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Adoration of the Magi (c. 1515–1518)–Oil on canvas, 84 × 108 cm, Pinacoteca di Brera, Milan
Saint Jerome (c. 1515–1518)–Oil on Wood 64 x 51 cm, Real Academia de Bellas Artes de San Fernando, Madrid
Madonna and Child with the Infant John the Baptist (1518)–Oil on panel, 48 x 37 cm, Museo del Prado, Madrid
Portrait of a Lady (c. 1517–1520)—Oil on canvas, 103 × 87.5 cm, Hermitage, St. Petersburg
Frescoes for Camera di San Paolo (1519)—Monastery of San Paolo, Parma
The Rest on the Flight to Egypt with Saint Francis (c. 1520)—Oil on canvas, 123.5 × 106.5 cm, Uffizi Gallery, Florence
Portrait of a man (c. 1520)–Oil on canvas, 55 x 40 cm, Museo Nacional Thyssen Bornemisza, Madrid.
Death of St. John (1520–1524)—Fresco, San Giovanni Evangelista, Parma
Madonna della Scala (c. 1523)—Fresco, 196 × 141.8 cm, Galleria Nazionale, Parma
Martyrdom of Four Saints (c. 1524)—Oil on canvas, 160 × 185 cm, Galleria Nazionale, Parma
Virgin and Child with an Angel (Madonna del Latte) (c. 1524)—Oil on wood, 68 × 56 cm, Museum of Fine Arts, Budapest
Deposition from the Cross (1525)—Oil on canvas, 158.5 × 184.3 cm, Galleria Nazionale, Parma
Noli me Tangere (c. 1525)—Oil on canvas, 130 × 103 cm, Museo del Prado, Madrid
Ecce Homo (1525–1530)—Oil on canvas, National Gallery, London
Madonna della Scodella (1525–1530)—Oil on canvas, 216 × 137 cm, Galleria Nazionale, Parma
Adoration of the Child (c. 1526)—Oil on canvas, 81 × 67 cm, Uffizi Gallery, Florence
Mystic Marriage of St. Catherine (mid-1520s)—Wood, 105 × 102 cm, Musée du Louvre, Paris
Assumption of the Virgin (1526–1530)—Fresco, 1093 × 1195 cm, Cathedral of Parma
Madonna of St. Jerome (1527–28)—Oil on canvas, 205.7 × 141 cm, Galleria Nazionale, Parma
Venus with Mercury and Cupid ('The School of Love') (c. 1528)—Oil on canvas, 155 × 91 cm, National Gallery, London
Venus and Cupid with a Satyr (c. 1528)—Oil on canvas, 188 × 125 cm, Musée du Louvre, Paris
Nativity (Adoration of the Shepherds, or Holy Night) (1528–1530)—Oil on canvas, 256.5 × 188 cm, Gemäldegalerie, Dresden
Madonna and Child with Saint George (1530–1532)—Oil on canvas, 285 × 190 cm, Gemäldegalerie, Dresden
Danaë (c. 1531)—Tempera on panel, 161 × 193 cm, Galleria Borghese, Rome
Ganymede Abducted by the Eagle (1531–32)—Oil on canvas, 163.5 × 70.5 cm, Kunsthistorisches Museum, Vienna
Jupiter and Io (1531–32)—Oil on canvas, 164 × 71 cm, Kunsthistorisches Museum
Leda with the Swan (1531–32)—Oil on canvas, 152 × 191 cm, Staatliche Museen, Berlin
Allegory of Virtue (c. 1531)—Oil on canvas, 149 × 88 cm, Musée du Louvre, Paris
Allegory of Vice (c. 1531)—Oil on canvas, 149 × 88 cm, Musée du Louvre, Paris
Selected works
References
External links
Media related to Antonio da Correggio at Wikimedia Commons
66 artworks by or after Antonio da Correggio at the Art UK site
Works by Correggio at Project Gutenberg
http://www.ibiblio.org/wm/paint/auth/correggio/
Freedberg, Sydney J. (1993). Pelican History of Art (ed.). Painting in Italy, 1500–600. Penguin Books Ltd. pp. 267–290, 412–416.
Catholic Encyclopedia article It does not cite the mythological theme pictures.
Correggio, by Estelle M. Hurll, 1901, from Project Gutenberg
Works by Correggio at www.antoniodacorreggio.org
Correggio exposition in Rome, Villa Borghese, 2008
Video—Il Duomo di Parma, Assumption of the Virgin
Dr. Julius Meyer, Antonio da Correggio
More complete list of works by Correggio (with images)
Cosimo Rosselli (Italian: [ˈkɔːzimo rosˈsɛlli]; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large frescoes on the side walls.
Though generally regarded as a lesser talent in comparison to Sandro Botticelli, Pietro Perugino, and Domenico Ghirlandaio, who were all also active at the Sistine Chapel, Rosselli was still able to win large and important commission throughout his career, a testament to his high level of activity in his native Florence. Important local commissions include a fresco in the cloister of Santissima Annunziata, Florence and those in the Chapel of the Holy Blood in Sant'Ambrogio, Florence.
Biography
Cosimo Rosselli was born in Florence. In 1453, at the age of fourteen, he became a pupil of Neri di Bicci, who also trained Cosimo's cousin Bernardo di Stefano Rosselli. A relatively early work, completed in 1469, is the panel of Saints Barbara, Matthias and John the Baptist, painted for the chapel of the German confraternity in the church of the Santissima Annunziata, Florence. Rosselli also painted a fresco in the Annunziata's forecourt and a lunette of the Annunciation in the adjoining convent.
Rosselli was one of the painters called by Pope Sixtus IV to Rome in 1481 to fresco the sides walls of the Sistine Chapel, together with other masters including Sandro Botticelli, Pietro Perugino and Domenico Ghirlandaio. Rosselli and his collaborators, which is said to have included the young Piero di Cosimo, executed two or three frescoes: the Descent from Mount Sinai, the Last Supper, and the Sermon of the Mount. The Passage of the Red Sea was once attributed to him or Ghirlandaio but is actually by Biagio d'Antonio, who also assisted Rosselli on the Last Supper. Giorgio Vasari wrote in his Lives of the Most Excellent Painters, Sculptors, and Architects that, as opposed to the other painters who followed a common pattern in the size and style of the frescoes, Rosselli used brighter colors and a large amount of gold, which granted him the appreciation of the Pope (who, hints Vasari, was not a deep expert of art).
Giorgio Vasari mentioned other works by Rosselli, including the altarpiece of the Madonna and Child in Glory with Saints Augustine and Francis in the third chapel on the left of the nave of Sant'Ambrogio in Florence. In the same church is the Chapel of the Holy Blood with its frescoes by Rosselli, which Vasari praised highly, especially for a portrait of the young scholar Pico of Mirandola. The main scene in this chapel is a procession of the miracle-working chalice held in the very same church. Rosselli also spent some time in Lucca, where he painted several altar-pieces for various churches.
The Gemäldegalerie, Berlin has three pictures by Rosselli: a small Entombment of Christ and two altarpieces, one of the Madonna and Child with Angels, Saints and the Martyred Innocents and another of the Madonna of the Rosary.
Rosselli's chief pupil was Piero di Cosimo but he also trained Fra Bartolomeo, Mariotto Albertinelli, and Agnolo di Domenico del Mazziere.
According to Vasari, Rosselli died in 1484, but this is a mistake, as he was known to have been living on 25 November 1506.
References
Sources
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Rosselli, Cosimo". Encyclopædia Britannica. Vol. 23 (11th ed.). Cambridge University Press. pp. 745–746.
Further reading
Pope-Hennessy, John & Kanter, Laurence B. (1987). The Robert Lehman Collection I, Italian Paintings. New York, Princeton: The Metropolitan Museum of Art in association with Princeton University Press. ISBN 0870994794.{{cite book}}: CS1 maint: multiple names: authors list (link) (see index; plate 78)
== External links ==
David or Dave Martin may refer to:
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