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Potocka sang and Franchomme played the cello not by their own accord, but because it was what? | Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin requested that his body be opened after death (for fear of being buried alive) and his heart returned to Warsaw where it rests at the Church of the Holy Cross. He also bequeathed his unfinished notes on a... | his request | advqa_8800 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who is Solange's parent? | Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin requested that his body be opened after death (for fear of being buried alive) and his heart returned to Warsaw where it rests at the Church of the Holy Cross. He also bequeathed his unfinished notes on a... | Sand | advqa_8801 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who did Sand's child wed? | Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin requested that his body be opened after death (for fear of being buried alive) and his heart returned to Warsaw where it rests at the Church of the Holy Cross. He also bequeathed his unfinished notes on a... | Clésinger | advqa_8802 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which is not a last name, Chopin or Solange? | Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin requested that his body be opened after death (for fear of being buried alive) and his heart returned to Warsaw where it rests at the Church of the Holy Cross. He also bequeathed his unfinished notes on a... | Solange | advqa_8803 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who is not a royal: Queen Victoria, Jenny Lind, or Prince Albert? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | Jenny Lind | advqa_8804 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Where were vocals added to the piano music? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | At a concert on 7 July | advqa_8805 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which of the following was not a member of the aristocracy: Chopin, Queen Victoria or Prince Albert? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | Chopin | advqa_8806 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
How did Chopin get gigs? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | Broadwood | advqa_8807 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What else did Chopin offer, besides concerts? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | piano lessons, for which he charged the high fee of one guinea (£1.05 in present British currency) per hour, and for private recitals | advqa_8808 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What would have been a cheaper way to see Chopin play in person? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | piano lessons | advqa_8809 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which cost more, piano lessons or private recitals? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | private recitals | advqa_8810 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who is not a musician: Jenny Lind, Chopin, or Stafford? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | Stafford | advqa_8811 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who has Chopin performed beside? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | Viardot | advqa_8812 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
How did Prince Albert try to learn from Chopin? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | moved close to the keyboard to view Chopin's technique | advqa_8813 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
How would I know if I could get Chopin to teach me to play the flute? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | Chopin was also sought after for piano lessons | advqa_8814 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What instrument did Chopin play: piano or mazurkas? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | piano | advqa_8815 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What might suggest that Chopin had a high opinion of his skills? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | charged the high fee | advqa_8816 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who does the excerpt mainly focus on? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | Chopin | advqa_8817 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which currency was used to pay Chopin? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | guineas | advqa_8818 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which of the following is not a musician: Jenny Lind, Chopin or Stafford? | In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's techniq... | Stafford | advqa_8819 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What resulted from the move? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n | advqa_8820 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
The family moved, what could have triggered such a move to the Palace? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | death | advqa_8821 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
The Chopin Family also known as what received their own what? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | (Salonik Chopinów) became a museum | advqa_8822 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
How did the move impact his life? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century | advqa_8823 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What feature did they leave near? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | the south annex of the Krasiński Palace on Krakowskie Przedmieście | advqa_8824 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
The students at the boarding house had what in common that is the last thing mentioned? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | male | advqa_8825 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What impacted the artist's life? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n | advqa_8826 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What part of the country did they leave? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | from the Warsaw University building, adjacent to the Kazimierz Palace | advqa_8827 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who was not pictured in the family portraits done by Ambroży Mieroszewski in 1829? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | Emilia | advqa_8828 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
In what way was his family's business preserved for the future? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | became a museum in the 20th century | advqa_8829 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Before leaving Warsaw when did Chopin first become immortalized in art? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | 1829 | advqa_8830 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
How far away did they move? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | across the street | advqa_8831 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
At what address did Chopin live until 1830? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | the south annex of the Krasiński Palace on Krakowskie Przedmieście | advqa_8832 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Before he left Warsaw, who immortalized Chopin in art? | In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left W... | Ambroży Mieroszewski | advqa_8833 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What peculiarity in Chopin's technique was different from the one other artists back in 1841? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | His style was based extensively on his use of very independent finger technique | advqa_8834 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which of the following did Escudier not attribute to Chopin: originality, dexterity or grace? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | dexterity | advqa_8835 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What type of playing did Chopin subscribe to? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | no set technique | advqa_8836 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which of the following is not used to play the piano: hand, upper arm or school? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | school | advqa_8837 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What part of the body is the most important to playing piano, according to Chopin? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | hand, the wrist, the forearm and the upper arm | advqa_8838 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which of the following is not a music term: grace notes, dexterity or octaves? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | dexterity | advqa_8839 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What did Chopin think of the standard method of playing piano? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | refused to conform | advqa_8840 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What did Chopin love to do above all else? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | piano | advqa_8841 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What method of playing did Chopin believe in? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | no set technique | advqa_8842 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What did Chopin do that made him different from other artist of his time? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | Chopin refused to conform to a standard method of playing | advqa_8843 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What did Chopin do in order to master his style? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | One needs only to study a certain position of the hand in relation to the keys to obtain with ease the most beautiful quality of sound | advqa_8844 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
How was Chopins music described as being unique? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | distinction | advqa_8845 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What trait did Chopin consider the most important when playing music? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | dexterity | advqa_8846 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What part of the keyboard did the method Chopin used and taught include? | In 1841, Léon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of origin... | entire range of the keyboard, passages in double octaves and other chord groupings | advqa_8847 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which doctor did not think Chopin was dead? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | the third | advqa_8848 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
In what month did Chopin receive the instrument he referenced in correspondence to Pleyel in 1839? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | December | advqa_8849 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which opus did Chopin reference in correspondence to Pleyel in 1839? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | Op. 28 | advqa_8850 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which opus of Chopin's was composed on an instrument that survived the sea and bad weather? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | Op. 28 | advqa_8851 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
On what instrument did Chopin finish his Preludes on? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | I finished them on your little piano | advqa_8852 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who told Chopin he was going to die? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | doctors in Majorca | advqa_8853 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Why was Chopin unhappy with the doctors? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | the incompetence of the doctors | advqa_8854 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
How did the Pleyel piano arrive to Chopin? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | the best possible condition | advqa_8855 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What did Pleyel's piano help Chopin start? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39 | advqa_8856 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What kept Chopin from receiving his piano? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | the sea, the bad weather and the Palma customs | advqa_8857 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What made Chopin need medical attention? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | his bad health | advqa_8858 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who did the two doctors think had died? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | Chopin | advqa_8859 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
How did Chopin contact Pleyel? | On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris... | Chopin wrote | advqa_8860 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which of the following was not Chopin's pupil, Karol Mikuli or Mozart? | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | Mozart | advqa_8861 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who was something stolen from? | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | Mozart | advqa_8862 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What is a form of rubato Chopin used? | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | melody note in the right hand is delayed until after the note in the bass | advqa_8863 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Chopin never used apreggiation of the chords, but would use which one? | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | form of rubato so important to Mozart | advqa_8864 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Why are Chopins' music easy to identify? | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | rubato | advqa_8865 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which of the following people did not use rubato: Charles Rosen, Mozart or Chopin? | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | Charles Rosen | advqa_8866 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What was thought to have been more likely included in the alleged theft? | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | the older form of rubato | advqa_8867 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who does Chopin take cues from in some of his music? | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | Mozart | advqa_8868 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What is it called when someone is stealing items from another? | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | robbing | advqa_8869 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which of the following is a type of musical composition: mazurkas, rubato, or arpeggiation? | Chopin's music is frequently played with rubato, "the practice in performance of disregarding strict time, 'robbing' some note-values for expressive effect". There are differing opinions as to how much, and what type, of rubato is appropriate for his works. Charles Rosen comments that "most of the written-out indicatio... | mazurkas | advqa_8870 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
When did it become an issue whether or not executions were public? | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | Around 1890 | advqa_8871 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
When did the death penalty become not for the public to watch | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | 1890 | advqa_8872 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who could say who could watch a death penalty be carried out | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | sheriff | advqa_8873 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What were a limited amount of people permitted to do during the execution? | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | witness the hanging | advqa_8874 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What type of a ruling governs the death penalty in Missouri? | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | a statute | advqa_8875 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What was different about executions in Missouri after 1919? | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | not "public" | advqa_8876 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What Missouri law allowed sheriffs to gives passes to individuals? | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | L.1919, p. 781 | advqa_8877 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who did a sherrif allow to watch a death penalty get carried out | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | local citizens | advqa_8878 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What law disallowed the public from attending executions in Missouri? | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | L.1919, p. 781 | advqa_8879 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Where were the death penalties carried when they couldn't be done in the holding facility | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | enclosure near the jail | advqa_8880 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What were states doing to make executions private? | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | Several states enacted laws | advqa_8881 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What law was passed in Missouri in 1919? | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | L.1919, p. 781 | advqa_8882 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
In what part of the country could you no longer watch a death penalty get carried out | Around 1890, a political movement developed in the United States to mandate private executions. Several states enacted laws which required executions to be conducted within a "wall" or "enclosure" to "exclude public view." For example, in 1919, the Missouri legislature adopted a statute (L.1919, p. 781) which required,... | Missouri | advqa_8883 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What is a jury supposed to talk about when it comes to the defendant? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | defendant's mental health | advqa_8884 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What needs to be considered about the health of the defendant? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | mitigating factors regarding the defendant's mental health | advqa_8885 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Where is the Supreme Court? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | United States | advqa_8886 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
If the jury doesn't talk about the defendant's mental state it is considered doing what? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | violate the defendant's Eighth Amendment rights | advqa_8887 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which mitigating factor are we concerned with in the passage? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | mental health | advqa_8888 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What is given to the jury to help them understand the case better? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | specific explanations | advqa_8889 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What is specified to the jury? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | to weigh mitigating factors | advqa_8890 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
When does the jury need to consider mental health? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | in death penalty cases | advqa_8891 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What has to happen with regard to mitigating factors? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | the jury is to be instructed to consider mitigating factors | advqa_8892 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Where is the Court of Appeals? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | United States | advqa_8893 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What does the jury need to be given in a death penalty case? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | specific explanations | advqa_8894 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
When Courts don't brief jurors on these factors, they are essentially ignoring what? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | the defendant's Eighth Amendment rights | advqa_8895 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Which general policy connects Bigby v. Dretke to the other case that was held in the Supreme Court? | The United States Supreme Court in Penry v. Lynaugh and the United States Court of Appeals for the Fifth Circuit in Bigby v. Dretke have been clear in their decisions that jury instructions in death penalty cases that do not ask about mitigating factors regarding the defendant's mental health violate the defendant's Ei... | death penalty | advqa_8896 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Who is the plaintiff in Hill v. McDonough? | Traditionally, Section 1983 was of limited use for a state prisoner under sentence of death because the Supreme Court has held that habeas corpus, not Section 1983, is the only vehicle by which a state prisoner can challenge his judgment of death. In the 2006 Hill v. McDonough case, however, the United States Supreme C... | Hill | advqa_8897 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
Why can't Section 1983 be used to challenge a death sentence? | Traditionally, Section 1983 was of limited use for a state prisoner under sentence of death because the Supreme Court has held that habeas corpus, not Section 1983, is the only vehicle by which a state prisoner can challenge his judgment of death. In the 2006 Hill v. McDonough case, however, the United States Supreme C... | violation of the Eighth Amendment | advqa_8898 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
What is permitted to be challenged under Section 1983? | Traditionally, Section 1983 was of limited use for a state prisoner under sentence of death because the Supreme Court has held that habeas corpus, not Section 1983, is the only vehicle by which a state prisoner can challenge his judgment of death. In the 2006 Hill v. McDonough case, however, the United States Supreme C... | means by which that the judgment will be carried out | advqa_8899 | adversarial_qa | expert | adversarial_reading_comprehension | null | [] | {} |
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