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The Litigators is said to be " an amusing and appalling look into the machinations of a nationwide class @-@ action suit , " according to Tobin Harshaw of Bloomberg L.P. The Wall Street Journal 's Christopher John Farley noted that the book is lighter than Grisham 's other works . Publishers Weekly called it a " bitingly farcical look at lawyers at the bottom of the food chain " . CNN described the book as an original perspective of " the best and worst the American system of justice has to offer " . Louis Bayard of The Washington Post , who described himself as someone who abandoned Grisham after his first three novels , noted that this book might be a good starting point for those who have tired of Grisham . Andrea Simakis of The Plain Dealer describes the book as a " heartier meal " than Grisham 's usual " potato @-@ chip fiction " . Publishers Weekly also notes that the fairy tale ending is not really in keeping with the introduction 's dark humor . Rick Arthur of The United Arab Emirates publication The National describes the book unfavorably as a cross between prior Grisham works The Street Lawyer and The King of Torts and similarly describes the protagonist unfavorably to those of The Firm and The Rainmaker . Geoffrey Wansell of the Daily Mail presented one of the more favorable reviews describing the book as " a spectacular return to form , displaying the clarity and passion that were there in his first thrillers but seemed to ebb away . " Wansell notes that Grisham returned to one of his seminal themes of the idealistic young lawyer fighting with the realization that corporations only care about maximizing profits .
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The book has been derided for its lack of suspense . Carol Memmott of USA Today says that Grisham 's latest attempt to capture the spirit of the legal David and Goliath story is missing " the ratcheting @-@ up of suspense " that he has employed successfully in recent adult and youth novels . Harshaw claims that the book is lacking in the suspense that made The Firm so successful . Arthur finds elements of the plot implausible and the story unsuspenseful as well as unsatisfying . Although the book is somewhat predictable , Bayard notes that " Grisham swerves clear of the usual melodramatic devices . Corporations aren ’ t intrinsically venal ; plaintiffs aren ’ t lambent with goodness . And best of all , no one is murdered for stumbling Too Close to the Truth . "
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Some sources noted that the book has potential to become an adapted screenplay . Irish Independent describes Grisham 's new book as " following his usual route to the bestsellers list " and projects it as a candidate to be his next Hollywood film . Although it is standard Grisham fare , Independent noted that it provides the usual thrills in Grisham 's comfortable legal world and should be a gripping read for his usual fans . The Sunday Express noted that the book could be readily converted to a screenplay , but its critic , Robin Callender Smith , viewed the " ambulance chasing " ethos as a foreign thing that Brits might have to worry about in the near future .
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Simakis praised the book for having more depth of character than Grisham 's novels customarily do . She compares the protagonist to Mitch McDeere from The Firm and Rudy Baylor from The Rainmaker . Memmott says that most of the claimants that they find are unsympathetic , but a few are from somewhat sympathetic immigrant families . Simakis notes that Wally trades sex for legal services with one claimant . Harshaw says that the book is a bit sentimental and comparatively lacking in terms of secondary character development for Grisham . Larry Orenstein of Canada 's Globe and Mail notes that on the dramatic scale this book has instances of laugh out loud humor that make it more like Boston Legal than The Practice , which Boston Legal was spun off from .
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= = Commercial success = =
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According to The Huffington Post , this book is the ninth best @-@ selling fiction book of the year in 2011 , while according to the USA Today this was the 16th best selling book overall in 2011 . According to Amazon.com the book was the number eight overall best seller .
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= = = Hardcover = = =
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It immediately was listed as the Publishers Weekly # 1 best @-@ seller among fiction hardcover books according to Reuters . It was also listed as the # 1 best @-@ seller by The New York Times in the November 13 , 2011 book review section for the week ending October 29 , 2011 for Hardcover Fiction , E @-@ Book Fiction , Combined Hardcover & Paperback Fiction , and the Combined Print and E @-@ Book Fiction . It dropped from the # 1 position in its second week on the list . It remained on the Combined Hardcover & Paperback Fiction list until the February 19 , 2012 list ( 15 weeks ) for the week ending February 4 . It remained on both the Hardcover Fiction list and the Combined Print and E @-@ Book Fiction list until the February 26 list ( 16 weeks ) for the week ending February 11 . It remained on the E @-@ Book Fiction list until the March 11 list ( 18 weeks ) for the week ending February 25 .
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The Wall Street Journal announced that on Saturday October 29 , it would begin incorporating digital book sales in its best seller lists . When the book debuted in The Wall Street Journal list on November 5 for the week ending October 30 , it was listed first in Hardcover Fiction , Fiction E @-@ Books and Fiction Combined . It retained the hardcover lead the following week , but lost the other leads . After two weeks it was surpassed on the hardcover list as well . It remained on The Wall Street Journal Hardcover Fiction , Fiction E @-@ Books and Fiction Combined best seller lists until the January 7 listing for the week ended on January 1 , 2012 .
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The book was released the day after Walter Isaacson 's biography of Steve Jobs , entitled Steve Jobs , was released by Simon & Schuster . Jobs had died on October 5 and the release date was moved forward . The Jobs book 's release had been moved forward twice ; It had been moved from spring 2012 to November 21 after Jobs stepped down and then to the October 24 date after his death . When The Litigators debuted on November 3 on the USA Today best @-@ seller list , which does not separate fiction and non @-@ fiction , it debuted at number 2 behind the Jobs book .
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= = = Paperback = = =
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It debuted at # 1 on the New York Times Paperback Mass @-@ Market Fiction Best Sellers list on July 15 , 2012 ( reflecting sales for the week ending June 30 , 2012 ) . The book remained at # 1 until the August 12 list ( reflecting sales of the week ending July 28 , 2012 ) , making a five @-@ week run . It continued to appear on the list until the January 13 , 2013 list ( reflecting sales for the week ending December 29 , 2012 ) . On the USA Today list , which include fiction and non @-@ fiction as well as hardcover and paperback , it debuted at # 10 in the week of July 5 , following its paperback release .
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= Stanley Green =
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Stanley Owen Green ( 22 February 1915 – 4 December 1993 ) , known as the Protein Man , was a human billboard who became a well @-@ known figure in central London in the latter half of the 20th century .
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Green patrolled Oxford Street in the West End for 25 years , from 1968 until 1993 , with a placard recommending " protein wisdom " , a low @-@ protein diet that he said would dampen the libido and make people kinder . His 14 @-@ page pamphlet , Eight Passion Proteins with Care , sold 87 @,@ 000 copies over 20 years .
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Green 's campaign to suppress desire , as one commentator called it , was not always popular , but he became one of London 's much @-@ loved eccentrics . The Sunday Times interviewed him in 1985 , and his " less passion from less protein " slogan was used by the fashion house Red or Dead .
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When he died at the age of 78 , the Daily Telegraph , Guardian and Times published his obituary , and the Museum of London added his pamphlets and placards to their collection . In 2006 his biography was included in the Oxford Dictionary of National Biography .
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= = Early life = =
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Green was born in Harringay , north London , the youngest of four sons of Richard Green , a clerk for a bottle stopper manufacturer , and his wife , May . He attended Wood Green School before joining the Royal Navy in 1938 .
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Philip Carter writes in the Oxford Dictionary of National Biography that Green 's time with the Navy affected him deeply . He was shocked by the obsession with sex . " I was astonished when things were said quite openly – what a husband would say to his wife when home on leave " , he told the Sunday Times " A Life in the Day " column in 1985 . " I 've always been a moral sort of person . "
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After leaving the Navy in September 1945 , Green worked for the Fine Art Society . In March 1946 , Carter writes , he failed the entrance exam for the University of London , then worked for Selfridges and the civil service , and as a storeman for Ealing Borough Council . He said that he had lost jobs twice because he had refused to be dishonest . In 1962 he held a job with the post office , then worked as a self @-@ employed gardener until 1968 when he began his anti @-@ protein campaign . He lived with his parents until they died , his father in 1966 and his mother the following year , after which he was given a council flat in Haydock Green , Northolt , north London .
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= = His mission = =
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= = = On the streets = = =
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Green began his mission in June 1968 , at the age of 53 , initially in Harrow on Saturdays , becoming a full @-@ time human billboard six months later on Oxford Street . He cycled there from Northolt with a sandwich board attached to the bicycle , a journey of 12 miles ( 19 km ) that could take up to two hours , until he was given a bus pass when he turned 65 .
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He rose early , and after porridge for breakfast made bread that would rise while he was on patrol , ready for his evening meal . Otherwise his diet consisted of steamed vegetables and pulses , and a pound of apples a day . Lunch was prepared on a Bunsen burner and eaten at 2 : 30 in a " warm and secret place " near Oxford Street .
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From Monday to Saturday he walked up and down the street until 6 : 30 pm , reduced to four days a week from 1985 . Saturday evenings were spent with the cinema crowds in Leicester Square . He would to go to bed at 12 : 30 am after saying a prayer . " Quite a good prayer , unselfish too " , he told the Sunday Times . " It is a sort of acknowledgment of God , just in case there happens to be one . "
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Peter Ackroyd wrote in London : The Biography that Green was for the most part ignored , becoming " a poignant symbol of the city 's incuriosity and forgetfulness " . He was arrested for public obstruction twice , in 1980 and 1985 . " The injustice of it upsets me " , he said , " because I 'm doing such a good job " . He took to wearing overalls to protect himself from spit , several times finding it on his hat at the end of the day .
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= = = Writing = = =
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Sundays were spent at home producing Eight Passion Proteins on his printing press . Waldemar Januszczak described it as worthy of Heath Robinson , who was known for his cartoons of ancient contraptions . The racket caused trouble between Green and his neighbours .
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Noted for its eccentric typography , Eight Passion Proteins went through 52 editions between 1973 and 1993 . Green sold 20 copies on weekdays and up to 50 on Saturdays ( for 10 pence in 1980 and 12 pence 13 years later ) , a total of 87 @,@ 000 copies by February 1993 , according to Carter . He sent copies to those in the public eye , including five British prime ministers , the Prince of Wales , the Archbishop of Canterbury , and Pope Paul VI .
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The booklet argued that " those who do not have to work hard with their limbs , and those who are inclined to sit about " will " store up their protein for passion " , making retirement , for example , a period of increased passion and marital discord . He left several unpublished manuscripts , including a novel , Behind the Veil : More than Just a Tale ; a 67 @-@ page text called Passion and Protein ; and a 392 @-@ page version of Eight Passion Proteins , which , Carter writes , was rejected by Oxford University Press in 1971 .
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= = Posthumous recognition = =
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Green enjoyed his local fame . The Sunday Times interviewed him in 1985 for its " A Life in the Day " feature , and some of his slogans , including " less passion from less protein " were used on dresses and t @-@ shirts by the London fashion house Red or Dead .
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When he died in 1993 at the age of 78 , the Daily Telegraph , Guardian and Times all published obituaries . His letters , diaries , pamphlets and placards were given to the Museum of London ; other artefacts went to the Gunnersbury Park Museum . His printing press was featured in Cornelia Parker 's exhibition " The Maybe " ( 1995 ) at the Serpentine Gallery , along with Robert Maxwell 's shoelaces , one of Winston Churchill 's cigars and Tilda Swinton in a glass box . In 2006 he was given an entry in the Oxford Dictionary of National Biography .
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Two decades after his death Green was still remembered by writers and bloggers , fondly for the most part , although not invariably so . Artist Alun Rowlands ' documentary fiction , 3 Communiqués ( 2007 ) , portrayed him as trawling the streets of London , " campaigning for the suppression of desire " . Musician Martin Gordon included a track about Green on his 2013 album , Include Me Out .
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= Sclerodermatineae =
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Sclerodermatineae is a suborder of the fungal order Boletales . Circumscribed in 2002 by mycologists Manfred Binder and Andreas Bresinsky , it contains nine genera and about 80 species . The suborder contains a diverse assemblage fruit body morphologies , including boletes , gasteroid forms , earthstars ( genus Astraeus ) , and puffballs . Most species are ectomycorrhizal , although the ecological role of some species is not known with certainty . The suborder is thought to have originated in the late Cretaceous ( 145 – 66 Ma ) in Asia and North America , and the major genera diversified around the mid Cenozoic ( 66 – 0 Ma ) .
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= = Taxonomy = =
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The Sclerodermatineae was first legitimately used by Manfred Binder and Andreas Bresinsky in 2002 based on molecular analyses of nuclear ribosomal large subunit ( 25S ) rRNA sequences from 60 species of Boletales . This research was an extension of Binder 's 1999 graduate work , in which he argued for the need to recognize the molecular differences of the sclerodermatoid fungi . Sclerodermatineae is one of six lineages of the Boletales recognized as a suborder ; the others are the Boletineae , Paxillineae , Suillineae , Tapinellineae , and Coniophorineae . Of the nine genera assigned to the Sclerodermatineae , three are hymenomycetes ( Boletinellus , Gyroporus , and Phlebopus ) , and six are gasteroid ( Astraeus , Calostoma , Diplocystis , Pisolithus , and Scleroderma ) . Since the suborder 's original description , there have been several phylogenetic studies investigating the Sclerodermatineae . Some studies have revealed the existence of numerous cryptic species and have contributed to taxonomic expansion of the group . The " core " Sclerodermatineae include the genera Astraeus , Calostoma , Scleroderma , Pisolithus , Diplocystis , Tremellogaster ( all gasteroid ) , and the boletoid genus Gyroporus ; Phlebopus and Boletinellus resolved as sister to this core group .
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As of 2012 , there are an estimated 78 species in the Sclerodermatineae . The type of the suborder is the family Sclerodermataceae ; other families in the suborder are the Boletinellaceae , Diplocystaceae , and the Gyroporaceae .
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Boletinellaceae
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Boletinellus ( 2 species )
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Phlebopus ( 12 species )
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Diplocystaceae
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Astraeus ( 5 species )
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Diplocystis ( 1 species )
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Endogonopsis ( 1 species )
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Tremellogaster ( 1 species )
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Gyroporaceae
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Gyroporus ( 10 species )
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Sclerodermataceae
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Calostoma ( 15 species )
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Chlorogaster ( 1 species )
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Favillea ( 1 species )
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Horakiella ( 1 species )
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Pisolithus ( 5 species )
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Scleroderma ( about 30 species )
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Based on ancestral reconstruction studies , the earliest ( basal ) members of the Sclerodermatineae originated in the late Cretaceous ( 145 – 66 Ma ) . The major genera diversified near the mid Cenozoic ( 66 – 0 Ma ) . Asia and North America are the most probable ancestral areas for all Sclerodermatineae , and Pinaceae and angiosperms ( primarily rosids ) are the most probable ancestral hosts .
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= = Description = =
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Members of the Sclerodermatineae have fruit body shapes ranging from boletoid ( with a cap , stipe , and tubes on the underside of the cap ) to gasteroid . Boletoid fruit bodies sometimes have hollow stipes with a surface that is smooth to somewhat furfuraceous ( covered with flaky particles ) , and lack the reticulation ( a net @-@ like pattern of interlacing lines ) characteristic of some members of the Boletaceae . The pores are merulioid ( wrinkled with low , uneven ridges ) , boletinoid , and either fine or coarse . The flesh is usually whitish to yellowish , and some species exhibit a blue staining reaction upon injury . In mass , spores are yellow ; microscopically , the spores are ellipsoid in shape and have a smooth surface .
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Gasteroid fruit body types are either roughly spherical or tuberous , occasionally with stipes , and usually have a peridium that is either simple or multi @-@ layered . Mature gasteroid fruit bodies generally open irregularly at maturity to expose a powdery gleba with a color ranging from white to yellow or black @-@ brown to black . Capillitia are generally absent from the gleba . Spores are spherical or nearly so , and have a surface texture that ranges from smooth to wart @-@ like and spiny , or sometimes with reticulations . Hyphae have clamp connections .
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= = Morphological diversity = =
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A distinguishing feature of the Sclerodermatineae is the diversity of morphologies within the group . The hymenomycete genera Boletinellus , Gyroporus , and Phlebopus are typical boletes with a cap and stipe . However , each of the gasteroid Sclerodermatineae has a distinct morphology . Species of Astraeus have an " earthstar " morphology where the outer peridium peels back in sections . The gleba of Pisolithus is partitioned into hundreds of membranous chambers . Scleroderma is a simple puffball with a thin outer skin and a powdery gleba at maturity . Diplocystis and Tremellogaster are each distinct in their morphologies : the former comprises compound fruit bodies each with 3 – 60 spore sacs crowded together , while the latter forms a roughly spherical sporocarp with a thick multi @-@ layered peridium . Calostoma ( Greek for " pretty mouth " ) is morphologically distinct from other gasteroid members , having a fruit body that forms a globed , spore @-@ bearing head composed of a three @-@ layered peridium . About two @-@ thirds of Sclerodermatineae species have a gasteroid morphology , although this may be an underestimate due to the existence of cryptic species that have yet to be formally described . For example , studies of the gasteroid genera Astraeus and Pisolithus indicate the existence of numerous cryptic taxa .
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= = Ecology = =
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The mycorrhizal associations of several Sclerodermatineae genera have been established . Studies have demonstrated that Astraeus , Pisolithus , and Scleroderma form ectomycorrhizal associations with both angiosperms and gymnosperms . Previously thought to be saprophytic , the Calostomataceae were determined to be ectomycorrhizal with Fagaceae and Myrtaceae using isotopic and molecular analyses . Species from the genera Pisolithus and Scleroderma have been used in forestry as mycorrhizal inocula to help promote the growth and vigor of young seedlings .
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As a group , the Sclerodermatineae have a broad distribution , and some genera ( Pisolithus and Scleroderma ) have been found on all continents except Antarctica .
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= = = Cited literature = = =
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Kirk PM , Cannon PF , Minter DW , Stalpers JA ( 2008 ) . Dictionary of the Fungi ( 10th ed . ) . Wallingford , UK : CAB International . ISBN 978 @-@ 0 @-@ 85199 @-@ 826 @-@ 8 .
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= SM U @-@ 3 ( Austria @-@ Hungary ) =
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SM U @-@ 3 or U @-@ III was the lead boat of the U @-@ 3 class of submarines or U @-@ boats built for and operated by the Austro @-@ Hungarian Navy ( German : Kaiserliche und Königliche Kriegsmarine or K.u.K. Kriegsmarine ) before and during the First World War . The submarine was built as part of a plan to evaluate foreign submarine designs , and was built by Germaniawerft of Kiel , Germany .
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U @-@ 3 was authorized in 1906 , begun in March 1907 , launched in August 1908 , and towed from Kiel to Pola in January 1909 . The double @-@ hulled submarine was just under 139 feet ( 42 m ) long and displaced between 240 and 300 tonnes ( 260 and 330 short tons ) , depending on whether surfaced or submerged . The design of the submarine had poor diving qualities and several modifications to U @-@ 3 's diving planes and fins occurred in her first years in the Austro @-@ Hungarian Navy . Her armament , as built , consisted of two bow torpedo tubes with a supply of three torpedoes , but was supplemented with a deck gun in 1915 .
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The boat was commissioned into the Austro @-@ Hungarian Navy in September 1909 , and served as a training boat — sometimes making as many as ten cruises a month — through the beginning of the First World War in 1914 . At the start of that conflict , she was one of only four operational submarines in the Austro @-@ Hungarian Navy U @-@ boat fleet . Over the first year of the war , U @-@ 3 conducted reconnaissance cruises out of Cattaro . On 12 August 1915 , U @-@ 3 was damaged after an unsuccessful torpedo attack on an Italian armed merchant cruiser and , after she surfaced the next day , was sunk by a French destroyer . U @-@ 3 's commanding officer and 6 men died in the attack ; the 14 survivors were captured .
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= = Design and construction = =
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U @-@ 3 was built as part of a plan by the Austro @-@ Hungarian Navy to competitively evaluate foreign submarine designs from Simon Lake , Germaniawerft , and John Philip Holland . The Austro @-@ Hungarian Navy authorized the construction of U @-@ 3 ( and sister ship , U @-@ 4 ) in 1906 by Germaniawerft of Kiel , Germany . U @-@ 3 was laid down on 12 March 1907 and launched on 20 August 1908 . After completion , she was towed via Gibraltar to Pola , where she arrived on 24 January 1909 .
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U @-@ 3 's design was an improved version of Germaniawerft 's design for the Imperial German Navy 's first U @-@ boat , U @-@ 1 , and featured a double hull with internal saddle tanks . The Germaniawerft engineers refined the design 's hull shape through extensive model trials .
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U @-@ 3 was 138 feet 9 inches ( 42 m ) long by 14 feet ( 4 @.@ 3 m ) abeam and had a draft of 12 feet 6 inches ( 3 @.@ 81 m ) . She displaced 240 tonnes ( 260 short tons ) surfaced and 300 tonnes ( 330 short tons ) submerged . She was armed with two bow 45 @-@ centimeter ( 17 @.@ 7 in ) torpedo tubes , and was designed to carry up to three torpedoes .
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= = Service career = =
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After U @-@ 3 's arrival at Pola in January 1909 , she was commissioned into the Austro @-@ Hungarian Navy on 12 September 1909 as SM U @-@ 3 . During the evaluation of the U @-@ 3 class conducted by the Navy , the class ' poor diving and handling characteristics were noted . To alleviate the diving problems , U @-@ 3 's fins were changed in size and shape several times , and eventually , the front diving planes were removed and a stationary stern flap was affixed to the hull . U @-@ 3 served as a training boat between 1910 and 1914 and made as many as ten cruises per month in that capacity .
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At the beginning of World War I , she was one of only four operational submarines in the Austro @-@ Hungarian Navy . On 22 August 1914 , U @-@ 3 began operating reconnaissance cruises out of the naval base at Brioni , but moved a month later to Cattaro . In April 1915 , a 3 @.@ 7 @-@ centimeter ( 1 @.@ 5 in ) quick firing ( QF ) deck gun was added .
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On 10 August , U @-@ 3 departed from Cattaro for what would be her final time for a patrol north of Brindisi . Two days later , while returning to Cattaro from the Straits of Otranto , U @-@ 3 launched a torpedo attack on the Italian armed merchant cruiser Citta di Catania . The torpedoes missed their mark and , in the ensuing action , U @-@ 3 was rammed by Citta di Catania , which destroyed the U @-@ boat 's periscope . When she attempted to surface , she was shelled by the escorting destroyers . She submerged to escape the artillery but was further damaged by a depth charge attack from the French destroyer Bisson while resting on the seabed . When U @-@ 3 surfaced the following day , she was shelled and sunk by Bisson . Fourteen of her crew were saved and captured , but seven died in the attack , including her commander , Linienschiffsleutnant Karl Strnad . U @-@ 3 had no successes during the war .
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= The Son Also Draws =
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" The Son Also Draws " is the sixth episode of the first season of the animated comedy series Family Guy , originally aired on Fox on May 9 , 1999 . The episode follows Chris as he is ejected from the Youth Scouts , and Peter drives the family to Scout headquarters to get him readmitted . During a rest stop at a Native American casino , Lois gambles away the family car . Peter pretends to be a member of the tribe in an attempt to get it back , and is sent on a vision quest to prove his heritage , giving him and Chris an opportunity to bond .
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" The Son Also Draws " was written by Ricky Blitt and directed by Neil Affleck , both working on their first Family Guy episode . The episode guest starred actors Suzie Plakson , Kevin Michael Richardson , Fred Tatasciore and Wally Wingert . Recurring guest voice actors included writer and animator Butch Hartman and actor Patrick Bristow . Much of the episode 's humor is structured around cutaway sequences that parody popular culture , including references to Speed Racer , Happy Days , Nova , One Day at a Time , and The More You Know .
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Critical reception for the episode was mixed ; certain critics believed the episode was not an " instant classic " in contrast to the other episodes of the season but called it " memorable " and " brilliant " nevertheless , while others regarded it as the black sheep of the season . The episode caused controversy in Canada for the episode 's final gag , in which Peter states that " Canada sucks . "
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= = Plot = =
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Chris hates being in the Youth Scouts and wants to quit , but is afraid to tell his father Peter . Chris is finally kicked out when he runs over the troop leader during a Soap Box Derby . Peter insists on driving Chris and the rest of the family ( Peter 's wife Lois , their daughter Meg and their infant Stewie ) to the Youth Scout headquarters , in Manhattan , to get Chris readmitted . While they are gone , their talking dog Brian is watching Nova just as the show is interrupted to show several episodes of the sitcom One Day at a Time . He tries to change the channel , but is unable to do so ( nor he can turn the TV off ) , losing his intelligence shortly after watching a few episodes .
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The family stops at a Native American casino as Peter needs to use the bathroom , Lois quickly becomes addicted to gambling and loses the family car . After hearing that Lois has gambled the car away , Peter tries to get it back by claiming to be Native American . The doubtful Indian elders demand that he go on a vision quest to prove his heritage . Chris accompanies Peter into the wilderness , hoping to tell him that he only wants to draw instead of being in the Scouts . Delirious from hunger , Peter begins talking to anthropomorphic trees and sees a vision of his spiritual guide , Fonzie . After hearing Fonzie 's advice Peter finally listens to Chris 's complaints and realizes his son is a talented artist .
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Peter and Chris return to the casino and reclaim the car . The episode ends with Lois , Stewie , and Meg counteracting stereotypes about Native Americans , Mexicans , and Swedes , respectively , before Peter comments that " Canada sucks . "
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= = Production = =
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" The Son Also Draws " was written by Ricky Blitt , his first episode in the Family Guy series , and directed by former Simpsons director Neil Affleck , also in his first Family Guy episode . Peter Shin and Roy Allen Smith , who have since supervised other episodes of Family Guy , both acted as supervising directors on this episode . Alex Borstein , the voice of Lois , helped write this episode , making her the first female member in the Family Guy writing staff ; show creator Seth MacFarlane mentioned that her input on the character of Lois was particularly helpful . Andrew Gormley and voice actor Mike Henry acted as staff writers for this episode , while Ricky Blitt , Neil Goldman and Chris Sheridan worked as the story editors . The subplot of " The Son Also Draws " that involved Lois losing the car was based on the 1985 comedy film Lost in America . The part where Peter pretends to be an Indian to get the family car back was inspired by real @-@ life instances of people who were " 1 / 64th " Native American receiving money from wealthy casino tribes .
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In addition to the regular cast , " The Son Also Draws " featured the voices of actors Suzie Plakson , Kevin Michael Richardson , Fred Tatasciore and Wally Wingert . Recurring guest voice actors included writer and animator Butch Hartman and actor Patrick Bristow .
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= = Cultural references = =
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The television show the family is watching near the beginning of the show is an episode from the 1974 ABC sitcom Happy Days .
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When the rest of the family is gone on the trip to Manhattan , Brian watches an episode of Nova , which is interrupted by a PBS announcement that they will be showing various episodes of One Day at a Time .
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Speed and Pops from Speed Racer make an appearance at the Soap Box Derby starting line and again when the Griffins prepare to leave for Manhattan .
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When Peter has to search for his spiritual guide , it turns out to be Fonzie from Happy Days .
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The end of the episode features a parody of the The More You Know series of public service announcements .
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= = Reception = =
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Reviews for " The Son Also Draws " were mixed to favorable . In his 2008 review , Ahsan Haque of IGN rated the episode an 8 / 10 , stating that while the episode is not an " instant classic " , it is " still quite strong " and has " more than a few clever moments " . He also notes that the cutaways are " kept to a minimum " , and much of the humor comes from the storyline . He commented that the episode did not have as much laugh @-@ out @-@ loud moments as other episodes , but stated that it had bolder humor than the show would later be known for . In his review of the first volume DVD collection of Family Guy , Aaron Beierle of DVD Talk listed " The Son Also Draws " as one of the series ' " most brilliant moments " , praising the spiritual vision sequence and naming the conversation between Peter and Brian among the best moments of the series , calling the conversation " rolling @-@ on @-@ the @-@ floor funny . "
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Robin Pierson of The TV Critic , however , was far more hostile towards the episode , giving it the lowest rating of the season , a 44 out of 100 . Pierson believed the episode was " very poor " and called the storyline " lame " and " unfocussed [ sic ] , " with " a bunch of jokes to match . " The gag at the end of the episode , in which Peter states that " Canada sucks " , inspired anger from Canadian viewers of the show , which led them to send letters to the show 's producers . Ricky Blitt , the writer of the episode and the person responsible for the controversial gag , is Canadian .
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