triplets list | passage stringlengths 0 32.9k | label stringlengths 4 48 ⌀ | label_id int64 0 1k ⌀ | synonyms list | __index_level_1__ int64 312 64.1k ⌀ | __index_level_0__ int64 0 2.4k ⌀ |
|---|---|---|---|---|---|---|
[
"Maximilian von Spee",
"given name",
"Maximilian"
] | Maximilian Johannes Maria Hubert Reichsgraf von Spee (22 June 1861 – 8 December 1914) was a naval officer of the German Kaiserliche Marine (Imperial Navy), who commanded the East Asia Squadron during World War I. Spee entered the navy in 1878 and served in a variety of roles and locations, including on a colonial gunbo... | given name | 60 | [
"first name",
"forename",
"given title",
"personal name"
] | null | null |
[
"The Magic Flute",
"genre",
"opera"
] | The Magic Flute (German: Die Zauberflöte, pronounced [diː ˈtsaʊbɐˌfløːtə] (listen)), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogu... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"The Magic Flute",
"genre",
"singspiel"
] | The Magic Flute (German: Die Zauberflöte, pronounced [diː ˈtsaʊbɐˌfløːtə] (listen)), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogu... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"The Magic Flute",
"has part(s)",
"Der Vogelfänger bin ich ja"
] | Composition
The opera was the culmination of a period of increasing involvement by Mozart with Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. Mozart was a close friend of one of the singer-composers of the troupe, tenor Benedikt Schack (the first Tamino), ... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"The Magic Flute",
"has part(s)",
"Dies Bildnis ist bezaubernd schön"
] | "Der Vogelfänger bin ich ja" (The birdcatcher am I) – Papageno, scene 1
"Dies Bildnis ist bezaubernd schön" (This image is enchantingly beautiful) – Tamino, scene 1
"O zittre nicht, mein lieber Sohn" (Oh, tremble not, my beloved son) – The Queen of the Night, scene 1
"Bei Männern, welche Liebe fühlen" (In men, who feel... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"The Magic Flute",
"has part(s)",
"O zittre nicht, mein lieber Sohn"
] | The Magic Flute (German: Die Zauberflöte, pronounced [diː ˈtsaʊbɐˌfløːtə] (listen)), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogu... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"The Magic Flute",
"characters",
"Pamina"
] | Scene 4: A hall in the Temple of Ordeal
Tamino and Papageno are led in by priests, who remind them that they must remain silent. Papageno complains of thirst. An old woman enters and offers Papageno a cup of water. He drinks and teasingly asks whether she has a boyfriend. She replies that she does and that his name is ... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"The Magic Flute",
"has part(s)",
"Der Hölle Rache kocht in meinem Herzen"
] | Composition
The opera was the culmination of a period of increasing involvement by Mozart with Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. Mozart was a close friend of one of the singer-composers of the troupe, tenor Benedikt Schack (the first Tamino), ... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"The Magic Flute",
"characters",
"The Queen of the Night"
] | Premiere and reception
The opera was premiered in Vienna on 30 September 1791 at the suburban Freihaus-Theater auf der Wieden. Mozart conducted the orchestra, Schikaneder himself played Papageno, while the role of the Queen of the Night was sung by Mozart's sister-in-law Josepha Hofer.
On the reception of the opera, Mo... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"The Magic Flute",
"has part(s)",
"In diesen heil'gen Hallen"
] | The Magic Flute (German: Die Zauberflöte, pronounced [diː ˈtsaʊbɐˌfløːtə] (listen)), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogu... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"The Magic Flute",
"characters",
"Pamina"
] | Scene 4: A hall in the Temple of Ordeal
Tamino and Papageno are led in by priests, who remind them that they must remain silent. Papageno complains of thirst. An old woman enters and offers Papageno a cup of water. He drinks and teasingly asks whether she has a boyfriend. She replies that she does and that his name is ... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Eine kleine Nachtmusik",
"composer",
"Wolfgang Amadeus Mozart"
] | Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756–1791). The German title means "a little night music". The work is written for an ensemble of two violins, viola, cello and double bass, but is often performed by string ... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Eine kleine Nachtmusik",
"genre",
"classical music"
] | Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756–1791). The German title means "a little night music". The work is written for an ensemble of two violins, viola, cello and double bass, but is often performed by string ... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Eine kleine Nachtmusik",
"instance of",
"musical work/composition"
] | Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756–1791). The German title means "a little night music". The work is written for an ensemble of two violins, viola, cello and double bass, but is often performed by string ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Eine kleine Nachtmusik",
"form of creative work",
"serenade"
] | Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756–1791). The German title means "a little night music". The work is written for an ensemble of two violins, viola, cello and double bass, but is often performed by string ... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"National anthem of Austria",
"country",
"Austria"
] | The national anthem of Austria (German: Bundeshymne der Republik Österreich), also known by its incipit "Land der Berge, Land am Strome" (pronounced [lant deːɐ̯ ˈbɛʁɡə lant ʔam ˈʃtʁoːmə]; Land of the mountains, land by the river), was adopted in 1946. The melody, originally attributed to Wolfgang Amadeus Mozart but now... | country | 7 | [
"Nation",
"State",
"Land",
"Territory"
] | null | null |
[
"National anthem of Austria",
"instance of",
"national anthem"
] | The national anthem of Austria (German: Bundeshymne der Republik Österreich), also known by its incipit "Land der Berge, Land am Strome" (pronounced [lant deːɐ̯ ˈbɛʁɡə lant ʔam ˈʃtʁoːmə]; Land of the mountains, land by the river), was adopted in 1946. The melody, originally attributed to Wolfgang Amadeus Mozart but now... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Zaide",
"form of creative work",
"opera"
] | Style
Zaide can neither be described as opera buffa or opera seria; it contained elements of both forms, and parallels may be drawn to both genre in Mozart's work. Zaide is also notable as being one of only two dramatic pieces by Mozart to contain melodrama (the other being Thamos, King of Egypt). Most of the spoken di... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Zaide",
"instance of",
"unfinished creative work"
] | Zaide (originally, Das Serail) is an unfinished German-language opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing German opera. One condition required of the composer to join this company was that he sho... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Zaide",
"instance of",
"dramatico-musical work"
] | Zaide (originally, Das Serail) is an unfinished German-language opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing German opera. One condition required of the composer to join this company was that he sho... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Zaide",
"instance of",
"musical work/composition"
] | Style
Zaide can neither be described as opera buffa or opera seria; it contained elements of both forms, and parallels may be drawn to both genre in Mozart's work. Zaide is also notable as being one of only two dramatic pieces by Mozart to contain melodrama (the other being Thamos, King of Egypt). Most of the spoken di... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Symphony No. 1 (Mozart)",
"form of creative work",
"symphony"
] | The Symphony No. 1 in E♭ major, K. 16, is a symphony written in 1764 by Wolfgang Amadeus Mozart at the age of eight years. By this time, he was already notable in Europe as a wunderkind performer, but had composed little music.
The autograph score (handwritten original) of the symphony is today preserved in the Bibliot... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Piano Concerto No. 17 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | The Piano Concerto No. 17 in G major, KV. 453, by Wolfgang Amadeus Mozart, was written in 1784.
The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns, and strings. As is typical with concerti, it is in three movements:Allegro, 44
Andante, 34 in C major
Allegretto – Presto, 22According to th... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Piano Concerto No. 17 (Mozart)",
"instance of",
"musical work/composition"
] | The Piano Concerto No. 17 in G major, KV. 453, by Wolfgang Amadeus Mozart, was written in 1784.
The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns, and strings. As is typical with concerti, it is in three movements:Allegro, 44
Andante, 34 in C major
Allegretto – Presto, 22According to th... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Piano Concerto No. 17 (Mozart)",
"form of creative work",
"piano concerto"
] | The Piano Concerto No. 17 in G major, KV. 453, by Wolfgang Amadeus Mozart, was written in 1784.
The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns, and strings. As is typical with concerti, it is in three movements:Allegro, 44
Andante, 34 in C major
Allegretto – Presto, 22According to th... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Symphony No. 10 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | The Symphony No. 10 in G major, K. 74, was written by Wolfgang Amadeus Mozart probably during his first journey to Italy in the spring of 1770.The symphony is scored for two oboes, two horns and strings. The duration is approximately 9 minutes. | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Symphony No. 10 (Mozart)",
"form of creative work",
"symphony"
] | The Symphony No. 10 in G major, K. 74, was written by Wolfgang Amadeus Mozart probably during his first journey to Italy in the spring of 1770.The symphony is scored for two oboes, two horns and strings. The duration is approximately 9 minutes. | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Symphony No. 10 (Mozart)",
"instance of",
"musical work/composition"
] | The Symphony No. 10 in G major, K. 74, was written by Wolfgang Amadeus Mozart probably during his first journey to Italy in the spring of 1770.The symphony is scored for two oboes, two horns and strings. The duration is approximately 9 minutes. | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Piano Concerto No. 11 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | Mozart's Piano Concerto No. 11 in F major, K. 413 (K. 387a in the sixth edition of the Köchel catalogue), was the second of the group of three early concertos he wrote when in Vienna, in the autumn of 1782 (according to the latest edition of the Köchel catalogue, K. 414 was written first). It was the first full concert... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Piano Concerto No. 11 (Mozart)",
"instance of",
"musical work/composition"
] | Mozart's Piano Concerto No. 11 in F major, K. 413 (K. 387a in the sixth edition of the Köchel catalogue), was the second of the group of three early concertos he wrote when in Vienna, in the autumn of 1782 (according to the latest edition of the Köchel catalogue, K. 414 was written first). It was the first full concert... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Piano Concerto No. 11 (Mozart)",
"form of creative work",
"piano concerto"
] | Mozart's Piano Concerto No. 11 in F major, K. 413 (K. 387a in the sixth edition of the Köchel catalogue), was the second of the group of three early concertos he wrote when in Vienna, in the autumn of 1782 (according to the latest edition of the Köchel catalogue, K. 414 was written first). It was the first full concert... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Piano Concerto No. 12 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | Wolfgang Amadeus Mozart's Piano Concerto No. 12 in A major, K. 414 (385p), was written in the autumn of 1782 in Vienna. It is scored for solo piano (or harpsichord), two oboes, two bassoons (optional), two horns, and strings (consisting of violins, violas, cellos, and double basses). Like all three of the early Vienna ... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Piano Concerto No. 12 (Mozart)",
"instance of",
"musical work/composition"
] | Wolfgang Amadeus Mozart's Piano Concerto No. 12 in A major, K. 414 (385p), was written in the autumn of 1782 in Vienna. It is scored for solo piano (or harpsichord), two oboes, two bassoons (optional), two horns, and strings (consisting of violins, violas, cellos, and double basses). Like all three of the early Vienna ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Piano Concerto No. 12 (Mozart)",
"form of creative work",
"piano concerto"
] | Wolfgang Amadeus Mozart's Piano Concerto No. 12 in A major, K. 414 (385p), was written in the autumn of 1782 in Vienna. It is scored for solo piano (or harpsichord), two oboes, two bassoons (optional), two horns, and strings (consisting of violins, violas, cellos, and double basses). Like all three of the early Vienna ... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Symphony No. 12 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | Symphony No. 12 in G major, K. 110/75b, by Wolfgang Amadeus Mozart, was composed in Salzburg in the summer of 1771. The symphony was apparently prepared in anticipation of Mozart's second Italian journey, which was to take place between August and December 1771. The symphony is in four movements, the opening allegro be... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Symphony No. 12 (Mozart)",
"form of creative work",
"symphony"
] | Symphony No. 12 in G major, K. 110/75b, by Wolfgang Amadeus Mozart, was composed in Salzburg in the summer of 1771. The symphony was apparently prepared in anticipation of Mozart's second Italian journey, which was to take place between August and December 1771. The symphony is in four movements, the opening allegro be... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Symphony No. 12 (Mozart)",
"instance of",
"musical work/composition"
] | Symphony No. 12 in G major, K. 110/75b, by Wolfgang Amadeus Mozart, was composed in Salzburg in the summer of 1771. The symphony was apparently prepared in anticipation of Mozart's second Italian journey, which was to take place between August and December 1771. The symphony is in four movements, the opening allegro be... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Piano Concerto No. 13 (Mozart)",
"instance of",
"musical work/composition"
] | The Piano Concerto No. 13 in C major, K. 415 (387b) by Wolfgang Amadeus Mozart was composed in Vienna in 1782–83. It is the third of the first three full concertos Mozart composed for his subscription concerts.
It consists of three movements:Allegro, in C major and common (C) time
Andante, in F major and 3/4 time
Alleg... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Symphony No. 13 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | Symphony No. 13 in F major, K. 112, by Wolfgang Amadeus Mozart, was written in Milan during his second journey to Italy in the autumn of 1771. The symphony is in four movements, the second of which is scored for strings alone. The third movement minuet may have been written earlier, and then incorporated into the symph... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Symphony No. 13 (Mozart)",
"form of creative work",
"symphony"
] | Symphony No. 13 in F major, K. 112, by Wolfgang Amadeus Mozart, was written in Milan during his second journey to Italy in the autumn of 1771. The symphony is in four movements, the second of which is scored for strings alone. The third movement minuet may have been written earlier, and then incorporated into the symph... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Symphony No. 13 (Mozart)",
"instance of",
"musical work/composition"
] | Symphony No. 13 in F major, K. 112, by Wolfgang Amadeus Mozart, was written in Milan during his second journey to Italy in the autumn of 1771. The symphony is in four movements, the second of which is scored for strings alone. The third movement minuet may have been written earlier, and then incorporated into the symph... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Apollo et Hyacinthus",
"language of work or name",
"Latin"
] | Apollo et Hyacinthus, K. 38, is an opera written in 1767 by Wolfgang Amadeus Mozart, who was 11 years old at the time. It is Mozart's first true opera (when one considers that Die Schuldigkeit des ersten Gebots is simply a sacred drama). It is in three acts. As is suggested by the name, the opera is based upon the Gree... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"Apollo et Hyacinthus",
"based on",
"Metamorphoses"
] | Apollo et Hyacinthus, K. 38, is an opera written in 1767 by Wolfgang Amadeus Mozart, who was 11 years old at the time. It is Mozart's first true opera (when one considers that Die Schuldigkeit des ersten Gebots is simply a sacred drama). It is in three acts. As is suggested by the name, the opera is based upon the Gree... | based on | 133 | [
"derived from",
"inspired by",
"modeled after",
"constructed from",
"built upon"
] | null | null |
[
"Apollo et Hyacinthus",
"characters",
"Oebalus"
] | Apollo et Hyacinthus was part of a much larger work, which has caused debate as to whether this work can be considered Mozart's first 'operatic work'. Many historians consider it to be operatic because it is a secular drama composed of five arias, two duets, a chorus and a trio, connected with recitative. However, it w... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Apollo et Hyacinthus",
"characters",
"Melia"
] | Apollo et Hyacinthus was part of a much larger work, which has caused debate as to whether this work can be considered Mozart's first 'operatic work'. Many historians consider it to be operatic because it is a secular drama composed of five arias, two duets, a chorus and a trio, connected with recitative. However, it w... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Apollo et Hyacinthus",
"characters",
"Zephyrus"
] | Apollo et Hyacinthus was part of a much larger work, which has caused debate as to whether this work can be considered Mozart's first 'operatic work'. Many historians consider it to be operatic because it is a secular drama composed of five arias, two duets, a chorus and a trio, connected with recitative. However, it w... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Piano Concerto No. 14 (Mozart)",
"instance of",
"musical work/composition"
] | The Piano Concerto No. 14 in E♭ major, K. 449, by Wolfgang Amadeus Mozart was written in 1784.History
It is the first composition he entered into a notebook of his music that he then kept for the next seven years, marking down main themes, dates of completion, and other important information. From this notebook we have... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Symphony No. 14 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | Symphony No. 14 in A major, K. 114, is a symphony composed by Wolfgang Amadeus Mozart on December 30, 1771, when Mozart was fifteen years old, and a fortnight after the death of the Archbishop Sigismund von Schrattenbach. The piece was written in Salzburg between the composer's second and third trips to Italy. Mozart w... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Symphony No. 14 (Mozart)",
"form of creative work",
"symphony"
] | Symphony No. 14 in A major, K. 114, is a symphony composed by Wolfgang Amadeus Mozart on December 30, 1771, when Mozart was fifteen years old, and a fortnight after the death of the Archbishop Sigismund von Schrattenbach. The piece was written in Salzburg between the composer's second and third trips to Italy. Mozart w... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Symphony No. 14 (Mozart)",
"instance of",
"musical work/composition"
] | Symphony No. 14 in A major, K. 114, is a symphony composed by Wolfgang Amadeus Mozart on December 30, 1771, when Mozart was fifteen years old, and a fortnight after the death of the Archbishop Sigismund von Schrattenbach. The piece was written in Salzburg between the composer's second and third trips to Italy. Mozart w... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Amadeus (film)",
"award received",
"Academy Award for Best Picture"
] | Amadeus is a 1984 American period biographical drama film directed by Miloš Forman and adapted by Peter Shaffer from his 1979 stage play Amadeus. Set in Vienna, Austria, during the latter half of the 18th century, the film is a fictionalized story of Wolfgang Amadeus Mozart from the time he left Salzburg, described by ... | award received | 62 | [
"received an award",
"given an award",
"won an award",
"received a prize",
"awarded with"
] | null | null |
[
"Amadeus (film)",
"director",
"Miloš Forman"
] | Historicity
From the beginning, writer Peter Shaffer and director Miloš Forman both were open about their desire to create entertaining drama only loosely based on reality, calling the work a "fantasia on the theme of Mozart and Salieri".The idea of animosity between Mozart and Salieri was popularized by Alexander Push... | director | 145 | [
"filmmaker",
"movie director",
"film director",
"motion picture director",
"cinema director"
] | null | null |
[
"Amadeus (film)",
"characters",
"Constanze Mozart"
] | Plot
In the winter of 1823, Antonio Salieri is committed to a psychiatric hospital after a suicide attempt, during which his servants overhear him confess to murdering Wolfgang Amadeus Mozart. The young priest Father Vogler approaches Salieri for elaboration on Salieri's confession. Salieri recounts how, even in his yo... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Amadeus (film)",
"nominated for",
"Academy Award for Best Picture"
] | Amadeus is a 1984 American period biographical drama film directed by Miloš Forman and adapted by Peter Shaffer from his 1979 stage play Amadeus. Set in Vienna, Austria, during the latter half of the 18th century, the film is a fictionalized story of Wolfgang Amadeus Mozart from the time he left Salzburg, described by ... | nominated for | 103 | [
"up for",
"shortlisted for",
"in the running for",
"selected for",
"contending for"
] | null | null |
[
"Amadeus (film)",
"characters",
"Antonio Salieri"
] | Amadeus is a 1984 American period biographical drama film directed by Miloš Forman and adapted by Peter Shaffer from his 1979 stage play Amadeus. Set in Vienna, Austria, during the latter half of the 18th century, the film is a fictionalized story of Wolfgang Amadeus Mozart from the time he left Salzburg, described by ... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Amadeus (film)",
"nominated for",
"Academy Award for Best Actor"
] | Amadeus is a 1984 American period biographical drama film directed by Miloš Forman and adapted by Peter Shaffer from his 1979 stage play Amadeus. Set in Vienna, Austria, during the latter half of the 18th century, the film is a fictionalized story of Wolfgang Amadeus Mozart from the time he left Salzburg, described by ... | nominated for | 103 | [
"up for",
"shortlisted for",
"in the running for",
"selected for",
"contending for"
] | null | null |
[
"Amadeus (film)",
"nominated for",
"Academy Award for Best Writing, Adapted Screenplay"
] | Amadeus is a 1984 American period biographical drama film directed by Miloš Forman and adapted by Peter Shaffer from his 1979 stage play Amadeus. Set in Vienna, Austria, during the latter half of the 18th century, the film is a fictionalized story of Wolfgang Amadeus Mozart from the time he left Salzburg, described by ... | nominated for | 103 | [
"up for",
"shortlisted for",
"in the running for",
"selected for",
"contending for"
] | null | null |
[
"Amadeus (film)",
"production company",
"Orion Pictures"
] | Amadeus is a 1984 American period biographical drama film directed by Miloš Forman and adapted by Peter Shaffer from his 1979 stage play Amadeus. Set in Vienna, Austria, during the latter half of the 18th century, the film is a fictionalized story of Wolfgang Amadeus Mozart from the time he left Salzburg, described by ... | production company | 166 | [
"film studio",
"movie studio",
"studio",
"film production company",
"movie production company"
] | null | null |
[
"Amadeus (film)",
"nominated for",
"Golden Globe Award for Best Motion Picture – Drama"
] | Amadeus is a 1984 American period biographical drama film directed by Miloš Forman and adapted by Peter Shaffer from his 1979 stage play Amadeus. Set in Vienna, Austria, during the latter half of the 18th century, the film is a fictionalized story of Wolfgang Amadeus Mozart from the time he left Salzburg, described by ... | nominated for | 103 | [
"up for",
"shortlisted for",
"in the running for",
"selected for",
"contending for"
] | null | null |
[
"Symphony No. 15 (Mozart)",
"instance of",
"musical work/composition"
] | The Symphony No. 15 in G major, K. 124 by Wolfgang Amadeus Mozart was written in Salzburg during the first weeks of 1772. A note on the autograph manuscript indicates that it might have been written for a religious occasion, possibly in honour of the new Archbishop of Salzburg. The work is in four movements, the first ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Don Giovanni",
"composer",
"Wolfgang Amadeus Mozart"
] | Don Giovanni (Italian pronunciation: [dɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish le... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Don Giovanni",
"language of work or name",
"Italian"
] | Don Giovanni (Italian pronunciation: [dɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish le... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"Don Giovanni",
"genre",
"opera"
] | Don Giovanni (Italian pronunciation: [dɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish le... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Don Giovanni",
"based on",
"Don Juan"
] | Composition and premiere
The opera was commissioned after the success of Mozart's trip to Prague in January and February 1787. The subject may have been chosen because the sub-genre of Don Juan opera had originated in that city. Lorenzo Da Ponte's libretto is based on Giovanni Bertati's for the opera Don Giovanni Tenor... | based on | 133 | [
"derived from",
"inspired by",
"modeled after",
"constructed from",
"built upon"
] | null | null |
[
"Don Giovanni",
"has part(s)",
"Madamina, il catalogo è questo"
] | Composition and premiere
The opera was commissioned after the success of Mozart's trip to Prague in January and February 1787. The subject may have been chosen because the sub-genre of Don Juan opera had originated in that city. Lorenzo Da Ponte's libretto is based on Giovanni Bertati's for the opera Don Giovanni Tenor... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Don Giovanni",
"genre",
"dramma giocoso"
] | Don Giovanni (Italian pronunciation: [dɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish le... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Don Giovanni",
"characters",
"Donna Elvira"
] | Leporello tells Don Giovanni that he (Giovanni) is leading a rotten life; Don Giovanni reacts angrily. They hear a woman (Donna Elvira) singing of having been abandoned by her lover, on whom she is seeking revenge ("Ah, chi mi dice mai" – "Ah, who could ever tell me"). Don Giovanni starts to flirt with her, but it turn... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Piano Concerto No. 16 (Mozart)",
"location of creation",
"Vienna"
] | The Piano Concerto No. 16 in D major, K. 451, is a concertante work for piano, or pianoforte, and orchestra by Wolfgang Amadeus Mozart. Mozart composed the concerto for performance at a series of concerts at the Vienna venues of the Trattnerhof and the Burgtheater in the first quarter of 1784, where he was himself the... | location of creation | 131 | [
"place of origin",
"birthplace",
"manufacturing location",
"production site",
"source location"
] | null | null |
[
"Piano Concerto No. 16 (Mozart)",
"form of creative work",
"piano concerto"
] | The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns, two trumpets, timpani and strings. The concerto is in three movements: | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Symphony No. 17 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | Symphony No. 17 in G major, K. 129, is the second of three symphonies completed by Wolfgang Amadeus Mozart in May 1772, when he was 16 years old, but some of its sections may have been written earlier.Structure
Mozart wrote the symphony in three movements and is scored for two oboes, two horns, and strings. | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Piano Concerto No. 18 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | The Piano Concerto No. 18 in B♭ major, KV. 456 is a piano concerto by Wolfgang Amadeus Mozart. In Mozart's own catalogue of his works, this concerto is dated 30 September 1784.The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns, and strings. | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Piano Concerto No. 18 (Mozart)",
"instance of",
"musical work/composition"
] | The Piano Concerto No. 18 in B♭ major, KV. 456 is a piano concerto by Wolfgang Amadeus Mozart. In Mozart's own catalogue of his works, this concerto is dated 30 September 1784.The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns, and strings.History
For years, historical speculation was th... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Symphony No. 18 (Mozart)",
"instance of",
"musical work/composition"
] | Symphony No. 18 in F major, K. 130, was the last of three symphonies composed by Wolfgang Amadeus Mozart in May, 1772, when he was sixteen years old.Structure
The symphony has the scoring of two flutes, four horns, and strings. There are no oboes in this symphony, they were replaced by flutes for the first time. Mozart... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"The Marriage of Figaro",
"composer",
"Wolfgang Amadeus Mozart"
] | The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] (listen)), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The ... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"The Marriage of Figaro",
"instance of",
"dramatico-musical work"
] | Synopsis
The Marriage of Figaro continues the plot of The Barber of Seville several years later, and recounts a single "day of madness" (la folle journée) in the palace of Count Almaviva near Seville, Spain. Rosina is now the Countess. Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosin... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"The Marriage of Figaro",
"has part(s)",
"Se vuol ballare"
] | The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] (listen)), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The ... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"The Marriage of Figaro",
"has part(s)",
"Non più andrai"
] | Cherubino then arrives and after describing his emerging infatuation with all women, particularly with his "beautiful godmother" the Countess, (aria: "Non so più cosa son" – "I don't know anymore what I am") asks for Susanna's aid with the Count. It seems the Count is angry with Cherubino's amorous ways, having discove... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"The Marriage of Figaro",
"characters",
"Figaro"
] | The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] (listen)), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The ... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"The Marriage of Figaro",
"characters",
"Count Almaviva"
] | The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] (listen)), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The ... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"The Marriage of Figaro",
"characters",
"Basilio"
] | Cherubino then arrives and after describing his emerging infatuation with all women, particularly with his "beautiful godmother" the Countess, (aria: "Non so più cosa son" – "I don't know anymore what I am") asks for Susanna's aid with the Count. It seems the Count is angry with Cherubino's amorous ways, having discove... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Piano Concerto No. 19 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | The Piano Concerto No. 19 in F major, K. 459 by Wolfgang Amadeus Mozart was written at the end of 1784: Mozart's own catalogue of works records that it was completed on 11 December (works surrounding it in the Köchel catalogue are K. 458, the "Hunt" quartet and K. 464, the fifth of the Haydn set). It is occasionally kn... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Piano Concerto No. 19 (Mozart)",
"form of creative work",
"piano concerto"
] | The Piano Concerto No. 19 in F major, K. 459 by Wolfgang Amadeus Mozart was written at the end of 1784: Mozart's own catalogue of works records that it was completed on 11 December (works surrounding it in the Köchel catalogue are K. 458, the "Hunt" quartet and K. 464, the fifth of the Haydn set). It is occasionally kn... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Piano Concerto No. 19 (Mozart)",
"instance of",
"musical work/composition"
] | The Piano Concerto No. 19 in F major, K. 459 by Wolfgang Amadeus Mozart was written at the end of 1784: Mozart's own catalogue of works records that it was completed on 11 December (works surrounding it in the Köchel catalogue are K. 458, the "Hunt" quartet and K. 464, the fifth of the Haydn set). It is occasionally kn... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Symphony No. 19 (Mozart)",
"instance of",
"musical work/composition"
] | Symphony No. 19 in E-flat major, K. 132, is a symphony composed by Wolfgang Amadeus Mozart in July 1772.Structure
The symphony is scored for two oboes, four horns (two of them uniquely written in E-flat alto), and strings.There are four movements:Allegro, 44
Andante, 38
Menuetto – Trio, 34
Allegro, 22The first movement... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Così fan tutte",
"composer",
"Wolfgang Amadeus Mozart"
] | Così fan tutte, ossia La scuola degli amanti (All Women Do It, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote Le nozze di Figaro and ... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"Così fan tutte",
"genre",
"opera"
] | Così fan tutte, ossia La scuola degli amanti (All Women Do It, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote Le nozze di Figaro and ... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Così fan tutte",
"form of creative work",
"opera"
] | Così fan tutte, ossia La scuola degli amanti (All Women Do It, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote Le nozze di Figaro and ... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Così fan tutte",
"genre",
"opera buffa"
] | Così fan tutte, ossia La scuola degli amanti (All Women Do It, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote Le nozze di Figaro and ... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Così fan tutte",
"based on",
"Metamorphoses"
] | Synopsis
Mozart and Da Ponte use the theme of "fiancée swapping", which dates back to the 13th century; notable earlier versions are found in Boccaccio's Decameron and Shakespeare's play Cymbeline. Elements from Shakespeare's The Merchant of Venice and The Taming of the Shrew are also present. Furthermore, it incorpora... | based on | 133 | [
"derived from",
"inspired by",
"modeled after",
"constructed from",
"built upon"
] | null | null |
[
"Così fan tutte",
"characters",
"Dorabella"
] | Act 1
Scene 1: A coffeehouse
In a cafe, Ferrando and Guglielmo (two officers) express certainty that their fiancées (Dorabella and Fiordiligi, respectively) will be eternally faithful. Don Alfonso expresses skepticism and claims that there is no such thing as a faithful woman. He lays a wager with the two officers, cla... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Così fan tutte",
"instance of",
"dramatico-musical work"
] | Così fan tutte, ossia La scuola degli amanti (All Women Do It, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote Le nozze di Figaro and ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Die Entführung aus dem Serail",
"instance of",
"dramatico-musical work"
] | Everyone abuses Stephanie. It may be the case he is only friendly to my face. But after all he is preparing the libretto for me – and, what is more, exactly as I want it – and by Heaven, I don't ask anything more of him.
With the delays for rewriting, the composition took several more months. The premiere took place on... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Die Entführung aus dem Serail",
"language of work or name",
"German"
] | Die Entführung aus dem Serail (German: [diː ʔɛntˈfyːʁʊŋ ʔaʊ̯s deːm zeˈʁaɪ̯]) (K. 384; The Abduction from the Seraglio; also known as Il Seraglio) is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's Belmont und Constanze, oder Die... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"Die Entführung aus dem Serail",
"genre",
"opera"
] | Everyone abuses Stephanie. It may be the case he is only friendly to my face. But after all he is preparing the libretto for me – and, what is more, exactly as I want it – and by Heaven, I don't ask anything more of him.
With the delays for rewriting, the composition took several more months. The premiere took place on... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Die Entführung aus dem Serail",
"form of creative work",
"opera"
] | Character
Die Entführung aus dem Serail is in the genre of "Singspiel", thus the music lacks recitatives and consists entirely of set numbers. As Spike Hughes notes, the action is mostly carried forward by the spoken dialogue, so the libretto gave Mozart little opportunity to display an achievement for which his later ... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Die Entführung aus dem Serail",
"characters",
"Belmonte"
] | Act 3
Belmonte and Pedrillo come to the garden with ladders (Aria, Belmonte: "Ich baue ganz auf deine Stärke" – "Love, only love, can now direct me"). Pedrillo attracts the attention of the women by singing a ballad about a rescue similar to the one he is planning (Romanze, Pedrillo: "In Mohrenland gefangen war" – "In ... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Die Entführung aus dem Serail",
"characters",
"Pedrillo"
] | Die Entführung aus dem Serail (German: [diː ʔɛntˈfyːʁʊŋ ʔaʊ̯s deːm zeˈʁaɪ̯]) (K. 384; The Abduction from the Seraglio; also known as Il Seraglio) is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's Belmont und Constanze, oder Die... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Die Entführung aus dem Serail",
"genre",
"singspiel"
] | Everyone abuses Stephanie. It may be the case he is only friendly to my face. But after all he is preparing the libretto for me – and, what is more, exactly as I want it – and by Heaven, I don't ask anything more of him.
With the delays for rewriting, the composition took several more months. The premiere took place on... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Die Entführung aus dem Serail",
"characters",
"Osmin"
] | Act 1
After a lively overture Belmonte enters, looking for his betrothed, Konstanze, who, with her English servant, Blonde, has fallen into the hands of pirates and been sold to Pasha Selim (Aria: "Hier soll ich dich denn sehen" – "Here surely I must find her"). Osmin, the Pasha's bad-tempered servant, comes to pluck f... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Piano Concerto No. 20 (Mozart)",
"composer",
"Wolfgang Amadeus Mozart"
] | The Piano Concerto No. 20 in D minor, K. 466, was composed by Wolfgang Amadeus Mozart in 1785. The first performance took place at the Mehlgrube Casino in Vienna on 11 February 1785, with the composer as the soloist.Background
A few days after the first performance, the composer's father, Leopold, visiting in Vienna, w... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
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