrandt"
] | Life
Nicolaes Maes was born in Dordrecht as the second son of Gerrit Maes, a prosperous cloth merchant and soap boiler, and Ida Herman Claesdr.
He initially trained with a mediocre painter in his hometown. Around 1648, he went to Amsterdam, where he entered Rembrandt's studio. He remained in the studio of Rembrandt... | student of | 72 | [
"apprentice of",
"disciple of",
"pupil of",
"follower of",
"learner of"
] | null | null |
[
"Nicolaes Maes",
"place of birth",
"Dordrecht"
] | Nicolaes Maes (January 1634 – December 1693 (buried 24 December 1693)) was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his native city of Dordrecht for 20 years. In the latter part of his career ... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Nicolaes Maes",
"work location",
"Dordrecht"
] | Life
Nicolaes Maes was born in Dordrecht as the second son of Gerrit Maes, a prosperous cloth merchant and soap boiler, and Ida Herman Claesdr.
He initially trained with a mediocre painter in his hometown. Around 1648, he went to Amsterdam, where he entered Rembrandt's studio. He remained in the studio of Rembrandt... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Nicolaes Maes",
"genre",
"portrait"
] | A signed and dated picture of 1653 shows that the artist had established himself as an independent artist by that year.
In the middle or end of the 1650s, Maes traveled to Antwerp where he studied the work of Flemish artists such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens. During his stay in Antwerp Mae... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Nicolaes Maes",
"has works in the collection",
"Metropolitan Museum of Art"
] | Works
Biblical and mythological scenes
In his early years as an independent artist in the early 1650s Maes painted a few biblical and mythological scenes. These include the Suffer the little Children to come unto Me (1652/3, London, National Gallery), Vertumnus and Pomona (possibly 1653, National Gallery of Ireland, D... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Nicolaes Maes",
"genre",
"genre painting"
] | Genre painting
During this early period Maes showed himself to be among the most inventive genre painters in the Dutch Republic. He introduced new themes and invented unprecedented expressive poses, gestures and facial expressions. Maes painted various genre scenes set on the domestic doorsteps (for example A young bo... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Nicolaes Maes",
"given name",
"Nicolaes"
] | Life
Nicolaes Maes was born in Dordrecht as the second son of Gerrit Maes, a prosperous cloth merchant and soap boiler, and Ida Herman Claesdr.
He initially trained with a mediocre painter in his hometown. Around 1648, he went to Amsterdam, where he entered Rembrandt's studio. He remained in the studio of Rembrandt... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Nicolaes Maes",
"has works in the collection",
"Montreal Museum of Fine Arts"
] | Genre painting
During this early period Maes showed himself to be among the most inventive genre painters in the Dutch Republic. He introduced new themes and invented unprecedented expressive poses, gestures and facial expressions. Maes painted various genre scenes set on the domestic doorsteps (for example A young bo... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Nicolaes Maes",
"family name",
"Maes"
] | Life
Nicolaes Maes was born in Dordrecht as the second son of Gerrit Maes, a prosperous cloth merchant and soap boiler, and Ida Herman Claesdr.
He initially trained with a mediocre painter in his hometown. Around 1648, he went to Amsterdam, where he entered Rembrandt's studio. He remained in the studio of Rembrandt... | family name | 54 | [
"surname",
"last name",
"patronymic",
"family surname",
"clan name"
] | null | null |
[
"Augustin Pajou",
"instance of",
"human"
] | Augustin Pajou (19 September 1730 – 8 May 1809) was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his Pluton tenant Cerbère enchaîné (now in the Louvre).Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in th... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Augustin Pajou",
"place of death",
"Paris"
] | Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in the Louvre), are amongst his best works.When Bernard Poyet constructed the "Fontaine des Innocents" from the earlier edifice of Pierre Lescot, Pajou provided a number of new figures for the work. Mention ... | place of death | 45 | [
"location of death",
"death place",
"place where they died",
"place of passing",
"final resting place"
] | null | null |
[
"Augustin Pajou",
"work location",
"Paris"
] | Augustin Pajou (19 September 1730 – 8 May 1809) was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his Pluton tenant Cerbère enchaîné (now in the Louvre). | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Augustin Pajou",
"place of birth",
"Paris"
] | Augustin Pajou (19 September 1730 – 8 May 1809) was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his Pluton tenant Cerbère enchaîné (now in the Louvre). | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Augustin Pajou",
"has works in the collection",
"Museum of Fine Arts of Lyon"
] | Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in the Louvre), are amongst his best works.When Bernard Poyet constructed the "Fontaine des Innocents" from the earlier edifice of Pierre Lescot, Pajou provided a number of new figures for the work. Mention ... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Augustin Pajou",
"has works in the collection",
"Metropolitan Museum of Art"
] | Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in the Louvre), are amongst his best works.When Bernard Poyet constructed the "Fontaine des Innocents" from the earlier edifice of Pierre Lescot, Pajou provided a number of new figures for the work. Mention ... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Augustin Pajou",
"country of citizenship",
"France"
] | Augustin Pajou (19 September 1730 – 8 May 1809) was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his Pluton tenant Cerbère enchaîné (now in the Louvre). | country of citizenship | 63 | [
"citizenship country",
"place of citizenship",
"country of origin",
"citizenship nation",
"country of citizenship status"
] | null | null |
[
"Augustin Pajou",
"has works in the collection",
"National Gallery of Art"
] | Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in the Louvre), are amongst his best works.When Bernard Poyet constructed the "Fontaine des Innocents" from the earlier edifice of Pierre Lescot, Pajou provided a number of new figures for the work. Mention ... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Augustin Pajou",
"has works in the collection",
"Royal Museums of Fine Arts of Belgium"
] | Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in the Louvre), are amongst his best works.When Bernard Poyet constructed the "Fontaine des Innocents" from the earlier edifice of Pierre Lescot, Pajou provided a number of new figures for the work. Mention ... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
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