text stringlengths 4 7.07k | text_hash stringlengths 32 32 | __index_level_0__ int64 1 1.81M |
|---|---|---|
= = = Tropical depressions = = =
| 04c3f40179cdc1a10bb91a09a5937e42 | 8,951 |
In addition to the storms which attained at least tropical storm strength in 1940 , five additional tropical depressions were analyzed by the HURDAT reanalysis project to have developed during the season . Due to their weak intensity , however , they were not added to HURDAT . On September 2 , a closed low @-@ pressure area was detected in the open Atlantic Ocean southeast of Bermuda and was analyzed as a tropical depression . At the time , the disturbance had a minimum pressure of at least 1015 mbar ( hPa ; 29 @.@ 98 inHg ) . The depression initially moved to the southeast , but later recurved towards the northwest over the next two days . On September 4 , the S.S. West Kebar en route for Boston , Massachusetts reported winds of 40 mph ( 65 km / h ) , which would be considered as tropical storm @-@ force winds . The depression later moved to the northeast before it was absorbed by a stationary front on September 7 . Since there was only one report that the disturbance may have reached tropical storm intensity , it was not included in HURDAT . Later on September 10 , a trough was detected in a similar region in the Atlantic where the first depression formed . The trough later became sufficiently organized to be classified as a tropical depression . The cyclone moved slowly to the east and did not further intensify before dissipating on September 13 .
| f26b868f69639f3faffb2242241ddc67 | 8,953 |
On October 7 , a large elongated extratropical cyclone extended across the Atlantic Ocean with a pressure of at most 1015 mbar ( hPa ; 29 @.@ 98 inHg ) . The following day , the low @-@ pressure area became more narrow and well @-@ defined , with its central pressure deepening to 1000 mph ( hPa ; 29 @.@ 53 inHg ) . On October 9 , the extratropical system was analyzed to have become a tropical depression . The low moved slowly to the northeast and gradually weakened before dissipating on October 10 . On October 14 , offshore observations indicated that a tropical depression had developed north of The Bahamas . The following day , however , the depression became less defined and degenerated into a trough of low pressure . On October 16 , two ships listed in the International Comprehensive Ocean @-@ Atmosphere Data Set reported winds of 40 mph ( 65 km / h ) off the coast of North Carolina . However , since these reports occurred in a higher pressure gradient , the system was not included in HURDAT .
| 05af7eb7aadf6cfcc972812a2fc1f2f3 | 8,954 |
On November 2 , a trough of low @-@ pressure was analyzed near the Lesser Antilles . The system moved westward into the Caribbean Sea without much organization . On November 7 , the low @-@ pressure area moved south of Cuba and became sufficiently organized to be considered a tropical depression with a pressure of at least 1010 mbar ( hPa ; 29 @.@ 83 inHg ) . The depression moved over Cuba and into the Atlantic , where it dissipated the following day . On November 9 , a second system was detected northeast of Bermuda with a pressure of 1005 mbar ( hPa ; 29 @.@ 68 inHg ) , though it remained unclear whether the two systems were related .
| edf7e339146319b878dd80a56c1a27a5 | 8,955 |
= = Season effects = =
| c4f958ef2f011a241fd4af4ca04652d4 | 8,957 |
= Ode to a Nightingale =
| d08f06886ea06d6679c78477be8e4733 | 8,961 |
" Ode to a Nightingale " is a poem by John Keats written either in the garden of the Spaniards Inn , Hampstead , London or , according to Keats ' friend Charles Armitage Brown , under a plum tree in the garden of Keats ' house at Wentworth Place , also in Hampstead . According to Brown , a nightingale had built its nest near the house Keats and Brown shared in the spring of 1819 . Inspired by the bird 's song , Keats composed the poem in one day . It soon became one of his 1819 odes and was first published in Annals of the Fine Arts the following July .
| 693a6b3ca9fc8cf8a4837944035dee1a | 8,963 |
" Ode to a Nightingale " is a personal poem that describes Keats 's journey into the state of negative capability . The tone of the poem rejects the optimistic pursuit of pleasure found within Keats 's earlier poems and , rather , explores the themes of nature , transience and mortality , the latter being particularly personal to Keats .
| e99d4f875d8aecb3c390c78219604865 | 8,964 |
The nightingale described within the poem experiences a type of death but does not actually die . Instead , the songbird is capable of living through its song , which is a fate that humans cannot expect . The poem ends with an acceptance that pleasure cannot last and that death is an inevitable part of life . In the poem , Keats imagines the loss of the physical world and sees himself dead — as a " sod " over which the nightingale sings . The contrast between the immortal nightingale and mortal man sitting in his garden , is made all the more acute by an effort of the imagination . The presence of weather is noticeable in the poem , as spring came early in 1819 , bringing nightingales all over the heath .
| 41d177df13b7890543b4de291bb6180f | 8,965 |
= = Background = =
| d514b18e9690308b2ac67a227be74a70 | 8,967 |
Of Keats 's six major odes of 1819 , " Ode to Psyche " , was probably written first and " To Autumn " written last . Sometime between these two , he wrote " Ode to a Nightingale " . It is possible that " Ode to a Nightingale " was written between 26 April and 18 May 1819 , based on weather conditions and similarities between images in the poem and those in a letter sent to Fanny Keats on May Day . The poem was composed at the Hampstead house Keats shared with Brown , possibly while sitting beneath a plum tree in the garden . According to Keats ' friend Brown , Keats finished the ode in just one morning : " In the spring of 1819 a nightingale had built her nest near my house . Keats felt a tranquil and continual joy in her song ; and one morning he took his chair from the breakfast @-@ table to the grass @-@ plot under a plum @-@ tree , where he sat for two or three hours . When he came into the house , I perceived he had some scraps of paper in his hand , and these he was quietly thrusting behind the books . On inquiry , I found those scraps , four or five in number , contained his poetic feelings on the song of the nightingale . " Brown 's account is personal , as he claimed the poem was directly influenced by his house and preserved by his own doing . However , Keats relied on both his own imagination and other literature as sources for his depiction of the nightingale .
| a40e0fbbdee6be598f005b9c4bf8e2f5 | 8,969 |
The exact date of " Ode to a Nightingale " , as well as " Ode on Indolence " , " Ode on Melancholy " , and " Ode on a Grecian Urn " , is unknown , as Keats dated all as ' May 1819 ' . However , he worked on the four poems together , and there is a unity in both their stanza forms and their themes . The exact order the poems were written in is also unknown , but they form a sequence within their structures . While Keats was writing " Ode on a Grecian Urn " and the other poems , Brown transcribed copies of the poems and submitted them to Richard Woodhouse . During this time , Benjamin Haydon , Keats ' friend , was given a copy of " Ode to a Nightingale " , and he shared the poem with the editor of the Annals of the Fine Arts , James Elmes . Elmes paid Keats a small sum of money , and the poem was published in the July issue . The poem was later included in Keats ' 1820 collection of poems , Lamia , Isabella , The Eve of St Agnes , and Other written by pratyush Kumar
| 932b61a7d4d2c152021b799a9471e556 | 8,970 |
Poems .
| a32b7f30296d373a22124efa3af11ae6 | 8,971 |
= = Structure = =
| e86941bee721ef15e6abd6a93e41179a | 8,973 |
" Ode to a Nightingale " was probably the first of the middle set of four odes that Keats wrote following " Ode to Psyche " , according to Brown . There is further evidence of this in the structure of the poems because Keats combines two different types of lyrical poetry in an experimental way : the odal hymn and the lyric of questioning voice that responds to the odal hymn . This combination of structures is similar to that in " Ode on a Grecian Urn " . In both poems the dual form creates a sort of dramatic element within the poem . The stanza forms of the poem is a combination of elements from Petrarchan sonnets and Shakespearean sonnets .
| a618c6909f5b15688bfd1375709fba30 | 8,975 |
When it came to vowel forms , Keats incorporated a pattern of alternating historically " short " and " long " vowel sounds in his ode . In particular , line 18 ( " And purple @-@ stained mouth " ) has the historical pattern of " short " followed by " long " followed by " short " and followed by " long " . This alteration is continued in longer lines , including line 31 ( " Away ! away ! for I will fly to thee " ) which contains five pairs of alternations . However , other lines , such as line 3 ( " Or emptied some dull opiate to the drains " ) rely on a pattern of five " short " vowels followed by " long " and " short " vowel pairings until they end with a " long " vowel . These are not the only combination patterns present , and there are patterns of two " short " vowels followed by a " long " vowel in other lines , including 12 , 22 , and 59 , which are repeated twice and then followed up with two sets of " short " and then " long " vowel pairs . This reliance on vowel sounds is not unique to this ode , but is common to Keats 's other 1819 odes and his Eve of St. Agnes .
| 04a9af4a9b6bb510fb512b4245954d46 | 8,976 |
The poem incorporates a complex reliance on assonance — the repetition of vowel sounds — in a conscious pattern , as found in many of his poems . Such a reliance on assonance is found in very few English poems . Within " Ode to a Nightingale " , an example of this pattern can be found in line 35 ( " Already with thee ! tender is the night " ) , where the " ea " of " Already " connects with the " e " of " tender " and the " i " of " with " connects with the " i " of " is " . This same pattern is found again in line 41 ( " I cannot see what flowers are at my feet " ) with the " a " of " cannot " linking with the " a " of " at " and the " ee " of " see " linking with the " ee " of " feet " . This system of assonance can be found in approximately a tenth of the lines of Keats 's later poetry .
| 11b22458ec948a85ce30a26fba3c7ef5 | 8,977 |
When it came to other sound patterns , Keats relied on double or triple caesuras in approximately 6 % of lines throughout the 1819 odes . An example from " Ode to a Nightingale " can be found within line 45 ( " The grass , the thicket , and the fruit @-@ tree wild " ) as the pauses after the commas are a " masculine " pause . Furthermore , Keats began to reduce the amount of Latin @-@ based words and syntax that he relied on in his poetry , which in turn shortened the length of the words that dominate the poem . There is also an emphasis on words beginning with consonants , especially those that begin with " b " , " p " or " v " . These three consonants are relied on heavily in the first stanza , and they are used syzygically to add a musical tone within the poem .
| 9923336a3f344db6d50eb8bcf8d48eec | 8,978 |
In terms of poetic meter , Keats relies on spondee throughout his 1819 odes and in just over 8 % of his lines within " Ode to a Nightingale " , including line 12 :
| f18e1ffdf47a91de1ee88c8b482722d7 | 8,979 |
and line 25 :
| 3ff7e54ad3f4812e595a8dd61cf2159e | 8,980 |
To Walter Jackson Bate , the use of spondees in lines 31 – 34 creates a feeling of slow flight , and " in the final stanza . . . the distinctive use of scattered spondees , together with initial inversion , lend [ s ] an approximate phonetic suggestion of the peculiar spring and bounce of the bird in its flight . "
| fe5eca14967f0f91677d721d9ab493bf | 8,981 |
= = Poem = =
| ddbad28cffdde17fb1b7f8065b1727d3 | 8,983 |
My heart aches , and a drowsy numbness pains
| ff3ee6a240a6ecdd6d9a3b1570b631cc | 8,985 |
My sense , as though of hemlock I had drunk ,
| ffb988a41fac2eabb03a9c018a8d0a9f | 8,986 |
Or emptied some dull opiate to the drains
| 266326e832e3015a8269e4e7165a3674 | 8,987 |
One minute past , and Lethe @-@ wards had sunk :
| cdf1dc915375bf1560d90d655d80f108 | 8,988 |
'Tis not through envy of thy happy lot , 5
| ea261e9e9ab183cccb2f0c8bb74cf34f | 8,989 |
But being too happy in thine happiness ,
| c9ff6af7afe0432f24b7226e677d4eb0 | 8,990 |
That thou , light @-@ wingèd Dryad of the trees ,
| f556beb22d3877e48925adb02405591a | 8,991 |
In some melodious plot
| b5c90226c1b61373cc0ea2e8671510d0 | 8,992 |
Of beechen green , and shadows numberless ,
| 43690243b936e6f917f03d050edbb96c | 8,993 |
Singest of summer in full @-@ throated ease . 10
| 229b34a3854a2e3c1d11f9db5c7fa8cc | 8,994 |
O for a draught of vintage ! that hath been
| 3926c6a3a8463b378716c8e6da8d52f2 | 8,995 |
Cool 'd a long age in the deep @-@ delvèd earth ,
| 79cb2828a708bdf3bdb1ed7fdd815f39 | 8,996 |
Tasting of Flora and the country @-@ green ,
| 56a2bb6a72504e3263f9017d2250c123 | 8,997 |
Dance , and Provençal song , and sunburnt mirth !
| f95722f1139c06cb276c2211133dcff4 | 8,998 |
O for a beaker full of the warm South ! 15
| 6f60655cc18e11ab59eac4632504299b | 8,999 |
Full of the true , the blushful Hippocrene ,
| 3e6393b18735a5091d3c2fbdbf49812b | 9,000 |
With beaded bubbles winking at the brim ,
| b7dd04cc96099223edcb5939742666e1 | 9,001 |
And purple @-@ stainèd mouth ;
| 7311085d734b1a04e1cdf7287ff03af7 | 9,002 |
That I might drink , and leave the world unseen ,
| 46493b4233c37642be1cc99c1a8b84b8 | 9,003 |
And with thee fade away into the forest dim : 20
| b4019872051b221e06b42b53f0ee63ac | 9,004 |
Fade far away , dissolve , and quite forget
| c2d5c5a2fece2d6258261d6c185de134 | 9,005 |
What thou among the leaves hast never known ,
| 5a7d3eb2492a6c86ac75385600a06c1c | 9,006 |
The weariness , the fever , and the fret
| 580cafa3bee8cdc7fefed61dd6710a7e | 9,007 |
Here , where men sit and hear each other groan ;
| cb9bb9806f68cd12fdff4df071719e4c | 9,008 |
Where palsy shakes a few , sad , last grey hairs , 25
| 2e8c61cfa598d38b4d553e063cf7fc56 | 9,009 |
Where youth grows pale , and spectre @-@ thin , and dies ;
| 22d6e17a61e37bb13a07912d41208b1e | 9,010 |
Where but to think is to be full of sorrow
| 504f39db6e97f1b1c9f81f690e01231e | 9,011 |
And leaden @-@ eyed despairs ;
| a71e9ac8a88e5e7049fce05f25d7c28f | 9,012 |
Where beauty cannot keep her lustrous eyes ,
| 5ade44a154d36cf1b1e705ccfad0cc70 | 9,013 |
Or new Love pine at them beyond to @-@ morrow . 30
| a38c2feed9fe9865d18515daee7125f6 | 9,014 |
Away ! away ! for I will fly to thee ,
| 43d8af418773ec0d74b04b294b980e15 | 9,015 |
Not charioted by Bacchus and his pards ,
| 200604667d64ec61e4db5fc4c894846b | 9,016 |
But on the viewless wings of Poesy ,
| 3b0db74f6b974cb596c8f4e6b4c4ce7f | 9,017 |
Though the dull brain perplexes and retards :
| e37785063e6bdb922b82931745a416be | 9,018 |
Already with thee ! tender is the night , 35
| 506583338a5dfba0485d841fb658676f | 9,019 |
And haply the Queen @-@ Moon is on her throne ,
| 027d08c9af1501917b6535ef1404aa28 | 9,020 |
Cluster 'd around by all her starry Fays
| 290ff57b7364dafd01c008def07db03f | 9,021 |
But here there is no light ,
| c4cb645a5fdecda5d6b755f2a573ead7 | 9,022 |
Save what from heaven is with the breezes blown
| 8766b6a306e89295ed05dbe01660487c | 9,023 |
Through verdurous glooms and winding mossy ways . 40
| 4ae6168d1fb9e779fe34d57dfe2096ec | 9,024 |
I cannot see what flowers are at my feet ,
| e99b30e4cb771da48671e58f10d625dc | 9,025 |
Nor what soft incense hangs upon the boughs ,
| 03d2ce316496df83f1e2829f0a70b4cd | 9,026 |
But , in embalmèd darkness , guess each sweet
| 888e68eceb082b873f5c05ac773a0465 | 9,027 |
Wherewith the seasonable month endows
| 82a4c2368270e980393ffcb9a12eb4d0 | 9,028 |
The grass , the thicket , and the fruit @-@ tree wild ; 45
| a4cdb392bfb1ecb74e0740b06508e649 | 9,029 |
White hawthorn , and the pastoral eglantine ;
| d1d1da9cbcf1c0a2294b47a5491b604d | 9,030 |
Fast @-@ fading violets cover 'd up in leaves ;
| f458c08798e814d45073112f4e12d1f8 | 9,031 |
And mid @-@ May 's eldest child ,
| ea176852dead5aa8d8ffd7db95a1b229 | 9,032 |
The coming musk @-@ rose , full of dewy wine ,
| c62a8e86d349d569cad69d891f243c0e | 9,033 |
The murmurous haunt of flies on summer eves . 50
| 96c19422bfa9cb5a58303b67d78fe0d7 | 9,034 |
Darkling I listen ; and , for many a time
| 8a3d0a7f7a812fdc08513cc1bae4e526 | 9,035 |
I have been half in love with easeful Death ,
| cd622c6043d8e5e8db27b20099815d58 | 9,036 |
Call 'd him soft names in many a musèd rhyme ,
| e311bdf1db0c15f3ec0a8677c8e0ff8b | 9,037 |
To take into the air my quiet breath ;
| d54fed989d273523bc06c99aabbe632a | 9,038 |
Now more than ever seems it rich to die , 55
| 03804968e99fcd08250522825ba931b8 | 9,039 |
To cease upon the midnight with no pain ,
| bb456698e29e6d0f9484af8639a4482e | 9,040 |
While thou art pouring forth thy soul abroad
| 63d84e1f0777f0a73ca37efedf2c5bf8 | 9,041 |
In such an ecstasy !
| d9b4f0e92efa63d27c0a360199d85f14 | 9,042 |
Still wouldst thou sing , and I have ears in vain —
| e83b5e136e76183d2881268d976b6368 | 9,043 |
To thy high requiem become a sod . 60
| 772bab63b7d43e50a2854689ad2cc6ef | 9,044 |
Thou wast not born for death , immortal Bird !
| deebb4a36fa0feccec660b17f97995bc | 9,045 |
No hungry generations tread thee down ;
| 0194ef1f0db03906f3a77747538a3db8 | 9,046 |
The voice I hear this passing night was heard
| 1ec0558fa24500f9fdeb2db39645859e | 9,047 |
In ancient days by emperor and clown :
| c1adcc65c6f03bbabd5f2fdf0c0a267c | 9,048 |
Perhaps the self @-@ same song that found a path 65
| 2d6d0a0c59fb296c5cbfec84ceb6d690 | 9,049 |
Through the sad heart of Ruth , when , sick for home ,
| 3cccd596464583e9f0bcf1753dd1e0d9 | 9,050 |
She stood in tears amid the alien corn ;
| 10956240516c062aede03b86c25f4718 | 9,051 |
The same that ofttimes hath
| 14f6e18b5a9f4fed1d9989ac414f7976 | 9,052 |
Charm 'd magic casements , opening on the foam
| 2e34a38c0d68854b77de70ad73282363 | 9,053 |
Of perilous seas , in faery lands forlorn . 70
| 8d67c2d36f552f188dd37f2c203498d4 | 9,054 |
Forlorn ! the very word is like a bell
| c09266001c2bf28e31a7a3540b05c8f7 | 9,055 |
To toll me back from thee to my sole self !
| d100207700840109062fe3ec387ab4d7 | 9,056 |
Adieu ! the fancy cannot cheat so well
| d9e191000cd97ed4e1e0c48603531136 | 9,057 |
As she is famed to do , deceiving elf .
| e9029548c459bb5f03d89d13ce653400 | 9,058 |
Adieu ! adieu ! thy plaintive anthem fades 75
| bd9dd1fb0f090d879490d5fde128b1fe | 9,059 |
Past the near meadows , over the still stream ,
| 0b37a8e17b95562ee4a967c4e5f2ce07 | 9,060 |
Up the hill @-@ side ; and now ' tis buried deep
| b1f91de4f71a8435d15521ad25637dbf | 9,061 |
In the next valley @-@ glades :
| a755eff2c4558c52a51d14f58d0239f3 | 9,062 |
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