triplets list | passage stringlengths 0 32.9k | label stringlengths 4 48 ⌀ | label_id int64 0 1k ⌀ | synonyms list | __index_level_1__ int64 312 64.1k ⌀ | __index_level_0__ int64 0 2.4k ⌀ |
|---|---|---|---|---|---|---|
[
"Augustin Pajou",
"award received",
"Prix de Rome"
] | Augustin Pajou (19 September 1730 – 8 May 1809) was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his Pluton tenant Cerbère enchaîné (now in the Louvre). | award received | 62 | [
"received an award",
"given an award",
"won an award",
"received a prize",
"awarded with"
] | null | null |
[
"Augustin Pajou",
"occupation",
"sculptor"
] | Augustin Pajou (19 September 1730 – 8 May 1809) was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his Pluton tenant Cerbère enchaîné (now in the Louvre).Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in th... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Augustin Pajou",
"has works in the collection",
"The Frick Collection"
] | Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in the Louvre), are amongst his best works.When Bernard Poyet constructed the "Fontaine des Innocents" from the earlier edifice of Pierre Lescot, Pajou provided a number of new figures for the work. Mention ... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Augustin Pajou",
"has works in the collection",
"J. Paul Getty Museum"
] | Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in the Louvre), are amongst his best works.When Bernard Poyet constructed the "Fontaine des Innocents" from the earlier edifice of Pierre Lescot, Pajou provided a number of new figures for the work. Mention ... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Augustin Pajou",
"has works in the collection",
"Musée des Augustins"
] | Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in the Louvre), are amongst his best works.When Bernard Poyet constructed the "Fontaine des Innocents" from the earlier edifice of Pierre Lescot, Pajou provided a number of new figures for the work. Mention ... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Augustin Pajou",
"notable work",
"bust of Madame du Barry"
] | Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in the Louvre), are amongst his best works.When Bernard Poyet constructed the "Fontaine des Innocents" from the earlier edifice of Pierre Lescot, Pajou provided a number of new figures for the work. Mention ... | notable work | 73 | [
"masterpiece",
"landmark",
"tour de force",
"most significant work",
"famous creation"
] | null | null |
[
"Augustin Pajou",
"given name",
"Augustin"
] | Augustin Pajou (19 September 1730 – 8 May 1809) was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his Pluton tenant Cerbère enchaîné (now in the Louvre).Selected works
Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in th... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Lambert Doomer",
"field of work",
"art of painting"
] | Biography
Doomer was the third of nine children of Herman Doomer (1595–1650) and his wife Baertje Martens, who ran a successful business in ebony-veneer furniture. Lambert was trained as a furniture maker like his father, but seemed to enjoy drawing more than woodworking and he became an artist. It is not known who tra... | field of work | 20 | [
"profession",
"occupation",
"area of expertise",
"specialization"
] | null | null |
[
"Lambert Doomer",
"occupation",
"painter"
] | Biography
Doomer was the third of nine children of Herman Doomer (1595–1650) and his wife Baertje Martens, who ran a successful business in ebony-veneer furniture. Lambert was trained as a furniture maker like his father, but seemed to enjoy drawing more than woodworking and he became an artist. It is not known who tra... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Lambert Doomer",
"father",
"Herman Doomer"
] | Biography
Doomer was the third of nine children of Herman Doomer (1595–1650) and his wife Baertje Martens, who ran a successful business in ebony-veneer furniture. Lambert was trained as a furniture maker like his father, but seemed to enjoy drawing more than woodworking and he became an artist. It is not known who tra... | father | 57 | [
"dad",
"daddy",
"papa",
"pop",
"sire"
] | null | null |
[
"Lambert Doomer",
"mother",
"Baertje Martens"
] | Biography
Doomer was the third of nine children of Herman Doomer (1595–1650) and his wife Baertje Martens, who ran a successful business in ebony-veneer furniture. Lambert was trained as a furniture maker like his father, but seemed to enjoy drawing more than woodworking and he became an artist. It is not known who tra... | mother | 52 | [
"mom",
"mommy",
"mum",
"mama",
"parent"
] | null | null |
[
"Lambert Doomer",
"family name",
"Doomer"
] | Biography
Doomer was the third of nine children of Herman Doomer (1595–1650) and his wife Baertje Martens, who ran a successful business in ebony-veneer furniture. Lambert was trained as a furniture maker like his father, but seemed to enjoy drawing more than woodworking and he became an artist. It is not known who tra... | family name | 54 | [
"surname",
"last name",
"patronymic",
"family surname",
"clan name"
] | null | null |
[
"Antoine Berjon",
"employer",
"École des Beaux-Arts"
] | Antoine Berjon (17 May 1754 – 24 October 1843) was a French painter and designer, among the most important flower painters of 19th-century France. He worked in a variety of media including oil, pastel, watercolour, and ink.
Berjon was born in St Pierre de Vaise, a commune of Lyon, to the son of a butcher, and he first ... | employer | 86 | [
"boss",
"supervisor",
"manager",
"chief",
"director"
] | null | null |
[
"Hubert Robert",
"genre",
"landscape art"
] | Hubert Robert (French: [yɡo ʁɑbɛːʁ]; 22 May 1733 – 15 April 1808) was a French painter in the school of Romanticism, noted especially for his landscape paintings and capricci, or semi-fictitious picturesque depictions of ruins in Italy and of France. | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Hubert Robert",
"educated at",
"Collège de Navarre"
] | Biography
Early years
Hubert Robert was born in Paris in 1733. His father, Nicolas Robert, was in the service of François-Joseph de Choiseul, marquis de Stainville a leading diplomat from Lorraine. Young Robert finished his studies with the Jesuits at the Collège de Navarre in 1751 and entered the atelier of the sculpt... | educated at | 56 | [
"studied at",
"graduated from",
"attended",
"enrolled at",
"completed education at"
] | null | null |
[
"Hubert Robert",
"family name",
"Robert"
] | Biography
Early years
Hubert Robert was born in Paris in 1733. His father, Nicolas Robert, was in the service of François-Joseph de Choiseul, marquis de Stainville a leading diplomat from Lorraine. Young Robert finished his studies with the Jesuits at the Collège de Navarre in 1751 and entered the atelier of the sculpt... | family name | 54 | [
"surname",
"last name",
"patronymic",
"family surname",
"clan name"
] | null | null |
[
"Gaspar de Crayer",
"instance of",
"human"
] | Gaspar de Crayer or Jasper de Crayer (18 November 1584 – 27 January 1669) was a Flemish painter known for his many Counter-Reformation altarpieces and portraits. He was a court painter to the governors of the Southern Netherlands and worked in the principal cities of Flanders where he helped spread the Rubens style.Li... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Gaspar de Crayer",
"has works in the collection",
"Kunsthistorisches Museum"
] | De Crayer's early works include portraits of the kings of Spain and the Spanish governors and officials who were stationed in the Spanish Netherlands as well as members of the Brussels city council. For example, the Equestrian portrait of Don Diego Messia Felipe de Guzmán (Kunsthistorisches Museum, Vienna) was painted ... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Gaspar de Crayer",
"work location",
"City of Brussels"
] | De Crayer's early works include portraits of the kings of Spain and the Spanish governors and officials who were stationed in the Spanish Netherlands as well as members of the Brussels city council. For example, the Equestrian portrait of Don Diego Messia Felipe de Guzmán (Kunsthistorisches Museum, Vienna) was painted ... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Gaspar de Crayer",
"place of death",
"Ghent"
] | He worked regularly in Ghent where he produced altarpieces. He had previously established a reputation in Ghent: before 1620 he had regularly completed commissions for various religious and secular institutions of the city and he been given an important role in the execution of the monumental decorations for the Joyous... | place of death | 45 | [
"location of death",
"death place",
"place where they died",
"place of passing",
"final resting place"
] | null | null |
[
"Gaspar de Crayer",
"work location",
"Ghent"
] | He worked regularly in Ghent where he produced altarpieces. He had previously established a reputation in Ghent: before 1620 he had regularly completed commissions for various religious and secular institutions of the city and he been given an important role in the execution of the monumental decorations for the Joyous... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Gaspar de Crayer",
"position held",
"court painter"
] | De Crayer's early works include portraits of the kings of Spain and the Spanish governors and officials who were stationed in the Spanish Netherlands as well as members of the Brussels city council. For example, the Equestrian portrait of Don Diego Messia Felipe de Guzmán (Kunsthistorisches Museum, Vienna) was painted ... | position held | 59 | [
"occupation",
"job title",
"post",
"office",
"rank"
] | null | null |
[
"Gaspar de Crayer",
"genre",
"portrait painting"
] | Gaspar de Crayer or Jasper de Crayer (18 November 1584 – 27 January 1669) was a Flemish painter known for his many Counter-Reformation altarpieces and portraits. He was a court painter to the governors of the Southern Netherlands and worked in the principal cities of Flanders where he helped spread the Rubens style.Wo... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Gaspar de Crayer",
"given name",
"Gaspard"
] | Life
Gaspar de Crayer was born in Antwerp as the son of Gaspard de Crayer the Elder, a decorative painter, illuminator and art dealer. His mother Christina van Abshoven or Apshoven descended from a family of painters who at the time enjoyed some fame, but whose work is barely known now. Rather than stay in Antwerp, he ... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Gaspar de Crayer",
"given name",
"Gaspar"
] | Gaspar de Crayer or Jasper de Crayer (18 November 1584 – 27 January 1669) was a Flemish painter known for his many Counter-Reformation altarpieces and portraits. He was a court painter to the governors of the Southern Netherlands and worked in the principal cities of Flanders where he helped spread the Rubens style.Li... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Gerrit Berckheyde",
"place of birth",
"Haarlem"
] | Gerrit Adriaenszoon Berckheyde (1638 – 10 June 1698) was a Dutch Golden Age painter, active in Haarlem, Amsterdam, and The Hague, who is best known today for his cityscapes.Biography
Berckheyde was born and died in Haarlem. Christened as an infant 6 June 1638, he was the younger brother (by eleven years) and student ... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Gerrit Berckheyde",
"instance of",
"human"
] | Biography
Berckheyde was born and died in Haarlem. Christened as an infant 6 June 1638, he was the younger brother (by eleven years) and student of the painter Job Adriaenszoon Berckheyde. Golden-age historian Arnold Houbraken claimed that Job had been trained as a bookbinder by his father, and could not discover who ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Gerrit Berckheyde",
"occupation",
"painter"
] | Gerrit Adriaenszoon Berckheyde (1638 – 10 June 1698) was a Dutch Golden Age painter, active in Haarlem, Amsterdam, and The Hague, who is best known today for his cityscapes.Biography
Berckheyde was born and died in Haarlem. Christened as an infant 6 June 1638, he was the younger brother (by eleven years) and student ... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Gerrit Berckheyde",
"notable work",
"The ‘Golden Bend’ in the Herengracht, Amsterdam, Seen from the East"
] | Works
According to the Netherlands Institute for Art History (RKD) he was a painter known for his Italianate landscapes as well as portraits and cavalry pieces. His influences include Pieter Saenredam's style (for church interiors), refined draughtsmanship and dispassionate attitude—in short, the qualities of "Dutch Cl... | notable work | 73 | [
"masterpiece",
"landmark",
"tour de force",
"most significant work",
"famous creation"
] | null | null |
[
"Antoine Caron",
"sponsor",
"Catherine de' Medici"
] | Career
He began painting in his teens doing frescos for a number of churches. Between 1540 and 1550 he worked under Primaticcio and Niccolò dell'Abbate at the School of Fontainebleau. In 1561, he was appointed the court painter by Catherine de' Medici and Henry II of France. As court painter he also had the duties of o... | sponsor | 104 | [
"backer",
"financier",
"patron",
"supporter",
"underwriter"
] | null | null |
[
"Antoine Caron",
"place of death",
"Paris"
] | Career
He began painting in his teens doing frescos for a number of churches. Between 1540 and 1550 he worked under Primaticcio and Niccolò dell'Abbate at the School of Fontainebleau. In 1561, he was appointed the court painter by Catherine de' Medici and Henry II of France. As court painter he also had the duties of o... | place of death | 45 | [
"location of death",
"death place",
"place where they died",
"place of passing",
"final resting place"
] | null | null |
[
"Antoine Caron",
"family name",
"Caron"
] | Life
Caron was born in Beauvais between 1521 and 1530 to Phillipe and Adele (Lamarre) Caron.
He married Marie Dangobert in 1555. Together, they had one son, Louis, who was born ca. 1570.Career
He began painting in his teens doing frescos for a number of churches. Between 1540 and 1550 he worked under Primaticcio and Ni... | family name | 54 | [
"surname",
"last name",
"patronymic",
"family surname",
"clan name"
] | null | null |
[
"Antoine Caron",
"place of birth",
"Beauvais"
] | Life
Caron was born in Beauvais between 1521 and 1530 to Phillipe and Adele (Lamarre) Caron.
He married Marie Dangobert in 1555. Together, they had one son, Louis, who was born ca. 1570. | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Antoine Caron",
"position held",
"court painter"
] | Career
He began painting in his teens doing frescos for a number of churches. Between 1540 and 1550 he worked under Primaticcio and Niccolò dell'Abbate at the School of Fontainebleau. In 1561, he was appointed the court painter by Catherine de' Medici and Henry II of France. As court painter he also had the duties of o... | position held | 59 | [
"occupation",
"job title",
"post",
"office",
"rank"
] | null | null |
[
"Antoine Vollon",
"place of death",
"Paris"
] | "Once Vollon began exhibiting at the Salon, he quickly gained recognition from the critics and the public at large, and, most importantly, from Second-Empire officialdom. He had learned how to play the political game that would earn him State patronage and enable him to win numerous awards...."
Tabler describes his amb... | place of death | 45 | [
"location of death",
"death place",
"place where they died",
"place of passing",
"final resting place"
] | null | null |
[
"Antoine Vollon",
"work location",
"Paris"
] | Paris and becoming a painter
In 1859 he moved to Paris, with the intention of becoming a painter. There he became a student of Théodule Ribot and was influenced by Dutch still life painters of the 17th century. He became friends with Alexandre Dumas, Jean-Baptiste Carpeaux, Honoré Daumier and Charles-François Daubigny.... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Antoine Vollon",
"place of birth",
"Lyon"
] | Family and early years
Vollon was born the son of an ornamental craftsman in Lyon, France. He taught himself to paint. He began an apprenticeship to an engraver in metal, and studied under Jehan Georges Vibert at the École des Beaux-Arts in Lyon from 1850 to 1853 to become a printmaker. He then worked at decorating en... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Antoine Vollon",
"work location",
"Lyon"
] | Family and early years
Vollon was born the son of an ornamental craftsman in Lyon, France. He taught himself to paint. He began an apprenticeship to an engraver in metal, and studied under Jehan Georges Vibert at the École des Beaux-Arts in Lyon from 1850 to 1853 to become a printmaker. He then worked at decorating en... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Antoine Vollon",
"place of burial",
"Père Lachaise Cemetery"
] | "Once Vollon began exhibiting at the Salon, he quickly gained recognition from the critics and the public at large, and, most importantly, from Second-Empire officialdom. He had learned how to play the political game that would earn him State patronage and enable him to win numerous awards...."
Tabler describes his amb... | place of burial | 58 | [
"final resting place",
"burial site",
"last resting place",
"grave site",
"interment location"
] | null | null |
[
"Antoine Vollon",
"student of",
"Augustin Théodule Ribot"
] | Paris and becoming a painter
In 1859 he moved to Paris, with the intention of becoming a painter. There he became a student of Théodule Ribot and was influenced by Dutch still life painters of the 17th century. He became friends with Alexandre Dumas, Jean-Baptiste Carpeaux, Honoré Daumier and Charles-François Daubigny.... | student of | 72 | [
"apprentice of",
"disciple of",
"pupil of",
"follower of",
"learner of"
] | null | null |
[
"Antoine Vollon",
"occupation",
"printmaker"
] | Family and early years
Vollon was born the son of an ornamental craftsman in Lyon, France. He taught himself to paint. He began an apprenticeship to an engraver in metal, and studied under Jehan Georges Vibert at the École des Beaux-Arts in Lyon from 1850 to 1853 to become a printmaker. He then worked at decorating en... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Antoine Étex",
"place of birth",
"Paris"
] | Antoine Étex (March 20, 1808 Paris – July 14, 1888 Chaville) was a French sculptor, painter and architect. | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Filippo Napoletano",
"occupation",
"painter"
] | Filippo Napoletano, whose real name was Filippo Teodoro di Liagno (or Teodoro Filippo de Liagno) (c. 1587-89 – November 1629) was an Italian artist, with a varied output, mainly landscape and genre scenes and also drawings or etchings of diverse, often particular, items such as exotic soldiers, skeletons of animals, o... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Antonio de Pereda",
"work location",
"Madrid"
] | Biography
Pereda was born in Valladolid, the eldest of three brothers from an artistic family. His father, mother and two brothers were all painters. He was educated in Madrid by Pedro de las Cuevas and was taken under the protective wing of the influential Giovanni Battista Crescenzi.As well as still lifes and religio... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Antonio de Pereda",
"place of birth",
"Valladolid"
] | Biography
Pereda was born in Valladolid, the eldest of three brothers from an artistic family. His father, mother and two brothers were all painters. He was educated in Madrid by Pedro de las Cuevas and was taken under the protective wing of the influential Giovanni Battista Crescenzi.As well as still lifes and religio... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Antonio de Pereda",
"occupation",
"painter"
] | Antonio de Pereda y Salgado (c. 1611 – January 30, 1678) was a Spanish Baroque-era painter, best known for his still lifes.Biography
Pereda was born in Valladolid, the eldest of three brothers from an artistic family. His father, mother and two brothers were all painters. He was educated in Madrid by Pedro de las Cueva... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Antonio de Pereda",
"has works in the collection",
"Museo del Prado"
] | Works
The Relief of Genoa (El Socorro a Génova), 1634
Agila, 1635, painted for the collection of series of Gothic kings at the Palacio del Buen Retiro, Museo del Prado.
Desengaño de la vida, around 1634
Immaculate (Immaculada), several paintings now at several museums including the Prado (1636 painting), the Museo de P... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Antonio de Pereda",
"given name",
"Antonio"
] | Antonio de Pereda y Salgado (c. 1611 – January 30, 1678) was a Spanish Baroque-era painter, best known for his still lifes.Biography
Pereda was born in Valladolid, the eldest of three brothers from an artistic family. His father, mother and two brothers were all painters. He was educated in Madrid by Pedro de las Cueva... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Antonio de Pereda",
"genre",
"still life"
] | Antonio de Pereda y Salgado (c. 1611 – January 30, 1678) was a Spanish Baroque-era painter, best known for his still lifes.Biography
Pereda was born in Valladolid, the eldest of three brothers from an artistic family. His father, mother and two brothers were all painters. He was educated in Madrid by Pedro de las Cueva... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Jacques Stella",
"instance of",
"human"
] | Jacques Stella (1596 – 29 April 1657) was a French painter, a leading exponent of the neoclassical style of Parisian Atticism.Life
Stella was born in Lyon. His father was François Stella, a painter and merchant of Flemish origin, but he died too soon to train Jacques in painting. Jacques's siblings were François the Y... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Jacques Stella",
"has works in the collection",
"Museum of Fine Arts of Lyon"
] | Reception
Audacious and varied, his work moved easily between the realism of direct observation, the antique spirit and a higher religious inspiration. After his death his paintings and engravings were often sold as works by Poussin. His work was often engraved, allowing his art to be reach a wide audience, especially ... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jacques Stella",
"place of birth",
"Lyon"
] | Life
Stella was born in Lyon. His father was François Stella, a painter and merchant of Flemish origin, but he died too soon to train Jacques in painting. Jacques's siblings were François the Younger and Madeleine (a sculptor and the mother of artists). He was the uncle of Antoinette, Claudine, Françoise (a pastel art... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Jacques Stella",
"occupation",
"painter"
] | Jacques Stella (1596 – 29 April 1657) was a French painter, a leading exponent of the neoclassical style of Parisian Atticism.Life
Stella was born in Lyon. His father was François Stella, a painter and merchant of Flemish origin, but he died too soon to train Jacques in painting. Jacques's siblings were François the Y... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Jacques Stella",
"father",
"François Stella"
] | Life
Stella was born in Lyon. His father was François Stella, a painter and merchant of Flemish origin, but he died too soon to train Jacques in painting. Jacques's siblings were François the Younger and Madeleine (a sculptor and the mother of artists). He was the uncle of Antoinette, Claudine, Françoise (a pastel art... | father | 57 | [
"dad",
"daddy",
"papa",
"pop",
"sire"
] | null | null |
[
"Jacques Stella",
"movement",
"classicism"
] | Jacques Stella (1596 – 29 April 1657) was a French painter, a leading exponent of the neoclassical style of Parisian Atticism.Life
Stella was born in Lyon. His father was François Stella, a painter and merchant of Flemish origin, but he died too soon to train Jacques in painting. Jacques's siblings were François the Y... | movement | 87 | [
"motion",
"activity",
"progression",
"advancement",
"mobility"
] | null | null |
[
"Jacques Stella",
"family name",
"Stella"
] | Jacques Stella (1596 – 29 April 1657) was a French painter, a leading exponent of the neoclassical style of Parisian Atticism.Life
Stella was born in Lyon. His father was François Stella, a painter and merchant of Flemish origin, but he died too soon to train Jacques in painting. Jacques's siblings were François the Y... | family name | 54 | [
"surname",
"last name",
"patronymic",
"family surname",
"clan name"
] | null | null |
[
"Jacques Stella",
"given name",
"Jacques"
] | Jacques Stella (1596 – 29 April 1657) was a French painter, a leading exponent of the neoclassical style of Parisian Atticism.Life
Stella was born in Lyon. His father was François Stella, a painter and merchant of Flemish origin, but he died too soon to train Jacques in painting. Jacques's siblings were François the Y... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Jacques Stella",
"has works in the collection",
"Musée des Augustins"
] | Reception
Audacious and varied, his work moved easily between the realism of direct observation, the antique spirit and a higher religious inspiration. After his death his paintings and engravings were often sold as works by Poussin. His work was often engraved, allowing his art to be reach a wide audience, especially ... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Kunsthistorisches Museum"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"place of birth",
"Antwerp"
] | Life
Peeters was born in Antwerp as the son of Cornelis Peeters and Catharina van Eelen. He was baptised in the church of St. Walpurgis in Antwerp on 23 July 1614. He was a brother of the seascape painters Jan the Elder, Gillis the Elder and Catharina Peeters.Initially he shared a studio in Antwerp with his older broth... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Hermitage Museum"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"genre",
"marine art"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Städel Museum"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Royal Museums of Fine Arts of Belgium"
] | Initially he shared a studio in Antwerp with his older brother Gillis. However, he moved in 1641 to Hoboken (Antwerp) where he lived in a spacious residence and worked in a studio with his pupils Catharina and Jan Peeters (I). He was the teacher of his siblings Catharina and Jan Peeters (I). The son of his brother Gill... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Stedelijk Museum Amsterdam"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"given name",
"Bonaventura"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Rijksmuseum"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Anhaltische Gemäldegalerie"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Westphalian State Museum of Art and Cultural History"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Museumslandschaft Hessen Kassel"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"occupation",
"painter"
] | Nothing is known about his early training although it is possible that Andries van Eertvelt, a specialist of stormy sea paintings, was his master. Bonaventura became a master in Antwerp's Guild of Saint Luke in 1634. On 5 July 1638 he received a commission of the pensionary of Antwerp to produce maps of the Siege of K... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Bonaventura Peeters the Elder",
"notable work",
"Ships near a pier"
] | His earlier works show a similarity to the tonal phase of Dutch landscape painting. Later paintings reflect the stronger colours of Italianate classicism. This shift follows the general change in artistic style at the time. Dramatic shipwrecks with dark billowy clouds form a significant part of his oeuvre, as do seren... | notable work | 73 | [
"masterpiece",
"landmark",
"tour de force",
"most significant work",
"famous creation"
] | null | null |
[
"Bonaventura Peeters the Elder",
"family name",
"Peeters"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | family name | 54 | [
"surname",
"last name",
"patronymic",
"family surname",
"clan name"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Staatliche Kunstsammlungen Dresden"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Herzog Anton Ulrich Museum"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Bavarian State Painting Collections"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"sex or gender",
"male"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | sex or gender | 65 | [
"biological sex",
"gender identity",
"gender expression",
"sexual orientation",
"gender classification"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Museum of Fine Arts Ghent (MSK)"
] | Initially he shared a studio in Antwerp with his older brother Gillis. However, he moved in 1641 to Hoboken (Antwerp) where he lived in a spacious residence and worked in a studio with his pupils Catharina and Jan Peeters (I). He was the teacher of his siblings Catharina and Jan Peeters (I). The son of his brother Gill... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Bonaventura Peeters the Elder",
"father",
"Cornelis Peeters"
] | Life
Peeters was born in Antwerp as the son of Cornelis Peeters and Catharina van Eelen. He was baptised in the church of St. Walpurgis in Antwerp on 23 July 1614. He was a brother of the seascape painters Jan the Elder, Gillis the Elder and Catharina Peeters. | father | 57 | [
"dad",
"daddy",
"papa",
"pop",
"sire"
] | null | null |
[
"Bonaventura Peeters the Elder",
"has works in the collection",
"Auckland Art Gallery"
] | Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century with his depictions of marine battles, storms at sea, shipwrecks and views of ships... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Cornelius Johnson (artist)",
"instance of",
"human"
] | Family life
Johnson was born to Dutch or Flemish parents in London – his father had been a religious refugee from Antwerp, and his paternal grandfather had come from Cologne. He was baptised at the Dutch Church at Austin Friars much used by the Netherlandish community in London. He was the son of Johanna le Grand and C... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Cornelius Johnson (artist)",
"place of birth",
"London"
] | Family life
Johnson was born to Dutch or Flemish parents in London – his father had been a religious refugee from Antwerp, and his paternal grandfather had come from Cologne. He was baptised at the Dutch Church at Austin Friars much used by the Netherlandish community in London. He was the son of Johanna le Grand and C... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Cornelius Johnson (artist)",
"given name",
"Cornelis"
] | Family life
Johnson was born to Dutch or Flemish parents in London – his father had been a religious refugee from Antwerp, and his paternal grandfather had come from Cologne. He was baptised at the Dutch Church at Austin Friars much used by the Netherlandish community in London. He was the son of Johanna le Grand and C... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Cornelius Johnson (artist)",
"has works in the collection",
"Yale Center for British Art"
] | Exhibitions, sales and ownership of his work in important collections
From the second half of the seventeenth century onwards, there were frequent art auctions in London and later in provincial cities. Johnson's work was regularly sold at these auctions – for example lot 150 at a sale of paintings at Exeter Exchange in... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Cornelius Johnson (artist)",
"sex or gender",
"male"
] | Family life
Johnson was born to Dutch or Flemish parents in London – his father had been a religious refugee from Antwerp, and his paternal grandfather had come from Cologne. He was baptised at the Dutch Church at Austin Friars much used by the Netherlandish community in London. He was the son of Johanna le Grand and C... | sex or gender | 65 | [
"biological sex",
"gender identity",
"gender expression",
"sexual orientation",
"gender classification"
] | null | null |
[
"Cornelius Johnson (artist)",
"given name",
"Cornelius"
] | Family life
Johnson was born to Dutch or Flemish parents in London – his father had been a religious refugee from Antwerp, and his paternal grandfather had come from Cologne. He was baptised at the Dutch Church at Austin Friars much used by the Netherlandish community in London. He was the son of Johanna le Grand and C... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"Cornelius Johnson (artist)",
"has works in the collection",
"Museum Catharijneconvent"
] | Exhibitions, sales and ownership of his work in important collections
From the second half of the seventeenth century onwards, there were frequent art auctions in London and later in provincial cities. Johnson's work was regularly sold at these auctions – for example lot 150 at a sale of paintings at Exeter Exchange in... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Louis Cretey",
"has works in the collection",
"Museum of Fine Arts of Lyon"
] | From 1684 to 1686, Cretey created a series of paintings for the refectory of the Benedictine abbey of Saint-Pierre, including The Last Supper, The Multiplication of the Loaves, The Assumption of the Virgin, The Ascension of Christ and an The prophet Elias. These refectory paintings (now in the Musée des beaux-arts de L... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Louis Cretey",
"occupation",
"painter"
] | Louis Cretey, formerly known as Pierre-Louis Cretey (c.1635, in Lyon - after 1702), was a French baroque painter and one of the leading masters in the Lyonnaise school.Life
Little is known about the early life of this artist. Records place Cretey in Rome from 1661 to 1679, then Modena in 1679 - another place he probab... | occupation | 48 | [
"job",
"profession",
"career",
"vocation",
"employment"
] | null | null |
[
"Louis Cretey",
"place of birth",
"Lyon"
] | Louis Cretey, formerly known as Pierre-Louis Cretey (c.1635, in Lyon - after 1702), was a French baroque painter and one of the leading masters in the Lyonnaise school. | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Pascal Dagnan-Bouveret",
"place of birth",
"Paris"
] | Biography
He was born in Paris, the son of a tailor, and was raised by his grandfather after his father emigrated to Brazil. Later he added his grandfather's name, Bouveret, to his own.
He became one of the leading French artists of the naturalist school and painted several paintings depicting Brittany. From 1869 he st... | place of birth | 42 | [
"birthplace",
"place of origin",
"native place",
"homeland",
"birth city"
] | null | null |
[
"Francesco Bassano the Younger",
"manner of death",
"suicide"
] | Francesco Bassano the Younger (26 January 1549 – 4 July 1592), also called Francesco Giambattista da Ponte or Francesco da Ponte the Younger, was an Italian painter of the Renaissance period.
He was born at Bassano del Grappa near Venice, the eldest son of Jacopo Bassano and grandson of Francesco da Ponte the Elder. He... | manner of death | 44 | [
"cause of death",
"mode of death",
"method of death",
"way of dying",
"circumstances of death"
] | null | null |
[
"Jean-François de Troy",
"work location",
"Paris"
] | Tableaux de mode
His modern reputation relies less on his large history and mythological paintings than on his smaller, (cabinet-sized) scenes of elegant social life, which he painted in Paris between 1725 and 1738. These pictures depict fashionable people from his time in parks or interior settings who are engaged in ... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Jean-François de Troy",
"has works in the collection",
"Victoria and Albert Museum"
] | While Watteau's 'fête galantes' were filled with a sense of mystery and timelessness, de Troy's tableaux de mode were intended to provide a more realistic depiction of contemporary fashions, pastimes and manners. He was able to capture in these compositions the more relaxed behavior of the higher social classes followi... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jean-François de Troy",
"has works in the collection",
"Metropolitan Museum of Art"
] | Selected paintings
The Declaration of Love (1724, The Metropolitan Museum of Art)
The Garter (1724, The Metropolitan Museum of Art)
Before the Ball (1735, Getty Center)
Assembly in a Park, or Declaration of Love (1735, Charlottenburg Palace)
Luncheon with Oysters (1735, Musée Condé) This was the first painting depictin... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jean-François de Troy",
"place of death",
"Rome"
] | Life
He was a scion of a family of painters. His father was the portrait painter François de Troy (1645–1730). His father was his first teacher. After he failed to win the Prix de Rome, he went at his father's expense to Italy from 1699 to 1706. He stayed initially in Rome, where he was given a room at the French Acade... | place of death | 45 | [
"location of death",
"death place",
"place where they died",
"place of passing",
"final resting place"
] | null | null |
[
"Jean-François de Troy",
"work location",
"Rome"
] | Work
General
Jean François de Troy forged a successful career with his large-formate historical and allegorical compositions. His history paintings and mythological scenes were executed in a colourful and fluent style, which was indebted to both Veronese and Peter Paul Rubens. An example is his allegorical Time Unveil... | work location | 67 | [
"place of work",
"office location",
"employment site",
"workplace",
"job site"
] | null | null |
[
"Jean-François de Troy",
"has works in the collection",
"National Gallery"
] | Work
General
Jean François de Troy forged a successful career with his large-formate historical and allegorical compositions. His history paintings and mythological scenes were executed in a colourful and fluent style, which was indebted to both Veronese and Peter Paul Rubens. An example is his allegorical Time Unveil... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
[
"Jean-François de Troy",
"genre",
"portrait"
] | Life
He was a scion of a family of painters. His father was the portrait painter François de Troy (1645–1730). His father was his first teacher. After he failed to win the Prix de Rome, he went at his father's expense to Italy from 1699 to 1706. He stayed initially in Rome, where he was given a room at the French Acade... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Jean-François de Troy",
"has works in the collection",
"Musée des Beaux-Arts et de la Dentelle d'Alençon"
] | De Troy’s tableaux de mode responded to the artistic preferences of a new clientele for art in France: successful bankers and financiers representing a new bourgeois class. They also reflected the developing taste for a new sensuality, which was taken even further during the second half of the 17th century in the libe... | has works in the collection | 74 | [
"holds works in the collection"
] | null | null |
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